Harry Carey, Jr. Movies

Acclaimed director Peter Bogdanovich updates his 1971 documentary Directed by John Ford for this film of the same name, produced for the Turner Classic Movies cable network. Using old interviews with the likes of John Wayne and Henry Fonda along with new ones with modern film giants like Steven Spielberg and Clint Eastwood, Bogdanovich crafts an informative tribute to one of Hollywood's most beloved and influential directors. ~ Matthew Tobey, Rovi

This British-produced documentary offers an insightful portrait of American filmmaker Howard Hawks, whose remarkable five decade long career encompassed some of Hollywood's best loved movies. Hawks' personal and professional life is recalled by such friends and co-workers as Todd McCarthy (the noted Variety film critic who penned the director's biography), Lauren Bacall, Peter Bogdanovich, Angie Dickinson, William Friedkin and Walter Hill. It is also chronicled via archival interviews and clips from his best known films. ~ Sandra Brennan, Rovi

Oscar-winning character actor Ben Johnson was never as well known as other stars, and yet for many industry insiders, he was the epitome of cowboy actors. Of Cherokee and Irish heritage, Johnson was born in Oklahoma and became a cowboy at age eleven. He grew up to become the only movie cowboy to win both an Oscar and a rodeo championship. This documentary tells the fascinating, colorful story of his life. ~ Sandra Brennan, Rovi

A high-energy action adventure based on legend rather than historical fact finds Wyatt Earp (Kurt Russell) desiring to retire from law enforcement. With brothers Virgil (Sam Elliot) and Morgan (Bill Paxton), he arrives in Tombstone, Arizona intending to build his fortune. He discovers that long-time friend Doc Holliday (Val Kilmer) is there and that the town is run by a group of brutal outlaws called the Cowboys. Earp, frustrated with his laudanum-addicted wife, begins a romance with traveling stage actress Josephine Marcus (Dana Delany). Meanwhile, the Cowboys terrorize the citizens of Tombstone unchecked.

When the town marshal is killed by a Cowboy, Earp steps in to prevent a lynching by an angry mob. He also refuses to hand the killer over to his fellows, beginning the enmity between the Cowboys and the Earp brothers. Virgil, overcome with guilt at doing nothing to help the Tombstone citizens, accepts the position of town marshal. With Wyatt and Morgan as his deputies, and the help of Doc, Virgil attempts to arrest several Cowboys, resulting in the famous OK Corral shoot-out. The Cowboys take revenge by ambushing two of the brothers and injuring Virgil and killing Morgan. The Earps leave town, apparently cowed. Wyatt returns, wearing the badge of a U.S. marshal, vowing to destroy every last Cowboy. He hunts them mercilessly, until the leader, Johnny Ringo (Michael Biehn) challenges Wyatt to a duel. While not regarded as an artistic masterpiece, "Tombstone" is considered the best of director George P. Cosmatos' prolific films. The all-star cast (including Thomas Haden Church and Billy Bob Thornton in small roles) delivers solid performances. Both William A. Fraker's cinematography and Bruce Broughton's stirring musical score are expertly designed for dramatic effect. Blood is shown liberally in several key scenes, but seems intended to show that there is nothing glorious in Wyatt Earp's actions, only necessity. He and his deputies take on the symbolism of the horsemen of the apocalypse -- dispensing judgement, and the Biblical references form a symmetry at the beginning and end of the film.
~ Lucinda Ramsey, Rovi

Harry Carey Jr. is the host for this series about the storied figures of the wild west. Legends of the American West: Cowboys & Indians is an attempt to debunk myths and stereotypes surrounding the images of cowboys and Indians. Utilizing re-enactments, archival photos, and interviews with scholars, the viewer sees that the cowboy was not always the "good guy"with a white horse, white hat, and virtues to match. Indians were not the war-crazed savages of movies, but had difficult lives in harsh environments, and were skilled craftsmen and farmers. ~ Alice Day, Rovi

Jesse James and his brother Frank James pulled off daring bank and train robberies, becoming legendary figures known the world over for their exploits. Jesse was idolized as a folk hero, some called him America's Robin Hood, while others simply called him a cold-blooded killer. Legends of the American West: Jesse James surveys the mystique surrounding James, and tries to determine the facts from the fiction. Harry Carey Jr. hosts the series, which features archival photos, film clips, and commentary from historians. ~ Alice Day, Rovi

