Lynn Root Movies

Danny Kaye's The Kid From Brooklyn is a virtual scene-for-scene remake of Harold Lloyd's The Milky Way (1936), with music and Technicolor added to the proceedings. Kaye is cast as timid milkman Burleigh Sullivan, who through a fluke knocks out prizefighting champion Speed McFarlane (Steve Cochran). Sensing a swell publicity angle, McFarlane's manager Gabby Sloan (Walter Abel) promotes Burleigh as the next middleweight champ-and to insure this victory, Gabby fixes several pre-title bouts. Unaware that his fighting prowess is a sham, Burleigh develops a swelled head, which alienates him from everyone he cares about, including his sweetheart Polly Pringle (Virginia Mayo). The truth comes out during the climactic title fight, but a chastened Burleigh emerges victorious thanks to a series of incredible plot twists. The strong supporting cast includes Vera-Ellen as Burleigh's sister Susie, Eve Arden as Gabby's wisecracking girl friday Ann Westley, and, repeating his role from Milky Way, Lionel Stander as Speed's lamebrained trainer Spider Schultz. Danny Kaye does his best to play Burleigh Sullivan rather than Danny Kaye, though his efforts are undermined by the interpolated "specialty" number "Pavlova," which just plain doesn't belong in this picture. Like The Milky Way, The Kid From Brooklyn was adapted from the Broadway play by Lynn Root. ~ Hal Erickson, All Movie Guide

MGM knew it would take a bath on its all-black musical Cabin in the Sky (few Southern theaters of 1943 would touch the film), but the studio still provided its standard A-plus production values to the film; besides, it served as a training ground for up-and-coming director Vincente Minnelli. Based on the Broadway musical by Lynn Root, John LaTouche, and Vernon Duke, the film tells the story of Joe (Eddie "Rochester" Anderson), a shantytown denizen torn between the affections of faithful wife Petunia (Ethel Waters) and slinky seductress Georgia (Lena Horne). Seriously injured in a barroom brawl, Joe dreams that he is the centerpiece of a celestial power struggle between a heavenly emissary (Kenneth Spencer) and Lucifer Jr. (Rex Ingram, who ironically had played "De Lawd" in The Green Pastures). Joe is given another chance to redeem himself on Earth, lest he fall into the clutches of the Devil's little boy. Louis Armstrong briefly shows up, appropriately cast as "The Trumpeter." Song highlights include "Taking a Chance on Love," "Happiness Is Just a Thing Called Joe," "Life's Full of Consequences," and the title song. A troubled production thanks to the on-set rivalry between Ethel Waters and Lena Horne, Cabin in the Sky is nonetheless an excellent first feature effort from Vincente Minnelli. Thanks to his careful treatment of the material, the expected patronization of the black characters does not impede latter-day enjoyment of the film as much as it might have. ~ Hal Erickson, All Movie Guide

In this drama, a wealthy playboy decides to "slum it" for a while to see how regular people live. Trouble ensues when he inadvertently gets involved in a mob murder. He finds himself pursued by both the police and the criminals. As he escapes, he finds and falls in love with an impoverished servant. He is soon forced to reenter his aristocratic world. There he uses his wealth and power to hire the best attorneys and defeat the mobsters. ~ Sandra Brennan, All Movie Guide

When the film rights to its "Saint" series proved too expensive to renew, RKO Radio came up with a lookalike property in the form of "The Falcon", even engaging George Sanders, the best of the "Saint" impersonators, to play the studio's newest gentleman detective. The Gay Falcon opens as Gay Lawrence (Sanders) -- aka the Falcon -- is hired to guard a priceless diamond. When the owner of the gem is murdered, suspicious immediately falls upon Lawrence's ex-con chauffeur Goldie (Allen Jenkins). Two more killings occur before Lawrence is able to uncover the insurance scam behind it all. Along the way, he romance a pair of toothsome leading ladies, Helen (played by series regular Wendy Barrie) and Elinor (Anne Hunter). Hans Conried contributes a sparkling bit as a snide police sketch artist. ~ Hal Erickson, All Movie Guide

In this fourth film in RKO's series based on Leslie Charteris' modern Robin Hood "The Saint", George Sanders plays Simon Templar, alias the title character. The Saint's quarry is a ring of gamblers who have been fixing horse races. Inspector Fernack (Jonathan Hale), the Saint's friendly adversary, has been accused of accepting bribes to cover up the crooks' activities, prompting our hero to try to clear Fernack's reputation. Aided by his girlfriend (Wendy Barrie) and petty criminal Pearly Gates (Paul Guilfoyle), the Saint routs the gamblers, but not before nearly losing his own life. George Sanders would play the Saint twice more before leaving the series to become The Falcon, a Saint-like sleuth in another of RKO's B-picture series. ~ Hal Erickson, All Movie Guide

Dumb but honest insurance agent Henry Twinkle (Lew Ayres) is in love with Mary Blake (Rita Johnson), the secretary of Henry's boss. To impress Mary, Henry sells a huge policy to wealthy Gus Fender (Lloyd Nolan), who turns out to be a notorious gangster on the lam from the law. If he wants to save his job, Henry will have to protect Fender from being killed. After a series of hair-raising adventures, hapless Henry ends up collecting the reward money for Fender's capture, only to be duped into turning it all over to the gangster for bail money. Saving Henry's hide-and his relationship with Mary-is a share of seemingly worthless stock which unexpectedly pays off big-time. ~ Hal Erickson, All Movie Guide

