Alex Romero Movies

In this spoof, Don Diego Vega (George Hamilton) follows in his father's footsteps as he dons the identity of Zorro in an attempt to defend the weak and innocent from the ravages of the evil. However, when Vega falls victim to a debilitating injury, it is up to his gay twin brother, Bunny Wigglesworth (George Hamilton), to take up the mask and sword. ~ Iotis Erlewine, Rovi

Robert Aldrich returns to the western-spoof genre he'd previously explored in Four for Texas with The Frisco Kid. Gene Wilder plays Polish rabbi Avram Belinsky, who intends to set up a congregation in San Francisco. Eminently unsuited for life in the Old West, poor Avram is victimized by everyone with whom he comes in contact. Salvation arrives in the unlikely form of taciturn bank robber Tommy (Harrison Ford). Incredibly, Tommy takes a liking to the feckless Avram, and together the two men embark on a series of seriocomic adventures. ~ Hal Erickson, Rovi

Director Robert Aldrich (The Longest Yard) re-unites with Burt Reynolds for this hard-edged neo-noir. Lieutenant Phil Gaines (Reynolds) is a cynical Los Angeles police detective amorously involved with an icewater-veined Parisian call girl, Nicole Britton (Catherine Deneuve). On the job, he begins to investigate the shady death of a teenage girl that appears to lead straight to Leo Sellers (Eddie Albert), an attorney with a frightening number of connections. The problem is, Nicole herself has a direct connection to the case - Leo is one of her clients. Meanwhile, Marty Hollinger (Ben Johnson), the victim's father, decides to undertake a grassroots investigation of his own - little realizing that his seemingly murdered daughter was in up to her neck with prostitution, porno movie acting, and dancing as a stripper, facts which suggest that she may have offed herself. ~ Paul Brenner, Rovi

The Grissom Gang is a remake of the notorious 1949 British melodrama No Orchids for Miss Blandish. Kim Darby plays a 1920s-era debutante who is kidnapped and held for ransom. Her captors are the Grissoms, a family comprised of sadists and morons, and headed by Ma Barker clone Irene Dailey. One of the Grissoms, played by Scott Wilson, takes a liking to his prisoner, which results in a bloody breakdown of the family unit. Both The Grissom Gang and the original No Orchids for Miss Blandish were inspired by the best-seller by James Hadley Chase, though neither film retains Chase's original ending. ~ Hal Erickson, Rovi

Those looking for a tasteful but fun little musical comedy had best look elsewhere as this one is basically about the exploitation to two naive young women who move into a swinging singles complex to find some fun. Unfortunately, they end up objectified, and pursued. One of them leaves the place and gains firsthand experience with gang rape and suicide. Songs include: "For Singles Only," "Take a Chance with Me," "I'm Not Afraid," "Destination Unknown," "Why Need They Pretend?" "Symbol of Love," and "Tight Black Gown." ~ Sandra Brennan, Rovi

Elvis Presley plays Scott Heyward, the son of a Texas oil millionaire in this thin storyline. Scott changes places with the poor but honest water-skiing instructor Tom Wilson (Will Hutchins) to find out if women love him for himself or his money. Tom goes to the posh penthouse previously occupied by Scott, and Scott takes over as the instructor. Scott's father Duster (James Gregory) blows a gasket when he finds out what his son is doing. Boat builder Sam Burton (Gary Merrill) talks Scott into driving his new boat in the big race. Elvis delivers 8 songs in one of the more lackluster vehicles of his 1960s film catalogue. A bevy of beauties, some exciting race scene, and glossy production all help this one across the finish line. ~ Dan Pavlides, Rovi

As a child, "Baby Jane" Hudson was the toast of vaudeville. As an adult, however, Baby Jane was overshadowed by her more talented sister, Blanche, who became a top movie star. Then, one night in the early '30s, came the accident, which crippled Blanche for life and which was blamed on a drunken, jealous Jane. Flash-forward to 1962: Jane (Bette Davis), decked out in garish chalk-white makeup, still lives with the invalid Blanche (Joan Crawford) in their decaying L.A. mansion. When Jane isn't tormenting the helpless Blanche by serving her dead rats for breakfast, she is plotting and planning her showbiz comeback. Convinced that her days are numbered if she remains in the house with her addlepated sister, Blanche desperately tries to get away, but all avenues of escape are cut off by the deranged Jane. What Ever Happened to Baby Jane? sparked a trend toward casting venerable Hollywood female stars in such grotesque Grand Guignol melodramas as Lady in a Cage (1964) and Hush...Hush Sweet Charlotte (1965). In addition to revitalizing the careers of Davis and Crawford, whose real-life mutual animosity came through loud and clear, the film made a star of sorts of 24-year-old character actor Victor Buono, cast as a porcine mama's-boy musical composer. Lukas Heller's screenplay was based on the novel by Henry Farrell. ~ Hal Erickson, Rovi

