Albert S. Ruddy Movies

Based upon Peter Biskind's book of the same name, this BBC-produced documentary traces the rise of a generation of Hollywood filmmakers who briefly changed the face of movies with a more personal approach that pushed the boundaries of what was acceptable onscreen. Influenced by such European directors as Jean-Luc Godard, François Truffaut, and Federico Fellini, the movement kicked off in the mid-'60s with two films directed by Arthur Penn: Mickey One and Bonnie and Clyde. (The latter had been offered to both Godard and Truffaut before it wound up with producer/star Warren Beatty and Penn.) What really kicked it into gear was the unexpected success of Easy Rider, a biker-road movie that became that rare film phenomenon: acclaimed at the Cannes Film Festival and a huge commercial success. Film school graduates, the first generation brought up with movies as their main cultural reference, flooded the studios (whose own regimes were changing) with production chieftains such as Robert Evans of Paramount and David Picker at United Artists; they approved risky-looking projects and allowed relatively untested filmmakers like Francis Ford Coppola to take on heavyweight movies such as The Godfather or Hollywood newcomers like Britain's John Schlesinger to make quirky stories like Midnight Cowboy. Enriched by success with their TV show The Monkees, producer Bert Schneider and director Bob Rafelson formed a company that produced not only Easy Rider but seminal '70s films such as Five Easy Pieces and the Oscar-winning Vietnam War documentary Hearts and Minds. Another godfather to the new movement was producer Roger Corman, who gave early career opportunities to Coppola, Martin Scorsese, Peter Bogdanovich, and Jonathan Demme on low-budget projects that allowed them to learn their craft.

Two things brought this movement to an end: Some individual filmmakers' personal excesses (such disastrous flops as Dennis Hopper's follow-up to Easy Rider, appropriately titled The Last Movie, and Scorsese's New York, New York), and the studios growing fascination with special effects-driven B-movies. An outgrowth of two box-office and marketing juggernauts -- Jaws and Star Wars -- the resulting films became entertainments rather than personal statements of the directors. Narrated by William H. Macy, Easy Riders, Raging Bulls features vintage clips of Coppola, Scorsese, Beatty, George Lucas, Sam Peckinpah, Roman Polanski, Robert Altman, and Pauline Kael. It also includes original interview material with Penn; Corman; Bogdanovich; Hopper; Picker; writer/directors John Milius and Paul Schrader; actresses Karen Black, Cybill Shepherd, Margot Kidder, and Jennifer Salt (the latter two shared a house in Malibu, a social center for young filmmakers); actors Peter Fonda, Kris Kristofferson, and Richard Dreyfuss; producers Jerome Hellman, Michael Phillips, and Jonathan Taplin; editor Dede Allen; production designer Polly Platt; writers David Newman, Joan Tewksbury, Gloria Katz, and Willard Huyck; cinematographers Laszlo Kovacs and Vilmos Zsigmond; agent Mike Medavoy; and former production executive Peter Bart. Among the films discussed are Rosemary's Baby, The Wild Bunch, Mean Streets, American Graffiti, The Rain People, Midnight Cowboy, M*A*S*H, McCabe and Mrs. Miller, The Last Picture Show, Shampoo, Taxi Driver, and Raging Bull. (Three interviewees -- cinematographer Gordon Willis, critic Andrew Sarris, and writer-director Monte Hellman -- listed in the Variety review of this film, were not included in this version from a screening on Bravo.) ~ Tom Wiener, All Movie Guide

Tom Selleck stretches his dramatic range by playing a liberal Democrat in this comedy-drama satirizing the underside of party politics. Governor James Pryce (Tom Selleck) is a well-respected politician with a strong reformist streak who is a shoo-in for the Democratic Party's presidential nomination, thanks to a well-run primary campaign organized by his manager Lauren Hartman (Laura Linney), and the savvy speechmaking and moral support of his wife Jenny (Nancy Travis). Now Pryce has to pick a vice-presidential candidate, which proves to be not all that simple. Senator Parker Gable (Robert Culp) helped give Pryce his start in politics, and his wife Meg (Faye Dunaway), a Queen Bee on the Washington social scene, has asked Pryce to consider Gable as VP. Pryce believes Gable would be the right man for the job, but he's well known to chase anything in a skirt, and Pryce thinks his nomination would be a scandal waiting to happen. Besides Gable, the two most likely choices for Pryce's running mate are Senator Mitchell Morris (Bruce McGill), whose strong links to a number of corporate benefactors make Pryce nervous, and Senator Terrence Randall (Bob Grunton), whose outspoken support of campaign finance reform does not sit well with Shawna Morgan (Teri Hatcher), the fundraising expert who has been filling Pryce's war chest. Running Mates was produced for the TNT cable network, where it first aired on August 13, 2000; Gerald Rafshoon, the film's executive producer, has an inside perspective on Washington wheelings and dealings, having served as White House director of communications under President Jimmy Carter. ~ Mark Deming, All Movie Guide

