Herbert Ross Movies

In 1943, Oscar Hammerstein Jr. took Georges Bizet's opera Carmen, rewrote the lyrics, changed the characters from 19th century Spaniards to World War II-era African-Americans, switched the locale to a Southern military base, and the result was Carmen Jones. Dorothy Dandridge stars as Carmen Jones, tempestuous employee of a parachute factory. Harry Belafonte plays Joe (originally José), a young military officer engaged to marry virginal Cindy Lou (Olga James). When Carmen gets into a fight with another girl, she is placed under arrest and put in Joe's charge. Succumbing to her attractiveness, Joe accompanies Carmen to her old neighborhood, where, after killing a sergeant sent to retrieve him, he deserts the army. Carmen tries to be faithful, but fortune-telling Frankie (Pearl Bailey) warns her that she and her soldier are doomed. Enter Joe Adams in the role of boxer Husky Miller (a play on Carmen's bullfighter Escamillo), who sweeps Carmen off her feet, ultimately with tragic consequences. Alhough both Dorothy Dandridge and Harry Belafonte were singers, their opera voices were dubbed in by LeVern Hutcherson and Marilyn Horne. ~ Hal Erickson, All Movie Guide

British filmmaker Peter Yates directs singer Cliff Richard in the starring role in this early 1960s pop music romp. Richard plays Don, a mechanic who, with three friends, is preparing to launch an offbeat European continental travel service using an old London double-decker bus. On a test run, they collide with a car occupied by a group of female rock musicians, demolishing it -- so they offer to give the girls a ride to Athens. They also pick up an American pop singer, Barbara (Lauri Peters), who is posing as a boy to hide from her press agent and mother, who refuse to allow her a vacation from a demanding tour schedule. Don and Barbara fall in love, but Barbara's mother accuses him of abducting her, and the bus and the music roll on to Greece after a series of comic misadventures. The cast includes the real rock group The Shadows. ~ Michael Betzold, All Movie Guide

Rex Harrison, although not at all like the portly man described in Hugh Lofting's charming series of children's stories, is sheer perfection as the kindly animal doctor in Leslie Bricusse's musical fantasy Doctor Dolittle. Sadly, Harrison is the only thing nearing perfection in this overstuffed and over-mounted fiasco that nearly brought down 20th Century Fox. Considered a lunatic because he can converse in 498 animal dialects, Dolittle gathers up his friends Matthew Mugg (Anthony Newley) and Emma Fairfax (Samantha Eggar) and heads off on a journey to the South Seas to find the elusive great pink snail and the giant lunar moth. Along the way, the group encounters a succession of bizarre human and animal characters -- most notably the legendary pushme-pullyou, an animal so freakish that it compels Albert Blossom (Richard Attenborough) to burst out into the exuberant song, "I've never Seen Anything Like It in My Life." Incredibly, the film was nominated for a Best Picture Oscar in 1967. ~ Paul Brenner, All Movie Guide

While it might not have been the best idea on earth to remake the 1939 classic Goodbye Mr. Chips as a musical, the end result is not altogether displeasing. Peter O'Toole steps into the old Robert Donat role of Arthur Chipping (originally Charles Chipping), a young by-the-book schoolmaster at a 1920s British boys school who is humanized by the love of good-natured music-hall singer Katherine Bridges (played by Petula Clark; Greer Garson essayed this role, then named Katherine Ellis, in the original). Though Chips must endure the tragedy of Katherine's death during the 1940 London blitz (a scene filmed from the bomb's point of view!), he is able to persevere by devoting himself to his young charges. In retrospect, this version of Goodbye Mr. Chips might have worked better without the songs, which never rise above banality. And though Petula Clark can't match the poignancy of Greer Garson's performance (in all fairness, she didn't have much of a script to work with), Peter O'Toole is terrific as the title character, convincingly ageing and mellowing as the story unfolds. Originally road-shown at 151 minutes, Goodbye Mr. Chips is today generally available in its 131-minute general-release version. ~ Hal Erickson, All Movie Guide

