George A. Romero Movies
American director George A. Romero was making films from the age of 14 -- like most teen movie enthusiasts, with an 8 mm camera. Matriculating into the industrial-film business in Pittsburgh, Romero accrued enough capital to make his first feature-length film in 1968, a graphically gruesome zombie picture entitled Night of the Living Dead. Barely making back its cost on its initial release, the movie received some welcome, if adverse, publicity when Reader's Digest devoted an article to it. The magazine was appalled at the scenes of cannibalism and similar horrors, going so far as to insist that a movement be started to have the picture banned. Naturally, this made the movie more popular than ever, much more so than if Reader's Digest had simply ignored it. And the subsequent profits of Night of the Living Dead enabled Romero to finance several more low-budget scare pictures before he broke into the mainstream with Dawn of the Dead in 1978, a semi-comic sequel to his first film. Day of the Dead (1985), the third of the Dead Trilogy, was more elaborate than his earlier productions, but also more disappointing. Still, Romero could point with pride to such films as Creepshow (1980), Martin (1978), and his weekly TV terror anthology Tales From the Darkside (1984-1986), which belied its tiny budget with excellent writing, first-rate actors (Barnard Hughes, Fritz Weaver, Jerry Stiller, Eddie Bracken, et al.) and bone-chilling makeup effects. Although remaining in the realm of B-movies by choice, Romero has exerted considerable influence on an entire school of higher-budget horror directors, notably John Carpenter, Wes Craven, and especially Brian De Palma. Romero is married to actress and long-time collaborator Christine Forrest. ~ Hal Erickson, Rovi
- 2011
- R
- Add George A. Romero Presents Deadtime Stories, Vol. 2 to Queue Add George A. Romero Presents Deadtime Stories, Vol. 2 to top of Queue
This release from the horror series Deadtime Stories, created by legendary horror director George A. Romero, includes three hair-raising episodes of the anthology show: one tests the limits of human desperation when three friends become trapped in a cave, one finds a philandering professor haunted by (literal) ghosts of his past, and one tells a story of science gone awry, with an artifact brought back from Mars causing havoc on earth. ~ Cammila Collar, Rovi
- 2011
America's cultural obsession with the living dead serves as the subject of this irreverent documentary revealing the growing prevalence of zombies in all forms of media, and featuring interviews with George A. Romero, Linnea Quigley], Lloyd Kaufman, and Bruce Campbell. ~ Jason Buchanan, Rovi
Sahara director Breck Eisner teams with screenwriters Ray Wright (Pulse) and Scott Kosar (The Texas Chainsaw Massacre) to give George A. Romero's underrated 1973 shocker a shiny new makeover in this update starring Timothy Olyphant and Radha Mitchell. Perform a Google search on "small-town America," and eventually you'll stumble across Ogden Marsh, a picturesque hamlet situated a safe distance from the nearest big city, and full of friendly faces. The citizens of Ogden Marsh are happy, albeit unremarkable people, but they're about to discover just how fragile their warm slice of the American dream really is. When a mysterious toxin transforms the locals into murderous maniacs, it's up to Sheriff David Dutton (Olyphant) to find out why a man who was once an upstanding citizen would attempt to massacre the local youth baseball team, and a caring father would burn his beloved family alive. Within hours the town has descended into total chaos, and the government has ordered it quarantined. Anyone who attempts to escape will be shot on sight, whether they're infected or not. Realizing that their only hope for survival is to fight through the madness that has consumed their once-quiet town, Sheriff Dutton, his pregnant wife, Judy (Mitchell), his deputy Russell (Joe Anderson), and frightened medical center assistant Becca (Danielle Panabaker) wage an epic struggle to discover the source of this malevolent scourge while fending off their infected friends and neighbors. ~ Jason Buchanan, Rovi
- Starring:
- Timothy Olyphant, Radha Mitchell, (more)
