Herbert Ross Movies
American director/choreographer Herbert Ross divided his time between Broadway and the American Ballet Theatre in the 1950s and 1960s. Ross also choreographed numerous live television programs, and handled the dance sequences of such films as Carmen Jones (1954), Inside Daisy Clover (1963) and Dr. Doollittle (1967). His first screen directorial job was Goodbye Mr. Chips, an overblown 1969 remake of a well-regarded 1939 MGM feature. Ross' subsequent cinema reputation rested on his ability to transfer popular stage plays to the screen, as witness The Owl and The Pussycat (1970), The Sunshine Boys (1975) and California Suite (1978). While he was expert in cinematizing the plays of Neil Simon, Ross was critcally lambasted for his conformist approach to Woody Allen's Play it Again Sam (1972), though this film was one of Allen's biggest moneymakers. Ross also directed a brace of Neil Simon screenplays, The Goodbye Girl (1977) (which won an Oscar for star Richard Dreyfuss) and Max Dugan Returns (1982). Considered by some detractors to be merely a conduit for the works of more talented writers, Ross countered his critics with such remarkable personal-expression pieces as The Turning Point (1978), a story of the ballet world which became an unexpected box-office smash, and Pennies From Heaven (1981), a courageous if not wholly successful juxtaposition of wish-dream fantasy and tragic reality. Ross has worked with everyone from Raquel Welch to Barbra Streisand, so he is unimpressed by the excesses of "star mystique." He was roundly criticized by the costars of Steel Magnolias (1989) for his rough treatment of then-supporting actress Julia Roberts, but the fact is that Roberts gave a far better performance for Ross than she would for many of her pre-approved directors once she achieved superstardom. In private life, Ross has had two high-profile marriages -- his first wife was ballet dancer Nora Kaye, who produced many of her husband's films until her death in 1987 and his second wife was Lee Radziwill, the sister of Jackie Kennedy. ~ Hal Erickson, All Movie Guide
This emotion-filled story stars Whoopi Goldberg, Mary-Louise Parker, and Drew Barrymore as three women from different walks of life who find comfort in each other through tragedy. Parker plays Robin, an HIV-positive real estate executive who meets Jane (Goldberg), a lesbian lounge singer on her way to the West Coast who needs a driver. Robin volunteers for the job, and along the way, they stop in Pittsburgh to visit her friend Holly (Barrymore), who is pregnant and abused by her boyfriend. In an attempt to save Holly, all three decide to head West together to begin a new life. But they get only as far as Arizona before Robin falls ill and the three are forced to learn to rely on one another for growth and emotional sustenance. Jane, though concerned about Robin's condition, also finds herself with a romantic interest in her ailing companion. Holly confronts her need to be with abusive men, while Robin comes to grips with her fear of being alone and the realization of her own impending death. Fans of Herbert Ross' earlier Steel Magnolias (1989) might appreciate this movie, which tackles some of the same themes. Sometimes referred to as a "feminist road movie," the film deals with women who find one another in a time of crisis and realize that the bonds among women are more powerful than any of life's obstacles. ~ Don Kaye, All Movie Guide
- Starring:
- Whoopi Goldberg, Mary-Louise Parker, (more)
Playwright Neil Simon turned to the hotel setting he used so successfully in his stage-play (later a movie) Plaza Suite to explore four more human dramas in his play California Suite, which was adapted into this quite successful movie. In the first episode, the divorced couple of Bill and Hannah Warren (Alan Alda and Jane Fonda) have rented a suite in a posh Beverly Hills hotel in order to have a discussion about who will get the custody of their child. In the next episode, Sidney Cochran and Diana Barrie (Michael Caine and Maggie Smith) are a hilarious pair of Hollywood stars who have rented the suite to await their appearance at the Academy Awards: it is a "date of convenience" which enables the sexually adventurous duo to conduct their other, more unconventional alliances out of the public eye. Drs. Willis Panama and Chauncy Gump (Bill Cosby and Richard Pryor) have brought their families to Beverly Hills for a vacation which takes on nightmarish tone. Finally, Marvin Michaels (Walter Matthau) tries frantically and unsuccessfully to explain the situation to his wife (Elaine May) when she catches him in flagrante delicto with a hooker. Actress Maggie Smith won an Academy Award as "Best Supporting Actress" for her role in this film, in which she plays the actress waiting to win . . . an Academy Award. ~ Clarke Fountain, All Movie Guide
