Philippe Sarde Movies

It marked a grotesque and unseemly incident that took the European press by storm: in 2004, a young French woman came forward and claimed to have been attacked by black and Arabic thugs who mistook her for a Jew. But after her story broke, no witnesses came forward to support her, and security cameras at the train station revealed no such attack; the woman later admitted that she had ripped her own clothes, drawn swastikas on her own stomach, and fabricated the entire story. With the drama Fille du Rer, acclaimed French writer-director André Téchiné presents a thinly veiled fictionalization of the same events. Emilie Dequenne stars as Jeanne, an unemployed girl who lives with her mother (Catherine Deneuve) in a Parisian suburb and spends the majority of her free time rollerblading. She has little knowledge of -- or interest in -- history or politics, and remains withdrawn, insular, and sullen, keeping the majority of her thoughts and observations to herself. Circumstances change just a bit when Jeanne enters a live-in relationship with a beefy, thuggish, wrestler boyfriend, Franck (Nicolas Duvauchelle) living in a dingy warehouse, but violence soon erupts between the two. Jeanne ultimately takes a job for an attorney-cum-ex-boyfriend of her mother's (Michel Blanc) whose involvement in Judaic causes and politically committed family prompt even greater feelings of alienation and isolation in Jeanne. When Franck's involvement in criminal activities comes to light and the police intervene, Jeanne perversely reasons that she can only become tied to history by inventing a role for herself, and decides to fabricate said story about the train -- little realizing the calamitous consequences that it will engender. ~ Nathan Southern, All Movie Guide

A woman struggles to trust a man who has become her protector and benefactor in this French drama set during World War II. In 1940, as German troops invade France, Odile (Emmanuelle Béart), a woman who has recently lost her husband, is desperate to get her two children, Philippe (Grégoire Leprince-Ringuet) and Cathy (Clémence Meyer), away from the fighting by heading south, though the roads are choked with others eager to do the same. When the road Odile is traveling is strafed by German bombs, she and her children abandon their car and take to the woods, where they are soon joined by Yvan (Gaspard Ulliel), a headstrong teenager who is also fleeing the advancing Nazi forces. Odile isn't certain the hot-headed young man is such a good traveling companion, but Philippe wants him around to help protect the family from the Germans, and he gives him his late father's watch as an inducement to stick around. Late one night, in need of rest, Yvan finds a huge abandoned house, and he and Odile quickly take it over. The house seems to be a safe haven, and the four travelers decide to stay for a while. Philippe finds a role model in Yvan, and lonely Odile finds herself drawn to him, though, with the passage of time, she becomes eager to learn more about his past, which he hesitates to discuss. Strayed (aka Les Égarés) was adapted from the novel The Boy With Grey Eyes by Gilles Perrault. ~ Mark Deming, All Movie Guide

Raja (Najat Benssallem) is a 19-year-old Moroccan girl. An orphan, she's led a difficult life, but has gotten off the streets and lives with her cousin Nadira (Ilham Abdelwahad) and her family. Raja and Nadira are happy to get low-paying jobs working in the garden of a wealthy middle-aged Frenchman, Fred (Pascal Greggory). Fred is immediately attracted to the new girl and the other girls tease Raja about his interest, encouraging her to go after his money. Fred discusses his growing infatuation with his two elderly cooks, Oum El Aid (Oum El Aid Ait Youss) and Zineb (Zineb Ouchita), who try to discourage his interest. Because they don't speak the same language, Fred and Raja often have to rely on others to translate as they dance around each other. Fred hires Raja to be his maid, and flirts shamelessly with her. She's intrigued, and desperate to change her life, but she keeps him at a distance, uncertain of the seriousness of his interest. Raja has a boyfriend, Youssef (Hassan Khissal), who resents her relationship with the Frenchman; in addition, her brother (Abdelilah Lamrani), who pimped her out as a girl, still tries to control her life, taking a share of the money she earns. He plans for her to marry a policeman he knows. Fred struggles with his emotions. They obviously feel something for each other, but the cultural and economic differences between them may be too immense to overcome. Raja, written and directed by Jacques Doillon (Ponette), was shown at the 2003 New York Film Festival. Benssallem won the Marcello Mastroianni Award (for best first performance) at the 2003 Venice Film Festival. ~ Josh Ralske, All Movie Guide

Two people with little in common enter into a brief, impulsive love affair in this comedy-drama. Pierre (Jacques Gamblin) is the leader of an improvisational comedy team known as The Unpredictables, who specialize in blending unnoticed into social functions and large gatherings, then making comic mayhem out of their surroundings. Pierre and his partners Karim (Zinedine Soualem) and Alice (Isabelle Candelier) have been hired to provide entertainment at a conference for employees of a large pharmaceutical firm, where they'll pose as waiters and create humor out of improbable dining suggestions. One guest who is quite taken with their performance is Claire (Sandrine Bonnaire), who finds herself attracted to Pierre, even though she's been happily married for eight years and has two children at home. The morning after the conference, Claire discovers she's missed her train, and bumps into The Unpredictables; Pierre helpfully offers her a ride in their van, and Claire accepts. On a whim, Claire tags along for the troupe's next gig, a performance at a wedding reception, and the more time she spends with Pierre, the more she finds herself thinking about leaving her old life behind, if only for a while. Mademoiselle was the third feature from writer and director Philippe Lioret, one of the few movie soundmen who has graduated to directing feature films. ~ Mark Deming, All Movie Guide