A group of rogue soldiers seek shelter from the zombie apocalypse on scenic Plum Island, only to become caught up in a bitter feud between two warring families. Sarge Crocket (Alan Van Sprang) and his motley crew of military abandoners are searching for a safe place to rest when they cross paths with Patrick O'Flynn (Kenneth Welsh). O'Flynn has been banished from Plum Island, where his family is locked in a longtime quarrel with the Muldoons. The O'Flynns see the flesh-eaters as subhuman, never hesitating to put a bullet between their eyes; the Muldoons balk at the prospect of killing their gut-munching loved ones, instead opting to care for their rotting kinfolk until scientists find a cure for the undead scourge. As the division between the two families grows deeper and wider, Crocket and his men realize that on Plum Island, the zombies are the least of their worries. ~ Jason Buchanan, Rovi
- Starring:
- Alan Van Sprang, Kenneth Welsh, (more)
- 2008
In this adaptation of a story by Ringu and Dark Water author Kôji Suzuki, an expedition to a deserted island takes a deadly turn when the explorers encounter an unknown, and decidedly malevolent, force. A joint venture between Hyde Park Entertainment and Kadokawa Pictures, Solitary Isle marks the first in a series of planned collaborations between the two production companies. ~ Jason Buchanan, All Movie Guide
- 2008
Chicago-based filmmaker Rusty Nails (Acne, The Ramones and I) takes a comprehensive look at the life and career of iconic filmmaker George A. Romero in this documentary that delves deep into the fiercely independent filmmaker's eternal obsession with all things celluliod. Featuring interviews with a diverse collection of collaborators, fans, and followers including Dario Argento, Richard Linklater, Glen Danzig, Stephen King, Penn Jillette, John Carpenter, and John Waters, Dead On: The LIfe and Cinema of George A. Romero reflects on not only the filmmaker's remarkable body of work, but also his unique directorial style and his lifelong journey to create intelligent and thought provoking cinema. ~ Jason Buchanan, Rovi
At the peak of their popularity, there were nearly seven thousand drive-in movie theaters operating in the United States, where families could see a show in the great outdoors complete with popcorn and teenagers could park for a few hours without being bothered. While many drive-ins showed traditional Hollywood fare, the majority tended to screen exploitation movies -- horror, science fiction, biker flicks, soft-core sex -- especially in the Sixties and Seventies as they primarily became a center for young people. Rising land values and a decline in attendance has caused most drive-in theaters to close, but if they're largely gone they're not forgotten, and this documentary pays homage both to America's drive-ins and the sort of movies that often played there. Drive-In Madness includes trailers for dozens of vintage exploitation films as well as classic snack shop commercials and intermission "countdowns." In addition, a number of noted figures in exploitation film history talk about their work and their place in drive-in history; interview subjects include scream queens Linnea Quigley and Bobbie Bresee, Night of the Living Dead director George A. Romero, gore effects wiz Tom Savini, veteran distributor Sam Sherman, and Famous Monsters of Filmland editor and horror movie expert Forrest J. Ackerman. ~ Mark Deming, Rovi
- 2007
- R
Horror icon George A. Romero effectively hits the "reset" button on his hugely influential "Dead" series with this scaled back look at the zombie apocalypse as told from the perspective of a student filmmaker who sets out to shoot a low-budget fright film, but instead captures the breakdown of modern society at the decaying hands of flesh eating ghouls. Jason Creed (Josh Close) and his crew are shooting a mummy movie in the Pennsylvania woods when media reports begin pouring in about the dead rising from their graves to feast on the flesh of the living. While self-centered star Ridley (Philip Riccio) beats a hasty retreat to his family's fortified mansion halfway across the state, the remaining cast and crew are forced to fight for their lives despite having with no weapons to speak of, and only a wobbly recreational vehicle in which to seek shelter. Immediately recognizing the gravity of the situation and outspokenly skeptical of the media, determined director Creed decides to use his own camera to capture the real story in a documentary entitled "The Death of Death." Now, as the group attempts to fight their way to safety, the skeptics will all watch as their greatest fears become reality and the realists will attempt to process a nightmare that modern science would pass off as impossible. ~ Jason Buchanan, All Movie Guide
