David Rose Movies
British-born composer David Rose came to Hollywood in the early war years, contributing scores to such films as Winged Victory (1944) and Jupiter's Darling (1954) He worked extensively as an orchestra leader on radio, and in this capacity began a long and lucrative association with Red Skelton, with whom Rose stayed until Skelton's final TV program in 1971. Skelton's theme song, "Holiday For Strings," was written by Rose, as were the leitmotifs of Skelton's many characters (Rose's clip-clop theme for Freddy the Freeloader was titled "Lovable Clown"). Another sterling contribution to television history was Rose's evocative theme music for Bonanza, though he couldn't be held responsible for the song's silly lyrics (by Jay Livingston and Ray Evans), which were sung by the cast once...and only once. His many compositions aside, David Rose is remembered by media buffs for two high-profile marriages: first to Martha Raye (1938-1940), then to Judy Garland (1941-1945). ~ Hal Erickson, All Movie Guide
- 2007
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Larry the Cable Guy's Christmas Spectacular features the redneck stand-up comic starring in an adaptation of the classic Dickens Christmas story that has been adapted to suit his particular comic persona. ~ Perry Seibert, All Movie Guide
- Starring:
- Larry the Cable Guy
Offbeat fashion student Betsy Hopper (Molly Ringwald) and her straight-laced investment-banker fiancé, Jake Lovell(Dylan Walsh), just want an intimate little wedding reception, but Betsy's father, Eddie (Alan Alda), a Long Island construction contractor, feels so threatened by Jake's rich WASP parents (Nicolas Coster and Bibi Besch) that he blows the ceremony up into a bank-breaking showpiece, sending his wife, Lola (Madeline Kahn), into a financial panic. Pressure from Betsy's extended family to include their joint Jewish and Italian-Catholic heritage in the ceremony doesn't do much to assuage the title character's worries, nor does the lovelorn bitterness of her older sister, Connie (Ally Sheedy), who's single, her parents assume, because she has the audacity to pursue the unfeminine profession of police officer. With all of his funds tied up into the money pit of a house he's building, Betsy's dad has to turn to his crooked brother-in-law, Oscar (Joe Pesci), for financial assistance, and soon a soft-spoken but menacing young mobster named Stevie Dee (Anthony LaPaglia) is supervising Eddie's construction project and casting his romantic aspirations toward the clueless Connie. Underworld hijinks and unconventional matrimonial practices ensue in this broad domestic comedy written and directed by star Alan Alda. ~ Brian J. Dillard, All Movie Guide
- Starring:
- Alan Alda, Madeline Kahn, (more)
Bette Midler stars as Stella Claire, a working class, fun-loving barmaid in northern New York State. A brief affair with handsome Stephen Dallas (Stephen Collins) produces a daughter, Jenny (Trini Alvarado), who Stella insists upon raising alone, despite Dallas' marriage offer. As the years pass, Stella and Jenny are a happy pair. Stella gives up bartending to sell cosmetics, supported by her friend Ed (John Goodman), a bartender developing a crush on her and a problem with alcohol. Dallas has stayed involved with his beloved daughter from afar and is now a urologist in New York City, engaged to a book editor (Marsha Mason). As Jenny reaches adulthood, Stella becomes aware that life with her father would provide her daughter with opportunities that she'd never have otherwise, so she devises a painful, self-sacrificing scheme to drive Jenny from the nest. Although functional as a tearjerker, many of the themes in Stella simply don't make as much sense in a modern age of healthy, fractured families, muting the drama of the tale's earlier versions, specifically Stella Dallas (1937). ~ Karl Williams, All Movie Guide
- Starring:
- Bette Midler, John Goodman, (more)
A baby kidnapping strikes the Ingalls family in this made-for-television movie which was based on the popular series Little House on the Prairie. In this story, Laura (Melissa Gilbert) and her husband Almanzo's (Dean Butler) baby, Rose, is kidnapped during the Christmas holiday season. The family goes in search of the child and finds a woman who stole the baby because she wanted a child of her own. In keeping with the show's family-values tone, they try to help the woman find a needy child at an orphanage. ~ Bernadette McCallion, All Movie Guide
