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Reginald Rose Movies

A fearless Golden Age of Television writer of the highest caliber, Reginald Rose's ability to tackle pressing social issues distinguished him from the pack and, along with such contemporaries as Rod Serling and Paddy Chayefsky, left an indelible mark on the history of thought-provoking television drama. Born in New York City in December of 1920, Rose enlisted in the Army in 1942. After rising through the ranks to become first lieutenant, the future writer wed Barbara Langbart the following year before venturing into writing nearly a decade later. Penning his first teleplay (Bus to Nowhere) for CBS's Studio One in 1951, it was a mere three years later that Rose would become the head writer for that series and create the work that would become his masterpiece. Overwhelmed by the intense drama of the jury system while serving as a juror on a manslaughter case, Rose successfully translated the heated debate that occurs behind courtroom doors into the Emmy-winning drama Twelve Angry Men in 1954. The tale of a lone voice of dissent in the jury weighing the fate of a Puerto Rican youth charged with patricide, the teleplay was a massive success that spawned an even more successful 1957 film. The film version was nominated for multiple Oscars including Best Picture and Best Screenplay, and marked Rose's sole credit as co-producer. Rose would continue to write for Studio One in the following years in addition to penning scripts for The Twilight Zone and such features as Crime in the Streets (1956) and Man of the West (1958). His success with the Studio One teleplay The Defenders later spawned an Emmy-winning series based on a father-son lawyer team who delved into cases involving such socially relevant issues as abortion and blacklisting. A teleplay for Thunder on Sycamore Street (1959) pondered the issues of an ex-con attempting to go straight while his neighbors form a mob to drive him from their neighborhood. Nominated for six Emmys in all (three of which he won), Rose's teleplays were consistently challenging and offered audiences a thoughtful perspective in troubled times. Working well into the 1980s with such efforts as Whose Life Is It Anyway? (1981) and Escape From Sobibor (1987), the repercussions of Rose's most famous work were further reinforced when 12 Angry Men once again went before the cameras in 1997, nearly 50 years after it was written. In April of 2002, Rose died in a Norwalk, CT, hospital, leaving behind his second wife and six children. He was 81. ~ Jason Buchanan, Rovi
1987  
PG  
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During WWII, Sobibor was a notorious Nazi death camp. This gripping, fact-based drama chronicles the courage of an inmate who managed the largest escape from such a place. Thanks to him, over 300 prisoners were freed. ~ Sandra Brennan, Rovi

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1986  
 
Mariette Hartley stars in this groundbreaking TV movie as Gail Springer, a widowed mother on the horns of an outwardly familiar romantic dilemma. Equally in love with two different people, Gail has the devil's own time choosing between them. What made this film unique (at least when it initially aired over the ABC network on April 7, 1986) is that one of Gail's amours is her late husband's business partner Ben Taylor (Barry Newman)--while the other is Gail's female best friend, Marjorie Lloyd (Lynn Redgrave). Impeccably tasteful in its treatment of a potential volatile subject, and refreshingly honest and uncompromising at its conclusion, My Two Loves was filmed on location in San Antonio, Texas. ~ Hal Erickson, Rovi

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1985  
R  
Laurence Olivier trots out his late-career German accent once again, playing Rudolf Hess in this sequel to Wild Geese. Richard Burton was set to star in the film, but when he died, Edward Fox was brought in as a replacement, playing Burton's younger brother. (the film is dedicated to Burton). The story concerns John Haddad (Scott Glenn), who is hired by a television company to engineer the kidnapping of Rudolf Hess from Spandau prison. Helping him with his assignment are the brother and sister team of Kathy (Barbara Carrera) and Michael Lukas (John Terry). The mercenaries hopes to force Hess to divulge hidden Nazis secrets left unrevealed since World War II. ~ Paul Brenner, Rovi

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Starring:
Scott GlennBarbara Carrera, (more)
 
1982  
 
In this domestic drama, a the marriage of a suburban couple crumbles on the eve of their 15th anniversary. ~ Sandra Brennan, Rovi

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1982  
R  
Released in the U.S. under the title The Final Option, this action thriller was produced and set in Great Britain. The British Special Air Services, an anti-terrorist group, is pitted against an organization of international terrorists who plan to take over the U.S. Embassy in London and hold everyone hostage. Captain Skellen (Louis Collins), a member of the Special Air Services, assumes a false identity in order to infiltrate the terrorists, who are rogue members of the anti-nuclear-weapons movement -- and uncover their plans. Judy Davis appears as Frankie, a key member of the anti-nuclear group. ~ Michael Betzold, Rovi

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Starring:
Lewis CollinsJudy Davis, (more)
 