- 2007
- R
- Add George A. Romero's Diary of the Dead to Queue Add George A. Romero's Diary of the Dead to top of Queue
Horror icon George A. Romero effectively hits the "reset" button on his hugely influential Dead series with this scaled-back look at the zombie apocalypse as told from the perspective of a student filmmaker who sets out to shoot a low-budget fright film, but instead captures the breakdown of modern society at the decaying hands of flesh-eating ghouls. Jason Creed (Joshua Close) and his crew are shooting a mummy movie in the Pennsylvania woods when media reports begin pouring in about the dead rising from their graves to feast on the flesh of the living. While self-centered star Ridley (Phillip Riccio) beats a hasty retreat to his family's fortified mansion halfway across the state, the remaining cast and crew are forced to fight for their lives despite having no weapons to speak of, and only a wobbly recreational vehicle in which to seek shelter. Immediately recognizing the gravity of the situation and outspokenly skeptical of the media, determined director Creed decides to use his own camera to capture the real story in a documentary entitled "The Death of Death." Now, as the group attempts to fight their way to safety, the skeptics will all watch as their greatest fears become reality, and the realists will attempt to process a nightmare that modern science would pass off as impossible. ~ Jason Buchanan, Rovi
- Starring:
- Michele Morgan, Joshua Close, (more)
George A. Romero, who revolutionized the American horror film in 1968 with the instant classic Night of the Living Dead, returns to his dystopian zombie cycle with this horror thriller. In Land of the Dead, the zombies whose numbers had been slowly but steadily growing through Dawn of the Dead and Day of the Dead now dominate the streets of most American cities, while urban skyscrapers have been taken over by surviving humans, usually greed-addled opportunists who allow the living to stay in their fortified compounds for a price. Guarding the buildings are rough-and-tumble mercenaries who have learned to do battle with the zombies, making use of powerful weapons to gain advantage. But as the zombie civilization grows, the creatures have begun to slowly evolve, with their dormant thought processes beginning to awaken, and as unrest begins to ferment among the mercenaries and the entrepreneurs who pay them, the ghouls may have found a way to defeat the last stronghold of humanity. Land of the Dead stars Dennis Hopper as arch capitalist Kaufman, and Simon Baker, John Leguizamo, Robert Joy, and Asia Argento as some of the mercenaries; Asia Argento's father, Dario Argento, served as a producer on one of the earlier films in the series, Dawn of the Dead. ~ Mark Deming, Rovi
- Starring:
- Simon Baker, John Leguizamo, (more)
- 2005
- Add Midnight Movies: From the Margin to the Mainstream to Queue Add Midnight Movies: From the Margin to the Mainstream to top of Queue
Stuart Samuels's popular documentary Midnight Movies: From Margin to Mainstream grounds itself in the thesis that six revolutionary American motion pictures - Night of the Living Dead (1968), El Topo (1970), Pink Flamingoes (1972), The Harder they Come (1972), The Rocky Horror Picture Show (1975) and Eraserhead (1976) - invented the concept of "midnight movies" and thus permanently reshaped the American film industry per se and the composition of the average U.S. film audience, creating a new "brand" of viewer. Samuels and his team tell the story of this odd subgenre as it evolved, peaked in popularity, and then faded gradually from view. The bulk of the picture consists of a myriad of interviews with the directors of these films per se (John Waters, Alejandro Jodorowsky, David Lynch, Perry Henzel, George Romero - Jim Sharman appears in archive footage only), cast members, theater owners who found their business reinvigorated by this trend, critics such as Roger Ebert who reflect on the era, and of course the films' fans. The documentary also features extended clips from the movies and period news footage about the rise in popularity of the said titles. ~ Nathan Southern, Rovi