Candice Bergen plays the title character, a naïve young woman from the countryside who ventures to the bright lights of Chicago in search of an interesting career, true love, and happiness. She ends up working a meaningless job and living in a drab apartment, and she remains lonely as her romantic entanglements also misfire. She has an affair with businessman Jack Mitchell (Peter Boyle), which ends terribly. Next she takes up with Larry Moore (James Caan), but that romance also goes nowhere. Peter Hyams wrote the script and produced the film, which was released in England under the title Date with a Lonely Girl. Director Herbert Ross had much better success with romantic-comedy material in later years when he filmed Neil Simon material such as The Goodbye Girl. ~ Michael Betzold, All Movie Guide

This suspense drama features an all-star cast, including Richard Benjamin, Dyan Cannon, James Coburn, James Mason, Ian McShane, and Raquel Welch. An interesting production fact about the film: its screenplay was written by actor Anthony Perkins and lyricist/songwriter Stephen Sondheim. Their careers depend on keeping in the good graces of Clinton (James Coburn), a powerful movie producer. That is why a group of actors, director, agents and other movie professionals (who hate each other) accept an invitation to spend a week on the producer's yacht on the anniversary of his wife's untimely death in a hit-and-run car accident. Once on board, Clinton requires them to play a vicious game which involves each person's revealing a damaging secret about themselves or someone else in the party. When one of the secrets to be revealed involves the hit-and-run murder of his wife, the game turns fatal. ~ Clarke Fountain, All Movie Guide

Funny Lady, the follow-up to the 1968 Funny Girl which made a movie star of Barbra Streisand, picks up the character of Fanny Brice in the 1930s. Although she is a tremendously famous Broadway star, she has suffered from the stock market crash and needs to boost her finances. Even Ziegfeld, who soon will pass away, is having a hard time raising money for a show. Into this scene bursts brash young Billy Rose (James Caan), an egotistical lyricist with unrestrained ambition. He cajoles and charms Fanny into linking up with him, convincing him that he can produce a revue that will showcase her to their mutual advantage. Out of town, the show is an unmitigated disaster, and Fanny uses her professional know-how to whip the show into shape. It arrives in New York a hit -- and Fanny and Billy arrive an item. Both of their careers blossom, but even though they marry, their relationship suffers. Fanny still carries a torch for first husband Nick (Omar Sharif), and Billy, partially because of insecurities caused by Fanny's feelings for Nick, has a roving eye. In California working on a lucrative radio show, Fanny and Nick connect again -- and Fanny realizes that she is finally over him. Thrilled, she flies to Cleveland, where Billy is working on a new show, ready to commit herself totally to him -- only to find him in bed with another woman. The two part, but years later they meet again to discuss a new show, and it's clear that the chemistry between them is still there. ~ Craig Butler, All Movie Guide

One of a cycle of '70s post-Women's Liberation "women's pictures," Herbert Ross's drama uses the ballet world to examine the conflict between family and career. Former dance colleagues Deedee (Shirley MacLaine) and Emma (Anne Bancroft) are reunited when Emma's New York ballet company stops in Oklahoma City for a performance. Having dropped her career for marriage and motherhood, Deedee envies prima ballerina Emma's limelight life; aging Emma, realizing that her days as a star are numbered, wishes that she had the fulfillment of a family like Deedee's. Tensions simmer when Deedee's talented teenage daughter, Emilia (Leslie Browne), moves to New York to join Emma's company. As Emma maternally bonds with Emilia, and Emilia falls in love with womanizing dancer Yuri (Mikhail Baryshnikov), Deedee feels that she's losing her place even as a mother. After Emilia's triumphant debut, Deedee's and Emma's resentments boil over into an all-out catfight that ends when they realize they can unite in happiness for Emilia's future. Splitting the desires to nest and to work between two characters, Ross and writer Arthur Laurents reveal the difficulty faced by women in a world of expanding options. As in Michael Powell's and Emeric Pressburger's seminal ballet film The Red Shoes (1948), dancing and a personal life don't mix, even as the films display ballet's seductive power here in the gracefully integrated numbers by dance stars Browne and Baryshnikov. Despite reservations about its melodramatic aspects, The Turning Point earned box-office success and eleven Oscar nominations (but no wins). Even if its wife/work struggle seems a bit old-fashioned, Deedee's and Emma's final bond suggests that the next generation may not have the same regrets. ~ Lucia Bozzola, All Movie Guide

