Rick Rosenthal Movies

As co-directed by Mark Linfield and Alastair Fothergill, the nature documentary Earth represents an edited-down version of the 12-hour small-screen miniseries Planet Earth, reslated for cinematic release. The program provides a sweeping 99-minute tour of our home planet's biosphere -- spanning every level of gaze, from the epic (crystal-clear shots of the Earth hovering in space) to the hyper-specific (a mother polar bear and her cubs waking from a lengthy period of hibernation). The film almost exclusively emphasizes the behavior of the animal populations that inhabit the Earth, yet carefully omits shots that depict the more gory predatory behavior of species, rendering it family-friendly. It also employs a chronological approach -- beginning in January in the Arctic wilderness, and moving progressively through the four seasons and 12 months comprising a single year, until it hits late December -- contrasting various geographic regions of the Earth as shot in various seasons. Above all else, a cautionary message underscores this footage; as in An Inconvenient Truth, the filmmakers continually remind their audience that despite the grandiloquence present onscreen, all may be lost if humankind is not careful. ~ Nathan Southern, All Movie Guide

A teenage boy tries to hold his family together while the girl of his dreams drives him to distraction in this coming-of-age comedy drama. It's 1978, and Henry Nearing (Gregory Smith) and his family are in a state of flux. Henry's mother has died, and now his father, Shep (David Morse), is trying to find himself by quitting his job, buying a motorcycle, and growing out his hair. Henry's brother, Blair (David Moscow), is similarly trying to expand his boundaries by dating a free-spirited girl and experimenting with drugs. Henry, meanwhile, is just trying to get through high school, but a certain girl is making that difficult for him. Grace Chance (Jordana Brewster) is a pretty girl in Henry's class who enjoys wrapping boys around her little finger; it doesn't take long for her to notice he's smitten with her, and she begins flirting with him and getting him to do whatever she wants, even though she already has a boyfriend whom she has no intention of leaving. Meanwhile, Merna (Ashley Johnson), a cute girl who lives nearby, has a crush on Henry and is clearly a better match for him, but she can't get him to notice her, even after she starts dating an older boy to make him jealous. Nearing Grace received its world premiere at the 2005 Los Angeles Film Festival. ~ Mark Deming, All Movie Guide

Independent filmmaker Jacob Aaron Estes makes his feature debut with the coming-of-age drama Mean Creek. Rory Culkin, Ryan Kelley, Scott Mechlowicz, Josh Peck, Trevor Morgan, and Carly Schroeder are teenagers living in small-town Oregon. Some of the boys take a boat trip for a birthday celebration. When they get an idea to play a mean trick on the town bully, it suddenly goes too far. Soon they're forced to deal with the unexpected consequences of their actions. Mean Creek was workshopped at the Eugene O'Neill Center's National Playwrights Conference and premiered at the Sundance Film Festival as part of the American Spectrum program. ~ Andrea LeVasseur, All Movie Guide

The Indian caves introduced in the previous episode "Skinwalker" happen to harbor an alien parasite which feeds on the adrenal glands of teenagers. Among those infected by the parasite is Clark Kent's (Tom Welling) best friend, Pete (Sam Jones III). His mind and personality altered by the "invader" in his system, the usually shy and mild-mannered Pete becomes a reckless, extroverted daredevil -- thus endangering not only his own life but those of everyone around him. ~ Hal Erickson, All Movie Guide

When Buffy (Sarah Michelle Gellar) nearly stumbles on the lair of the super-nerd troika, Warren (Adam Busch) and his cronies sic a demon on her. The fiend manages to stab the Slayer with its talon, sending her in and out of an alternate reality where her life as a demon-hunter is nothing but the delusions of an insane, institutionalized young woman. As she wanders through her day, jumping back and forth between realities, Buffy finds her alternate life terrifying but alluring. She's overjoyed to see her mother (Kristine Sutherland) alive and her parents still married, but the non-Slayer Buffy is still just a hopeless basket case in a straitjacket. Elsewhere, Willow (Alyson Hannigan) seeks to reignite her relationship with Tara (Amber Benson) and learns that Xander (Nicholas Brendon) still loves Anya (Emma Caulfield), despite having left her at the alter. Later, while Xander and Spike (James Marsters) capture the creature who has infected Buffy, Willow listens to the Slayer's musings about the depression that has plagued her since her resurrection. Ultimately, when Willow brews up a cure for the demon's spell, Buffy dumps it out, preferring to retreat into the comfort of padded walls in a world where Dawn (Michelle Trachtenberg) doesn't expect her to be a parent and Spike isn't threatening to reveal their illicit tryst. Only Tara's surprise intervention keeps the comatose Slayer from "exorcising" her friends as if they were figments of a troubled imagination. Bidding farewell to her parents, Buffy jumps back into her Slayer self. Back in the alternate reality of Buffy's vision, her folks cry over the shell of their brain-dead daughter. Originally broadcast March 12, 2002, on UPN, "Normal Again" marked episode 117 of the cult-favorite series. ~ Brian J. Dillard, All Movie Guide

