John Russell Movies

Set in Texas during the late 1860s, Rio Bravo is a story of men (and women) and a town under siege. Presidio County Sheriff John T. Chance (John Wayne) is holding Joe Burdette (Claude Akins), a worthless, drunken thug, for the murder of an unarmed man in a fight in a saloon -- the problem is that Joe is the brother of wealthy land baron Nathan Burdette (John Russell), who owns a big chunk of the county and can buy all the hired guns he doesn't already have working for him. Burdette's men cut the town off to prevent Chance from getting Joe into more secure surroundings, and then the hired guns come in, waiting around for their chance to break him out of jail. Chance has to wait for the United States marshal to show up, in six days, his only help from Stumpy (Walter Brennan), a toothless, cantankerous old deputy with a bad leg who guards the jail, and Dude (Dean Martin), his former deputy, who's spent the last two years stumbling around in a drunken stupor over a woman that left him. Chance's friend, trail boss Pat Wheeler (Ward Bond), arrives at the outset of the siege and tries to help, offering the services of himself and his drovers as deputies, which Chance turns down, saying they're not professionals and would be too worried about their families to be good at anything except being targets for Burdette's men; but Chance does try to enlist the services of Wheeler's newest employee, a callow-looking young gunman named Colorado Ryan (Ricky Nelson), who politely turns him down, saying he prefers to mind his own business. In the midst of all of this tension, Feathers (Angie Dickinson), a dance hall entertainer, arrives in town and nearly gets locked up by Chance for cheating at cards, until he finds out that he was wrong and that she's not guilty -- this starts a verbal duel between the two of them that grows more sexually intense as the movie progresses and she finds herself in the middle of Chance's fight. Wheeler is murdered by one of Burgette's hired guns who is, in turn, killed by Dude in an intense confrontation in a saloon. Colorado throws in with Chance after his boss is killed and picks up some of the slack left by Dude, who isn't quite over his need for a drink or the shakes that come with trying to stop. Chance and Burdette keep raising the ante on each other, Chance, Dude, and Colorado killing enough of the rancher's men that he's got to double what he's paying to make it worth the risk, and the undertaker (Joseph Shimada) gets plenty of business from Burdette before the two sides arrive at a stalemate -- Burdette is holding Dude and will release him in exchange for Joe. This leads to the final, bloody confrontation between Chance and Burdette, where the wagons brought to town by the murdered Wheeler play an unexpected and essential role in tipping the balance. ~ Bruce Eder, All Movie Guide

In this western, an embittered cavalry sergeant must take over his regiment after their commanding officer is killed during an ambush. To save them, he leads the troop through Apache territory because it is the quickest way to reach the fort. The members of the regiment do not trust their new leader's reasoning. They suspect he is taking them through the restricted territory so that he can get revenge upon the Apaches who killed his wife and kids several years ago. The troop find themselves suffering a series of increasingly deadly attacks. Many die, until the soldiers, believing that the sergeant has lost his mind, rebel and kill him. ~ Sandra Brennan, All Movie Guide

In this reworking of the earlier episode "The Jeweled Gun", attractive widow Margaret Ross (Catherine McLeod) asks Bret (James Garner) to provide protection while she heads to a Montana bank, there to deposit a large sum of money. Margaret claims to be worried that the men who killed her husband will try to steal the cash. In the course of the journey, Bret discovers that Margaret's money is counterfeit and her story is probably bogus--a disturbing realization, especially since he has fallen in love with her. Featured in the cast is Luis Delgado, the brother-in-law of Maverick producer-creator Roy Huggins and a semi-regular as Officer Billings on James Garner's later TV series The Rockford Files. ~ Hal Erickson, All Movie Guide

It's called The Dalton Girls because there aren't any Dalton Boys left. After all the members of the notorious Dalton outlaw gang have been killed or arrested, their sisters decide to pick up where the boys left off. Led by Holly Dalton (Merry Anders), who since killing a man in self-defense has been outside the law, the girls terrorize Colorado territory with their criminal raids. The other members of the gang are Rose, Columbine and Marigold Dalton, played by B-picture perennials Lisa Davis, Penny Edwards, Sue George. In true Hollywood Chauvinist fashion, the Dalton girls are trailed by a bunch of matrimony-minded men; refreshingly, however, the ladies remain true to their heritage to the last. ~ Hal Erickson, All Movie Guide

This "modern" western stars Rod Cameron as opportunistic Korean war veteran Tully Gibbs. Posing as a friend of the late son of mine owner Kevin Russel (Chill Wills), Tully intends to work the mine for all it's worth and then pull out. By and by, Tully slowly turns honest, but the same cannot be said of rival miner Ben Hodes (John Russell). Coming clean with Russell, Tully takes it upon himself to protect the mine from Hodes' evil schemes. The feminine angle is provided by Joan Leslie as Sarah Moffit, the sweetheart of Russel's deceased son, who eventually finds happiness in Tully's arms. Of interest are two supporting players, Jim Davis and Kristine Miller; both were concurrently starring on the weekly TV series Stories of the Century. ~ Hal Erickson, All Movie Guide