Little House: The Last Farewell was the third and last TV movie based on the books of Laura Ingalls Wilder (which also inspired the long-running TV series), though it was telecast out of sequence, shown before the second film, Little House: Look Back to Yesterday. This valedictory adventure of the Ingalls family finds their hometown of Walnut Grove being purchased by an evil miner (the ancestor, no doubt, of the evil land developers seen in all those Spielberg-produced films). Rather than allow themselves to be thrown off their land, Pa and Ma Ingels (Michael Landon and Karen Grassle), in concert with the rest of the townsfolk, take arms against a sea of troubles. But when ordered to evacuate the premises by the Law, the Walnut Grove residents exact a more spectacular method of getting even with the miner. The "surprise" ending of The Last Farewell, in which Walnut Grove is dynamited into oblivion, was the worst-kept secret of the 1983-1984 season. ~ Hal Erickson, All Movie Guide
Premiering as a two-hour TV movie on September 19, 1984, the weekly, 60-minute Highway to Heaven was star Michael Landon's third NBC series -- and like Bonanza and Little House on the Prairie before it, the program was a huge success for both star and network. Landon, who also functioned as executive producer and (sometimes) writer/director, was cast as Jonathan Smith, a "probational" angel. In life, Smith had been a lawyer named Arthur Morton, who, at the time of his death at age 38 in 1948, was an aloof and unfulfilled human being. As an angel, Smith was sent to earth to bring love, harmony, and understanding to people undergoing severe problems -- and in so doing, our hero learned a lot about his own potential for goodness and compassion. Of course, Jonathan had not yet earned his wings and would not do so until the Powers Above determined that he had fulfilled his mission. Jonathan was accompanied on his earthly missions by a "living angel," hardbitten ex-cop Mark Gordon, played by Landon's former Little House on the Prairie co-star Victor French. Originally a surly, embittered man, Mark had "seen the light" thanks to Jonathan and was thereafter dedicated to helping his spectral sidekick get his wings. As often as possible, Jonathan and Mark relied upon their wits and resourcefulness to help those in distress; although he possessed supernatural powers, Jonathan preferred not to use them. Although the series was essentially dramatic in nature, several of the stories had a tongue-in-cheek quality to them. There were also innumerable references to Michael Landon's previous TV and movie credits, including guest appearances by such Little House regulars as Matthew Laborteaux and Richard Bull, not to mention a 1987 Halloween episode which spoofed Landon's notorious starring role in the 1957 horror flick I Was a Teenage Werewolf. Managing to combine the best elements of whimsical fantasy and down-to-earth dramatic reality, Highway to Heaven lasted five years and 111 episodes, ending its NBC run on August 4, 1989. ~ All Movie Guide
- Starring:
- Michael Landon, Victor French, (more)
This largely autobiographical story written and directed by Michael Landon stars Timothy Patrick Murphy as Gene Orowitz (Landon's real name was Eugene Orowitz), a frail teenager with a talent for throwing the javelin and a close relationship to his father Sam (Eli Wallach), the manager of a movie theater. Sam's real love in life is writing fiction, and he pounds the keys of his typewriter well into the night as he tries to finish a major opus. One day when Gene sees Samson and Delilah (1949) at the theater where his father works, he becomes certain that whatever strength he has is due to his long hair and he refuses to cut his hair, even though long hair turns the school principal apoplectic and has to be disguised when Gene is at a sports meet. Gene's life is not a bed of roses, yet when he is dumped by his girlfriend Bonnie for Robert (Alan Hayes), an arrogant football player who has bullied him whenever the chance arose, his good friend Cathy (Hallie Todd) stays by his side. Later, he has his own revenge with Robert by connecting with a right to the jaw, shocking everyone, perhaps even himself. Gene has been working out to get ready for a big school meet and is a bit stronger in his javelin-tossing arm. As the day of the big meet approaches, life changes dramatically for him -- and the movie's climax, though it appears contrived, actually happened to Landon in real life. Landon also plays a small role in the film as a movie star visiting his hometown -- and in some ways, he was "Sam's son" because he himself took to writing -- including the script for this movie, in fact. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Eli Wallach, Anne Jackson, (more)
Suddenly, Love is a tried and true "class conscious" TV movie set in the Manhattan of the 1960s. Cindy Williams stars as a Brooklyn girl who cuts the family strings at age 16 to head for the Big Apple. While studying to be an architect, Williams falls in love with a wealthy Yale law school professor (Paul Shenar). The prof's blueblood mother (Joan Bennett), aware that her son has a bad heart, is convinced that Williams is a fortune-hunter--a conviction that is intensified when the girl has a baby. Eileen Heckart costars as the heroine's earthy mom. Produced by glossmeister Ross Hunter, Suddenly, Love repeatedly belies its title: nothing in this lugubrious, talky film happens suddenly. ~ Hal Erickson, All Movie Guide
