Scott Rudin Movies

A man tries to figure out why his best friend isn't his mother in this comedy written and directed by Albert Brooks. John Henderson (Brooks) is a neurotic, self-obsessed writer whose relationships with women have been almost uniformly disastrous. Middle-aged and single, John decides that he must come to terms with his problems with women, and he decides to start with the first significant female relationship of his life -- his mother, Beatrice (Debbie Reynolds). John arrives at Beatrice's house and announces that he's moving back into his old room until he can resolve his issues with her. Beatrice politely plays along, but she is more puzzled by John's behavior than anything else. John and Beatrice soon find that they spend less time trying to resolve their differences than arguing if salads can be frozen or if you can really tell the difference between premium ice cream and the supermarket's store brand. Rob Morrow plays John's brother, and Lisa Kudrow plays one of John's less compatible blind dates. ~ Mark Deming, Rovi

A remake of a 1954 Billy Wilder romance, this updated version of the play Sabrina Fair was directed by Sydney Pollack. Julia Ormond stars as Sabrina Fairchild, the daughter of a kindly chauffeur (John Wood) at the Long Island estate of the upper-crust Larrabee family. Sabrina has grown up enchanted from afar with the Larrabees' sparkling world of privilege and wealth, but she's especially enamored of younger Larrabee brother David (Greg Kinnear), a charming womanizer. After the once-plain Sabrina returns from a sojourn in Paris transformed into a remarkably poised and attractive young woman, she at long last catches David's eye. In a calculated effort to manipulate David away from her and into a more financially advantageous marriage, older brother Linus (Harrison Ford) pretends to woo Sabrina himself, but finds himself unintentionally falling in love. ~ Karl Williams, Rovi

Legendary scientist Albert Einstein (played here by Walter Matthau) takes a break from theoretical physics to try to set up his intellectual niece with a handsome auto mechanic in this romantic comedy. The movie's central conceit is that Einstein's brilliance extends to matters of the heart, allowing him to immediately sense that Ed Walters (Tim Robbins), a bright, lower-class mechanic obsessed with Popular Science Magazine, would be perfect for his niece Catherine (Meg Ryan). Unfortunately, Catherine is already engaged to a stiff Princeton man. In order to defeat Catherine's resistance, Uncle Albert decides to help Ed pretend to be a revolutionary scientist, a charade that inevitably leads to much farcical confusion. Einstein's scientist pals are portrayed as a Greek chorus of Catskills-style kibitzers, featuring such notable perfomers as Lou Jacobi as Kurt Godel and director Gene Saks as Boris Podolsky. ~ Judd Blaise, Rovi

In the sequel to the hit comedy Sister Act, Whoopie Goldberg reprises her role of Deloris Van Cartier, a Las Vegas entertainer who hid out with in a convent of nuns to avoid a nasty bunch of gangsters. In Sister Act 2: Back in the Habit, Deloris is persuaded to return to the convent by the Mother Superior (Maggie Smith), because her help is needed in teaching their choral students at St. Francis High in San Francisco. However, St. Francis is in a crisis, since the administrator running the school (James Coburn) is threatening to shut the place down. If the gospel choir wins first place in a singing contest in Los Angeles, St. Francis will be saved from the priest's plans. Though the plot is rather thin and derivative, Sister Act 2 is lighthearted fun, thanks to good musical numbers and winning performances from the cast. ~ Stephen Thomas Erlewine, Rovi

In this drama, based on the best-selling novel by John Grisham, Mitch McDeer (Tom Cruise) is a young man from a poor Southern family who has struggled through Harvard Law School to graduate fifth in his class. Mitch is entertaining offers from major firms in New York and Chicago, but when Memphis-based Bendini, Lambert, & Locke offer him a 20 percent higher salary than the best offer he's received, in addition to an enticing variety of perks and fringe benefits, he decides to sign on and remain in the South. Mitch's wife, Abby (Jeanne Tripplehorn), warns him that the deal sounds almost too good to be true, but it's not until after several weeks of working with Avery Tolar (Gene Hackman) that Mitch discovers that the vast majority of BL&L's business is tied to organized crime, with crime boss Joey Morolto (Paul Sorvino) using the firm to launder Mafia money. FBI agents Wayne Tarrance (Ed Harris) and F. Denton Voyles (Steven Hill) try to blackmail Mitch into helping them make a case against the firm, while BL&L's "security director" William Devasher (Wilford Brimley) is blackmailing him to do as he's told after Mitch foolishly allows himself to be seduced by a prostitute hired by the firm. The Firm was adapted for the screen by acclaimed playwright David Rabe and features performances by Hal Holbrook, Holly Hunter, and Gary Busey. ~ Mark Deming, Rovi

A suicide found in the desert with 500,000 dollars cash stuffed in a briefcase makes Sheriff Ray Dolezal (Willem Dafoe) curious. What was the dead man up to? Sensing that if he follows the money, he'll find crime at the end of the trail, Dolezal assumes his identity. He soon discovers the dead man was a paid informant for an FBI agent (Samuel L. Jackson) trailing an arms dealer (Mickey Rourke) who works with an intermediary (Mary Elizabeth Mastrantonio). Dolezal begins to suspect that he's being set up to take a big fall when the money is stolen from him and the dead man's girlfriend (Maura Tierney, in an early role) gets killed after she tells him that her beau had a partner in a scheme to steal the money from the FBI. Will his enemies discover his real identity? Will the FBI agent turn on him? Will he get back the money? ~ Nick Sambides, Jr., Rovi

