Joe Roth Movies

A black detective becomes embroiled in a web of danger while searching for a fortune in missing drug money in this action-comedy. Writer-director Keenan Ivory Wayans also stars as Los Angeles private eye Arthur Shame, a former cop whose troubled past resurfaces when a one-time colleague asks for help in a narcotic case. During the course of his investigation, he encounters various old connections, ultimately confronting the criminal responsible for Shame's expulsion from the force. He must also deal with two women, Angela, a beautiful old flame (Salli Richardson), and Peaches (Jada Pinkett), his energetic but annoying sidekick. Unlike Wayans' blaxploitation parody I'm Gonna Get You Sucka, A Low Down Dirty Shame sticks more closely to genre conventions, lightening the action with wisecracks and standard comic interludes. ~ Judd Blaise, Rovi

This ambitious Disney movie uses a remarkable screenplay from Steven L. Bloom and Robert Rodat to tell a rollicking tale of America's transition from a close-to-the-land culture of mythic heroes to a corporate world of real estate tycoons. The strong theme about the decline of folk culture is expressed through a series of high octane adventures experienced by 12-year-old Daniel Hackett (Nick Stahl) at the dawn of the 20th century. Daniel's father, Jonas Hackett (Stephen Lang), runs a farm in a place called Paradise Valley, but his land is coveted by a greedy developer, J.P. Stiles (Scott Glenn). Daniel looks longingly at postcards of New York City while growing increasingly skeptical of his father's tales of legendary folk heroes. Then, through a series of incredible adventures, Daniel meets up with the legends that his father has spoken about -- cowboy Pecos Bill (Patrick Swayze), lumberjack Paul Bunyan (Oliver Platt), and finally, ex-slave and strongman John Henry (Roger Aaron Brown). Each of these heroes hooks up with Daniel and becomes involved in an increasingly bitter and boisterous fight against Stiles, whose plans to buy up land threaten the very strength of the folk heroes and the well-being of the common people. Pecos Bill has a horse named Widowmaker and can lasso a tornado. The giant Bunyan is accompanied by his famous blue ox, Babe. At one point, another legend, the cowgirl Calamity Jane (Catherine O'Hara), joins in the adventures. ~ Michael Betzold, Rovi

This comedy-adventure is one of several adaptations of Alexadre Dumas' (pere) classic novel. Provincial swordsman D'Artagnan (Chris O'Donnell) travels to Paris to follow in his father's footsteps and become a king's guard, a musketeer. Meanwhile, the evil royal advisor Cardinal Richelieu (Tim Curry), with the help of one-eyed Captain Rochefort (Michael Wincott), has disbanded the King's bodyguards in his devious attempt to usurp the power of the King (Hugh O'Conor) and rule France. Three of the musketeers, Athos (Kiefer Sutherland), Porthos (Oliver Platt), and Aramis (Charlie Sheen), escape and partner with D'Artagnan in an attempt to thwart the Cardinal and his minions, who also include the duplicitous Milady de Winter (Rebecca DeMornay). ~ Lisa Kropiewnicki, Rovi

Only three of the original five "young guns" -- Billy the Kid (Emilio Estevez), Jose Chavez y Chavez (Lou Diamond Phillips), and Doc Scurlock (Kiefer Sutherland) -- return in Young Guns II, which is the story of Billy the Kid and his race to safety in Old Mexico while being trailed by a group of government agents led by Pat Garrett (William Petersen). Along the way, Billy's crew gains three new recruits: Arkansas Dave Rudabaugh (Christian Slater), Tom O'Folliard (Balthazar Getty), and Hendry French (Alan Ruck). Though the film suffers from an uneven script, many performances -- particularly Slater's -- are surprisingly strong, and the movie looks great. The theme song, "Blaze of Glory," is performed by Jon Bon Jovi in his first solo appearance; the rocker also has a cameo in the film. ~ Stephen Thomas Erlewine, Rovi

Three rebellious bickersome brothers reunite to drive their father's title car from their Detroit homes to Florida. The auto is to be a gift to celebrate their mother's birthday party. Along the way, their adventures are punctuated by pop tunes from 1963 that include "Louie, Louie," a song that inspires a hilarious debate as the three attempt to fathom the song's meaning. ~ Sandra Brennan, Rovi