Michael Landon wrote and directed this pilot film about a writer who is framed for murdering a politician's son; after serving his sentence, he goes in search of the real killer. ~ Jason Ankeny, All Movie Guide
Ransom for Alice was the pilot film for the unsold series The Busters. The protagonists are not narcotics agents as might be assumed, but instead a male-female team of government undercover agents (Gil Gerard, Yvette Mimieux) operating in Seattle in the 1890s. Their current assignment is to rescue a teenaged girl (Laurie Prange) who has been abducted by a white slave ring. The male agent has plenty of opportunity to pose as a gunslinger (with a vast array of creative weaponry), while the female agent is consigned to pose as a dance hall girl. Ransom for Alice is an uncertain blend of cop drama, western, and espionage caper; it had all been done earlier, and better, as The Wild Wild West. ~ Hal Erickson, All Movie Guide
Actor/writer/director Michael Landon revived an unpleasant chapter in his own past in his teleplay for The Loneliest Runner. Landon's alter ego, 13-year-old John Curtis, is played by Lance Kerwin. Young John is a chronic bedwetter, a fact that his overbearing mother (DeAnne Mears) attributes to "laziness." As if John's problem isn't humiliating enough within the confines of his own home, his mother exacerbates the problem by telling everyone she knows about her boy's affliction-even to the extent of displaying his stained bedsheets from his bedroom window. Tortured by guilt and self-doubt, John channels his frustration and anger into running with the junior high track team. Within the next ten years, John is an Olympic marathon runner and gold-medal winner-as indeed Michael Landon was in real life before turning to acting. Landon himself appears in the wraparound scenes as the adult John Lewis. NBC cagily scheduled The Loneliest Runner's December 20, 1976 premiere in a 9:30 PM timeslot-directly following Michael Landon's top-rated TV series Little House on the Prairie. ~ Hal Erickson, All Movie Guide

- 1974
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Travel back to the prairie and follow one family on as they strive to start life anew in Kansas in this television classic based on the writings of Laura Ingalls Wilder. As the Ingalls leave the familiar woods of Wisconsin to make way for the wide-open plains of Kansas, they must maintain their courage and resilience to overcome adversity and make their dream of a new life come true. This is the story that started it all, and once you join the Ingalls on their long and arduous journey, you'll never be the same. ~ Jason Buchanan, All Movie Guide
One of the most successful and beloved of all TV family drama series, the weekly, 60-minute Little House on the Prairie was based on the autobiographical books by Laura Ingalls Wilder. Michael Landon, the series' executive producer and occasional writer/director, headed the cast as Charles Ingalls, a Wisconsin farmer who moved himself and his family to the small town of Walnut Grove, MN, in the early 1870s. Karen Grassle co-starred as Charles' wife, Caroline; Melissa Sue Anderson was seen as eldest daughter Mary; Melissa Gilbert played middle daughter Laura (aka "Half-Pint"); and twins Lindsay and Sidney Greenbush shared the role of youngest daughter Carrie. As the series progressed, there were several more additions to the Ingalls household: Caroline bore a fourth daughter named Grace (played by twins Wendi and Brenda Turnbaugh); Charles and Caroline adopted an orphan named Albert (Matthew Laborteaux), and later took in another brace of orphans named Cassandra and James Cooper (Jason Bateman, Missy Francis); and during the series' final season, grown-up daughter Laura took charge of her niece Jenny (Shannon Doherty). Inasmuch as the series remained on NBC for nine seasons, it hardly needs saying that the two oldest Ingalls daughters literally grew up in full view of millions of fans. Mary eventually went blind due to a progressive disease, whereupon she relocated to a school for the blind in the Dakota Territory. There she met and fell in love with her teacher, likewise blind, named Adam Kendall (Linwood Boomer). They would later marry and have a child, who was killed in a fire. Ultimately, Adam regained his sight and relocated himself and his wife to New York, there to practice law. As for Laura, she became a schoolteacher in Walnut Grove, and in this capacity met another teacher, Almanzo Wilder (Dean Butler); they too would marry and have a child, named Rose.