- Starring:
- Alan Alda, Michael Caine, (more)
In 1943, Oscar Hammerstein Jr. took Georges Bizet's opera Carmen, rewrote the lyrics, changed the characters from 19th century Spaniards to World War II-era African-Americans, switched the locale to a Southern military base, and the result was Carmen Jones. Dorothy Dandridge stars as Carmen Jones, tempestuous employee of a parachute factory. Harry Belafonte plays Joe (originally José), a young military officer engaged to marry virginal Cindy Lou (Olga James). When Carmen gets into a fight with another girl, she is placed under arrest and put in Joe's charge. Succumbing to her attractiveness, Joe accompanies Carmen to her old neighborhood, where, after killing a sergeant sent to retrieve him, he deserts the army. Carmen tries to be faithful, but fortune-telling Frankie (Pearl Bailey) warns her that she and her soldier are doomed. Enter Joe Adams in the role of boxer Husky Miller (a play on Carmen's bullfighter Escamillo), who sweeps Carmen off her feet, ultimately with tragic consequences. Alhough both Dorothy Dandridge and Harry Belafonte were singers, their opera voices were dubbed in by LeVern Hutcherson and Marilyn Horne. ~ Hal Erickson, All Movie Guide
- Starring:
- Dorothy Dandridge, Harry Belafonte, (more)
Rex Harrison, although not at all like the portly man described in Hugh Lofting's charming series of children's stories, is sheer perfection as the kindly animal doctor in Leslie Bricusse's musical fantasy Doctor Dolittle. Sadly, Harrison is the only thing nearing perfection in this overstuffed and over-mounted fiasco that nearly brought down 20th Century Fox. Considered a lunatic because he can converse in 498 animal dialects, Dolittle gathers up his friends Matthew Mugg (Anthony Newley) and Emma Fairfax (Samantha Eggar) and heads off on a journey to the South Seas to find the elusive great pink snail and the giant lunar moth. Along the way, the group encounters a succession of bizarre human and animal characters -- most notably the legendary pushme-pullyou, an animal so freakish that it compels Albert Blossom (Richard Attenborough) to burst out into the exuberant song, "I've never Seen Anything Like It in My Life." Incredibly, the film was nominated for a Best Picture Oscar in 1967. ~ Paul Brenner, All Movie Guide
- Starring:
- Rex Harrison, Samantha Eggar, (more)
Including such songs as "Broadway Baby," "I'm Still Here," "The Ladies Who Lunch," and "Losing My Mind," this video features a filming of the well-known Stephen Sondheim musical as it was performed at New York's Lincoln Center in 1985. ~ Iotis Erlewine, All Movie Guide
In this lively adolescent-oriented musical, a city kid attempts to adapt to life in an ultra-conservative backwater Midwestern town. Once there, he ends up leading the repressed teenagers into a rebellion against the town fathers, who have outlawed rock & roll and dancing. ~ Sandra Brennan, All Movie Guide
- Starring:
- Kevin Bacon, Lori Singer, (more)
"Hello, gorgeous!" was Barbra Streisand's first comment to the Oscar statuette which she won for her performance in this biopic of entertainer Fanny Brice. This is also her first line in the film itself, the catalyst for a movie-long flashback. Repeating her Broadway role, Streisand stars as legendary comedienne Brice (1891-1951), whose life until the mid-1920s is romanticized herein. A gawky New Yawker, Brice fast-talks her way into show business, certain that she's destined to be "The Greatest Star." Hired as a "dramatic" singer by impresario Flo Ziegfeld (Walter Pidgeon), Brice defies orders to play it straight, turning a "Beautiful Bride" tableau into a laugh riot by dressing herself up as an extremely pregnant newlywed. The stratagem turns Brice into an overnight star and the toast of Broadway. But all is not roses for Brice, especially in her turbulent private life as the wife of big-time gambler Nicky Arnstein (Omar Sharif). Nicky at first finds it amusing to be referred to as "Mr. Brice," but he begins to resent his wife's fame and fortune and starts taking foolish risks with other people's money. The film was nominated for 8 Oscars, including Best Picture and Kay Medford for her portrayal of Brice's mother, Rose. Funny Girl was produced by Ray Stark, Brice's real-life son-in-law, who had enough material left over for a sequel, 1975's Funny Lady. ~ Hal Erickson, All Movie Guide
- Starring:
- Barbra Streisand, Omar Sharif, (more)
