Mardi Rustam Movies

1997  
PG13  
Add James Dean: Live Fast, Die Young to QueueAdd James Dean: Live Fast, Die Young to top of Queue
Toluca Lake newspaper owner Mardi Rustam is the producer of this biographical drama about James Dean (Casper Van Dien), re-creating Dean's romance with Pier Angeli (Carrie Mitchum, granddaughter of Robert Mitchum) and depicting other '50s Hollywood personalities -- from Ursula Andress (Monique Parent) to director George Stevens (Robert Mitchum). ~ Bhob Stewart, All Movie Guide

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Starring:
Casper Van DienCarrie Mitchum, (more)
1987  
R  
This silly horror film stars Dean Jagger in a zoned-out performance as a mad scientist whose experiments in halting the aging process have reduced the residents of Smalltown, U.S.A. to shambling zombies. Since his serum requires massive amounts of extracted human pituitary fluid, Jagger is ever on the lookout for more unwilling donors -- i.e. nearly everyone unlucky enough to pass through town. This film is apparently assembled from pieces of two different projects, including an uncompleted film from the mid-'70s, and spiced up with some gratuitous nudity courtesy of former Playboy playmate Lynda Wiesmeier. As expected, the combination doesn't really work -- the editors have made a commendable attempt at maintaining some form of continuity, but the end result seems hardly worth the effort. ~ Cavett Binion, All Movie Guide

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Starring:
James KeachMichele Marsh, (more)
1985  
R  
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This uproariously bad sci-fi horror oddity plays like a modern version of a cheesy '50s alien invasion flick, only not as clever. The filmmakers deserve some credit for throwing everything but the kitchen sink into the plot (and perhaps even the sink's in there somewhere), which involves the diabolical plans of three silver-suited aliens, played by -- ready for this? -- John Carradine, Julie Newmar (TV's Catwoman), and Tina Louise (Ginger from Gilligan's Island), who hire a couple of drunken wrench jockeys (Neville Brand and Aldo Ray) to help them abduct a bunch of lame-brained teenage campers for use in the production of a youth-restoring serum. This allows for endless riffing on the Friday the 13th scenario, as over-sexed teens are stalked by ski-masked Brand and Ray. B-movie fans should be forewarned that this film's once-in-a-lifetime acting ensemble does virtually nothing to enhance the negligible entertainment value. ~ Cavett Binion, All Movie Guide

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1983  
 
In this horror film, two teenage girls are kidnapped in Chinatown. Then, via flashbacks, we see an elderly couple living on a remote island with their young grandson and their mute, brain-damaged son. The family turns out to be a clan of psycho killers, who murder visitors. ~ Iotis Erlewine, All Movie Guide

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1980  
 
Based on Hal W. Painter's autobiography, Mark, I Love You stars Kevin Dobson as Painter. Recently and suddenly widowed, Painter is so emotionally distraught that he permits his in-laws (James Whitmore and Peggy McCay) to gain custody of his son Mark (Justin Dana). Now that he has recovered, found a good job, and entered into a serious relationship with a young woman (Cassie Yates), Painter wants his son back. But his in-laws refuse, and the whole unfortunate affair ends up with an emotional court battle. While it could have been dismissed as yet another TV-movie variation of Kramer vs. Kramer, Mark, I Love You stands up admirably on its own merits. ~ Hal Erickson, All Movie Guide

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1976  
R  
Add Eaten Alive to QueueAdd Eaten Alive to top of Queue
Director Tobe Hooper's follow-up to The Texas Chainsaw Massacre presents yet another Southern-fried psycho (this time in Louisiana) in the form of a scripture-mumbling, one-legged cracker named Judd (Neville Brand). The proprietor of a seedy bayou inn, Judd keeps a pet gator in the nearby swamp, to which he frequently tosses the remains of his unfortunate victims -- including anyone who offends his delicate sensibilities. One such casualty is Harvey Wood (Mel Ferrer), arriving at Judd's hotel in search of his missing daughter... who, unbeknownst to her old man, has already met her own doom courtesy of the scythe-wielding madman. Other patrons include one of the most annoying families on record -- with Chainsaw veteran Marilyn Burns as the strangely-bewigged mom, William Finley as the browbeaten husband and future Halloween tyke Kyle Richards as the endlessly-shrieking daughter (whose adorable puppy becomes a light gator-snack). Nightmare on Elm Street fans can spot a young, pre-Freddy Robert Englund in a small role as a lecherous cracker. Originally titled Death Trap and known by many aliases, including Starlight Slaughter, Horror Hotel Massacre and Legend of the Bayou. ~ Cavett Binion, All Movie Guide