Playwright Neil Simon turned to the hotel setting he used so successfully in his stage-play (later a movie) Plaza Suite to explore four more human dramas in his play California Suite, which was adapted into this quite successful movie. In the first episode, the divorced couple of Bill and Hannah Warren (Alan Alda and Jane Fonda) have rented a suite in a posh Beverly Hills hotel in order to have a discussion about who will get the custody of their child. In the next episode, Sidney Cochran and Diana Barrie (Michael Caine and Maggie Smith) are a hilarious pair of Hollywood stars who have rented the suite to await their appearance at the Academy Awards: it is a "date of convenience" which enables the sexually adventurous duo to conduct their other, more unconventional alliances out of the public eye. Drs. Willis Panama and Chauncy Gump (Bill Cosby and Richard Pryor) have brought their families to Beverly Hills for a vacation which takes on nightmarish tone. Finally, Marvin Michaels (Walter Matthau) tries frantically and unsuccessfully to explain the situation to his wife (Elaine May) when she catches him in flagrante delicto with a hooker. Actress Maggie Smith won an Academy Award as "Best Supporting Actress" for her role in this film, in which she plays the actress waiting to win . . . an Academy Award. ~ Clarke Fountain, All Movie Guide

Adapted from Dennis Potter's landmark British TV miniseries and relocated to the United States during the Depression, Pennies from Heaven dramatizes how popular songs both shaped and reflected the thoughts of people living through economic (and emotional) hardship. Arthur Parker (Steve Martin) is a sheet music salesman who believes that he can spot a hit a mile away and wants to open his own store. But he can't get a bank loan and his wife Joan (Jessica Harper), who has savings left to her by her father, refuses to give him the money. Also, while Arthur has a fierce sexual appetite, Joan generally refuses his advances. While on the road, Arthur meets Eileen (Bernadette Peters), a shy schoolteacher as desperate for affection as Arthur is hungry for sex. They begin an affair, which leads to tragedy for both. Punctuating the drama of Pennies from Heaven are elaborate musical numbers in which the characters lip-synch to popular songs of the day, which at once lift their hopes and reflect their fears. Arthur's buoyant tap number to "My Baby Said Yes" and Eileen's saucy rendition of "Love is Good for Anything That Ails You" are reflections of their needs for money and love, and their pas de deux on "Let's Face the Music and Dance" is at once an escape and an acknowledgement of their hopelessness. ~ Mark Deming, All Movie Guide

Max Dugan (Jason Robards Jr.) is an elderly ne'er-do-well whose tenuous mob connections have made him persona non grata with his daughter Marsha Mason. Struggling to raise her restless son Matthew Broderick on her own, Mason is none too pleased when Max returns to the family fold with yet another portfolio of get-rich-quick schemes. Forced to leave town due to the investigative habits of cop Donald Sutherland, Mason's new boyfriend, Max does one last good deed to renew the faith of the disillusioned-with-life Broderick. Watch for Donald Sutherland's son Kiefer in his film debut, and for former Kansas City Royals' batting coach Charlie Lau in the baseball-game finale. ~ Hal Erickson, All Movie Guide

In this lively adolescent-oriented musical, a city kid attempts to adapt to life in an ultra-conservative backwater Midwestern town. Once there, he ends up leading the repressed teenagers into a rebellion against the town fathers, who have outlawed rock & roll and dancing. ~ Sandra Brennan, All Movie Guide

Released at the height of his popularity on Family Ties and in the wake of Back to the Future and Teen Wolf, Michael J. Fox stars in this "country boy in the big city" comedy, directed by Herbert Ross. After making the move from Kansas to New York City, Brantley Foster (Fox) secures a job in the mailroom at his uncle's large corporation. Doffing any plans of working his way up the corporate ladder the old fashioned way, Brantley begins impersonating an executive to impress a high-ranking female co-worker, played by Helen Slater. Once his oversexed aunt enters the mix, Brantley finds himself juggling two identities, two jobs, and two women. ~ Matthew Tobey, All Movie Guide