Funny Lady, the follow-up to the 1968 Funny Girl which made a movie star of Barbra Streisand, picks up the character of Fanny Brice in the 1930s. Although she is a tremendously famous Broadway star, she has suffered from the stock market crash and needs to boost her finances. Even Ziegfeld, who soon will pass away, is having a hard time raising money for a show. Into this scene bursts brash young Billy Rose (James Caan), an egotistical lyricist with unrestrained ambition. He cajoles and charms Fanny into linking up with him, convincing him that he can produce a revue that will showcase her to their mutual advantage. Out of town, the show is an unmitigated disaster, and Fanny uses her professional know-how to whip the show into shape. It arrives in New York a hit -- and Fanny and Billy arrive an item. Both of their careers blossom, but even though they marry, their relationship suffers. Fanny still carries a torch for first husband Nick (Omar Sharif), and Billy, partially because of insecurities caused by Fanny's feelings for Nick, has a roving eye. In California working on a lucrative radio show, Fanny and Nick connect again -- and Fanny realizes that she is finally over him. Thrilled, she flies to Cleveland, where Billy is working on a new show, ready to commit herself totally to him -- only to find him in bed with another woman. The two part, but years later they meet again to discuss a new show, and it's clear that the chemistry between them is still there. ~ Craig Butler, All Movie Guide
- Starring:
- Barbra Streisand, James Caan, (more)
While it might not have been the best idea on earth to remake the 1939 classic Goodbye Mr. Chips as a musical, the end result is not altogether displeasing. Peter O'Toole steps into the old Robert Donat role of Arthur Chipping (originally Charles Chipping), a young by-the-book schoolmaster at a 1920s British boys school who is humanized by the love of good-natured music-hall singer Katherine Bridges (played by Petula Clark; Greer Garson essayed this role, then named Katherine Ellis, in the original). Though Chips must endure the tragedy of Katherine's death during the 1940 London blitz (a scene filmed from the bomb's point of view!), he is able to persevere by devoting himself to his young charges. In retrospect, this version of Goodbye Mr. Chips might have worked better without the songs, which never rise above banality. And though Petula Clark can't match the poignancy of Greer Garson's performance (in all fairness, she didn't have much of a script to work with), Peter O'Toole is terrific as the title character, convincingly ageing and mellowing as the story unfolds. Originally road-shown at 151 minutes, Goodbye Mr. Chips is today generally available in its 131-minute general-release version. ~ Hal Erickson, All Movie Guide
- Starring:
- Peter O'Toole, Petula Clark, (more)
- 1982
- PG
Neil Simon based his screenplay for I Ought to Be in Pictures on one of his more serious theatrical pieces. Walter Matthau is top-billed as Herbert Tucker, a struggling screenwriter who suddenly finds his 19-year-old daughter, Libby(Dinah Manoff), on his Hollywood doorstep. Having deserted his family years earlier, Herbert isn't keen on having his daughter around to cramp his lifestyle, which at this point consists of drinking his meals and telling lies to his faithful girlfriend, Stephanie (Ann-Margret). Libby takes it upon herself to put Herbert's life in order. There are plenty of angry outbursts and recriminations between father and daughter before the tearful, upbeat conclusion. Incidentally, Dinah Manoff is the daughter of actress Lee Grant, who'd previously co-starred with Walter Matthau in Neil Simon's Plaza Suite -- which, like I Ought to be in Pictures, was directed by Herbert Ross. ~ Hal Erickson, All Movie Guide
- Starring:
- Walter Matthau, Ann-Margret, (more)
- 1965
Daisy Clover (Natalie Wood) goes from teenage girl to movie star practically overnight when her demented mother enters her voice in a talent-search contest. From a broken-down carnival on the Santa Monica Pier, in no time at all she is attending glamorous Hollywood parties. But Daisy soon learns that misery and pain go hand-in-hand with fame and fortune. Before Daisy completes her first film, the studio execs have her mother committed to an asylum without permission. Daisy tries to find happiness in a series of unfulfilling romances, her one-day marriage to Wade Lewis (Robert Redford) leaving her alone and divorced. After her mother dies, Daisy has a nervous breakdown and refuses to work, but the cold-hearted studio moguls threaten her with starvation if she does not report back to the soundstage. Christopher Plummer, Ruth Gordon (in an Oscar-nominated performance) and Roddy McDowell co-star in this story of a Hollywood dream that turns into a nightmare. ~ Dan Pavlides, All Movie Guide
- Starring:
- Natalie Wood, Christopher Plummer, (more)