A sleeper hit that received a lukewarm reception from critics but was a success with audiences, Sister Act (1992) was star Whoopi Golberg's first bona fide smash after her Oscar victory for Ghost (1990). Goldberg stars as Deloris Van Cartier, a Reno lounge singer who accidentally witnesses a brutal murder carried out by her gangster boyfriend Vince (Harvey Keitel). Under the protection of a detective (Bill Nunn) who's trying to bring down Vince's criminal operation, Deloris is placed in protective custody at a San Francisco convent. Masquerading as a nun renamed Sister Mary Clarence, Deloris shakes up the established order of the sisters' lives, particularly enlivening their choral efforts. Although running constantly afoul of the Mother Superior (Maggie Smith), the new, jazzed-up musical act becomes a huge hit in the community, even drawing the attention of the Pope, but also alerting Vince to Deloris' whereabouts. Although credited to the pseudonymous Joseph Howard, Sister Act was actually written by Paul Rudnick and Carrie Fisher. The film was followed by a sequel, Sister Act 2: Back in the Habit (1993). ~ Karl Williams, Rovi

Jodie Foster made her directorial debut (with a script by Scott Frank) in this tale of a child prodigy's search for social acceptance. Fred Tate (Adam Hann-Byrd) is a precocious fourth grader who has no problem with the most complex mathematical problems or in banging out a Rachmaninoff concerto on the piano, but is totally inept at playing baseball or dealing with children his own age. His mother Dede (Jodie Foster) is a cocktail waitress who acts more like a child than Fred, but cares passionately about her son. Fred comes to the attention of child psychologist Jane Grierson (Dianne Wiest), who runs a summer camp for child prodigies called Odyssey of the Mind. She invites Fred to attend the summer session, creating a rift between Fred and Dede. ~ Paul Brenner, Rovi

Despite its occasional lapses into silly self-consciousness, Flatliners is one of the most intriguing and well-constructed supernatural thrillers of the 1990s. A group of brilliant medical students decide to literally play with life and death. They put themselves in suspended animation, electronically inducing a near-deathlike state and then pulling out of it at the last possible moment. Things get hairy when one of the students (Kiefer Sutherland) becomes obsessed with the notion of really dying, the better to experience the Afterlife before being revived--if he can be revived. In her first dramatic starring role (playing a sensitive young lady on a misguided guilt trip), Julia Roberts is very, very good--completely bereft of movie-star mannerisms. Audiences flocked to see Flatliners back in 1990 due to the highly publicized off-screen romance between Roberts and Sutherland. Oh, yes: Kevin Bacon and William Baldwin are in the picture, too. ~ Hal Erickson, Rovi

Based on a true story, Mrs. Soffel is set in Pittsburgh near the dawn of the 20th century. Peter Soffel (Edward Herrmann) is the warden of a top security prison, and his wife Kate (Diane Keaton) often comes by to read the Bible aloud to the inmates, despite her fragile health. While making her rounds, she makes the acquaintance of the Biddle Brothers, Ed (Mel Gibson) and Jack (Matthew Modine), who are sentenced to death for murder and robbery. Ed has become something of a celebrity thanks to his letter-writing campaign, in which he appeals in the letter-to-the-editor columns of the popular press to stay the execution of his brother and himself. His good looks, intelligence, and charm make a strong impression on Kate, whose marriage offers her little excitement. In time, Kate finds herself falling in love with Ed, and she discovers that she's unexpectedly receptive to his suggestion that she help him escape. Mrs. Soffel was the first American film from noted Australian filmmaker Gillian Armstrong. ~ Mark Deming, Rovi

Jill Clayburgh plays, as one character calls her, "a pill-popping dingbat" in this film adaptation of television producer Barbara Gordon's autobiographical account of her addiction to prescription drugs. Clayburgh plays Gordon in the film as a successful television documentary filmmaker whose mounting pressures force her to pop a Valium or two for nerves. She then ingests a few more pills after an argument with boyfriend Derek Bauer (Nicol Williamson). And thus begins her slow and steady compulsion to keep taking more and more Valium. Finally realizing her addiction, Gordon makes a disastrous attempt to go cold turkey but fails miserably, finally having to undergo a painful rehabilitation in an institution. ~ Paul Brenner, Rovi

In 1979, Jonathan Demme was still a cutting-edge director and The Last Embrace was his first effort at a completely commercial assignment. Very much in the Hitchcock vein, The Last Embrace is an intense suspense film concerning Harry Hannan (Roy Scheider), a government agent recovering from a catatonic collapse after the murder of his wife. After Harry's recovery, he is back on the job, but he can't figure out whether he is suffering from self-induced paranoia or if his former employers want to kill him. These conflicting feelings are exacerbated when he forms a connection with a nervous graduate student, Ellie Fabian (Janet Margolin), whom he discovers is living in his apartment. ~ Paul Brenner, Rovi

Not surprisingly, this fascinating dissection of Gypsy life in America was vilified by several ethnic special-interest groups, who'd previously delivered their mimeoed missives to novelist Peter Maas, on whose book the film was based. Sterling Hayden is the "king" of a New York-based gypsy tribe, who on his deathbed passes his crown to his reluctant grandson, Eric Roberts. Roberts' scuzzy father Judd Hirsch, envious that he's been passed over, begins plotting the demise of his own son. It appears at first that the boy, a thoroughly assimilated Manhattanite, would be more than willing to give up his invisible throne to Hirsch, but there's something about his heritage that always draws him back to his own people. Several genuine gypsies took part in the film as extras, bit players and technical advisers; reportedly, they also spent much of the shooting time trying to cadge a few dishonest dollars from cast and crew. ~ Hal Erickson, Rovi