In an unusual move for a mere program picture, RKO Radio filmed A Saint in London on location in England, using a largely British cast and crew. George Sanders makes his second appearance as suave soldier of fortune Simon Templer, aka The Saint. This time, Templar gets mixed up with a gang of counterfeiters who've murdered and robbed a European count of 1,000,000 pounds. He is aided reluctantly by Scotland Yard inspector Teal (Gordon McLeod), who's convinced that Templar himself pulled off the heist, and less reluctantly by light-fingered Dugan (David Burns) and dizzy socialite Penny Parker (Sally Gray). The Saint in London was directed by John Paddy Carstairs, who later worked on some of the episodes of the Saint TV series. ~ Hal Erickson, All Movie Guide

While New York Sleeps is when fast-talking reporter Barney Callahan (Michael Whalen) prowls the night beat for a great metropolitan newspaper. At present, Callahan is trying to find out who's responsible for a series of baffling murders. The victims were all bond carriers, and the cops have already targeted the most likely suspects. With the help of photographer Snapper Doolan (Chick Chandler), Callahan bypasses the Obvious and goes after the least likely suspect-who, of course, is the guilty party. When not on the job, Callahan relaxes by romancing long-legged showgirl Judy King (Jean Rogers), as good an excuse as any for an extended nightclub musical number. ~ Hal Erickson, All Movie Guide

In this adventure, set in Shanghai, a gunrunner gets entangled with a conspiracy to deliver customs certificates. Unfortunately, his contact has died and the money has disappeared. He being pursued by other smugglers when Japanese bombs are dropped. He is saved from the firestorm by a French singer. Together they flee the city and board a refugee ship. ~ Sandra Brennan, All Movie Guide

Lively June (Jane Withers), teen-aged daughter of mystery writer Waldo Everett (Jon Qualen), who calls her "Angel," becomes involved in intrigue centering on movie star Pauline Kaye (Sally Blane) and her companion Stivers (Joan Davis). Reporter Nick Moore (Robert Kent), once sweet on Pauline, is convinced that her sudden disappearance is a publicity stunt, which is true -- until gangster Bat Regan (Harold Huber) decides to get involved. ~ Bill Warren, All Movie Guide

Step Lively, Jeeves was the second 20th Century-Fox programmer to star Arthur Treacher as P.G. Wodehouse's resourceful butler Jeeves. In the first film, Thank You, Jeeves (36), the faithful family retainer extricated his boss Bertie Wooster (David Niven) from a jam. In the second film, Jeeves is on his own as he heads to America to claim an inheritance. The legacy turns out to be a phony, engineered by a pair of con men who plan to use Jeeves as the fall guy for a gangster plot. But Jeeves foils the scheme using his inbred wit--and a little larceny of his own. ~ Hal Erickson, All Movie Guide

One of the funniest, most sharply paced comedies of the 1930s, and perhaps the best of all of Harold Lloyd's talkies, The Milky Way was based on the Broadway play by Lynn Root and Harry Clork. Lloyd plays Burleigh Sullivan, a mild-mannered milkman who intercedes one night when his sister Mae (Helen Mack) is being accosted on the street by two obnoxious drunks -- they turn their wrath on him, his sister runs for help, and when she returns less than a minute later, both men are out cold on the pavement, with Burleigh standing over them. As one of them, Speed MacFarland (William Gargan), is the world's middleweight boxing champion, and the other, Spider Schultz (Lionel Stander), is his sparring partner, Burleigh makes the front page of every newspaper in New York. McFarland's manager, Gabby Sloan (Adolphe Menjou), has to figure out how to salvage the champ's career, but first he has to figure out exactly what happened, since both fighters were too drunk to remember anything about it. It turns out that Sullivan couldn't beat an egg, but he is good at one thing -- ducking. He can dodge any punch, and the two fighters knocked each other out in the process of trying to pummel him. What's more, on hearing this, they're so angry that Schultz accidentally knocks MacFarland out again, just ahead of the press' arrival, and the little milkman is given credit once more by the reporters for decking the champ. Burleigh loves the attention, even though he never claims to have hit anyone. Meanwhile, Sloan comes up with a way of salvaging his fighter's career, and convinces Burleigh to go along with it for a promised cash sum -- all Burleigh has to do is get in the ring in six fights, to build up his standing and reputation, and finish his "career" in a fight with MacFarland, who will win. In the meantime, complications arise when MacFarland falls in love with Burleigh's sister, while Burleigh himself meets and falls in love with Polly Pringle (Dorothy Wilson), a helpful neighbor. Gabby, Spider, and Speed also discover that turning tiny, wiry Burleigh Sullivan into something that even looks like a fighter is easier said than done -- all of his fights have to be fixed (and then some) behind his back to make his victories look remotely genuine. Finally, after starting to believe his own publicity, and then discovering that the fights were fixed, Burleigh goes through with the final match-up against MacFarland, the culmination of a comedy of errors involving horses, foals, and a wild chase to the arena. ~ Bruce Eder, All Movie Guide