Others in the large supporting cast included Victor French as the Ingalls' neighbor and friend Isaiah Edwards and Bonnie Bartlett as Mrs. Grace Edwards; Katherine MacGregor as the ridiculously haughty town gossip Harriet Oleson; Richard Bull as Harriet's good-natured storekeeper husband, Nels; Alison Arngrim as the Olesons' bratty daughter, Nellie (who, upon growing up and "reforming," wed a Jewish boy named Percival [Steve Tracy]); and Allison Balson as Harriet and Nels' equally obnoxious adopted daughter Nancy. Other cast included Merlin Olsen as headstrong farmer Jonathan Garvey, and Hersha Parady and Patrick Laborteaux as Garvey's wife, Alice, and son, Andy; Karl Swenson as Lars Hanson, owner of Walnut Grove's mill; Charlotte Stewart as schoolteacher Miss Beadle; Dabbs Greer as Reverend Alden; Jonathan Gilbert as Dr. Baker; Ketty Lester as Hester Sue Terhune, head instructor at the blind school established in Walnut Grove by Mary and Adam; and, in the final season, Michael Landon's daughter Leslie Landon as new schoolmarm Etta Plum.
In the course of the series, the Ingalls and several of their neighbors briefly moved to Dakota Territory when Walnut Grove was devastated by a series of financial reverses, but they all returned to rebuild the town and restore its economy. And in the ninth and final season, Michael Landon and Karen Grassle relinquished their starring roles (though Landon remained on the project as executive producer) and Melissa Gilbert (Laura Ingalls Wilder) was promoted to the leading role. At that time, the series' title was changed to Little House: A New Beginning, and Stan Ivar and Pamela Roylance became regular cast members as John and Sarah Carter, the couple who moved into the Ingalls' now-vacant family farm. After Little House on the Prairie completed its run in the spring of 1983, three two-hour specials were produced for the 1983-1984 television season to tie up loose plot ends. The series has managed to sustain its popularity in syndicated rerun form, and as a fixture of the PAX TV network and a number of top cable-TV services. ~ Hal Erickson, All Movie Guide
Others in the large supporting cast included Victor French as the Ingalls' neighbor and friend Isaiah Edwards and Bonnie Bartlett as Mrs. Grace Edwards; Katherine MacGregor as the ridiculously haughty town gossip Harriet Oleson; Richard Bull as Harriet's good-natured storekeeper husband, Nels; Alison Arngrim as the Olesons' bratty daughter, Nellie (who, upon growing up and "reforming," wed a Jewish boy named Percival [Steve Tracy]); and Allison Balson as Harriet and Nels' equally obnoxious adopted daughter Nancy. Other cast included Merlin Olsen as headstrong farmer Jonathan Garvey, and Hersha Parady and Patrick Laborteaux as Garvey's wife, Alice, and son, Andy; Karl Swenson as Lars Hanson, owner of Walnut Grove's mill; Charlotte Stewart as schoolteacher Miss Beadle; Dabbs Greer as Reverend Alden; Jonathan Gilbert as Dr. Baker; Ketty Lester as Hester Sue Terhune, head instructor at the blind school established in Walnut Grove by Mary and Adam; and, in the final season, Michael Landon's daughter Leslie Landon as new schoolmarm Etta Plum.