Ron Silver stars as Herman, a Holocaust survivor who believes that his wife Tamara (Anjelica Huston) perished in the concentration camps. He marries fellow immigrant Yadwiga (Margaret Sophie Stein), whose family sheltered him from the Nazis, and resettles in the Coney Island area of New York. Not all that devoted to Yadwiga, Herman begins an affair with Masha (Lena Olin), who becomes pregnant by him. Reasoning that, since Yadwiga is a gentile, his marriage is not legal in the eyes of his religion, Herman marries Masha as well. The triangle metamorphoses into a quadrangle when Tamara, who was not killed after all, reappears. Olin and Huston were both nominated for Best Supporting Actress Academy Awards. ~ Hal Erickson, Rovi

Two twin brothers, both renowned gynecologists, descend into madness after becoming romantically involved with the same woman in this disturbing, horrific drama. Jeremy Irons delivers a bravura performance as both Beverly and Elliot Mantle, Toronto-based surgeons who operate an exclusive gynecological clinic and share a reputation as brilliant innovators. They also share lovers, as the more aggressive, confident Elliott seduces women and later secretly allows the shier, more intellectual Beverly to reap the benefits. This arrangement is disturbed when Beverly falls in love with their newest conquest, Claire Niveau (Genevieve Bujold), a famous actress with an unusual gynecological deformity. Beverly's relationship with the hard-living Claire leads to him to turn away from Elliot and begin a dangerous involvement with drugs and alcohol. Elliot senses his brother's rapid decline into addiction and paranoia and attempts to save him, only to start falling victim to the same urges. Director David Cronenberg adapted the loosely fact-based tale to his own creepy purposes, tapping into primal fears regarding the uncanniness of twins and male sexual panic. His notorious gore was used sparingly here, however, with the film's most disturbing moments coming through suggestion, as in the display of a group of terrifying surgical instruments created by Beverly in his madness. Cronenberg's expertise with special effects proves crucial, however, as he and his regular cinematographer Peter Suschitzsky seamlessly combine Irons' two performances in a manner unrivalled by any previous depiction of twins. This visual achievement is more than matched by Irons, who delivers what may be his career performance, delineating the twins' differences and similarities and embodying their collapse in frighteningly believable fashion. The subject matter and chilly tone may be too intense for some viewers, but the brilliant central performance and intellectually provocative approach will prove thoroughly absorbing for others. ~ Judd Blaise, Rovi

Paul Le Mat and Molly Ringwald star in this limp-wristed drama about an arm-wrestling contest. P.K. (Ringwald) runs away from home after her mother's boyfriend Lester (Alex Rocco) continues his unwanted advances. She hitches a ride with The Kid (Paul Le Mat), who is on his way to an annual arm-wrestling championship in California. ~ Dan Pavlides, Rovi

In this charming comedy that lives up to its title, Judge Reinhold stars as Joe Gower, a librarian's assistant posing as a police officer and trying to win the heart of a beautiful police officer, Rachel Wareham (Meg Tilly). A complex chain of events is put in place when Joe agrees to help out a good friend who's a policeman by taking his place at an audition for the cop's annual benefit show. Once at the auditions, Joe falls for Rachel, who will be dancing in the benefit. Joe starts hanging out with the choreographer in order to spend more time with Rachel. Unfortunately, this gets him into his borrowed police uniform more than he would like, and soon he's carrying out the duties of a beat cop while wearing his disguise. ~ Eleanor Mannikka, Rovi

This drama concerns the clash of two worlds in the person of a young boy. The small boy (Alessandro Rabelo) is the offspring of a missionary who died before the he was born, and a Native American who is later killed by white prospectors. Father O'Reilly (Charles Durning) comes to hear about the legend of the orphan born to a holy man and a "sorceress" and guesses the truth about his parentage. He manages to bring the young boy to a Catholic orphanage where the lad is confronted with "civilized" behavior and is quite shocked by it. Meanwhile, Father O'Reilly is having second thoughts as the boy indirectly teaches him something about the values of his "primitive" culture. ~ Eleanor Mannikka, Rovi