Masked serial killer Michael Myers makes his seventh appearance in the eighth installment of this long-running slasher series. Although the climax of the previous installment, Halloween: H20, depicted heroine Laurie Strode (Jamie Lee Curtis) finally finishing off her brother/tormentor, the opening sequence of Halloween: Resurrection reveals that Laurie actually beheaded the wrong guy. Now confined to a mental institution, she quickly falls victim to her brother and longtime foe (played this time out by Brad Loree). Cut to Haddonfield, IL, where a sextet of college students is assembling for the production of an online reality show in which they'll spend the night locked up in the killer's childhood home being filmed by dozens of cameras and broadcast over the Internet. Presided over by fast-talking producer Freddie Harris (Busta Rhymes) and his girlfriend/business partner, Nora Winston (Tyra Banks), the players range from fame-hungry Jen (Katee Sackhoff) and food-obsessed Rudy (Sean Patrick Thomas) to rakish Jim (Luke Kirby) and cerebral Donna (Daisy McCrackin). As these photogenic youngsters hunt for clues about Michael's tortured childhood, engage in on-camera sexual escapades and discover the phony props planted by Freddie and Nora, Michael arrives to stalk them relentlessly one by one. To complicate matters, Freddie himself is skulking around in a Michael Myers mask hoping to scare up some ratings. As the bodies begin to pile up, thoughtful cast member Sara (Bianca Kajlich) manages to survive thanks to wireless email instructions from high-school dork Myles (Ryan Merriman), but even the latest technology might not be enough to outwit Michael Myers. Halloween: Resurrection was directed by Rick Rosenthal, who previously helmed 1981's Halloween 2. The cast also features Thomas Ian Nicholas of American Pie and Billy Kay of L.I.E. ~ Brian J. Dillard, All Movie Guide

In this made-for-cable-TV crime drama, New York detective Devlin must prove that he is innocent of killing his brother-in-law, a mayoral candidate. It is not easy for the unhappily married, alcoholic gumshoe because he suspects that the man trying to frame him is his arch nemesis, his corrupt father-in-law, a powerful local politician. Now while trying to save his neck and solve the murder, Devlin finds himself pursued by both his fellow cops and the mob. ~ Sandra Brennan, All Movie Guide

Discharged from Vietnam, John Lithgow and his army buddies have trouble fitting into a hostile home-front society. Rather than endure dirty looks and taunts of "baby killer," Lithgow and his friends wander aimlessly all through the Pacific Northwest. Several years pass, during which time Lithgow's estranged son Ralph Maccio grows to manhood. Finally emerging from his self-imposed exile, Lithgow begins searching for the son he's never known. ~ Hal Erickson, All Movie Guide

In this action movie, a wanderer goes looking for a missing woman's brother and instead gets entangled in a war between two gangs of smugglers along the Arizona-Mexico border. The film is also titled "Dalton." ~ Sandra Brennan, All Movie Guide

In this action movie, a wanderer goes looking for a missing woman's brother and instead gets entangled in a war between two gangs of smugglers along the Arizona-Mexico border. The film is also titled "Code of Vengeance." ~ Sandra Brennan, All Movie Guide

This spoof of the 1930s and '40s crime stories ranges from the ridiculous to the sublime as it tells the story of Johnny Dangerously (Byron Thames as the young Johnny, Michael Keaton as the older), a devoted son to his ailing mother (Maureen Stapleton), so ill that she needs money for several operations. Johnny has nowhere to turn, and because gangsters tend to flourish in his neighborhood he goes to work for Dundee, a benevolent godfather-gangster type, in order to cover his mother's medical bills. Johnny hides his association with Dundee from his younger brother Tommy (Griffin Dunne) and goes so far as to pay for Tommy's law school fees -- supporting him until Tommy joins the staff of the local (and corrupt) district attorney's office for Burr (Danny DeVito). When Johnny starts working for Dundee, he clashes with the evil Vermin (Joe Piscopo) right from the beginning, but things only get worse. After Dundee decides to retire, Johnny ascends to the helm, and it does not look like Vermin is going to take that sitting down. ~ Eleanor Mannikka, All Movie Guide

While John Carpenter's 1978 horror classic Halloween irrevocably changed the style of horror cinema with its simple but relentlessly tense story, it triggered more than a decade's worth of uninspired, exploitative knock-offs, and one could easily list Halloween II among these failures. As with its predecessor, this film was written and produced by Carpenter and Debra Hill, but the terse style and unbearable suspense of the first film are missing, replaced by a more simplistic stalk-and-slash scenario. Directorial duties were handed over to Rick Rosenthal, whose lack of expertise is quite evident (though he managed to hit his stride two years later with the prison actioner Bad Boys). The plot picks up exactly where the original left off: Laurie Strode (Jamie Lee Curtis), shaken and injured from her battle with unkillable psycho Michael Myers, is taken to the Haddonfield Hospital for observation, while Dr. Sam Loomis (Donald Pleasence) continues his desperate search for his monstrous patient. An interesting plot twist has Loomis' investigations revealing Michael's true identity (some of these sequences incorporate footage of young Michael originally shot for the television version of Halloween, which contained scenes hinting at the link between Michael and Laurie). After slashing his way through the town, Myers manages to track Laurie to the hospital, where the remainder of the action takes place. Numerous night-shift employees are slaughtered in a variety of gruesome ways before Loomis catches up with his quarry, leading to an explosive -- and seemingly conclusive -- confrontation. Pleasence is compelling as usual, but Curtis, who made an auspicious debut in the original, is sadly wasted here, her character reduced to shuffling half-drugged through darkened hospital corridors and screaming helplessly. Carpenter's active involvement in the Halloween franchise continued to dwindle steadily from one sequel to the next, getting scarcely a mention by the time producers Hill, Moustapha Akkad and Irwin Yablans revived the series in 1988 for three more sequels. ~ Cavett Binion, All Movie Guide