Ryuichi Sakamoto Movies

In 1998 documentary filmmaker Seiichi Motohashi directed Nadja's Village, a chilling tale about a young woman living in an area of Belarus that was rendered uninhabitable in the wake of the 1986 Chernobyl disaster. This time around, Motohashi returns to the same region to follow the lives of a 34-year-old handicapped man named Alexei -- who narrates the film -- and parents living in the similarly afflicted village of Budische. Alexei recalls that faithful day on April 26, the day that the wind blew and the sky turned orange. Afterwards, everything was different. Miraculously, the village's spring was not contaminated, giving the village's 50-some odd remaining residents pure water to drink and bath in. The film details the grind of daily life for these villagers, showing how they live on a slim government pension which the women use to buy food and household items and the men use to buy vodka. The film ends with the mid-August Apple Festival, which owing to the advanced ages of many of the villagers, will probably be the last time this festival is celebrated. ~ Jonathan Crow, All Movie Guide

Veteran action filmmaker John Woo produces this sequel to the 2004 film Appleseed. Partners both at home and on the battlefield, Deunan, a young but skillful warrior, and Briareos, an experienced cyborg soldier, protect the utopian city of Olympus, where the last of humanity dwells in peace following a war that's killed off the rest of the world's population. As members of the elite police squad E.S.W.A.T., they take their orders from Gaia, an artificial intelligence that governs the city through the use of biologically engineered humanoids called Bioroids. Trouble stirs when Gaia engineers a new member for E.S.W.A.T. based on Briareos' DNA. The new team member, Tereus, looks and acts eerily like the old Briaros, before so much of his body was replaced with robotics following the war. Even more disconcerting, Tereus seems to have the same feelings as Briareos for Deunan! ~ Cammila Albertson, All Movie Guide

The makers of Art City, Vol. 3: A Ruling Passion features interviews with modern artists talking about their inspirations and the motifs present throughout their bodies of work. The filmmakers sit down with artists as diverse as Ed Ruscha, Louise Bourgeois, and Michael Ray Charles. ~ Perry Seibert, All Movie Guide

Brian De Palma blends the emotional netherworld of film noir with a stylish portrayal of life among the wealthy and powerful in Paris in this glossy thriller. Laure Ash (Rebecca Romijn-Stamos) is a beautiful but mysterious woman who has aligned herself with a small ring of jewel thieves, led by a man known as Black Tie (Eriq Ebouaney), who has planned a major score during the Cannes Film Festival. Sexy model Veronica (Rie Rasmussen) is scheduled to make a spectacular entrance for the screening of director Regis Wargnier's picture, wearing a body-hugging piece of jewelry worth a cool ten million dollars. Laure approaches the sexually adventurous Veronica and is able to seduce her, while at the same time stealing her diamond-studded outfit and replacing it with a carefully constructed counterfeit. Veronica, however, also makes off the loot without giving her partners their cut, and must go into hiding in order to avoid the wrath of Black Tie and his cohorts. Fate allows Laure to make her way to the United States, where in time she marries a powerful politician. Photographer Nicolas Bardo (Antonio Banderas), however, had snapped a picture of Laure while she was on the lam years before, and when he takes an assignment to get a photo of the camera-shy woman, Laure realizes Nicolas is in a position to reveal her new identity to the world -- and put the bloodthirsty Black Tie back on her trail. ~ Mark Deming, All Movie Guide

Five years in the making, this entertaining animal story is about a feisty tomcat named Chatran who wanders away from the safety of his farm in Hokkaido and encounters a series of adventures in the outside world. Director Masanori Hata is a zoologist who runs a private animal farm on Hokkaido. His love for animals shines through in his handling of his "cast" here, which features cows, bears, pigs, snakes and birds, with not a single humans in sight. (This certainly eliminated the usual hassles over percentages or salaries.) Even for non-animal lovers, Chatran's adventures, from when he's a kitten until he grows up to have a family of his own, prove to be enjoyable. This film was given English-language voiceovers by Dudley Moore, and rereleased in the U.S., in 1989, as The Adventures of Milo and Otis. ~ Eleanor Mannikka, All Movie Guide