The feature-film debut of director Zack Snyder, Dawn of the Dead is a modern retelling of George Romero's 1978 horror classic, which was actually the second film in a trilogy that began with Night of the Living Dead and concluded with Day of the Dead. Sarah Polley and Ving Rhames star as two of the last remaining people on an earth that has been ravaged by flesh-eating zombies. After escaping to a shopping mall with a handful of other survivors, they decide that they only way to truly elude the approaching throng of undead is to somehow make their way to an island that is supposedly zombie-free. Jake Weber and Mekhi Phifer also star. ~ Matthew Tobey, Rovi
- Starring:
- Sarah Polley, Ving Rhames, (more)
- 2002
- Add John Carpenter: Fear Is Just the Beginning... The Man and His Movies to Queue Add John Carpenter: Fear Is Just the Beginning... The Man and His Movies to top of Queue
Filmmaker John Carpenter helped redefine the American horror film in 1978 with Halloween, a low-budget thriller which became a major box office success. Since then, Carpenter has devoted his career to bringing a fresh perspective to genre filmmaking, striving to maintain the freedom of an independent while working within the studio system. (Carpenter not only writes and directs his own projects, but often also serves as producer and composer as well.) John Carpenter: Fear Is Just the Beginning...The Man and His Movies is a documentary about this two-fisted maverick auteur, which offers a look at the making of such favorites as Escape From New York, The Thing, The Fog, and many more. The documentary includes interviews with Jamie Lee Curtis, Kurt Russell, Adrienne Barbeau, Debra Hill, and other friends and colleagues. ~ Mark Deming, Rovi
- Starring:
- John Carpenter
Horror-meister George Romero directs this thriller about a 99-pound weakling who strikes back at everyone who has wronged him in the past. Henry Creedlow (Jason Flemyng) works at a fashion mag called Bruiser for the short-fused, dictatorial Miles Styles (Peter Stormare). Henry spends much of his day fantasizing about killing himself and killing others, particularly his nagging wife Janine (Nina Garbiras). After learning that Miles is shagging his wife and that his stockbroker best friend swindled him out of a stack of money, Henry wakes up the following day to learn that his face has mysteriously been rendered white and featureless. Soon, like a mime with bloodlust, Henry violently dispatches with everyone in his life, save Miles' wife, whose paintings may be responsible for his sudden transformation. This film was screened at the 2000 Berlin Film Festival. ~ Jonathan Crow, Rovi
- Starring:
- Jason Flemyng, Peter Stormare, (more)
In the late '60s, the tone of American horror films began to shift in the wake of the startling success of George A. Romero's Night of the Living Dead -- horror films became gorier, bleaker, and began to subtly reflect the political and social upheaval gripping the country. Through the '70s and '80s, films like Last House on the Left, The Texas Chainsaw Massacre, and Halloween held a distorted mirror up to American culture, reflecting its fear and chaos in the wake of Vietnam and Watergate. The American Nightmare is a documentary that looks at the transgressive horror films of the '60s and '70s and the people who made them. Directors Wes Craven, Tobe Hooper, and David Cronenberg, special effects man Tom Savini, and film critics Tom Gunning and Adam Lowenstein are among those interviewed by director Adam Simon. The American Nightmare was produced for the premium cable outlet The Independent Film Channel. ~ Mark Deming, Rovi
- Starring:
- George A. Romero, John Carpenter, (more)
Marking the first collaboration between horror legends George A. Romero and Stephen King since 1982's Creepshow, this moody, atmospheric adaptation of King's novel was actually completed in 1991, but the highly-publicized bankruptcy of its distributor Orion Pictures in that same year nearly doomed The Dark Half to distribution limbo. King's story revolves around successful author Thad Beaumont (Timothy Hutton), whose popularity on the college circuit owes a great deal to the financial success of a series of violent pulp thrillers written under the pseudonym of "George Stark." When he decides to cast aside his disreputable alter-ego by "killing" Stark off in a mock ceremony, it precipitates a string of sadistic murders matching those in his pulp novels, which are discovered to be the work of Stark himself (also played by Hutton). Looking like a maniacal white-trash version of his counterpart, Stark is not so willing to quit the writing game -- even if it means coming after Thad's wife (Amy Madigan) and their baby. It's only a matter of time before suspicions turn to Thad, who is the only one who knows the real origins of his hideous twin. ~ Cavett Binion, Rovi