There are many legends and stories about the notorious Billy the Kid, and this program, Legends of the American West: Cowboys & Indians seeks to separate truth from fiction. Billy the Kid's short life was filled with violence, but his origins were modest. When he was known as Henry McCarty, he was only a petty criminal, given to stealing saddles. Harry Carey Jr. hosts this look at the outlaw as he moved up to bank robbery and murder. ~ Alice Day, Rovi

In this comedy (which claims a strong pedigree -- it was written by John Sayles and directed by Bill Forsyth), Burt Reynolds plays Ernie, an aging career burglar who knows just about everything there is to know about breaking and entering. One night, Ernie has stealthily slipped into a home only to discover someone else is already there -- Mike (Casey Siemaszko), a guy in his early 20's who likes to sneak into other people's houses so he can raid their refrigerators and watch their televisions. Ernie is taken aback by Mike's recklessness, but is impressed by his skills; he's convinced the kids has the makings of a first-class thief, and offers to make him his protege. Mike agrees, and soon the two are working together, with Ernie trying to explain the importance of playing it as safe as possible while Casey follows every youthful impulse to make some fast money and throw it away just as quickly. Breaking In marked a change-of-pace role for Burt Reynolds, in which he acknowledged his age and played a character role instead of an action hero; the results garnered him some of the best notices of his career. ~ Mark Deming, Rovi

The made-for-TV Once Upon a Texas Train offers us the once-in-a-lifetime teaming of Richard Widmark, Willie Nelson and Angie Dickinson. Nelson plays a veteran outlaw who robs a bank less than 6 hours after being paroled from jail. He uses the money to reunite his old gang, then sets about to repeat the train robbery that had gotten him arrested 20 years earlier. This time, however, Nelson is himself targetted for theft by a young, hungrier band of desperadoes. Widmark plays the lawman who caught Nelson before and intends to do so again. Written and directed by the reliable Burt Kennedy, Once Upon a Texas Train premiered January 3, 1988. ~ Hal Erickson, Rovi

A once-in-a-lifetime cast of veterans performs David Berry's play about Libby Strong (Bette Davis) and Sarah Webber (Lillian Gish), widowed sisters vacationing on a Philadelphia island for their 60th consecutive summer. Libby is blind and embittered, while Sarah is healthy, supportive, and almost annoyingly chipper. Their neighbor Tisha (Ann Sothern) tries to convince Sarah to put Libby in the care of her daughter, but Sarah hasn't forgotten Libby's moral support when her own husband died, and she won't entertain such notions -- until she is swept off her feet by an aging roué (Vincent Price). When Libby spitefully sabotages this romance, an infuriated Sarah decides that gratitude has its limits. But when it actually comes down to selling their summer house and sending Libby packing, Sarah can't do it. In the film's flashback sequences, Libby is played by Margaret Ladd, Sarah by Mary Steenburgen, and Tisha by Ann Sothern's real-life daughter Tisha Sterling. Another film personality of long standing, Harry Carey Jr., is well cast as the sisters' handyman. ~ Hal Erickson, Rovi

A passion for blues music is evident in this drama based on a contest-winning script by former blues musician John Fusco -- and featuring one of the decade's best-received motion picture soundtracks, written and performed by Ry Cooder. Eugene Martone Ralph Macchio is a classically trained guitarist who desperately wants to locate a long-lost blues song. At a Harlem nursing home, Eugene finds Willie Brown (Joe Seneca), a legendary blues man who may be able to help him. Eugene becomes part of the master guitarist's scheme to reclaim his soul from the Devil, which he sold in exchange for musical greatness at a rural crossroads many decades before. Making their way across the Mississippi Delta, the duo meets Frances (Jami Gertz), a runaway who becomes a love interest for Eugene. After launching his career with the sale of his script for Crossroads (1986), which is loosely based on the mythical character of Faust and a fable involving real-life blues legend Robert Johnson (played in the film by Tim Russ), Fusco went on to write the highly successful Young Guns (1988). ~ Karl Williams, Rovi