Joe Roth Movies

A fugitive couple (Tom Cruise and Cameron Diaz) wages a war between truth and trust while speeding across the globe in an attempt to avoid capture by a determined federal agent (Peter Sarsgaard). Paul Dano, Viola Davis, Olivier Martinez, Maggie Grace, and Marc Blucas co-star. ~ Jason Buchanan, All Movie Guide

A suburban housewife begins to gravitate away from her husband and into the arms of the nutritionist at the couple's local gym in this heartfelt marriage drama starring Julia Roberts and directed by Scott Coffey. ~ Jason Buchanan, All Movie Guide

Updated from the 1951 film of the same name, Angels In The Outfield takes liberties with the original to bring sentimental values to a modern setting. Roger (Joseph Gordon-Levitt) is a foster child whose irresponsible father promises to get his act together when Roger's favorite baseball team, the California Angels, wins the pennant. The problem is that the Angels are in last place, so Roger prays for help to turn the team around. Sure enough, his prayers are answered in the form of angel Al (Christopher Lloyd), and, before you know it, the Angels' bitter manager (Danny Glover) is watching in amazement as his team starts making the plays -- with the help of angels visible to the audience only as glowing special effects. ~ Don Kaye, All Movie Guide

Joe Roth directs his adaptation of Richard Price's novel Freedomland from a script by the author. Samuel L. Jackson stars as a police detective who must investigate a distraught woman (Julianne Moore) who claims that her child was kidnapped by a black man. The accusation stirs up much racial animosity in the town. Edie Falco co-stars. ~ Perry Seibert, All Movie Guide

Two guys from Queens wind up in trouble with the mob because of their fondness for prank phone calls in this quickie comedy. Stars Johnny Brennan and Kamal Ahmed first found fame as "The Jerky Boys" thanks to a series of comedy albums featuring real prank calls in which the duo assumed a variety of abrasive and often extremely foul-mouthed characters. Playing characters based on themselves, they reprise many of these same routines in this debut film, linking the comic bits together through a loose plot concerning local organized crime. It seems the boys have used their phone skills to trick a local mobster (Alan Arkin) into thinking that they are notorious Chicago hoods, only to have to go on the run when their scheme is discovered. Made to capitalize on a Jerky Boys fad, the film failed to attract much of an audience beyond their existing fans. ~ Judd Blaise, All Movie Guide

A black detective becomes embroiled in a web of danger while searching for a fortune in missing drug money in this action-comedy. Writer-director Keenan Ivory Wayans also stars as Los Angeles private eye Arthur Shame, a former cop whose troubled past resurfaces when a one-time colleague asks for help in a narcotic case. During the course of his investigation, he encounters various old connections, ultimately confronting the criminal responsible for Shame's expulsion from the force. He must also deal with two women, Angela, a beautiful old flame (Salli Richardson), and Peaches (Jada Pinkett), his energetic but annoying sidekick. Unlike Wayans' blaxploitation parody I'm Gonna Get You Sucka, A Low Down Dirty Shame sticks more closely to genre conventions, lightening the action with wisecracks and standard comic interludes. ~ Judd Blaise, All Movie Guide

Multimedia horror maven Clive Barker followed the success of his feature directorial debut Hellraiser with this equally surreal effort, based on his novella Cabal. The story involves the plight of Aaron Boone Craig Sheffer, a young man tormented by visions of monstrous, graveyard-dwelling creatures. Seeking the aid of his clinically cold therapist Dr. Decker (played by Canadian horror auteur David Cronenberg) in deciphering his nightmares, Boone becomes convinced that his frequent blackouts are linked to a recent spate of mutilation murders in the area. His frantic search for the truth leads him to the subterranean city of Midian, the dwelling place of a mythical race of undead nocturnal monsters known as the "Nightbreed." But it is only after he is cornered and shot dead by police that Boone's real journey begins -- he finds himself resurrected as one of the Breed and initiated into Midian's inner circle, where his latent supernatural powers are unleashed, leading to his realization of Dr. Decker's sinister role in the murders for which he was framed. Though Barker's unique and graphic vision is somewhat blunted by choppy editing (thanks to relentless tampering from the studio), this is nevertheless a fine sophomore project from a talented storyteller; the central conceit of presenting the monsters as the "good guys" -- at least compared to the gun-and-bible-toting lunatics who hunt them -- is handled with verve and originality. ~ Cavett Binion, All Movie Guide

Ron Silver stars as Herman, a Holocaust survivor who believes that his wife Tamara (Anjelica Huston) perished in the concentration camps. He marries fellow immigrant Yadwiga (Margaret Sophie Stein), whose family sheltered him from the Nazis, and resettles in the Coney Island area of New York. Not all that devoted to Yadwiga, Herman begins an affair with Masha (Lena Olin), who becomes pregnant by him. Reasoning that, since Yadwiga is a gentile, his marriage is not legal in the eyes of his religion, Herman marries Masha as well. The triangle metamorphoses into a quadrangle when Tamara, who was not killed after all, reappears. Olin and Huston were both nominated for Best Supporting Actress Academy Awards. ~ Hal Erickson, All Movie Guide