Based on a novel by Gwen Bristow, Jubilee Trail is a sprawling, all-star western from the Republic Studio mills. Despite is vaunted budget, the plot is strictly B-picture material. Ambitious California landowner Charles Hale (Ray Middleton) hopes to add to his riches by marrying off his brother Oliver (John Russell) to a wealthy Spanish family. But when Oliver weds a gal named Garnet (Joan Leslie) instead, Charles vows revenge against the new bride. Later, Oliver is killed, leaving Garnet to raise their baby alone. Charles intends to claim the baby for himself, but Garnet, who has subsequently fallen in love with John Ives (Forrest Tucker), isn't about to let that happen. Top-billed Vera Ralston plays saloon-hall chirp Florinda, a Woman With a Past who is peripherally involved in the plot proper, while Richard Webb, TV's "Captain Midnight", fills the obligatory "disgruntled suitor" role. The film is stolen hands down by Pat O'Brien as a drunken doctor who serves as last-minute problem-solver. ~ Hal Erickson, All Movie Guide

Director John Ford, notoriously difficult to please, regarded The Sun Shines Bright as his favorite film. Laurence Stalllings' screenplay is based on several short stories by Kentucky humorist Irvin S. Cobb, some of which had previously been cinematized in Ford's 1934 Will Rogers vehicle Judge Priest. Charles Winninger stars as Judge William Pittman Priest, whose down-home, common-sense approach to his job has endeared himself to most of the residents of his small Kentucky home town, while alienating many of the "better" people. Up for election, Judge Priest is challenged by a Yankee upstart who has most of the influential citizens in his pocket. Almost deliberately courting defeat, the doggedly honest Priest champions several unpopular causes. In the film's most memorable scene, the Judge arranges a fancy funeral procession for an impoverished town prostitute. The film retains much of the charm of its predecessor Judge Priest; unfortunately (at least by P.C. standards), The Sun Shines Bright also retains the most questionable aspect of the earlier film: the stereotyped routines of African-American comedian Stepin Fetchit. One hardly knows how to react to the sequence in which the supplicative Fetchit tries to hush up a defiant young black man who is in danger of being lynched (Ford plays this scene for laughs!) While Fetchit's participation will hardly endear the film to modern audiences, it is unfair to write off the rest of The Sun Shines Bright, which otherwise fully lives up to director Ford's affectionate assessment. Long available only in its 90 minute release version, the film has in recent years been restored to the 100-minute "director's cut." ~ Hal Erickson, All Movie Guide

The popular radio detective series The Fat Man was brought to the screen in 1951, with the series' original star J. Scott Smart retained in the title role. Smart plays porcine sleuth Brad Runyon, who tackles the mystery surrounding the murder of a Los Angeles dentist. With the assistance of general factotum Bill Norton (Clinton Sundberg), Runyon follows the trail of clues all the way to a three-ring circus. Famed Barnum & Bailey clown Emmett Kelly makes his screen debut as one of the suspects; others essential to the action are such up-and-comers as Rock Hudson, Julie London and Jayne Meadows. The film's flashback-within-flashback structure helps to enliven its more verbose passages. For the most part, The Fat Man plays more like a radio show than a movie--at least until the exciting climax, inventively staged by director William Castle. ~ Hal Erickson, All Movie Guide

The Coast Guard is highlighted in this propaganda drama set during WW II. In addition to the usual blend of romance and military adventure, the film also features an interesting glimpse in to the training of the young Guards as they prepare for war. The story centers around a crew of shipyard workers who, upon learning of the attack on Pearl Harbor, immediately sign up for the Coast Guard's officer training program. The crew also dupes their shipyard boss into joining. After their training they are sent into the South Pacific to fight. The film contains actual battle footage. ~ Sandra Brennan, All Movie Guide

Judy Canova continues to bring home the box-office bacon for Republic Pictures in Oklahoma Annie. Judy plays Judy, Queen of the Cowgirls, a backwoods shopkeeper who falls in love with new sheriff Dan Fraser (John Russell). In order to stay in close proximity with the handsome lawkeeper, Judy performs an act of courage which earns her a deputy's badge. Working together, Judy and Dan do their best to rid their community of corrupt politicians, beginning with their assault on a local gambling den. When Dan is kidnapped by the bad guys, Judy rallies all the womenfolk in town and heads to the rescue. Even nonfans of Judy Canova will enjoy this rambunctious musical comedy, with the star functioning full-force on all eight cylinders. ~ Hal Erickson, All Movie Guide

Joel McCrea was still relatively new to westerns when he starred in Saddle Tramp. McCrea is cast as footloose and fancy free cowpoke Chuck Connor, who has no intention of settling down. Alas, this decision is made for him when Connor "inherits" the four recently orphaned sons of his best friend. Since his pal died while riding Connor's horse, Our Hero feels obligated to raise the kids as his own -- and it's not gonna be easy. Connor's brood is increased to five when they're joined by runaway gamine Della (Wanda Hendrix). Additional complications include Connor's kid-hating rancher boss (John McIntire), a crooked foreman (John Russell), and an ongoing blood feud. The song "The Cry of the Wild Goose" popularized by Frankie Laine, is heard throughout Saddle Tramp as the restless Joel McCrea's leitmotif. ~ Hal Erickson, All Movie Guide

Crane Wilbur, whose film career stretched all the way back to The Perils of Pauline, brings the benefit of his accumulated directorial expertise to The Story of Molly X. The title character, played with verve by June Havoc, is a hard-bitten gun moll who takes over management of a criminal gang when her husband is bumped off. One of her first official acts as leader is to track down and personally kill the man responsible for her husband's death. The rest of the story deals with Molly X's efforts to evade detection by the law, and her ultimate hoisting on her own petard. Though the supporting-cast performances are wildly variable, June Havoc carries the dramatic and emotional weight of the film with sure-handed professionalism. ~ Hal Erickson, All Movie Guide