This British biographical drama probes the life of painter Francis Bacon (1909-1992), critically acclaimed as the outstanding British painter of the latter half of the 20th Century. This unsympathetic portrait of Bacon (Derek Jacobi) begins when George Dyer (Daniel Craig), a small-time criminal from working-class East End environs, drops through a skylight to rob Bacon's studio -- and is ordered into bed by Bacon. The two become a familiar couple at Bacon's hangout, the Colony Room in Soho. Bacon's sexual interests lean toward S&M, but as the cruel Bacon loses interest in Dyer and begins to look elsewhere, the couple splits. Left to his own devices, Dyer turns to drugs and alcohol -- and a tragic suicide. Visual grotesqueries and a trancelike Ryuichi Sakamoto music score capture the essence of Bacon's work (although paintings by Bacon are not seen onscreen here). The film is told in the form of a flashback from Bacon's successful 1971 retrospective at the Grand Palais in Paris to a period in the mid-'60s. Bacon biographer Daniel Farson (The Gilded Gutter Life of Francis Bacon) served as consultant on the film. ~ Bhob Stewart, All Movie Guide

Abel Ferrara directed this erotic thriller adapted by Ferrara and Christ Zois from a short story by science fiction author William Gibson (in his Burning Chrome collection). Global corporations rule the world, and corporate raider Fox (Christopher Walken) and his deputy X (Willem Dafoe) could pocket $100 million if they can get top scientist Hiroshi (Yoshitaka Amano) to defect from one corporation to another. Fox offers singer Sandii (Asia Argento) $1 million to seduce Hiroshi away from his wife, family, and employer. An affair develops between Sandii and X, while she studies facts about Hiroshi's life. She departs on her assignment, but betrayals ensue, with Fox and X soon becoming targets themselves. With opening credits in three languages (English, German, Japanese), the soundtrack features the score-composition debut of hip-hopper Schoolly D, music which plays over a blank screen at the wrap-up (since the film has no closing credits). This Gibson short story was a property once in development by director Kathryn Bigelow. The title story of Gibson's Burning Chrome collection was planned as the second Heavy Metal movie, intended for live-action and scripted but never filmed. Shown in competition at the 1998 Venice Film Festival. ~ Bhob Stewart, All Movie Guide

Japanese '60s icon Ken Takakura stars in this beautifully photographed film about an aging railroad conductor. Sato Otomatsu (Takakura) devoted his life to making the trains run promptly in the formerly prosperous mining town of Horomai. When his colleague informs him that the unprofitable line is being closed, he reminiscences on how his workaholic ways robbed him of his personal life. Because of work, he missed the deaths of his wife and only daughter. When an enigmatic high school girl with a passion for railroads pays him a visit, his life changes in unanticipated ways. Takakura received a Best Actor award at the 1999 Montreal Film Festival for this film. ~ Jonathan Crow, All Movie Guide

Enjoy the sounds of composer/instrumentalist Sakamoto with titles such as "Calling From Tokyo," "Asadoya Yunta," "A Pile of Time," "We Love You," "You Do Me (live version)," "Tong Poo," "Okinawa Song," "We Love You" and "You Do Me" (studio version). ~ All Movie Guide

Francois Girard's adaptation of Alessandro Baricco's novel Silk stars Michael Pitt as a young Frenchman who travels to Japan at the request of a wealthy silkworm magnate who asks him to smuggle back some new worms. The mission succeeds, and this allows the man to live in great comfort with his wife (Keira Knightley). After a few years, they are unable to conceive a child, a situation that leads to the man taking on a lover during his subsequent visits to Japan. ~ Perry Seibert, All Movie Guide

After a 13-year absence, partially due to a life-threatening stroke, master filmmaker Nagisa Oshima returns to the silver screen with this revisionist samurai epic. From his first major film, Cruel Story of Youth to his most notorious work Ai no Korrida, Oshima has coupled the political and the sexual in a manner that transgresses all social norms. In this film, Oshima explores homosexuality among the ranks of the much hallowed samurai. The film is set in Kyoto in 1865 during a critical moment of Japanese history--the country's 300-year-long self-imposed isolation was coming to an abrupt halt leading to the end of the Shogunate. In its place came a more internationally-minded government with the Emperor as its nominal head. Feeling both their traditions and their grip on power threatened, samurai militia sprang up throughout the country to fight this foreign encroachment. One such group, the Shinsengumi, is auditioning new recruits at the film's opening. Commander Kondo (Yoichi Sai) and Captain Hijikata (Takeshi Kitano, a renowned filmmaker in his own right) select the ruggedly handsome Tashiro (cult actor Tadanobu Asano) and Kano (Ryuhei Matsuda), an effeminate lad with long locks and a thirst for blood. Worried about the perceived slightness of the latter, Kondo and Hijikata order Kano to perform an execution, which he does with grim aplomb. The lad's androgynous beauty soon raises the general blood pressure of the militia. While Tashiro snuggles up with him nightly, Hijikata, who suspects that something other than manly appreciation is going on between the two neophytes, also seems unduly interested in the youth. This film was screened in competition at the 2000 Cannes Film Festival. ~ Jonathan Crow, All Movie Guide