- Starring:
- Timothy Hutton, Amy Madigan, (more)
In this multiple Oscar-winning thriller, Jodie Foster stars as Clarice Starling, a top student at the FBI's training academy whose shrewd analyses of serial killers lands her a special assignment: the FBI is investigating a vicious murderer nicknamed Buffalo Bill, who kills young women and then removes the skin from their bodies. Jack Crawford (Scott Glenn) wants Clarice to interview Dr. Hannibal Lecter (Anthony Hopkins), a brilliant psychiatrist who is also a violent psychopath, serving life behind bars for various acts of murder and cannibalism. Crawford believes that Lecter may have insight into this case and that Starling, as an attractive young woman, may be just the bait to draw him out. Lecter does indeed know something of Buffalo Bill, but his information comes with a price: in exchange for telling what he knows, he wants to be housed in a more comfortable facility. More important, he wants to speak with Clarice about her past. He skillfully digs into her psyche, forcing her to reveal her innermost traumas and putting her in a position of vulnerability when she can least afford to be weak. The film mingles the horrors of criminal acts with the psychological horrors of Lecter's slow-motion interrogation of Clarice and of her memories that emerge from it. ~ Mark Deming, Rovi
- Starring:
- Jodie Foster, Anthony Hopkins, (more)
- 1990
- R
- Add Tales From the Darkside: The Movie to Queue Add Tales From the Darkside: The Movie to top of Queue
This feature-length spin-off of the popular television horror anthology is directed by John Harrison, who directed many episodes of the television series. The film consists of four grisly and gruesome horror teasers. "The Wraparound Story" stars Deborah Harry as Betty, a chef with a kitchen complete with Cuisinart and dungeon. She plans to cook a little boy, who delays his execution by telling Betty three tales of terror. The first tale is "Lot 249," based on the mummy story by Sir Arthur Conan Doyle. The tale concerns Bellingham (Steve Buscemi), a bug-eyed graduate student who has raised a mummy from the dead. The second tale, "Cat from Hell," adapted by George A. Romero from a Stephen King story, deals with a broken-down millionaire (William Hickey), who has made his millions by developing habit-forming painkillers. He is convinced that, since 5,000 cats have been killed in his lab experiments in order to develop his pills, a stray cat has killed his family. He hires a hit man (David Johansen) to track down the cat and rub him out. The third tale, "Lover's Vow," is based on "Woman in the Snow," one of the episodes in Kwaidan.James Remar plays an artist who strikes a deal with the devil and is rewarded with a beautiful wife (Rae Dawn Chong) and a respectful art career. ~ Paul Brenner, Rovi
- Starring:
- Deborah Harry, Christian Slater, (more)
Two well-known directors each adapt stories by Edgar Allen Poe in this horror drama. George Romero's "The Facts in the Case of M. Valdemar" tells how the wife of an elderly, wealthy man and her lover--who also happens to be the husband's private physician--scheme to control his assets. Dying before they can carry out their plans, his soul is caught between life and death while they freeze the body to finish their work. In the Dario Argento-directed "The Black Cat" a crime photographer, known for his photos' gruesome content, kills his girlfriend's titular pet and then his girlfriend. Soon he gets a good look at what he's done. ~ Kristie Hassen, Rovi
- Starring:
- Adrienne Barbeau, E.G. Marshall, (more)
