Sergio Rubini Movies

Nastassja Kinski headlines this Italian romantic-tragedy which tells the story of a lonely man and a mysterious blonde amnesiac. The film is set in Milan. Tommaso has a slight physical disability and is very shy. One night upon returning home, he accidently hits a beautiful blonde woman who falls onto his doorstep with amnesia. At first Tommaso does not welcome her intrusion into his life, but then slowly, comes to love her. Unfortunately her memory returns and she returns to her previous life as the lover of Alberto, an aspiring major drug dealer. He is getting ready to field a major coke deal, but the blonde has other plans for Alberto. Tommaso pursues her and refuses to accept her rejection of him. ~ Sandra Brennan, All Movie Guide

The sweet sentimental gauze of director Giuseppe Tornatore's international hit Cinema Paradiso (1988) is nowhere to be found in this dark, Kafkaesque crime thriller that takes place, stage play-style, mostly in the confines of one room. Gerard Depardieu stars as Onoff, a famed author who has become a recluse in recent years, publishing nothing. Late one night he is picked up by police officers, who find him running across the French countryside in the rain, breathless and apparently suffering from short-term memory loss. A murder has been committed in the nearby woods, and suspecting Onoff's involvement, the authorities detain him at a leaky, dark command post to await the arrival of an inspector (Roman Polanski), ironically a fan of Onoff's work, who will interrogate his subject and try to arrive at the truth. Una Pura Formalita (1994) was produced simultaneously with Polanski's Death and the Maiden (1994), another film with a stage-bound quality featuring a long, stormy night's interrogation in a single room. ~ Karl Williams, All Movie Guide

In this fantasy comedy/drama, Roberto (Sergio Rubini) is a divorce lawyer who is very conflicted about what he does for a living. In fact, he has a great deal of difficulty sleeping at night. Most people simply toss and turn; Roberto literally splits in two. One Roberto is a fanatic advocate of marriage and an opponent of divorce. He goes on a campaign advocating that couples seek counseling and get back together. Ironically, he becomes so jealous of his wife (Margherita Buy) that she leaves him. The other Roberto is an inveterate ladies' man, one hundred percent against romance and commitment. The women he has relationships with eventually want a little of each, and he, too is left alone. Their mutual desolation eventually pushes the two Robertos back together into one slightly wiser man. ~ Clarke Fountain, All Movie Guide

Station is about a peaceful, down-to-earth railroad clerk whose life is thrown into turmoil when a rich woman on the run from the fiancee she has just left arrives at his station. The two take off together, avoiding her fiancee, and eventually falling in love. ~ Stephen Thomas Erlewine, All Movie Guide

In 1978, Italian politics were thrown into turmoil when the Christian Democratic president Aldo Moro was executed. This gripping political drama is based on American journalist Robert Katz's non-fiction book Days of Wrath and documents the convoluted chain of events that lead to Moro's death. Moro was the first politico to bring his country's political factions together in 40 years. His ordeal begins shortly after he is elected. He is en route to church with his five body guards when they are ambushed by radical communist terrorists, the Red Brigade. They quickly execute the body guards and spirit Moro to a hidden "people's prison' where he is interrogated. Neither Moro's Christian Democrats nor the newly reinstated Communists will deal or in any way acknowledge the Red Brigade. They do however engage in a massive search for the missing Moro. But the search is poorly organized and ineffectual. Meanwhile Moro is allowed to send letters to the government. He suggests that the Vatican be called in to negotiate a prisoner exchange with the terrorists, but the Vatican refuses. Instead, they make a formal plea for Moro's unconditional freedom. The government does little or nothing to help the president and Moro realizes that the organization he helped create has abandoned him. In desperation, he becomes sharply critical of the government that continues to stall while the Red Brigade becomes increasingly frustrated and impatient. Eventually they decide to kill Moro and later stuff his body in a red Renault which they parked between the Christian Democrat and the Communist headquarters. The Moro Affair or Il Caso Moro as it was known in Italy, was extremely popular in it's native country, but it also sparked considerable controversy for as the case unfolds, nagging doubts and holes arise that infer that perhaps the government had more of a hand in the assassination than the Red Brigade. ~ Sandra Brennan, All Movie Guide

Full frontal nudity and a wealth of softcore sex scenes combine with a serious and sometimes sensitively rendered story about Emilio (John Leysen), the scion of a wealthy family. Emilio and his clan have seen better times, and when he becomes obsessed with Giulia (Serena Grandi), a robust, sensual, sexually hyperactive woman, he gets nowhere; she is clearly unimpressed with Emilio and his background. Confused audiences might be remembering the modestly presented 1962 version of the story, Senilita, starring Anthony Franciosa as Emilio and Claudia Cardinale as the woman he loves. ~ Eleanor Mannikka, All Movie Guide

A good idea is taken to the well one too many times in this routine comedy by Luciano Salce. Paolo Villaggio is Arturo, the bank teller of the title, and Catherine Spaak is his put-upon wife Elena. Arturo's problem is that he does not have enough money to keep his head above water and so that is his wife's problem too. The maid no longer works because she has not been paid in living memory, and Elena is forced to scrub the floors. Then Arturo brings in his mistress to shore up their finances. After he fails in his objective (she moves in but cannot help that much), Elena brings in her lover to help out. After he arrives, his wife also moves in with her lover. At that point, who is sleeping with whom becomes a question of mathematical complexity. ~ Eleanor Mannikka, All Movie Guide

This entry in the Italian crime film cycle of the '70s presents an interesting take on the format. Emergency Squad seems unusually postmodern for its time because it places an equal amount of dramatic focus on its hero and its villain. The hero part is fulfilled by Ravelli (Tomas Milian), a cop consumed with the desire to get revenge on the crook who shot his wife to death during a robbery. The crook in question is Marseilles (Gastone Moschin), who is trying to assemble funds for his own retirement. As the revenge scenario moves toward the inevitable confrontation, Emergency Squad retains interest because it paints both leads in a complex fashion -- Ravelli's obsessive quest makes him as scary as he is sympathetic and the seemingly icy Marseilles reveals some surprisingly vulnerable sides to his character. Emergency Squad was the first of several Italian crime films for director Stelvio Massi, and star Tomas Milian would also become a mainstay of this genre. In 2005, Emergency Squad received a domestic DVD release from Mondo Macabro. ~ Donald Guarisco, All Movie Guide