Giuseppe Rotunno Movies

German filmmaker Eckhart Schmidt tracks down many high-profile Italian movie folks for the documentary portrait Federico Fellini: Through the Eyes of Others. Actresses Anita Ekberg, Anouk Aimée, and Sandra Milo provide commentary about the director's behavior on and off the set. Other interview subjects include screenwriter Tullio Pinelli, producer Dino de Laurentiis, cinematographer Giuseppe Rotunno, biographer Tullio Kezich, and novelist Gore Vidal. The film also employs archive footage and film clips. ~ Andrea LeVasseur, All Movie Guide

Legendary Italian filmmaker Luchino Visconti's life and remarkable cinematic achievements are investigated in depth in Adam Low's 2002 documentary produced by the BBC entitled The Life and Times of Count Luchino Visconti. Born into Italian aristocracy in 1906, Visconti's life was one of discontented listlessness until he took a position on French director Jean Renoir's 1936 film Une Partie de Campagne. This development would greatly influence the young Italian's own entry -- not to mention his entire career -- into filmmaking, starting in 1943 with Ossessione, which was simultaneously his directorial debut and the masterwork that launched the Italian neorealist movement. Many of Visconti's colleagues and contemporaries are interviewed by Low, including such luminaries as Claudia Cardinale, Farley Granger, Franco Zeffirelli, and Helmut Berger. The Life and Times of Count Luchino Visconti premiered at the 2002 London Film Festival in connection with a Visconti retrospective produced by the British Film Institute in 2003. ~ Ryan Shriver, All Movie Guide

Rarely has any actor, and especially one with a filmography as rich as that of Marcello Mastroianni (1923-1996), been given such a lavish screen biography. But then, director Anna Maria Tató was Mastroianni's companion for the last 22 years of his life, and she clearly saw this film, made for Italian television, as a labor of love. Mastroianni is filmed speaking to the camera in a variety of settings, usually outdoors in picturesque settings, and dozens of film clips enhance his memories of a long career in films. He touches on his love for the stage; his relationships with director Vittorio De Sica, Federico Fellini, Luchino Visconti, and Marco Ferreri; his disdain for the moniker "Latin Lover" that got attached to him after the success of his breakthrough film, La Dolce Vita; his appreciation for his favorite cities: New York City, Paris, Rome, and above all, Naples; and his thoughts on acting. Among the films generously excerpted are The Organizer, White Nights, I Don't Want to Talk About It, Bell' Antonio, Divorce Italian Style, Dark Eyes, A Special Day, La Dolce Vita, 8 1/2, Yesterday, Today, and Tomorrow, La Nuit de Varennes, Henry IV, La Grande Bouffe, Bye Bye Monkey, Intervista, and The Tenth Victim. In the film's penultimate scene, Mastroianni is shown celebrating his 72nd birthday, only a year before his death. The film is also available in a 98-minute version. ~ Tom Wiener, All Movie Guide

A remake of a 1954 Billy Wilder romance, this updated version of the play Sabrina Fair was directed by Sydney Pollack. Julia Ormond stars as Sabrina Fairchild, the daughter of a kindly chauffeur (John Wood) at the Long Island estate of the upper-crust Larrabee family. Sabrina has grown up enchanted from afar with the Larrabees' sparkling world of privilege and wealth, but she's especially enamored of younger Larrabee brother David (Greg Kinnear), a charming womanizer. After the once-plain Sabrina returns from a sojourn in Paris transformed into a remarkably poised and attractive young woman, she at long last catches David's eye. In a calculated effort to manipulate David away from her and into a more financially advantageous marriage, older brother Linus (Harrison Ford) pretends to woo Sabrina himself, but finds himself unintentionally falling in love. ~ Karl Williams, All Movie Guide

This drama is based upon an 18th century French novel by Crebillon. It represents the sharp conversations between a clever, free-thinking writer and a beautiful noblewoman as he tries to seduce her. At her request, he must recount his previous love exploits. He also describes the times he spent in prison after he was arrested for his licentious writings and suspicious acquaintances. ~ Sandra Brennan, All Movie Guide

Combining elements of A Christmas Carol and Rain Man (1988), this modern-day parable of greed and redemption was crafted with generous helpings of sentimentality by director Mike Nicholas. Harrison Ford stars as Henry Turner, a slick, ruthless corporate attorney willing to spin any falsehood to win a case. A bully to his teenage daughter Rachel (Mikki Allen), Henry also cheats on his wife Sarah (Annette Bening) and treats everyone from the maid to his assistant with cruel selfishness. Stepping out to a local mini-market for a pack of cigarettes late one night, Henry accidentally interrupts a burglary and is shot in the head by a stick-up artist. After a long coma, Henry survives only to find that he has no memory and must re-learn everything from reading to tying his shoes. Reborn as a friendly, childlike innocent, Henry charms his therapist (Bill Nunn) and reconnects with his wife and daughter, only to uncover some secrets about how truly appalling he once was. ~ Karl Williams, All Movie Guide