In this dystopian fable, a librarian wife and mother becomes the childbearing pawn of a Christian theocracy. In the near future, as war rages across the fictional North American Republic of Gilead and pollution has rendered 99 percent of the female population sterile, Kate (Natasha Richardson) sees her husband killed and her daughter kidnapped while trying to escape across the border. Kate herself is transformed into a handmaid -- a surrogate mother for one of the privileged but barren couples who run the country's fundamentalist regime. Although she resists being indoctrinated into the bizarre cult of the handmaids, which mixes Old Testament orthodoxy and misogynist cant with 12-step gospel and ritualized violence, Kate soon finds herself ensconced at the home of the Commander (Robert Duvall) and his frosty wife, Serena Joy (Faye Dunaway). Forced to lie between Serena Joy's legs and be penetrated impersonally each month by the Commander, Kate longs for her vanished earlier life; she soon learns that since many of the nation's powerful men are as sterile as their wives, she may have to risk the punishment for fornication -- death by hanging -- in order to sleep with another man who can provide her with the pregnancy that has become her sole raison d’être. When that other man turns out to be Nick (Aidan Quinn), the Commander's handsome, sympathetic driver, Kate grows attached to him -- and eventually pregnant with his child. Only the mysterious rebel affiliations of her fellow handmaid, Ofglen (Blanche Baker), seem to offer any chance of giving her unborn child a life of freedom -- or finding the daughter she already lost. Loosely adapted by Harold Pinter from the novel by Margaret Atwood, The Handmaid's Tale also features Elizabeth McGovern in a small but pivotal role as Moira, a "gender traitor" who befriends Kate at the handmaids' reprogramming center. ~ Brian J. Dillard, All Movie Guide

The Last Emperor is the true story of Aisin-Gioro Pu Yi, the last ruler of the Chinese Ching Dynasty. Told in flashback, the film covers the years 1908 to 1967. We first see the three-year-old Pu Yi being installed in the Forbidden City by ruthless, dying dowager Empress Tzu-Hsui (Lisa Lu). Though he'd prefer to lark about like other boys, the infant emperor is cossetted and cajoled into accepting the responsibilities and privileges of his office. In 1912, the young emperor (Tijer Tsou) forced to abdicate when China is declared a republic, is a prisoner in his own palace, "protected" from the outside world. Fascinated by the worldliness of his Scottish tutor (Peter O'Toole), Pu Yi plots an escape from his cocoon by means of marriage. He selects Manchu descendant Wan Jung (Joan Chen), who likewise is anxious to experience the 20th century rather than be locked into the past by tradition. Played as an adult by John Lone, Pu Yi puts into effect several social reforms, and also clears the palace of the corrupt eunuchs who've been shielding him from life. In 1924, an invading warlord expels the denizens of the Forbidden City, allowing Pu Yi to "westernize" himself by embracing popular music and the latest dances as a guest of the Japanese Concession in Tientsin. Six years later, his power all but gone, Pu Yi escapes to Manchuria, where he unwittingly becomes a political pawn for the now-militant Japanese government. Humiliating his faithful wife, Pu Yi falls into bad romantic company, carrying on affairs with a variety of parasitic females. During World War II, the Japanese force Pu Yi to sign a series of documents which endorse their despotic military activities. At war's end, the emperor is taken prisoner by the Russians; while incarcerated, he is forced to fend for himself without servants at his beck and call for the first time. He is finally released in 1959 and displayed publicly as proof of the efficacy of Communist re-education. We last see him in 1967, the year of his death; now employed by the State as a gardener, Pu Yi makes one last visit to the Forbidden City...as a tourist. Bernardo Bertolucci's first film after a six-year self-imposed exile, The Last Emperor was released in two separate versions: the 160-minute theatrical release, and a 4-hour TV miniseries. Lensed on location, the film won nine Academy Awards, including Best Picture and Best Director. ~ Hal Erickson, All Movie Guide