In the course of the series, the Ingalls and several of their neighbors briefly moved to Dakota Territory when Walnut Grove was devastated by a series of financial reverses, but they all returned to rebuild the town and restore its economy. And in the ninth and final season, Michael Landon and Karen Grassle relinquished their starring roles (though Landon remained on the project as executive producer) and Melissa Gilbert (Laura Ingalls Wilder) was promoted to the leading role. At that time, the series' title was changed to Little House: A New Beginning, and Stan Ivar and Pamela Roylance became regular cast members as John and Sarah Carter, the couple who moved into the Ingalls' now-vacant family farm. After Little House on the Prairie completed its run in the spring of 1983, three two-hour specials were produced for the 1983-1984 television season to tie up loose plot ends. The series has managed to sustain its popularity in syndicated rerun form, and as a fixture of the PAX TV network and a number of top cable-TV services. ~ Hal Erickson, All Movie Guide
Created by Earl Hamner, A Dream for Christmas is set in the 1950s. African-American minister Will Douglas (Hari Rhodes) moves his family from Arkansas to the Watts section of Los Angeles to take charge of an impoverished church. The attendance, at least at first, is as poor as the congregation. Worse still, the church is slated to be demolished. But it's close to Christmas, a time when miracles have been known to happen. Featured in the all-black cast are Beah Richards, Lynn Hamilton, Robert Do'Qui, Juanita Moore, and Clarence Muse. Appropriately enough, A Dream for Christmas originally aired on December 24, 1973. It was originally designed as the pilot for a never-sold TV series titled The Douglas Family. ~ Hal Erickson, All Movie Guide
The notion of combining the western and horror genres was nothing new when The Devil and Miss Sarah was first telecast in 1971, nor does the film bring anything new to either genre. Gene Barry plays a demonic outlaw named Rankin, who after being captured is escorted to trial by a sheriff (James Drury) and his wife (Janice Rule). Rankin hopes to take over the weak-willed woman's soul in order to effect his escape. But the husband possesses acute extrasensory powers and tumbles to Rankin's power play. Devil and Miss Sarah was filmed on location--not in Hell, but in Southern Utah. ~ Hal Erickson, All Movie Guide
Some prisoners pin their hopes for freedom on a homemade aircraft in this made-for-television thriller. Based on a true World War Two story, Doug McClure stars as Harry Cook, an Allied soldier who tries to escape a Nazi prison camp with a scientist in tow, using a glider built by their fellow inmates. ~ Bernadette McCallion, All Movie Guide
This TV movie stars Suzanne Pleshette as the embittered widow of a research scientist. Seeking justice, she conceals her identity and goes after the professor (Ed Nelson) she holds responsible for her husband's "accidental" death. Pleshette launches an affair with the professor in order to get the goods on him, but she genuinely falls in love and comes to believe in his innocence. But the professor knows all too well that her husband's demise was no accident. Adapted from a novel by Leonard Lee, Along Came a Spider ran 73 minutes when it was first telecast in February of 1970; it was expanded to 92 minutes when released theatrically abroad. ~ Hal Erickson, All Movie Guide
Yes, Paul Newman is a blue-eyed Indian in Hombre, but this apparent ethnic error is carefully justified in the body of the story. Newman plays a white man who was raised by the Apaches, and ever since has straddled two worlds, feeling truly comfortable in neither. While riding a stagecoach, Newman is subject to the racial bias of banker Fredric March and his snooty wife Barbara Rush. In truth, March is an embezzler, and has no reason to feel superior to anyone. This fact comes out when the coach is held up by murderous bandit-chief Richard Boone. When the passengers fight back, Boone takes Rush as a hostage. Newman, who by rights should be supremely satisfied that his tormentors are themselves tormented, proves himself the bravest of the passengers, sacrificing his own life to save Rush and put an end to Boone's reign of terror. Hombre is based on a novel by suspense specialist Elmore Leonard. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Newman, Fredric March, (more)