Max Dugan (Jason Robards Jr.) is an elderly ne'er-do-well whose tenuous mob connections have made him persona non grata with his daughter Marsha Mason. Struggling to raise her restless son Matthew Broderick on her own, Mason is none too pleased when Max returns to the family fold with yet another portfolio of get-rich-quick schemes. Forced to leave town due to the investigative habits of cop Donald Sutherland, Mason's new boyfriend, Max does one last good deed to renew the faith of the disillusioned-with-life Broderick. Watch for Donald Sutherland's son Kiefer in his film debut, and for former Kansas City Royals' batting coach Charlie Lau in the baseball-game finale. ~ Hal Erickson, All Movie Guide
- Starring:
- Marsha Mason, Jason Robards, Jr., (more)
Herbert Ross directed this Nora Ephron-scripted buddy comedy starring Steve Martin, Rick Moranis, and Joan Cusack. Steve Martin plays Vinnie Antonelli, a street smart mobster who agrees to turn state's evidence and is forced to move to Fryburg, California as part of the witness relocation program. Rick Moranis plays the nebbish FBI agent Barney Coopersmith, who is assigned to help Vinnie adjust to small town life. Instead, Vinnie helps Barney come out of his shell, much to the consternation of divorced mother and relentless district attorney Hannah Stubbs (Joan Cusack). ~ Paul Brenner, All Movie Guide
- Starring:
- Steve Martin, Rick Moranis, (more)
- 1980
- R
The deeper, broader issues behind the rise and fall of one of the world's greatest ballet dancers and choreographers, Vaslav Nijinksy (1888-1950), is not at the fulcrum of this two-hour British biographical drama. Director Herbert Ross and screenwriter Hugh Wheeler base the film on Nijinsky's diaries and his wife's book Nijinsky but what they portray are the years between 1912-1913 and Nijinsky's affair with Sergei Diaghliev, his mentor and the impresario and founder of Ballets Russes. With the life of the great man (played by dancer George de la Pena) explained via the dominant, impossible personality of Diaghliev and the love of his wife (Leslie Browne), there is no room for larger questions. The business and politics and especially the homosexuality that are involved with the art of ballet are also given primary focus. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Alan Bates, George de la Pena, (more)
Adapted from Dennis Potter's landmark British TV miniseries and relocated to the United States during the Depression, Pennies from Heaven dramatizes how popular songs both shaped and reflected the thoughts of people living through economic (and emotional) hardship. Arthur Parker (Steve Martin) is a sheet music salesman who believes that he can spot a hit a mile away and wants to open his own store. But he can't get a bank loan and his wife Joan (Jessica Harper), who has savings left to her by her father, refuses to give him the money. Also, while Arthur has a fierce sexual appetite, Joan generally refuses his advances. While on the road, Arthur meets Eileen (Bernadette Peters), a shy schoolteacher as desperate for affection as Arthur is hungry for sex. They begin an affair, which leads to tragedy for both. Punctuating the drama of Pennies from Heaven are elaborate musical numbers in which the characters lip-synch to popular songs of the day, which at once lift their hopes and reflect their fears. Arthur's buoyant tap number to "My Baby Said Yes" and Eileen's saucy rendition of "Love is Good for Anything That Ails You" are reflections of their needs for money and love, and their pas de deux on "Let's Face the Music and Dance" is at once an escape and an acknowledgement of their hopelessness. ~ Mark Deming, All Movie Guide
- Starring:
- Steve Martin, Bernadette Peters, (more)
Herbert Ross directed this adaptation of Woody Allen's hit Broadway play concerning a shy film critic who has trouble with women. Woody Allen plays Allan Felix, a writer for Film Quarterly consumed by movies, particularly his favorite film of all time, Casablanca. At the start of the film, Allan's wife Nancy (Susan Anspach) has just left him and is applying for a divorce. Unable to deal with this emotional turmoil, Allan seeks solace in the movies he loves, imagining Humphrey Bogart (Jerry Lacy) has dropped by his apartment to offer Allan advice on dealing with the ladies ("Dames are simple. I never met one that didn't understand a slap in the mouth or a slug from a forty-five"). Helping Allan meet new women are his good friends Dick (Tony Roberts) and Linda Christie (Diane Keaton). Dick and Linda fix him up with a succession of dates, all of which end disastrously because of Allan's nervousness and insecurity. Finally, Allan realizes that he has been spending more time with Linda than anyone else and he is becoming attracted to her -- she's the only woman he truly feels comfortable around. Linda proves unexpectedly receptive to Allan's advances, since Dick's workaholic ways leave Linda neglected and ignored. ~ Paul Brenner, All Movie Guide