Tom Hanks stars in this raunchy teen comedy from veteran screenwriters Pat Proft and Neil Israel, who had previously collaborated on the amusing sketch film Tunnelvision (1976) and the disappointing Americathon (1980). Bus-driver Rick Gasko (Hanks) is engaged to wealthy Debbie Thompson (Tawny Kitaen), much to the chagrin of her father (George Grizzard), who considers Rick a loser. To keep an eye on her future groom, Debbie and her friends dress as prostitutes to attend his bachelor party, which quickly turns into a bacchanal of smutty debauchery. Familiar faces in the cast include action stars Michael Dudikoff and Ji-Tu Cimbuka, pin-ups Monique Gabrielle and Rosanne Katon, and teen-movie regulars Adrian Zmed and Wendie Jo Sperber. It's an occasionally hilarious excursion into bad taste, although one which two-time Oscar winner Hanks would probably like to forget. ~ Robert Firsching, Rovi

A very inexperienced rock band flirts with fame thanks to a valuable assist from the media in this comedy-drama directed by veteran music producer Lou Adler. Corinne Burns (Diane Lane) is a fifteen-year-old orphan who gains a measure of local notoriety when she quits her job at a burger stand during a live television newscast. Corinne has few prospects but plenty of nerve, and she's formed a band with her sister Tracy (Marin Kanter) and cousin Jessica (Laura Dern) called the Stains. While checking out a gig by veteran hard rock band the Metal Corpses, led by flamboyant singer Lou Corpse (Fee Waybill), opened by British punk upstarts the Looters, Corrine sneaks backstage to ask advice just as Lou demands tour manager Lawnboy (Barry Ford) find a new opening act. Lawnboy impulsively gives the Stains the gig, and while the first show for the girls (who've had all of three practices) is little short of a disaster, Corrine's skunk-stripe hairdo, provocative clothes and defiant declaration "We don't put out" captures the attention of a television reporter who covered her before. A story on the evening news about the Stains turns the band into a cult sensation, and Looters lead singer Billy (Ray Winstone) tries to offer her some advice and emotional support as the Stains rise from opening act to headliners, but Corinne and her friends learn that their new fans are a very fickle breed. Shot in 1980 but released to only a handful of theaters in 1982, Ladies and Gentlemen, The Fabulous Stains gained a potent cult following after it appeared on cable television, largely among punk rock fans -- the Looters featured Steve Jones and Paul Cook of the Sex Pistols on guitar and drums as well as Paul Simonon from the Clash on bass, while L.A. punk troublemakers Black Randy and the Metrosquad briefly appear as themselves. ~ Mark Deming, Rovi

In the future (the distant year of 1997), the United States of America is in crisis. The oil shortage has grown to epic proportions, leading to people living in their cars and bicycling to work. Cigarettes and meat have been outlawed, gold coins are needed to operate common household appliances, and the Western White House (located in a luxury apartment in California) has been forced by economic necessity to operate round-the-clock tours for vacationing Chinese citizens. The economy is deep trouble; President Chet Roosevelt (John Ritter) has borrowed four billion dollars from Native American tennis shoe manufacturer Sam Birdwater (Chief Dan George), and he's foreclosing on the loan. When a media expert, Eric McMerkhin (Peter Riegert), is summoned for advice (since despite all hardships, Americans refuse to give up their televisions), he suggests a telethon. It's a great idea, except the President's assistant Vincent Vanderhoff (Fred Willard) is in cahoots with the United Heb-Rab Republic, a sinister coalition of Israeli and Arab nationals who want to snap up America if the debt can't be paid. He ensures that the show is stocked with endless ventriloquists and insists on Monty Rushmore (Harvey Korman), a washed-up, drug-addicted television personality as host. The star of the popular sitcom "Both Mother and Father," he is sure to self-destruct over the grueling 30-day-and-night telethon schedule. Despite terrorist attacks and the kidnapping of President Roosevelt, the patriotic spirit prevails and American citizens dig deep and pledge their gold to the cause. This outrageous farce (based on a play by Firesign Theatre alumni Philip Proctor and Peter Bergman) features cameos from Elvis Costello, Jay Leno, Meat Loaf and the Del Rubio Triplets, and is narrated by George Carlin. The Beach Boys, Eddie Money, and Nick Lowe contribute to the musical soundtrack. ~ Fred Beldin, Rovi