Philip Rosenberg Movies

Based on Atticus, a novel by Ron Hansen, this Hallmark Hall of Fame presentation stars James Coburn as widowed Colorado rancher Atticus Cody. In the months since Atticus' wife was killed in a car accident caused by his artist son Scott (Paul Kersey), the boy has ached for his father's forgiveness. Alas, though he still loves his son, Atticus is by nature taciturn and distant, and is unable to reach out to the grieving Scott. Upon discovering that his father has kept the wreckage of the "death car" on his ranch, the confused Scott decides that no closure is possible, whereupon he returns to the dusty Mexican village that has long been his home. Later, Atticus receives word that Scott has committed suicide--and upon arriving in Mexico, it is his turn to suffer the pangs of guilt, thanks to the relentless remonstrations of Scott's girlfriend Renata (Lisa Zane). But nothing is quite what Renata makes it out to be, as Atticus discovers to his astonishment upon hearing a cache of "audio letters" recorded by Scott just before his death. A delicate blend of domestic drama and "whodunit", Missing Pieces debuted February 6, 2000, on CBS. ~ Hal Erickson, All Movie Guide

In 1966, Rubin "Hurricane" Carter was a top-ranked middleweight boxer whom many fight fans expected to become world champion. When three people were shot to death in a bar in Paterson, New Jersey, Carter and his friend John Artis, driving home from another club in Paterson, were stopped and questioned by police. Although the police asserted that Carter and Artis "were never suspects," a man named Alfred Bello, himself a suspect in the killings, claimed that Carter and Artis were present at the time of the murders. On the basis of Bello's testimony, Carter and Artis were convicted of murder, and Carter was given three consecutive life sentences. Throughout the trial, Carter proclaimed his innocence, saying that his African-American race and work as a civil rights activist were the real reasons for his conviction. In 1974, Bello and Arthur Bradley, who also claimed that Carter was present at the scene of the crimes, recanted their testimony, but Carter and Artis were reconvicted. In the early 1980s, Brooklyn teenager Lesra Martin worked with a trio of Canadian activists to push the State of New Jersey to reinvestigate Carter's case; in 1985, a Federal District Court ruled that the prosecution in Carter's second trial committed "grave constitutional violations" and that his conviction was based on racism rather than facts. Carter was finally freed, and he summed up his story by saying, "Hate got me into this place, love got me out." The Hurricane is based on Carter's incredible true story and stars Denzel Washington as Carter, Vicellous Shannon as Lesra Martin, and John Hannah, Liev Schreiber and Deborah Unger as the Canadian activists. Veteran filmmaker Norman Jewison directed. ~ Mark Deming, All Movie Guide

Sidney Lumet filmed this hospital satire at a Canadian studio. Alcoholic Dr. Butz (Albert Brooks in old-age makeup) advises younger Dr. Werner Ernst (James Spader) to only treat patients with much insurance. "When the lawyers start crawling all over you," says Butz, "that's when you know you're a doctor." Ernst, a second-year resident working in the ICU with head nurse Stella (Helen Mirren), winds up in the middle of a dispute between two sisters (Kyra Sedgwick and Margo Martindale). One wants to pull the plug on their wealthy father; the other demands that he remain alive (at a cost of $112,800 a month). Soon events swivel from the money-mad medical mire to equally murky legalistics. Steven Schwartz's screenplay was adapted from the novel by Richard Dooling. Shown at the 1997 Chicago Film Festival. ~ Bhob Stewart, All Movie Guide

After holding up a convenience store, African American petty crook Joseph Grange (Giancarlo Esposito) races to his girlfriend's house to give her the money. Confronted by the girl's current bedmate, he gets into a scuffle and accidentally shoots the man. Now the object of a citywide manhunt, the desperate Grange stumbles onto a remote cabin occupied by Clair Ballard (Sharon Lawrence), a white woman. Though terrified at the prospect of being Joseph's hostage, Clair somehow senses that he is more frightened than she. Drawing upon lessons learned in her own troubled past, Clair tries to get at the root of Joseph's problems, not only hoping to defuse the situation but also to help the man come to peace with himself. And in the course of the next five hours, Clair also learns a lot about handling her own crises from her repentant captor. First telecast by NBC on October 5, 1997, Five Desperate Hours was based on a true story. ~ Hal Erickson, All Movie Guide

Just in case the title didn't spill the beans, this made-for-TV nail-biter was based on a novel by Steve Martini. In the midst of a bitter child-custody battle with her former husband, Jack (Richard Masur), Laurel Vega (Patricia Richardson) is accused of murdering Jack's new, pregnant wife, Melanie (Allison Mackie). Although he knows Laurel is innocent, Jack lies to the police, using his clout as a senator to rid himself of Laurel once and for all. She, in turn, could clear herself in a minute by revealing the name of the real murderer -- but she can't without ruining the life of her 16-year-old son, Danny (Eric Michael Cole). Caught in the middle of this intrigue is Paul Madriani (Brian Dennehy), Laurel's defense attorney -- and, incidentally, her brother-in-law. With more twists and turns than a mountain trail, the two-part, four-hour Steve Martini's Undue Influence pleased the crowd when it first aired over CBS on September 15, and 17, 1996. ~ Hal Erickson, All Movie Guide