- Starring:
- Woody Allen, Diane Keaton, (more)
In this routine spoof of government and media foibles, Sunny (Goldie Hawn) is an ordinary cocktail waitress, someone who graduated in the top 75% of her class. When she dramatically prevents the assassination of a visiting dignitary, an Emir (Richard Romanus) from an Arab country. the event puts her dead center at a whirlwind of media attention, and she gets her a job in the protocol department of the government -- nothing that cocktail waitressing can really prepare one to do. Sunny's nemesis is the evil Mrs. St. John (Gail Strickland) who does not appreciate her inane blunders, and with a few cohorts, she schemes to ship Sunny off to join the Emir's harem, in exchange for a military base in his country. The daffy ex-cocktail waitress is not also blind and deaf, and before long, she suspects that something underhanded is in fact, underfoot. Now she has to find out what it is and how to stop it. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Goldie Hawn, Chris Sarandon, (more)
In the comedic farce Soapdish, the behind-the-scenes lives of several soap opera actors are just as melodramatic as those of their television counterparts. Sally Field stars as Celeste Talbert, the star of a declining TV show. To make matters worse, Talbert's career is thrown into turmoil when her rival, Montana Moorehead (Cathy Moriarty), tries to persuade producer David Barnes (Robert Downey Jr.) to write Talbert off the show. Smitten by Moorehead, Barnes comes up with a scheme to get Talbert off the show by hiring her niece Lori (Elisabeth Shue) and then Jeffrey (Kevin Kline), an old flame and cast member who was written out of the show 20 years prior. Soon, mayhem rules on the set as the cast and crew tangle, culminating in a special episode, broadcast live. ~ Matthew Tobey, All Movie Guide
- Starring:
- Sally Field, Kevin Kline, (more)
The title refers to those seemingly frail Southern belles who survive any and all deprivations through whims of iron. Robert Harling's original stage play was set exclusively in a Louisiana beauty parlor where an all-female cast of characters laughed, cried and compared menfolk. The film expands the playing field by including scenes at picnics, hospitals and the like, and by visually depicting the males who never appeared in the stage version. Dolly Parton plays the goodnatured beauty-shop owner, while Shirley MacLaine is the cantankerous town eccentric, decked out in grungy overalls and speaking fluent Trash. Well-to-do Sally Field bravely endures several assaults to her sensibilities, not the least of which is the illness (and subsequent death) of daughter Julia Roberts. The performances are first-rate, with the possible exception of Daryl Hannah's overemphatic portrayal of a gawky hairdresser. The film stumbles a bit in its depiction of the male characters as fools and deadheads, and in the final overlong hospital scenes involving the comatose Roberts, which play like a road company version of Terms of Endearment. Otherwise, Steel Magnolias is a prime example of ensemble filmmaking, lovingly coordinated by director Herbert Ross. (Sidebar: Herbert Ross was reportedly rather rough on Julia Roberts, deriding her lack of experience. The rest of the female cast rallied around Roberts and told the director to lay off or pay the price). ~ Hal Erickson, All Movie Guide
- Starring:
- Sally Field, Dolly Parton, (more)
- 1963
British filmmaker Peter Yates directs singer Cliff Richard in the starring role in this early 1960s pop music romp. Richard plays Don, a mechanic who, with three friends, is preparing to launch an offbeat European continental travel service using an old London double-decker bus. On a test run, they collide with a car occupied by a group of female rock musicians, demolishing it -- so they offer to give the girls a ride to Athens. They also pick up an American pop singer, Barbara (Lauri Peters), who is posing as a boy to hide from her press agent and mother, who refuse to allow her a vacation from a demanding tour schedule. Don and Barbara fall in love, but Barbara's mother accuses him of abducting her, and the bus and the music roll on to Greece after a series of comic misadventures. The cast includes the real rock group The Shadows. ~ Michael Betzold, All Movie Guide
- Starring:
- Cliff Richard, Lauri Peters, (more)
- 1971
- PG