1981  
R  
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Stepping into the role made famous on Broadway by Tom Conti, Richard Dreyfuss stars as a profoundly handicapped sculptor in Whose Life is it Anyway? Left a quadraplegic after an auto accident, the embittered Dreyfuss feels utterly useless, as both an artist and a human being. He doesn't want his family's love, or his doctor's care, or his nurse's ministrations. Dreyfuss simply wants to die-but this is impossible, given the legal state of things in the 1970s. Whose Life is It Anyway? may be the only film in which a person's right to self-destruction is regarded as a happy ending. Not as depressing as it sounds, Whose Life Is It Anyway is perversely hilarious at times, with Dreyfuss at his acerbic best. The film was scripted by Reginald Rose and Brian Clark from Clark's stage play. ~ Hal Erickson, Rovi

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Starring:
Richard DreyfussJohn Cassavetes, (more)
 
1981  
PG  
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Set in India during World War II, this fair action drama relies heavily on the good acting talent gathered to convey its slight, uninvolved story. Gregory Peck is Col. Lewis Pugh, backed up by Roger Moore as Capt. Gavin Stewart, David Niven as Col. Bill Grice, Patrick MacNee as Major Crossley, and several others -- all retired and past the age for active duty. At issue are three German freighters that are parked in the waters off Goa, the Portuguese coastal colony on the subcontinent of India. Since Portugal is neutral, the regular army cannot destroy the freighters, and it is up to the retired army officers and a large corps of over-the-hill volunteers to take on the mission of eliminating the German ships. ~ Eleanor Mannikka, Rovi

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Starring:
Gregory PeckRoger Moore, (more)
 
1978  
PG  
In this comic mystery, a department store clerk dreams of becoming a famous writer of children's books. He is also having an affair with a lovely patron of the store. The trouble begins when the lovers find that her husband, a pair of neighbors and a bogus detective have been murdered. The lovers decide to solve the case themselves. Mayhem ensues and the story's climax occurs at the Macy's Thanksgiving Day Parade. ~ Sandra Brennan, Rovi

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Starring:
Jeff BridgesJohn Wood, (more)
 
1978  
R  
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The plot of this of this adaptation of the Daniel Carney's novel, sprinkled throughout a series of extended Sam Peckinpah-inspired action sequences, deals with a collection of mercenary toughguys -- Colonel Allen Faulkner (Richard Burton), Lieutenant Shawn Fynn (Roger Moore), Rafer Janders (Richard Harris), Pieter Coetzee (Hardy Kruger) -- who are hired to parachute into the African bush country and abscond with deposed African president Julius Limbani (Winston Ntshona) and reinstall him as a reigning monarch of an African country, to satisfy British mercantile interests. The action sequences were successful enough to spawn a sequel -- appropriately titled Wild Geese II. ~ Paul Brenner, Rovi

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Starring:
Richard BurtonRoger Moore, (more)
 
1973  
 
When actor Lionel Jeffries turned to directing in the 1970s, he exhibited a preference for whimsy, as witness The Railway Children. Jeffries' Baxter is a notable exception to this rule, though, as with his other directorial efforts, he shows a keen sensitivity for the travails of troubled youngsters. Scott Jacoby plays Baxter, a boy with a marked speech impediment. His affliction worsens as his parents' marriage disintegrates. Patricia Neal plays a dedicated speech therapist who realizes that Baxter's problems go deeper than his inability to speak normally. Baxter was scripted by "Golden Age" TV veteran Reginald Rose. ~ Hal Erickson, Rovi

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Starring:
Patricia NealJean-Pierre Cassel, (more)
 
1963  
 
Reginald Rose adapted the script for this Twilight Zone episode from his own 60-minute Studio One teleplay, which originally aired June 13, 1955. The earlier version starred Art Carney as Horace Ford, a middle-aged toy manufacturer with the temperament of a child. Forever yearning for the days of his idyllic childhood, Horace is at last able to relive his youth, only to find that things weren't quite as rosy as he remembered. Pat Hingle played the old Art Carney role in the Twilight Zone version of "The Incredible World of Horace Ford," which was first telecast April 18, 1963. ~ Hal Erickson, Rovi

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Starring:
Pat HingleNan Martin, (more)
 
1959  
 
This undistinguished murder muddle by director Michael Curtis involves an artist and his alcoholic psychologically disturbed wife -- who disappears one day. John Hamilton (Alan Ladd) has retreated to the New England countryside to pursue a potential career as an artist, but his wife Linda (Carolyn Jones) wants to go back to New York. She is observed as being both drunk and a little strange, while John is clearly the anchor in the relationship. When Linda disappears, John is immediately suspected of doing away with his troublesome wife, and so a net of suspicion and circumstantial evidence closes in ever-tightening circles around him. ~ Eleanor Mannikka, Rovi

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Starring:
Alan LaddCarolyn Jones, (more)
 