Director Terry Gilliam adroitly applies his Monty Python sensibilities upon the "career" of famed German prevaricator Baron von Munchausen. Played herein by John Neville, the baron is seen quelling a war that he himself started, flying into the stratosphere on the back of a cannonball, ballooning to the moon, exploring the innards of a volcano, being swallowed by a whale....In short, all of Munchausen's fabulous lies are here presented as "truth," played out in full view of nonplussed witnesses Eric Idle, Charles McKeown, Jack Purvis, and Sarah Polley. Fringe benefits include several loving medium shots of jaybird-naked Uma Thurman as Boticelli's Venus and an extended unbilled cameo by Robin Williams -- that is, by the head of Robin Williams -- as the King of the Moon. Filmed under considerable duress on a budget eventually exceeding 45 million dollars, The Adventures of Baron Munchausen never quite caught on with moviegoers, though it has enjoyed a lucrative afterlife on videocassette. ~ Hal Erickson, All Movie Guide

Adapted by Lewis John Carlino from the speculative novel by Anne Edwards, Haunted Summer recounts one of the most tempestuous "menage a quatres" of the 19th century. During an Italian holiday in 1816, novelist Mary Godwin (Alice Krige) meets the man she is destined to marry, bisexual poet Percy Byshe Shelley (Eric Stoltz). In so doing, Mary finds herself in emotional conflict with Shelley's possessive mentor Dr. Polidori (Alex Winter) and his fellow poet and erstwhile lover, the tortured Lord Byron (Philip Anglim). The erotic adventures that follow make the Gothic goings-on in Mary Shelley's subsequent novel Frankenstein seem like a day at the beach, though it is suggested that Frankenstein might never have happened had it not been for Mary's fateful "Summer of '16." Also figuring into the proceedings is one Claire Claremont, played by Laura Dern, who arguably delivers the film's best performance. ~ Hal Erickson, All Movie Guide

After discovering that his terrorist brother has committed suicide, Marco (John Savage) travels to Columbia to investigate, in this action film. ~ Jason Ankeny, All Movie Guide

Two of Italy's top comics, Massimo Troisi and Roberto Benigni teamed up to write (with Giuseppe Bertolucci), direct, and star in this comedy about two men accidentally thrown back to the year 1492. In a series of comic sketches, two friends, Saverio (Benigni) and Mario (Troisi) suddenly find themselves in 1492 while on a drive in the Italian countryside. Saverio is enthusiastic, but Mario just wants a ticket home, until he meets the nubile Pia (Amanda Sandrelli). Then Saverio suggests that if they can prevent Christopher Columbus from sailing to the New World, America would never be discovered and the Native Americans would not suffer. Along with this scheme come skits like Saverio explaining a few modern machines to Leonardo Da Vinci. In-between these highlights are lower ebbs in the comic flow, making the end result slightly under the capabilities of both comedians. ~ Eleanor Mannikka, All Movie Guide

Set during World War II, The Assisi Underground deals with the efforts made by a handful of hardy European souls to rescue Jews from the Holocaust. Ben Cross plays a dynamic young Catholic priest who puts his own life on the line to save thousands of refugees from Nazi-occupied Italy. While the role of the Vatican in the war is still a matter of hot debate, there can be no denying that individuals like Cross existed: in fact, virtually every event depicted in this film is based on an actual event. Featured in the all-star cast are James Mason, Irene Papas, and Maximillian Schell. When originally released, Assissi Underground clocked in at 178 minutes, resulting in a well-intentioned but frankly boring wartime epic. The producers whittled the running time down to 118 minutes for its general release. ~ Hal Erickson, All Movie Guide

This evocative look at a 1914 ocean voyage to scatter the ashes of a world-famous opera singer (Janet Suzman) is by turns charming, funny, and bizarre. Among the ship's passengers are aristocrats, politicians, singers, and a rhinoceros. Their episodic interactions form the core of the film, with complications (including a group of refugee Serbs boarding the vessel) carefully orchestrated by screenwriters Federico Fellini and Tonino Guerra to highlight the decay of European society prior to World War I. The ship sails on an artificial ocean against an artificial sky, crafted by art director Dante Ferretti in the studios of Cinecitta, with a result that is both disconcerting and oddly comforting. ~ Robert Firsching, All Movie Guide