Karate-champion-turned-movie-star Chuck Norris was ideally cast as the title character in the contemporary Western series, Walker, Texas Ranger. Introduced as a two-hour TV movie on April 21, 1983, the weekly, hour-long CBS series starred Norris as Cordell Walker, who worked out of the Dallas office of the Texas Rangers with his youthful partner, Baltimore-born former football pro Jimmy Trivette (Clarence Gilyard Jr.). While Jimmy, like his superiors, preferred to rely upon modern crime fighting techniques -- computers, forensic science, strict adherence to civil liberties and due process -- the impassive, taciturn Walker was generally of the opinion that criminals were subhuman scum, worthy only of a slug in the face or a kick in the groin. Kicking, in fact, was a Walker specialty, notably whenever he came within close proximity of a locked door or bolted window. Though she didn't always approve of his methods, Walker's off-and-on girlfriend, assistant D.A. Alex Cahill (Sheree J. Wilson), admired his strong sense of justice and fair play, especially when protecting those weaker than himself. Too, Alex found Walker extremely handy whenever she got kidnapped, which seemed to happen at the rate of once every other week! Despite his loyalty to his friends, those close to Walker remained so at their own risk, inasmuch as the bad guys were not above hurting them to get to him. Others within Walker's orbit included his old pal C.D. Parker (Noble Willingham), a former Ranger who, after being invalidated out of the service, opened up a restaurant; Uncle Ray Firewalker (Floyd Red Crow Westerman), the sagacious old Native American who raised Walker from childhood and had taught him the value of restraint and contemplation -- unless of course, violence was absolutely called for; Carlos Sandoval (Marco Sanchez), an undercover detective who owed his life to Walker; and Walker's former martial arts student Trent Malloy (James Wlcek), who owned a karate school (and who, teamed with Carlos Sandoval, was briefly spun off into his own TV series, Sons of Thunder). During the series' final seasons, undercover Rangers Francis Gage (Judson Mills) and Sydney Cooke (Nia Peeples) linked up with Walker's team. In the course of events, Uncle Ray Firewalker passed away; C.D. Parker was killed by a band of elusive assassins who intended to work their way up to Walker in their efforts to knock off every Texas Ranger in Dallas; and in the series' seventh season, Walker and Alex became engaged, with wedding bells ringing at the end of season eight and the birth of a baby daughter in the final episode. After ending its CBS run on July 28, 2001, Walker, Texas Ranger launched what was apparently an endless rerun cycle in syndication and on cable. ~ Hal Erickson, All Movie Guide

The Macahans is a two-hour TV movie utilizing characters originally created for the 1962 Cinerama extravaganza How the West Was Won. In his first post-Gunsmoke project, Zeb Macahan stars as frontiersman Zeb Macahan, who in the early 1860s returns to Virginia to visit his family. It takes only the slightest encouragement for Zeb's brother (Richard Kiley) to agree to bring his family along with Zeb on another westward trek. Eva Marie Saint, the brother's wife, isn't keen on leaving her cozy Southern household, but neither is she anxious to be in Virginia when the Civil War breaks out. Narrated by William Conrad (who had coincidentally starred on the radio version of Gunsmoke) and jam packed with action, The Macahans served as the pilot for the subsequent James Arness TV series How the West Was Won, which ran from 1978 to 1979. ~ Hal Erickson, All Movie Guide

In the life of sexually successful young high-school student Phil Fuller (Kristoffer Tabori) the episodes in this story enable him to gain increased maturity and understanding. Phil is attracted to his gym teacher's beautiful wife who has a phobia about growing old and who eventually takes him to her bed. The boy also has a girlfriend with a late period, so he gallantly arranges for an abortion for her. When they discover she is not actually pregnant, he finds out that his mother (Joyce Van Patten) is seeking an abortion. Though he and she were not on very good terms, he stands by her throughout the whole ordeal (not entirely by choice) and wins her friendship. The story is broadly based on a novel by James Leigh. ~ Clarke Fountain, All Movie Guide