In this comedy, a middle-aged woman discovers that she is pregnant, to the dismay of her husband and surprise of the town. The husband doesn't feel up to the challenge, and their daughter is now forced to cook and clean around the house, and meanwhile, tries to get pregnant herself. After a drunken argument with the mayor and another with his wife, the husband finally accepts the inevitable. ~ Steve Huey, All Movie Guide
- Starring:
- Paul Ford, Connie Stevens, (more)
In this comedy, an introverted journalist for a prominent magazine is assigned to do a story on "Little America" in Antarctica. Once there he gets in all sorts of trouble with the army, a rival, and the penguin Milton Fox. He also finds himself embroiled in a plot to ship some Kiwi women to the base, and in the attempted defections of a number of Russian scientists. ~ Sandra Brennan, All Movie Guide
- Starring:
- George Maharis, Robert Morse, (more)
In this entertaining comedy by Charles Walters, everyone seems to get in on the act, even the dog and especially the four overactive kids in a wildly challenging family. David Niven co-stars with Doris Day as Lawrence and Kate Mackay, distinctive parents struggling with home, life, and family. Lawrence opts for leaving his job teaching at Columbia University in New York for a post as a drama critic for a Gotham newspaper, bringing new problems to the pile the family already owns. First, they are forced to move out -- far out -- to the countryside with their brood and canine. And next, while Kate handles home, hearth, and hellions, Lawrence proceeds to alienate one of his best friends with a shattering review. That unhappy beginning to his new career also brings in one of the actresses damaged by his cutting remarks (Janis Paige), who wreaks her own form of havoc on poor Lawrence. In the meantime, Day gets to sing some songs which add to the light-hearted attitude of it all. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Doris Day, David Niven, (more)
Race hatred and drug trafficking threaten to tear apart a California high school in this teen drama. Frank White (Mark Damon) and Don Walters (Doug Hume) are a pair of undercover police officers who are sent to a high school dominated by three gangs. Don, who is white, tries to infiltrate the Anglo gang the Royals, led by Buck (Richard Rust), while Frank, who is of Hispanic and African-American heritage, is to make his way into the school's black gang, the Ebonys, while also keeping his eye on a Mexican-American club, the Caballeros. Frank soon finds he's not welcomed by the Black or Mexican gangs, and when he strikes up a friendship with Lola (Rita Moreno), a pretty Mexican-American girl, he gains a fierce enemy in her brother Manuel (Richard Laurier), one of the leaders of the Caballeros. Meanwhile, Buck and the Royals have started dealing dope as a way to make money, and he's pressuring Manuel and his gang to do the same, something Manuel fiercely opposes. Manuel is also not happy about rumors that Lola is secretly dating one of the Royals, while the Ebonys have it in for Buck when they find out the secret hidden by his sexy girlfriend, Wiggles (Dyan Cannon, then still spelling her first name "Diane"). This Rebel Breed was first released in 1960; five years later, producer William Rowland added some incongruous inserts filled with nudity and re-released the film to grindhouses and drive-ins under the titles Black Rebels, Lola's Mistake, and Three Shades of Love. ~ Mark Deming, All Movie Guide
- Starring:
- Rita Moreno, Mark Damon, (more)
