Mary Jane Carey Movies

Jean Simmons' fascinating interpretation of an uncharacteristic role is the main drawing card of Otto Preminger's Angel Face. The daughter of Charles Treymayne (Herbert Marshall), who remarried a wealthy woman (Barbara O'Neil), Diane Treymayne's (Simmons) angelic countenance masks an unbridled psychotic who'll let nothing stand in the way of her happiness. Diane arranges for Catherine's death, making it look like an auto accident. Coveting family chauffeur Frank Jessup (Robert Mitchum), Diane steals Frank away from his sweetheart Mary (Mona Freeman) and forces him to become her spiritual accomplice in her stepmother's murder. And when Diane finally realizes that she'll never, ever, be able to hold Frank, she... well, enough said. If Angel Face doesn't look like a typical early-1950s RKO Radio film, it may be because its director was borrowed from 20th Century-Fox, and its cinematographer (Harry Stradling) was a loan-out from Sam Goldwyn. ~ Hal Erickson, All Movie Guide

In their first starring feature away from the Hal Roach studios, Stan Laurel and Oliver Hardy play a couple of fish peddlers from Des Moines on a Cook's Tour of Paris. While stopping over at quaint suburban inn, Ollie falls in love with innkeeper's daughter Georgette (Jean Parker). At Stan's prodding, Ollie pops the question to Georgette, who gently refuses because there is Someone Else. Disconsolately, Ollie decides to commit suicide by jumping into the Seine, insisting that Stan join him in his plunge to oblivion. The boys are halted from this drastic action by the timely arrival of Francois (Reginald Gardiner), an officer in the French Foreign Legion. Francois convinces Stan and Ollie that they'll forget all about Ollie's lost love if they join the Legion, and within a few days our heroes are in uniform at an outpost in French Morocco, where they are promptly assigned to laundry detail. Alas, try as he might, Ollie can't forget his beloved Georgette-until Stan suggests that he pretend to forget so that they can get back in their own clothes and head home. This Ollie does, but not before accidentally setting fire to a mountain of laundry. After leaving behind a rather nasty letter of resignation for their scowling commandant (Charles Middleton), Stan and Ollie pack their bags and head for the airport-where Ollie is reunited with Georgette, who turns out to be the wife of their commanding officer Francois! Sentenced to death for desertion, the boys tunnel their way out of their jail cell and hide out in an airplane, which Stan accidentally sends into flight. After a wild and noisy ride, the plane crashes, leading to the flm's hilarious-and somehow touching--"freak" ending. Officially a remake of Les Aviateurs, a French vehicle for Fernandel and Toto, The Flying Deuces also owes a lot to the earlier Laurel & Hardy Foreign Legion farce Beau Hunks. Highlights include Stan and Ollie's impromptu soft-shoe rendition of "Shine on Harvest Moon", and Stan's lunatic excursion into Harpo Marx territory as he plays a bed-spring "harp". Produced by Boris Morros and released by RKO Radio, Flying Deuces is unquestionably the best of Laurel & Hardy's non-Hal Roach vehicles. ~ Hal Erickson, All Movie Guide

Brooklyn tugboat worker Eddie (Eddie Cantor), bullied and cowed by his tough-guy stepfather and stepbrothers (a la Harold Lloyd's The Kid Brother), inherits $77 million from his uncle, an Egyptologist. Con artist Dot (Ethel Merman) wants to get her lunchhooks on the money, and to this end offers herself as Eddie's adopted mother (never mind that she's nearly 20 years younger), intending to have her thuggish brother Louie (Warren Hymer) bump off our hero at the first opportunity. The nonsensical plotline ends up with Eddie, Dot, Louie, pompous Southern colonel Larrabee (Berton Churchill), and nominal romantic leads Jerry (George Murphy in his film debut) and Jane (Ann Sothern) trapped in the palace of Arab potentate Mulhulla (Paul Harvey). The better-than-average comic banter includes some funny bits between Cantor and Eve Sully, of the comedy team of "Block and Sully" (her husband-partner Jesse Block is also in the picture, but just barely). Spotted among the featured players in Kid Millions are such "Our Gang" members as Stymie Beard, Scotty Beckett and Tommy Bond, and there's a specialty by the Nicholas Brothers during Cantor's obligatory "blackface" number; and yes, that's Lucille Ball as a blonde Goldwyn Girl in the harem sequence. PS: According to Ethel Merman, the film's elaborate Technicolor ice-cream factory finale, in which Eddie allows dozens of tenement kids to gorge themselves on his tasty confections, posed censorship problems: while producer Sam Goldwyn was allowed to show the little boys with comically extended stomachs, he was not permitted to do so with the little girls, for fear that the audience might think the female moppets were pregnant! ~ Hal Erickson, All Movie Guide