Tom Ropelewski Movies

Best buddies Abbie (Madonna), a heterosexual yoga instructor, and Robert (Rupert Everett), a gay landscaper, cope with failed relationships, the approach of middle age, and the AIDS-related death of a mutual friend by sticking together as a "family of choice." Drunk one night, they have sex, and when Abbie turns up pregnant, they decide to move in together and raise the child as decidedly unconventional co-parents. Flash forward several years and Abbie begins dating Ben (Benjamin Bratt), an investment banker. The new relationship causes tension between Abbie and Robert that ultimately leads to betrayal, courtroom confrontation, and a sudden denouement. Everett, a sometime writer of trashy comic novels such as Hello Darling, Are You Working?, reportedly supplied the film's concept and even additional dialogue, although Tom Ropelewski is the credited screenwriter. This was pop diva Madonna's first film role since the hoopla of Evita; she supplied a highly edited hit cover of Don McLean's "American Pie" and one other song for the soundtrack, which was released on her own Maverick imprint. ~ Brian J. Dillard, Rovi

This final installment in the Look Who's Talking trilogy is a combination of Make Room For Daddy and The Lady and the Tramp. In the six years since the original Look Who's Talking, Mikey and Julie are now old enough to speak for themselves, so the producers came up with a new gimmick -- talking dogs. The Ubriacco family adopts two surly dogs, Rocks (the voice of Danny DeVito), a street-smart mongrel, and Daphne (voice of Diane Keaton), a snobbish pure bred poodle. The story kicks in with Christmas rapidly approaching and Molly (Kirstie Alley) out of a job. Because of this, her husband James (John Travolta) must work doubly hard to impress his new boss, Samantha (Lysette Anthony). But Samantha, it seems, has hired James for more than what appears in his job description. Samantha contrives a plan to get James to her cabin in the North Woods on Christmas Eve, where she plans to seduce him. James' family races to rescue him from the snowbound cabin, but when their taxi skids off the snow-covered road, it is left to the primal instincts of Rocks and Daphne to save the day. ~ Paul Brenner, Rovi

Joan Micklin Silver's farce stars Patrick Dempsey as a pizza delivery boy who begins satisfying the romantic needs of a group of bored Beverly Hills housewives. ~ Jason Ankeny, Rovi

When speaking of Laurel and Hardy's first feature film Pardon Us, Stan Laurel described it as "a three-story building on a one-story base"-in other words, a 2-reeler stretched and bloated into 6 reels. Much the same could be said of Blake Edwards's Blind Date, though one wonders if Stan Laurel could have even gotten two reels out of its wafer-thin premise. At the outset, yuppie Bruce Willis is warned not to let his blind date, southern belle Kim Basinger, drink anything stronger than lemonade. So what does Willis do the first chance he gets? That's right, kids; he plies poor Basinger with champagne. And then he wonders why his life rapidly goes to hell in a handbasket. In his first starring movie role, Bruce Willis manages to find all sorts of nuances in his one-note role, while Kim Basinger is very funny when she's blotto-at least, for the first five minutes or so. John Laroquette costars as a character straight out of a 1920s bedroom farce; he's also pretty good, even though his dialogue is numbingly unamusing. Blake Edwards is famous for his ability to make a lot out of a little...but there has to be a limit somewhere. ~ Hal Erickson, Rovi