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Starring:
Neville BrandMel Ferrer, (more)
1975  
PG  
In this thriller, an innocent man is wrongfully committed to an asylum for the criminally insane. While there he learns how to tap into his psychic powers and to affect the lives of others via astral projection. These skills come in mighty handy after he is released and he heads out for revenge against those who framed him. This movie was originally filmed as The Kirlian Force. ~ Sandra Brennan, All Movie Guide

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Starring:
Paul BurkeJim Hutton, (more)
1973  
 
This early '70s effort from veteran exploitation director Greydon Clark attempts to create a more socially conscious variation on the blaxploitation genre, but devotes most of its time to thrills of the most lurid variety. The story begins with Jim (director and co-writer Clark), a liberal-minded white Vietnam vet witnessing the death of a black soldier. He returns home and attempts to deliver the fallen soldier's posthumous Purple Heart to the soldier's family. In the process, he angers Makimba(Tom) (Tom Johnigarn), an angry militant who was the soldier's brother. Jim and Makimba's paths continue to cross as the two deal with their problems: Jim struggles to decide whether he should settle down with the prim and proper Nancy (Jacqueline Cole) or live with the free-spirited Bobbie, and Makimba develops an ever-growing anger towards white society as he is hounded by racist white cops, Lt. Stans (Aldo Ray) and Sgt. Berry (Jock Mahoney). Tom is finally driven over the brink and takes action, resulting in a tragedy that changes both men's lives forever. Despite the serious nature of the story line, the film that resulted is an exploitative affair that takes every opportunity to titillate the audience with plenty of sex and violence. As a result, its attempts at social consciousness went ignored, but its salacious moments went over well with the drive-in crowd. Director Greydon Clark later revisited the blaxploitation genre with the even more exploitative Black Shampoo. ~ Donald Guarisco, All Movie Guide

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1971  
PG  
Add Dracula vs. Frankenstein to QueueAdd Dracula vs. Frankenstein to top of Queue
A slapdash epic of bad filmmaking geared strictly toward drive-in audiences, Dracula vs. Frankenstein has gone on to achieve cult status thanks to its sheer ineptness and impressive cast. At an oceanside amusement park, Dr. Frankenstein (J. Carrol Naish) runs a house of horrors that serves as a cover for his more devious scientific experimentation -- work that requires the murderous deeds of his mute assistant Groton (Lon Chaney Jr.). After stealing the corpse of Frankenstein's monster, Dracula visits the doctor and makes him an offer he can't refuse: resurrect the monster so that Dracula can use the beast to carry out his plan to take over the world. At the same time, lounge singer Judith (Regina Carrol) arrives at the park against the advice of detective Martin (Jim Davis) to search for her missing sister. She is drugged in a bar and winds up in the care of kindly stud Mike (Anthony Eisley), who takes up the investigation with her. Meanwhile, Dr. Frankenstein and Dracula resurrect the monster and immediately send it to kill the doctor's old enemy (Forrest J. Ackerman). Judith and Mike encounter the monster and, after a narrow escape, they confront Dr. Frankenstein who is beheaded in the ensuing melee. Sgt. Martin arrives in time to kill Groton before he attacks Judith, but not before Dracula kills Mike and takes Judith captive. He ties her up in the lab and prepares to bite her, but the monster goes mad, leading to a ferocious battle. ~ Patrick Legare, All Movie Guide

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