Ted Ross Movies

Terry Gilliam directed this adaptation of Richard LaGravenese's mystical (and mythical) tale of redemption in the hard-time town of New York City. Jeff Bridges is shock radio DJ Jack Lucas, whose low opinion of humanity lends itself well to his radio talk show, where the enmity rubs off on his listeners. One fan in particular takes Jack's rants to heart and goes to a fancy restaurant with a gun, murdering innocent diners. Jack is so distraught at what his on-air suggestion wrought that he sinks into a three-year depression, drinking himself to sleep and mooching off of his girlfriend Anne Napolitano (Mercedes Ruehl, in an Oscar-winning performance), an attractive owner of a video store. Hitting bottom, Jack slumps to the river, prepared to commit suicide. To his rescue comes a crazed but witty homeless man named Parry (Robin Williams), who tells Jack he's destined for great things -- all his has to do is find the Holy Grail (conveniently located in mid-town Manhattan) and save Parry's soul. He also wants Jack to help him out with the woman of his dreams, Lydia Sinclair (Amanda Plummer), a shy type who works at a publishing company. Parry was once a university professor became unglued by a tragic event in his past; Jack soon realizes that to save himself, he first must save Parry. ~ Paul Brenner, All Movie Guide

In this sequel to the 1981 hit comedy Arthur, the story picks up where it left off with the bibulous millionaire hero (Dudley Moore) marrying poverty-stricken Linda Marolla (Liza Minnelli) instead of going through with a prearranged wealthy marriage. The vengeful father (Stephen Elliott) of the justifiably jilted bride begins pulling a few crooked strings, and before long, Arthur is broke. Worse still, Linda is pregnant. Will Arthur crawl back into a bottle, or will he save the day? John Gielgud makes a cameo appearance as the ghost of the family-retainer character he played in the first Arthur, while Dudley Moore's real-life wife Brogan Lane shows up in a minor role. ~ Hal Erickson, All Movie Guide

The Huxtables head to Hillman College to visit Denise (Lisa Bonet) and to attend a retirement ceremony for school president Dr. Hanes (Joe Seneca). While Denise nervously tries to hide the fact that she isn't the world's best housekeeper, Dr. Hanes invites Cliff (Bill Cosby) to emcee the ceremony, and asks Clair (Phylicia Rashad) to sing with the college choir. Ms. Rashad is heard in a rendition of "All Good Things Will Be Added Unto You" in this episode, which was largely taped at Atlanta's Spellman College, the real-life model for Hillman (Spelman's choir is combined with the one from Morehead college for the occasion). Designed as a lead-in to the spinoff series A Different World--and introducing Gloria Foster in the role of Hillman's new president Dr. Barbara Bracy--this the final episode of The Cosby Show's third season. ~ Hal Erickson, All Movie Guide

A clandestine marriage between 2 police officers is kept from the department. ~ All Movie Guide

An Italian deli owner (Tom Skerritt) gets fed up with the petty hoodlums in his south Philadelphia neighborhood who have been terrorizing his friends. He decides to form a neighborhood watch group to fight off the crooks. While his intentions are the very best, the group of vigilantes he forms resorts to beating up offenders before bothering to call the police, the police themselves are irritated that the citizens are interfering, and the deli owner starts to like the publicity he is getting for his vigilante work. As things unravel, a television news crew is there to present all sides of the story. ~ Eleanor Mannikka, All Movie Guide

Delving into the horrific history of the infamous Long Island haunted house, this prequel to 1979's popular chiller The Amityville Horror is loosely based on the DeFeo murders but is at heart a straightforward horror-exploitation film with an Exorcist twist. When the violently dysfunctional Montelli family moves into the rustic abode (claimed to have been built on an Indian burial ground), the standard haunted-house clichés (bleeding walls, swarms of flies, bubbling black goop) give way to a more direct demonic attack on the eldest son -- who develops an unhealthy interest in his nubile younger sister, followed by a much more lethal attraction to dad's shotgun. In a desperate attempt to purge the evil, the local priest tries to perform an exorcism...with unexpected results. ~ Cavett Binion, All Movie Guide

E. L. Doctorow's novel Ragtime was a sprawling fictional account of American manners and mores in the years between 1900 and 1913. Among the mosaic of colorful factual and fictional characters in the novel were escape artist Harry Houdini and radical Emma Goldman. Both characters are all but eliminated in the film version, which only concentrates on three of Doctorow's many plot threads: The story of an immigrant artist (Mandy Patinkin) who becomes a movie director; the saga of "Gibson Girl" Evelyn Nesbit Shaw (Elizabeth McGovern), for whose sake playboy Harry K. Thaw (Robert Joy); kills architect Stanford White (Norman Mailer) and a lone black man's (Howard Rollins Jr.) quest for justice when his car is destroyed by a racist fire chief (Kenneth McMillan). This last subplot consumes most of the film's running time, to the overall detriment of the pacing. There are also several scenes involving an unnamed upper-middle-class family (headed by James Olson and Mary Steenburgen) who are evidently meant to be the audience's eyes and ears, but are frankly not terribly interesting. Back in 1981, Ragtime was given plenty of press coverage as the "comeback" picture for James Cagney, after twenty years in retirement. The problem is that Cagney's character (a police commissioner) isn't in the book, and his inclusion not only throws the story off balance, but necessitates the removal of several potentially interesting characters and events. Another detriment is the gratuitous (and illogical) nudity in the Evelyn Nesbit scenes, which earned the film its "R" rating. An ornate misfire, Ragtime is of interest today only for its remarkable cast of veterans and stars-to-be, including Pat O'Brien and Eloise O'Brien, Donald O'Connor, Debbie Allen, Moses Gunn, Jeff Daniels and Fran Drescher. ~ Hal Erickson, All Movie Guide

Louise Jefferson (Isabel Sanford) needs a sizeable loan to obtain a permit for the new Help Center. Inexplicably, the local bank turns Louise down. Taking matters in his own hands, Louise's husband George (Sherman Hemsley) finds out that the bank was acting on the orders of a city official -- who turns out to be an old Navy "pal" of George's, a man with a long memory and a smoldering grudge. ~ Hal Erickson, All Movie Guide

Not to be confused with a 1945 film musical of the same title, Minstrel Man is a made-for-TV chronicle of two African-American entertainers, played by Glynn E. Turman and Stanley Clay. Confined to racist show-biz tradition of the early 20th century, dancer Turman is permitted to perform only if made up in traditional blackface--white lips and all. Clay, Turman's brother, is a Scott Joplin style composer whose outspokenness brings down the wrath of white producers. But his music helps foment a revolution in black entertainment, the first step in allowing performers of his race to express themselves on their own terms, not as a reflection of Caucasian stereotypes. Enchanced throughout by genuine ragtime tunes of the era, Minstrel Man is rousing, thought-provoking entertainment. The film was originally aired as a Mobil Showcase special in March of 1977. ~ Hal Erickson, All Movie Guide