It began life as The Heroes, a seriocomic series set in an American penitentiary. But by the time CBS premiered it on September 17, 1965, the project had been retitled Hogan's Heroes and had been retooled as a situation comedy set in a German POW camp during WW2. Popular L.A. disc jockey Bob Cranestarred as Colonel Robert Hogan, senior American officer at Stalag 13, a supposedly inescapable prison compound. The advertising for the series was a bit misleading, suggesting that Hogan and his men had converted the camp into a luxurious country club, and that other POWs were eager to break in rather than break out. While it was true that the prisoners led a more comfortable life than was customary during the war years, Hogan's Heroes was not a tasteless spoof of the Nazi era but instead a secret-agent series with a laughtrack. As the head of an underground resistance operation, Hogan used his prison barracks as headquarters for a vast and highly efficient espionage operation, performing acts of sabotage and subterfuge and helping captured Allies escape the Germans right under the noses of the enemy. The "Heroes" maintained constant radio contact with London, and with the help of a large underground tunnel (and the indirect assistance of the camp's guard dogs, who had been charmed into docility by the prisoners), they were able to help win the war while remaining securely behind enemy lines throughout the duration. Also in the cast was Werner Klemperer as Col. Wilhelm Klink, the strutting pompous and utterly inept commandant of Stalag 13. Playing on Klink's monumental ego, as well as his mortal terror of the Gestapo and other such higher-ups, Hogan was able to dance rings around the commandant, and, in fact, was the real head of the Stalag. Similarly, Klink's second in command, Sgt. Schultz (John Banner), was a fat, amiable oaf who, terrified that if he ever spoke out about the suspicious activities of Hogan's men lest he be sent to the Russian Front for incompetence, was forever distancing himself from the action by exclaiming "I see NOTHINK! I know NOTHINK!" As for the "Heroes" themselves, they included the American Sgt. Andrew Carter (Larry Hovis), an explosive expert; British Cpl. Peter Newkirk (Richard Dawson), a topnotch guerilla fighter; French Cpl. Louis LeBeau, a superb gourmet chef who kept the roly-poly Schultz at bay with his succulent dishes; and African-American Sgt. James Kinchloe (Ivan Dixon), an electronics whiz (Dixon, the only black member of the cast, left the series at the end of season five and was more or less replaced by Kenneth Washington as Sgt. Richard Baker). Also in the cast on a recurring basis were Leon Askin as Klink's bombastic superior officer General Burkhalter, Howard Caine as short-tempered Gestapo operative Major Hochstetter, and Cynthia Lynn and Sigrid Valdis as Helga and Hilda, Klink's curvaceous blond secretaries with whom Hogan flirted shamelessly. Lasting six seasons -- or roughly two seasons longer than WW2 itself -- Hogan's Heroes ended its network run on July 4, 1971, thence moved on to syndicated-rerun heaven. ~ All Movie Guide

An ex-cop trying to stay away from trouble finds it literally crashing into his backyard in this crime thriller. Dave Robicheaux (Alec Baldwin) is a former New Orleans police detective who, after kicking an addiction to alcohol and confronting some serious problems with his partners, has left law enforcement behind to run a bait shop in a small Louisiana bayou town. One day, Dave and his wife Annie (Kelly Lynch) see a small plane plummet from the sky and crash into the swamp; the pilot dies, but Dave is able to rescue a young Hispanic girl from the wreckage. Dave and Annie take the child in, but as they try to find out more about the plane crash and who the little girl might be, they discover that she's actually an illegal alien from Salvador and that the pilot was involved with a local drug ring. Dave, constitutionally unable to let a mystery go unsolved, begins asking enough questions and making enough trouble that he finds himself on the bad side of his old High School friend Bubba Rocque (Eric Roberts). Bubba is a local crime boss who controls the area's drug traffic, keeps a boxing ring in his front yard, and has a wife Claudette (Teri Hatcher) who enjoys greeting her guests naked. Dave's inquiries eventually become too much for Bubba and his henchmen, and in the midst of a violent raid on their home, Annie is killed. Dave becomes obsessed with bringing Bubba and his men to justice and gets some unexpected help from Robin Gaddis (Mary Stuart Masterson), an exotic dancer with a heart of gold. While it was originally scheduled for release in 1994, Heaven's Prisoners didn't arrive on theater screens until two years later, by which time Teri Hatcher had risen to stardom on the TV series Lois and Clark: The New Adventures of Superman. ~ Mark Deming, All Movie Guide