Based on Tim O'Brien's novel, In the Lake of the Woods is the story of a man driven by demons from his past and a mystery surrounding the disappearance of his wife. John Waylan (Peter Strauss), a candidate for the U.S. Senate in Minnesota, is leading in pre-election polls when a reporter for a Minneapolis newspaper breaks a story about Waylan's involvement in a massacre of civilians while he was a soldier in Vietnam. Waylan loses the election and retreats with his wife, Kathy (Kathleen Quinlan), to a luxurious lakeside cabin owned by friends, where he broods over the past -- not just his tour of duty in Vietnam, but also his troubled childhood, marked by conflict with an abusive, alcoholic father. When Kathy goes missing, John goes to the local authorities, who mount a search for her and a missing boat while Waylan continues to brood over his shattered life. The story is told in multiple flashbacks, with a reporter questioning those who knew Waylan and his wife, including a political operative (Peter Boyle) and Kathy's sister (Nancy Sorel). This film originally ran on Fox in the spring of 1996 and was produced by Hallmark Hall of Fame Productions. ~ Tom Wiener, All Movie Guide

This made-for-TV sequel to the 1968 theatrical feature To Sir With Love stars Sidney Poitier, recreating his role as Mark Thackery, an American-born schoolteacher who in the original film had taken a post in a tough East Side London neighborhood. Thirty years have passed, and Thackery has been forcibly retired, much to the dismay of the thousands of underprivileged students both past and present who have grown to love him. Although he has received several offers to teach in America's most prestigious universities, Thackeray chooses instead to start his career all over again, teaching so-called "incorrigible" students at an inner-city Chicago school presided over by cynical, weak-willed principal Horace Weaver (Daniel J. Travanti). Anyone who has seen the original To Sir With Love can pretty much guess the outcome of the sequel, though a subplot involving Thackeray's search for a lost love is less easy to second-guess. In addition to Sidney Poitier, actresses Lulu and Judy Geeson appear in brief cameos as the now grown-up characters they played in the 1968 film. Directed by Peter Bogdanovich, To Sir, With Love II first aired April 7, 1996 on CBS. ~ Hal Erickson, All Movie Guide

We'd rather not rehash the sordied Menendez murder case in this space; besides, it isn't necessary, inasmuch as no fewer than two TV movies were produced on the subject in 1994. The first was Fox's Honor Thy Father and Mother; the second, telecast less than a month later, was Menendez: A Killing in Beverly Hills. Two hours longer than the first film, Menendez spends half of its running time recounting the events leading up to the Menendez brothers' murder of the parents, while the second half devotes itself to their overpublicized trial. Lyle and Eric Menendez are played, respectively, by Damian Chapa and Travis Fine. Edward James Olmos and Beverly D'Angelo costar as the ill-fated parents, while Margaret Whitton is cast as attorney Leslie Abramson. Once past the most lurid aspects of the case-notably the Menendez boys' insistence that their crime was motivated by extreme parental abuse-this 4-hour wallow gets pretty tiresome. Menendez was originally telecast in two parts, on May 22 and 23, 1994. ~ Hal Erickson, All Movie Guide

Although Tom Weston (Gerald McRaney) has nurtured a lifelong fantasy about having great power and influence over people, the bitter truth is that Tom has never become anything more than a Michigan truck driver. Nonetheless, Tom persists in his efforts to live out his ambitious dreams, leading him to betray his wife Nancy (Peggy Lipton) and inaugurate a torrid affair with impressionable Bobbi Gilbert (Jodie Bissett), a woman half his age. Entering into a bigamous marriage with Bobbi, Tom feels he has no other choice but to murder Nancy--in as savage a manner as possible. Inspired by a true story, the made-for-TV Deadly Vows was first seen over the Fox network on September 13, 1994. ~ Hal Erickson, All Movie Guide

Sidney Lumet directed this Larry Cohen-scripted courtroom procedural that owes more than it should to Jagged Edge. Jennifer Haines (Rebecca De Mornay), one of the top female lawyers in the country and flush from the success of defending a gangster, has a new client to defend. A suave ladies man in an Armani suit, David Greenhill (Don Johnson) has come to solicit Jennifer's services. It seems that his rich socialite wife has been pushed to her death through an open window, and David stands to inherit a very large fortune. Needless to say, David is a prime suspect in his wife's murder. David admits to Jennifer the he is a womanizer and an oily manipulator, but nevertheless Jennifer decides to take his case as a challenge -- as she puts it: "People who are guilty are rarely this blunt." The result is an intricate chess game between Jennifer and David as they manipulate events, other people, and each other in order to determine the guilt or innocence of the playboy widower. ~ Paul Brenner, All Movie Guide

When a Jewish jeweler is found dead and his store is missing more than one million dollars in diamonds, a New York police detective (Melanie Griffith) goes undercover in a community of Hasidic Jews to find the criminal. Once she is immersed in the community, she falls in love with one of the most devout members, who helps her find the criminal. ~ Stephen Thomas Erlewine, All Movie Guide

Norman Jewison directed Alvin Sargent's adaptation of Jerry Sterner's off-Broadway satire of the excess of the '80s, with Danny DeVito as corporate raider Lawrence Garfield -- or, as he is better known, Larry the Liquidator. Larry spends his waking hours searching for companies to take over. One morning he comes across New England Wire & Cable, a company that has seen better days but is not debt-ridden and contains plenty of cash. Licking his chops, Larry hopes to raid the company and strip its assets. But the company's president, Andrew Jorgenson (Gregory Peck), wants to continue in the wire and cable business. For help, Andrew seeks out his daughter-in-law, Kate Sullivan (Penelope Ann Miller), a New York attorney who is as obsessive about saving Andrew's company as Larry is about destroying it. When she walks into Larry's office, Larry immediately falls in love. But they are adversaries, and they have to decide if love or corporate buyouts come first. This all comes to a head during a shareholder's meeting inside the factory, where both Andrew and Larry state their cases regarding Andrew's beloved company. ~ Paul Brenner, All Movie Guide