Candice Bergen plays the title character, a naïve young woman from the countryside who ventures to the bright lights of Chicago in search of an interesting career, true love, and happiness. She ends up working a meaningless job and living in a drab apartment, and she remains lonely as her romantic entanglements also misfire. She has an affair with businessman Jack Mitchell (Peter Boyle), which ends terribly. Next she takes up with Larry Moore (James Caan), but that romance also goes nowhere. Peter Hyams wrote the script and produced the film, which was released in England under the title Date with a Lonely Girl. Director Herbert Ross had much better success with romantic-comedy material in later years when he filmed Neil Simon material such as The Goodbye Girl. ~ Michael Betzold, All Movie Guide
- Starring:
- Candice Bergen, Peter Boyle, (more)
- 1987
- PG
Choreographer and filmmaker Herbert Ross directs the romantic backstage drama The Dancers, which features a production of Giselle by the American Ballet Theatre. Mikhail Baryshnikov stars as macho lead dancer Tony Sergoyev, the director of a ballet company beginning a production of Giselle in southern Italy. Tony has been involved with several of the dancers in his troupe, but has recently become close to Contessa (Mariangela Melato). When American teenager Lisa (Julia Kent) arrives, he becomes attracted to her during rehearsals. The conclusion involves the final production, with Tony in the role of Albrecht. Tony's other lover, Francesca (Alessandra Ferri), plays the role of Giselle, while cynical Nadine (Leslie Browne) plays the role of the Queen of the Wilis. ~ Andrea LeVasseur, All Movie Guide
- Starring:
- Mikhail Baryshnikov, Alessandra Ferri, (more)
Marsha Mason is known as "The Goodbye Girl" because of all the live-in boyfriends who have said ta-ta to her in the past few years. A former Broadway chorus dancer, the divorced Mason lives in the Manhattan apartment of her latest lost love with her daughter Quinn Cummings. Enter arrogant actor Richard Dreyfuss, who has subleased the apartment from Mason's former boyfriend and moves in bag and baggage in the middle of the night. Dreyfuss and Mason spend the next few weeks getting in each other's way and fighting like cats and dogs. The wind is taken out of Dreyfuss' sails when he opens in a production of Richard III, which has been sabotaged by the director (Paul Benjamin), who insists that Dreyfuss portrays Richard as a hip-swinging homosexual. The play closes after one performance, and the once-overconfident Dreyfuss goes on a self-pitying drunken binge. Touched by his vulnerability, Mason begins falling in love with Dreyfuss despite her lousy track record with men. Richard Dreyfuss became the youngest ever "Best Actor" Oscar winner as a result of his performance. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Dreyfuss, Marsha Mason, (more)
This suspense drama features an all-star cast, including Richard Benjamin, Dyan Cannon, James Coburn, James Mason, Ian McShane, and Raquel Welch. An interesting production fact about the film: its screenplay was written by actor Anthony Perkins and lyricist/songwriter Stephen Sondheim. Their careers depend on keeping in the good graces of Clinton (James Coburn), a powerful movie producer. That is why a group of actors, director, agents and other movie professionals (who hate each other) accept an invitation to spend a week on the producer's yacht on the anniversary of his wife's untimely death in a hit-and-run car accident. Once on board, Clinton requires them to play a vicious game which involves each person's revealing a damaging secret about themselves or someone else in the party. When one of the secrets to be revealed involves the hit-and-run murder of his wife, the game turns fatal. ~ Clarke Fountain, All Movie Guide
- Starring:
- Richard Benjamin, Dyan Cannon, (more)
The Owl and the Pussycat began life as a two-character Broadway play by Bill Manhoff, about a stuffy author who entered into an explosive relationship with his neighbor, a foulmouthed, freewheeling prostitute. Manhoff wrote the part of the hooker for a black actress, but all that changed when Barbra Streisand was cast in the role for the film version. George Segal portrays the male lead, and the play's two-character austerity was expanded to a cast of 19 speaking parts. Beyond the added characters (including Robert Klein as Segal's swinging roommate), the heart and soul of the film is the Segal-Streisand relationship; he is utterly appalled by her lifestyle, she is turned off by his prudishness, and both are made for each other. The Owl and the Pussycat was adapted for the screen by Buck Henry, who shows up in a cameo role in one of the bookstore scenes. The film represented the last work of cinematographer Harry Stradling, who'd previously photographed Streisand in Funny Girl; Stradling died during production, and was replaced by Ernest Laszlo. ~ Hal Erickson, All Movie Guide
- Starring:
- Barbra Streisand, George Segal, (more)