Two twin brothers, both renowned gynecologists, descend into madness after becoming romantically involved with the same woman in this disturbing, horrific drama. Jeremy Irons delivers a bravura performance as both Beverly and Elliot Mantle, Toronto-based surgeons who operate an exclusive gynecological clinic and share a reputation as brilliant innovators. They also share lovers, as the more aggressive, confident Elliott seduces women and later secretly allows the shier, more intellectual Beverly to reap the benefits. This arrangement is disturbed when Beverly falls in love with their newest conquest, Claire Niveau (Genevieve Bujold), a famous actress with an unusual gynecological deformity. Beverly's relationship with the hard-living Claire leads to him to turn away from Elliot and begin a dangerous involvement with drugs and alcohol. Elliot senses his brother's rapid decline into addiction and paranoia and attempts to save him, only to start falling victim to the same urges. Director David Cronenberg adapted the loosely fact-based tale to his own creepy purposes, tapping into primal fears regarding the uncanniness of twins and male sexual panic. His notorious gore was used sparingly here, however, with the film's most disturbing moments coming through suggestion, as in the display of a group of terrifying surgical instruments created by Beverly in his madness. Cronenberg's expertise with special effects proves crucial, however, as he and his regular cinematographer Peter Suschitzsky seamlessly combine Irons' two performances in a manner unrivalled by any previous depiction of twins. This visual achievement is more than matched by Irons, who delivers what may be his career performance, delineating the twins' differences and similarities and embodying their collapse in frighteningly believable fashion. The subject matter and chilly tone may be too intense for some viewers, but the brilliant central performance and intellectually provocative approach will prove thoroughly absorbing for others. ~ Judd Blaise, All Movie Guide

Klaus Maria Brandauer stars in this drama as Alek Neuman, a one-time boxing champion in the Soviet Union. While he was one of the top-ranked Russian fighters of his day, he was never allowed to box in the Olympics, because the Soviets would not permit Jews to compete on their national teams. Many years later, an elderly Alek is able to emigrate to the United States; he settles in the Brighton Beach section of Brooklyn, New York, where he makes ends meet as a dishwasher. Alek is depressed and starts sinking into alcoholism until he meets Timmy Boyle (Adrian Pasdar) and Roland Jenkins (Wesley Snipes), two up-and-coming amateur boxers. Alek thinks that the two young fighters have potential, and he offers to coach them. While Timmy and Roland aren't sure at first if they trust Alek (or each other), in time they grow to respect each other, and it looks as if they may make the United States Olympic team -- where they may fight against the Russian team that wouldn't accept Alek years before. Brandauer won critical acclaim for his performance in Streets of Gold, which also featured Wesley Snipes several years before his breakthrough role in Spike Lee's Mo' Better Blues. ~ Mark Deming, All Movie Guide

A very inexperienced rock band flirts with fame thanks to a valuable assist from the media in this comedy-drama directed by veteran music producer Lou Adler. Corinne Burns (Diane Lane) is a fifteen-year-old orphan who gains a measure of local notoriety when she quits her job at a burger stand during a live television newscast. Corinne has few prospects but plenty of nerve, and she's formed a band with her sister Tracy (Marin Kanter) and cousin Jessica (Laura Dern) called the Stains. While checking out a gig by veteran hard rock band the Metal Corpses, led by flamboyant singer Lou Corpse (Fee Waybill), opened by British punk upstarts the Looters, Corrine sneaks backstage to ask advice just as Lou demands tour manager Lawnboy (Barry Ford) find a new opening act. Lawnboy impulsively gives the Stains the gig, and while the first show for the girls (who've had all of three practices) is little short of a disaster, Corrine's skunk-stripe hairdo, provocative clothes and defiant declaration "We don't put out" captures the attention of a television reporter who covered her before. A story on the evening news about the Stains turns the band into a cult sensation, and Looters lead singer Billy (Ray Winstone) tries to offer her some advice and emotional support as the Stains rise from opening act to headliners, but Corinne and her friends learn that their new fans are a very fickle breed. Shot in 1980 but released to only a handful of theaters in 1982, Ladies and Gentlemen, The Fabulous Stains gained a potent cult following after it appeared on cable television, largely among punk rock fans -- the Looters featured Steve Jones and Paul Cook of the Sex Pistols on guitar and drums as well as Paul Simonon from the Clash on bass, while L.A. punk troublemakers Black Randy and the Metrosquad briefly appear as themselves. ~ Mark Deming, All Movie Guide

The Big One finally hits California and as it slides into the waiting Pacific a television news team with anchor people Walter Concrete and Barbara Halters is there to record the resulting chaos and help themselves to whatever is left. This satire features performers from such noted comedy troupes as the Ace Trucking Company, FireSign Theater and Second City. The Tubes provide the music. ~ Sandra Brennan, All Movie Guide