This feature-length story about the heist of $10 million in Nazi diamonds primarily rides on star Tom Selleck's popularity as TV's Magnum, P.I., (a 1980s show), since the plot turnarounds, slighted character development, and stock situations are not that engaging on their own. The setting is 1934 and Nick Lassiter (Selleck) has been strong-armed by the Yank and Brit governments into stealing the diamonds from a German agent (Lauren Hutton) -- if he can track the gems to their hiding place. Along the way, he travels through London of the 1930s -- marketplaces, warehouses, and watering holes that lend an atmosphere to his search. His lady love Sara (Jane Seymour) more or less stands around to lend support while the suavely suited-up Lassiter battles a crooked cop (Bob Hoskins), his real arch enemy. ~ Eleanor Mannikka, All Movie Guide

Fritz the Cat and Heavy Traffic helmer Ralph Bakshi subsequently directed the über-controversial animated feature Coonskin (aka Streetfight, 1975). Bakshi opens and closes the film with a live-action tale that stars Scatman Crothers, Miami Vice's Philip Michael Thomas, Charles Gordone, and Barry White; it recounts the adventures of three African-American men who escape from prison and are later gathered up. In between, an animated tale has animal characters with stereotypically black traits -- Brother Rabbit (voiced by Thomas), Brother Fox (voiced by Gordone), and Brother Bear (voiced by White) -- entering a white-dominated ghetto environment and diverging into different paths; one becomes a crime overlord, the second sells the first out to La Cosa Nostra, and the third establishes himself as a media-exploited sports icon. Completely misread as a racist work upon release, the film actually entails Bakshi's satirical excoriation of bigotry via the tongue-in-cheek use of black urban stereotypes. The director laces the film with profane ghetto dialogue and street slang; though animated, this is not a picture for children. Variety wrote of the work, "Beyond Bakshi's cinematic style, his stories seem haunted by a worldliness that is torn between cynicism and tortured humanism. There is heart in his plots, so superficial putdown is totally absent. What is present [is] the evidently sincere empathy of a social surgeon." The legendary Albert S. Ruddy (The Godfather, Cloud Nine) produced. ~ Nathan Southern, All Movie Guide

Popularly viewed as one of the best American films ever made, the multi-generational crime saga The Godfather is a touchstone of cinema: one of the most widely imitated, quoted, and lampooned movies of all time. Marlon Brando and Al Pacino star as Vito Corleone and his youngest son, Michael, respectively. It is the late 1940s in New York and Corleone is, in the parlance of organized crime, a "godfather" or "don," the head of a Mafia family. Michael, a free thinker who defied his father by enlisting in the Marines to fight in World War II, has returned a captain and a war hero. Having long ago rejected the family business, Michael shows up at the wedding of his sister, Connie (Talia Shire), with his non-Italian girlfriend, Kay (Diane Keaton), who learns for the first time about the family "business." A few months later at Christmas time, the don barely survives being shot by gunmen in the employ of a drug-trafficking rival whose request for aid from the Corleones' political connections was rejected. After saving his father from a second assassination attempt, Michael persuades his hotheaded eldest brother, Sonny (James Caan), and family advisors Tom Hagen (Robert Duvall) and Sal Tessio (Abe Vigoda) that he should be the one to exact revenge on the men responsible.

After murdering a corrupt police captain and the drug trafficker, Michael hides out in Sicily while a gang war erupts at home. Falling in love with a local girl, Michael marries her, but she is later slain by Corleone enemies in an attempt on Michael's life. Sonny is also butchered, having been betrayed by Connie's husband. As Michael returns home and convinces Kay to marry him, his father recovers and makes peace with his rivals, realizing that another powerful don was pulling the strings behind the narcotics endeavor that began the gang warfare. Once Michael has been groomed as the new don, he leads the family to a new era of prosperity, then launches a campaign of murderous revenge against those who once tried to wipe out the Corleones, consolidating his family's power and completing his own moral downfall. Nominated for 11 Academy Awards and winning for Best Picture, Best Actor (Marlon Brando), and Best Adapted Screenplay, The Godfather was followed by a pair of sequels. ~ Karl Williams, All Movie Guide