Rear Admiral Matt Sherman (Cary Grant) visits the submarine Sea Tiger on the morning of its decommissioning and reminisces about his time as the first commander of the boat, in 1941. Three days after Pearl Harbor, the sub is damaged during an enemy air raid in the Philippines; rather than abandoning her, Sherman and his chiefs refloat the boat. He's forced to accept the services of Lt. (jg) Nick Holden (Tony Curtis), who has no sea experience. Sherman appoints Holden -- a born conniver, deal-maker, and scrounger (his motto: "In confusion, there is profit") -- as supply officer, and through a series of burglaries and petty thefts he gets the Sea Tiger seaworthy again. Up to this point, the movie is an increasingly amusing service comedy, akin to the lighter moments of Mr. Roberts, running on Grant's wry exasperation and Curtis's cool arrogance, coupled with Arthur O'Connell's periodic sardonic yet optimistic jabs at their situation and Gavin MacLeod's fidgety nervousness. The Sea Tiger puts to sea ahead of the Japanese with a quintet of stranded army nurses aboard. The film shifts to a new level of humor as the officers and crew try to cope with living in close quarters with five attractive women in their midst. Grant gives a very witty performance as a man who is both exasperated by the situation he is in, having to adjust his masculinity to keep it from clashing with the feminine sensibilities of his guests, and also trying to control the mating urges of his men, starting with Holden, who can't stay away from Lt. Duran (Dina Merrill). Complicating matters more is Grant's awareness that the Sea Tiger is a "virgin" -- she has never engaged the enemy, but when they finally do, the accident-prone Lt. Crandall (Joan O'Brien) causes their torpedo to miss a tanker and sink a truck (probably the funniest sight gag in the movie). The boat also gets an accidental coat of pink paint when their supply of red and white runs low, and ends up carrying several Filipino families -- including two pregnant women. Since neither the Japanese nor the Americans officially has a pink submarine, the Sea Tiger ends uphunted by both sides and come under attack by an American destroyer. That's where the women's presence becomes a godsend. The movie ends 18 years later, with Holden a serious career navy man and responsible father, married to Duran, and Grant married to Crandall, who is as accident prone as ever. ~ Bruce Eder, All Movie Guide
- Starring:
- Cary Grant, Tony Curtis, (more)
Red Skelton's final film starring vehicle is an expansion of an hour-long TV play, which also starred Skelton when it was originally seen in September of 1955 on the weekly anthology Climax!. Skelton plays doltish lunchroom attendant Rusty Morgan, who is dutifully saving up enough money so that he and sweetheart Edith Enders (Janet Blair) can be married. Rusty foolishly entrusts his bankroll to a gang of stock swindlers, whom he believes to be FBI agents. Before long, our hero finds hmself the crooks' unwitting courier, landing in jail as a result. After a zany prison break orchestrated by genuine FBI agents who've had their eyes on Rusty all along, our hero catches up with the crooks during a nightclub floor show presided over by the vivacious Rita DeLacey (Vivian Blaine). Produced by RKO Radio, Public Pigeon No. 1 was eventually released by Universal-International. ~ Hal Erickson, All Movie Guide
- Starring:
- Red Skelton, Vivian Blaine, (more)
For its first broadcast of the 1956-57 season, the monthly CBS variety anthology Ford-Star Jubilee offered a full-color salute to composer Cole Porter. Opening with (what else?) "Another Opening, Another Show (from Porter's Kiss Me Kate), the 90-minute special featured an all-star cast performing a veritable cornucopia of the songwriter's hits. Highlights included Dorothy Dandridge's renditions of "You Do Something to Me" and "My Heart Belongs to Daddy"; Oklahoma costars Gordon MacRae and Shirley Jones, dueting on a medley of Porter love songs; dancers Sally Forrest and George Chakiris (still five years away from his Oscar win for West Side Story performing to the tune of "Night and Day"; trumpeter Louis Armstrong, belting out "Blow Gabriel Blow"; and a few Porter comedy numbers, sung by Peter Lynd Hayes and Mary Healy. Also appearing in this live telecast were singer Dolores Gray, actor George Sanders and Cole Porter himself, with a filmed segment featuring Bing Crosby, who was then starring in a movie version of Porter's 1934 Broadway musical Anything Goes. David Rose conducted the orchestra for You're the Top, which currently exists in black-and-white kinescope form. ~ Hal Erickson, All Movie Guide




