This long, 135-minute feature is divided into four different segments, three highlighting fairy tales and the first introducing the two Brothers Grimm. Wilhelm (Laurence Harvey) is the dreamer, and Jacob (Karl Boehm) is the practical one, and between them, some marvelous fairy tales develop. Seguing into the first tale about the "Dancing Princess," co-directors Henry Levin and George Pal -- also the producer -- allow their special-effects artists full rein. In-between dancing, the princess (Yvette Mimieux) falls in love with a charming woodsman (Russ Tamblyn). In the second story about the "Cobbler and the Elves," a Christmas miracle of dedicated labor helps the cobbler out when he most needs it. In the last story, a fire-breathing dragon threatens the kingdom until a lowly servant (Buddy Hackett) saves the day. One of the highlights of this production are the Puppetoons, and another is Cinerama -- three projectors working to create a three-paneled (sometimes visibly so), wide-screen panorama. ~ Eleanor Mannikka, Rovi

Popular Mexican comedian Cantinflas (Mario Moreno) plays the title character in this star-studded, amusing comedy drama by George Sidney. Pepe is the same sort of impoverished stereotype Cantinflas made famous in several of his comedies; in this case he is a hired hand on a ranch who chases down a horse for his employer. A boozing Hollywood director buys a white stallion belonging to Pepe's boss and the determined ranch hand decides to take off for Hollywood to get the horse back. Once in this new and strange environment -- where a lot of cameos by the likes of Jimmy Durante, Frank Sinatra, Zsa Zsa Gabor, Bing Crosby, Maurice Chevalier, and many others enliven the action -- Pepe becomes a friend to the alcoholic director. Unfortunately, what is missing here is "Cantinfletico." That is the nickname for the rambling non-sequitur characteristic of Cantinflas that no one else could master. The film was originally released at 195 minutes, then edited down to 157. ~ Eleanor Mannikka, Rovi

Any murder mystery featuring a pigeon named Herman can be trusted to offer more mirth than mayhem and that is the case with this upbeat film by director George Marshall. Glenn Ford stars as Elliott Nash, a television playwright married to Nell (Debbie Reynolds), a successful Broadway thespian. Nell had an ignominious moment in her past when she posed for some photos best left in obscurity and now Elliott is being blackmailed by the owner of the photos. Elliot's solution is to carry out a carefully executed murder and then bury the body underneath a gazebo being constructed in the backyard. Although the dastardly deed goes off without a hitch, the body of the blackmailer turns up elsewhere, leaving Elliott to track down who it was he buried under the gazebo. ~ Eleanor Mannikka, Rovi

Producer/animator/special-effect maven George Pal made his feature-film directorial bow with the colorful MGM musical fantasy Tom Thumb (the title of the film was spelled in lower case in the opening credits, and in all studio publicity material). Russ Tamblyn stars as the teeny-tiny titular protagonist, while veteran musicomedy favorite Jessie Mathews and stellar character actor Bernard Miles portray Tom's normal-sized parents. Journeying to the Village, Tom is pounced upon by villains Ivan (Terry-Thomas) and Tony (a corpulent Peter Sellers), who intend to exploit our 5 1/2-inch-tall hero. In-between his misadventures with the villains, Tom helps to expedite the romance between young forester Woody (Alan Young) and the magical Forest Queen (June Thorburn). Throughout, the special effects and oversized sets are first-rate, as are the "puppetoons" sequences featuring such delightful characters as The Yawning Man (voice by Stan Freberg). Written by several hands, the film's songs are hummable, if not particularly memorable. It is said that some children in the audience in 1958 were genuinely frightened by the more horrific aspects of the story (including the threatened execution of Tom's parents); it may be, however, that the adults were more scared than the kids. Incidentally, while most of Tom Thumb was filmed in MGM's London facilities, the special effects were produced in Hollywood, requiring Russ Tamblyn to do a lot of travelling. ~ Hal Erickson, Rovi

In this western, a pacifistic store owner does all he can to avoid association with his father, a notorious gunfighter. One day he gets drunk and shows off his own considerable skills with a pistol. Unfortunately, this attracts the attention of the man who fancies himself the town's fastest draw and he heads to the store for a little confrontation. ~ Sandra Brennan, Rovi

Based extremely loosely on the Stephen Vincent Benet story Sobbin' Women," Seven Brides for Seven Brothers is one of the best MGM musicals of the 1950s. Most of the story takes place on an Oregon ranch, maintained by Adam Pontabee (Howard Keel) and his six brothers, played by Jeff Richards, Russ Tamblyn, Tommy Rall, Mark Platt, Matt Mattox, and Jacques d'Amboise (it is no coincidence that five of those six boys are played by professional dancers). When Adam brings home his new bride Milly (Jane Powell), she is appalled at the brothers' slovenliness and sets about turning these unwashed louts into immaculate gentlemen. During the boisterous barn-raising scene, the brothers get into a scuffle with a group of townsmen over the affection of six comely lasses: Virginia Gibson, Julie Newmeyer (later Newmar), Ruth Kilmonis (later Ruth Lee), Nancy Kilgas, Betty Carr, and Norma Doggett (yep, most of the girls are dancers, too). Yearning to become husbands like their big brother, they ask Adam for advice. Alas, he has been reading a book about the abduction of the Sabine Women (or, as he puts it, the Sobbin' Women); and, in order to claim their gals, Adam explains, the boys must kidnap them--which they do, after blocking off all avenues of escape. Vowing to remain on their best behavior, the boys make no untoward advances towards their reluctant female guests--not even during one of the coldest winters on record. Comes the spring thaw, the angry townsfolk come charging up the mountain, demanding the return of the stolen girls (who, by this time, have "tamed" their men). A happy ending is ultimately had by all in this delightful if politically incorrect concoction. ~ Hal Erickson, Rovi