The Godfather
Popularly viewed as one of the best American films ever made, the multi-generational crime saga The Godfather is a touchstone of cinema: one of the most widely imitated, quoted, and lampooned movies of all time. Marlon Brando and Al Pacino star as Vito Corleone and his youngest son, Michael, respectively. It is the late 1940s in New York and Corleone is, in the parlance of organized crime, a "godfather" or "don," the head of a Mafia family. Michael, a free thinker who defied his father by enlisting in the Marines to fight in World War II, has returned a captain and a war hero. Having long ago rejected the family business, Michael shows up at the wedding of his sister, Connie (Talia Shire), with his non-Italian girlfriend, Kay (Diane Keaton), who learns for the first time about the family "business." A few months later at Christmas time, the don barely survives being shot by gunmen in the employ of a drug-trafficking rival whose request for aid from the Corleones' political connections was rejected. After saving his father from a second assassination attempt, Michael persuades his hotheaded eldest brother, Sonny (James Caan), and family advisors Tom Hagen (Robert Duvall) and Sal Tessio (Abe Vigoda) that he should be the one to exact revenge on the men responsible.

After murdering a corrupt police captain and the drug trafficker, Michael hides out in Sicily while a gang war erupts at home. Falling in love with a local girl, Michael marries her, but she is later slain by Corleone enemies in an attempt on Michael's life. Sonny is also butchered, having been betrayed by Connie's husband. As Michael returns home and convinces Kay to marry him, his father recovers and makes peace with his rivals, realizing that another powerful don was pulling the strings behind the narcotics endeavor that began the gang warfare. Once Michael has been groomed as the new don, he leads the family to a new era of prosperity, then launches a campaign of murderous revenge against those who once tried to wipe out the Corleones, consolidating his family's power and completing his own moral downfall. Nominated for 11 Academy Awards and winning for Best Picture, Best Actor (Marlon Brando), and Best Adapted Screenplay, The Godfather was followed by a pair of sequels. ~ Karl Williams, All Movie Guide

The Godfather Part II
Francis Ford Coppola's legendary continuation and sequel to his landmark 1972 film, The Godfather, parallels the young Vito Corleone's rise with his son Michael's spiritual fall, deepening The Godfather's depiction of the dark side of the American dream. In the early 1900s, the child Vito flees his Sicilian village for America after the local Mafia kills his family. Vito (Robert De Niro) struggles to make a living, legally or illegally, for his wife and growing brood in Little Italy, killing the local Black Hand Fanucci (Gastone Moschin) after he demands his customary cut of the tyro's business. With Fanucci gone, Vito's communal stature grows, but it is his family (past and present) who matters most to him -- a familial legacy then upended by Michael's (Al Pacino) business expansion in the 1950s. Now based in Lake Tahoe, Michael conspires to make inroads in Las Vegas and Havana pleasure industries by any means necessary. As he realizes that allies like Hyman Roth (Lee Strasberg) are trying to kill him, the increasingly paranoid Michael also discovers that his ambition has crippled his marriage to Kay (Diane Keaton) and turned his brother, Fredo (John Cazale), against him. Barely escaping a federal indictment, Michael turns his attention to dealing with his enemies, completing his own corruption. ~ Lucia Bozzola, All Movie Guide

The Godfather Part III
After a break of more than 15 years, director Francis Ford Coppola and writer Mario Puzo returned to the well for this third and final story of the fictional Corleone crime family. Two decades have passed, and crime kingpin Michael Corleone (Al Pacino), now divorced from his wife Kay (Diane Keaton), has nearly succeeded in keeping his promise that his family would one day be "completely legitimate." A philanthropist devoted to public service, Michael is in the news as the recipient of a special award from the Pope for his good works, a controversial move given his checkered past. Determined to buy redemption, Michael and his lawyer B.J. (George Hamilton) are working on a complicated but legal deal to bail the Vatican out of looming financial troubles that will ultimately reap billions and put Michael on the world stage as a major financial player. However, trouble looms in several forms: The press is hostile to his intentions. Michael is in failing health and suffers a mild diabetic stroke. Stylish mob underling Joey Zaza (Joe Mantegna) is muscling into the Corleone turf. "The Commission" of Mafia families, represented by patriarch Altobello (Eli Wallach) doesn't want to let their cash cow Corleone out of the Mafia, though he has made a generous financial offer in exchange for his release from la cosa nostra. And then there's Vincent Mancini (Andy Garcia), the illegitimate and equally temperamental son of Michael's long-dead brother Sonny. Vincent desperately wants in to the family (both literally and figuratively), and at the urging of his sister Connie (Talia Shire), Michael welcomes the young man and allows him to adopt the Corleone name. However, a flirtatious attraction between Vincent and his cousin, Michael's naïve daughter Mary (Sofia Coppola) develops, and threatens to develop into a full-fledged romance and undo the godfather's future plans. ~ Karl Williams, All Movie Guide