Makeup wizard Tom Savini's color remake of George A. Romero's 1968 classic follows the original almost shot-for-shot, so quality comparisons are somewhat pointless. The film was clearly made for younger viewers who refuse to watch black-and-white films, no matter how good they may be. The result is passable, but the very fact that the original was made 22 years before makes this version seem almost dated in its restraint. By the time of its release, Romero had already geometrically raised the gore quotient with Dawn of the Dead (1978) and Day of the Dead (1985), so Savini's starting back at square one further lessened the impact of this pointless retread. If this version has anything to offer, it is Patricia Tallman's engaging lead performance as a gun-toting independent woman, one of this film's few elements not lifted wholesale from Romero. ~ Robert Firsching, Rovi
- Starring:
- Tony Todd, Patricia Tallman, (more)
This documentary showcases the career of director George A. Romero, whose horror films of the '60s and '70s (Night of the Living Dead, Dawn of the Dead) revolutionized the horror genre. Shown are interviews with Romero as well as with some of the casts and crews from his films. Also shown are some behind-the-scenes footage from Two Evil Eyes, and clips from other Romero films such as Martin. ~ Brian Gusse, Rovi
A quadriplegic former athlete finds his darkest urges being acted out by an animal familiar in this psychological horror film. When Allan Mann (Jason Beghe) loses the use of his legs and arms in an accident, he becomes bitter -- no surprise given that his girlfriend dumps him for his surgeon, his new nurse (Christine Forrest) is a shrew, and his smothering mother (Joyce Van Patten) keeps threatening to move in and take care of him. Enter Kate McNeil (Melanie Parker), a scientist who is working to provide handicapped people with highly trained animal helpers. Soon Allan is bonding with Ella, an adorable Capuchin monkey, who, unbeknownst to him, has been injected with human brain tissue by drug-addicted scientist Geoffrey Fisher (John Pankow). At first Allan loves little Ella, but the monkey seems to grow jealous as Allan slowly develops a romance with the beautiful Kate. Meanwhile, Allan begins having strange dreams in which he experiences the world from a monkey's-eye point of view. These visions culminate in a fiery nightmare -- the same night Allan's ex-girlfriend and her new lover die in a house fire. Realizing the growing link between his own inner demons and the violence occurring around him, Allan tries to sever the connection with Ella. But the limitations of even his high-tech wheelchair give the psychic primate the upper hand. Written and directed by horror veteran George Romero, Monkey Shines re-teams the filmmaker with his frequent collaborator, Christine Forrest. ~ Brian J. Dillard, Rovi
- Starring:
- Jason Beghe, John Pankow, (more)
This less-satisfying sequel to the 1982 George A. Romero/Stephen King anthology presents a new trio of King stories, framed in a similar EC Comics-style format -- this time featuring some rather lackluster animated segments involving horror-host "The Creep," who introduces each chapter with pun-heavy gallows humor. The stories vary widely in quality: first there's "Old Chief Wood'nhead," involving a cigar-store Indian who quite literally guards the entrance to an old general store and comes to life to avenge the murders of the elderly couple (George Kennedy and Dorothy Lamour) who owned it. The middle segment, "The Raft," features a group of obnoxious teenagers stranded on a raft in the middle of a lake at the mercy of a murderous oil slick which looks like a bunch of plastic garbage bags stitched together. Both of these suffer in comparison to the closing segment, "The Hitchhiker," in which a bored, promiscuous socialite (Lois Chiles) mows down a hitchhiker, who refuses to stay dead, returning again and again to torment her at every turn, rasping "Thanks for the ride, lady!" Despite its strengths -- a livelier pace, some creatively gory set pieces -- this is a much cheaper-looking effort than its predecessor, with the deft guidance of Romero conspicuously absent (long-time collaborator Michael Gornick took up the directorial reins); as a result, King's gross-out sensibilities don't come off as well. Makeup maestro Tom Savini appears in heavy makeup as a live-action version of The Creep, and King pops in for a bit part as a redneck trucker. ~ Cavett Binion, Rovi
- Starring:
- Lois Chiles, George Kennedy, (more)
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