1958  
 
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Anthony Mann's final foray into the western genre is a disturbing examination of man's baser instincts, rising in intensity to the level of Shakespearean tragedy. The film begins as seemingly naive Link (Gary Cooper) leaves his family to take a train to Fort Worth. Also on the train is saloon singer Billie Ellis (Julie London), who is compelled by con man Sam Beasley (Arthur O'Connell) to cheat Link out of his money. But the con comes to naught when the nefarious Dock Tobin (Lee J. Cobb) and his gang rob the train. Link takes Billie and Beasley to Tobin's cabin, where it is revealed the mild-mannered Link is Tobin's nephew and a former member of his cutthroat gang. Dock Tobin draws up a plan to rob a bank which the outlaws find agreeable, but they're reluctant to have Link rejoin their group. Soon it becomes apparent why they feel this way; when Link rejoins his old gang, his shy demeanor falls away and his outlaw instincts rise to the surface. ~ Paul Brenner, Rovi

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Starring:
Gary CooperJulie London, (more)
 
1957  
 
Adapted from his own TV play by Reginald Rose, Dino stars Sal Mineo (who also appeared in the TV version) in the title role. Sent to reform school for his complicity in a gang killing, Dino is released in the custody of kindly settlement worker Sheridan (Brian Keith). Despite the efforts by Sheridan and parole officer Mandel (Frank Faylen) to set the boy on the right path, sullen Dino intends to rejoin his old gang at the first opportunity. Only when he realizes that his younger brother Tony (Pat DeSimone) is in danger of becoming an irredeemable juvenile delinquent does Dino gets wise to himself. It also helps when he falls in love with Shirley (Susan Kohner), a "plain-Jane" girl he meets at Sheridan's settlement house. Rarely seen today, Dino is one of the better "j.d." films of its era. ~ Hal Erickson, Rovi

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Starring:
Sal MineoBrian Keith, (more)
 
1957  
 
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A Puerto Rican youth is on trial for murder, accused of knifing his father to death. The twelve jurors retire to the jury room, having been admonished that the defendant is innocent until proven guilty beyond a reasonable doubt. Eleven of the jurors vote for conviction, each for reasons of his own. The sole holdout is Juror #8, played by Henry Fonda. As Fonda persuades the weary jurors to re-examine the evidence, we learn the backstory of each man. Juror #3 (Lee J. Cobb), a bullying self-made man, has estranged himself from his own son. Juror #7 (Jack Warden) has an ingrained mistrust of foreigners; so, to a lesser extent, does Juror #6 (Edward Binns). Jurors #10 (Ed Begley) and #11 (George Voskovec), so certain of the infallibility of the Law, assume that if the boy was arrested, he must be guilty. Juror #4 (E.G. Marshall) is an advocate of dispassionate deductive reasoning. Juror #5 (Jack Klugman), like the defendant a product of "the streets," hopes that his guilty vote will distance himself from his past. Juror #12 (Robert Webber), an advertising man, doesn't understand anything that he can't package and market. And Jurors #1 (Martin Balsam), #2 (John Fiedler) and #9 (Joseph Sweeney), anxious not to make waves, "go with the flow." The excruciatingly hot day drags into an even hotter night; still, Fonda chips away at the guilty verdict, insisting that his fellow jurors bear in mind those words "reasonable doubt." A pet project of Henry Fonda's, Twelve Angry Men was his only foray into film production; the actor's partner in this venture was Reginald Rose, who wrote the 1954 television play on which the film was based. Carried over from the TV version was director Sidney Lumet, here making his feature-film debut. A flop when it first came out (surprisingly, since it cost almost nothing to make), Twelve Angry Men holds up beautifully when seen today. It was remade for television in 1997 by director William Friedkin with Jack Lemmon and George C. Scott. ~ Hal Erickson, Rovi

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Starring:
Henry FondaLee J. Cobb, (more)
 
1956  
 
Frankie Dane (John Cassavetes) is the leader of the hornets, a local street gang that has had its share of rumbles and other trouble with the police. When one of his members is fingered to the police by a neighbor (Malcolm Atterbury) for having a gun, Frankie vows revenge, and when the same man humiliates him in public, he decides it's got to be murder. But only two members of the Hornets, mentally unstable Lou Macklin (Mark Rydell) and would-be full-fledged member "Baby" (Sal Mineo), are willing to go along, and even one of them is shaky -- the rest of the gang draws a line at killing. Social worker Ben Wagner (James Whitmore), who runs the local youth center, has been trying to reach out to the members of the Hornets and sees that something is splitting Frankie and a couple of the others off from the main gang, and is concerned enough to find out what it might be -- especially when Frankie's younger brother, a really nice kid named Richie (Peter J. Votrian), tells him that he thinks Frankie's planning to kill someone. He tries getting help from Frankie's mother (Virginia Gregg), who's too tired from her job to do much more than keep Richie from becoming like his brother, and Mr. Gioia (Will Kuluva), "Baby"'s father, who doesn't understand what went wrong between him and his son. A three-way battle of wills ensues as Frankie tries to hold his plan together and resist Wagner's efforts to intercede -- in the end, several lives are at risk, as Frankie ends up with his knife at the throat of his own brother, fully ready to use it. ~ Bruce Eder, Rovi

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Starring:
James WhitmoreJohn Cassavetes, (more)