In this romantic French drama, auteur Andre Techine offers an intense, intimate look inside the complex relationship between two emotionally dysfunctional people. Neither Alice (Juliette Binoche) nor Martin (Alexis Loret) seem emotionally healthy enough to sustain a relationship, but somehow they manage to stay together amidst their many personal problems. The two met in Paris, where Martin fled after escaping the oppression of his recently deceased tyrannical father. Once in the City of Light, the depressed Martin attempts suicide and later accepts an offer to stay with his half-brother Benjamin (Mathieu Amalric) and his roommate Alice, a violinist, in their ramshackle garret. Shortly thereafter, Martin is spotted by a modeling agent and finds steady work on the city's catwalks. At first, Martin and Alice do not get along. He is brutish and incapable of expressing emotion. He pursues her, but Alice is not terribly interested, until her sexual frustration and need to be loved gets the better of her, and she succumbs to his advances. She then decides to leave Benjamin and travel with Martin to a modelling assignment in Granada, Spain. There the two are briefly happy, but as time passes, Martin's self-absorption increases. Alice's announcement that she is pregnant precipitates a crisis in which Martin reveals that he caused his father's death. Unable to bear the guilt and pain any longer, he commits himself to a mental institution and then requests he be given his day in court. Alice is convinced that Martin is innocent of the crime with which he has charged himself. When he insists on going to court, she goes there to save him from himself. ~ Sandra Brennan, All Movie Guide

This period swashbuckler, set during the years 1699 to 1716, is the seventh screen adaptation of Paul Feval's 1857 serialized novel. Trained in circus stunts and fencing, Lagardere (Daniel Auteuil) becomes the bodyguard of the Duke of Nevers (Vincent Perez), whose cousin is the greedy Gonzague (Luchini). Nevers learns he is a father and plans to marry Blanche de Caylus (Claire Nebout) in order to raise an heir. Gonzague dispatches assassins to kill Nevers, Blanche, and their baby. Dying, Nevers turns the child over to Lagardere, asking him to gain revenge on his killers. The infant is a girl, and Lagardere and the child hide amidst an Italian troupe of actors. Years pass, and the young Aurore (Marie Gillain) grows up believing Lagardere is her father. When the actors arrive in Paris 16 years after Nevers death, Lagardere at last sets the stage for revenge. Swordfight choreography by Michel Carliez, son of the fight expert who trained Jean Marais for the 1959 film of Le Bossu. Shown at the 1997 Acapulco French Film Festival and the 1997 Bastia Festival of Mediterranean Cinema. ~ Bhob Stewart, All Movie Guide

During the French Resistance, Lucie, a courageous wife, struggles to save her husband, Raymond Samuel, from a firing squad. He was arrested after blowing up a train during the war. Lucie is also a freedom fighter who goes by the moniker of Aubrac. She helps free Raymond by directly threatening a prosecutor. After his release, Raymond is given a new identity and sent to continue the fight in the North. Unfortunately, he is again arrested. This time he is given the death penalty. While he awaits his sentence in jail, Lucie tries to trick the Gestapo into giving other Resistance members the chance to save Raymond. ~ Sandra Brennan, All Movie Guide

A four-year-old girl must come to terms with the loss of her mother and the reality of death in this award-winning French drama. Little Ponette (Victoire Thivisol) is riding in a car with her mother when they're involved in a serious accident; Ponette survives, but her mother does not. Her father (Xavier Beauvois) initially reacts with anger over his late wife's careless driving, while her Aunt Claire (Claire Nebout) tries to comfort the child by telling her about Jesus and the resurrection. However, none of this does much to reassure Ponette or clarify her confusion about the practical realities and spiritual dilemma posed by death. In time, Ponette and her cousins Matiaz (Matiaz Caton) and Delphine (Delphine Schiltz) are sent off to boarding school, where they have to resolve their confusion and loss on their own. Writer and director Jacques Doillon carefully coached Victoire Thivisol (who was too young to read the screenplay) through her performance; the results earned the child Best Actress honors at the 1996 Venice Film Festival. ~ Mark Deming, All Movie Guide

An eight-year old boy learns about love and betrayal in this French drama set in rural France during WW II. The boy, Francois, has moved from Paris to a quiet chateau with his parents who want to escape the stress of the war. In a nearby town, his father's mistress works as a tutor. Soon his father allows a refugee family of Polish Jews to move into the basement. They have a young daughter, and Francois has a terrible crush upon her and refuses to stay safely away from her. Real trouble begins when a Nazi commander and his unit also move into the house, totally unaware of the refugees living below them. ~ Sandra Brennan, All Movie Guide