Tony Romano Movies

A gifted forger and confidence man attempts to stay one step ahead of the lawman determined to bring him to justice in this comedy-drama from Steven Spielberg, based on a true story. Frank W. Abagnale Jr. (Leonardo DiCaprio) is a 16-year-old high school student who finds himself emotionally cut adrift when his mother, Paula (Nathalie Baye), leaves his father, Frank Abagnale Sr. (Christopher Walken), after Frank Sr. falls into arrears with the Internal Revenue Service. One day at school, Frank Jr. attempts to pass himself off as a substitute teacher, and easily makes the subterfuge work. His small-scale success gives Frank some ideas, and he soon discovers bigger and more profitable ways of hoaxing others, passing himself off as an airline pilot, a doctor, and an attorney. Along the way, Frank learns how to become a master forger, and uses his talent and charm to pass over 2.5 million dollars in phony checks. Frank's increasingly audacious work soon attracts the attention of Carl Hanratty (Tom Hanks), an FBI agent who is determined to put Frank behind bars. Frank seems to enjoy being pursued by Carl, and even goes so far as to call Carl on the phone to chat every once in a while. While posing as a doctor, Frank falls in love with Brenda Strong (Amy Adams), a sweet girl working as a candy striper. When Frank asks Brenda to marry him, he decides to assume a new identity to impress her father, Roger (Martin Sheen) -- who happens to be the District Attorney of New Orleans, LA. Catch Me If You Can was based on the autobiography of the real Frank W. Abagnale Jr., who has a cameo in the film and today works on the side of the law as a top consultant on preventing forgery and designing secure checking systems. ~ Mark Deming, All Movie Guide

Lawrence Kasdan's black comedy about a wife's ultimate revenge against her womanizing husband is based on a true story about the wife of a pizzeria owner who decided to kill her cheating husband. When her attempt to murder him failed, the husband refused to press charges against her because he felt she had done the right thing. Kevin Kline is the pizzeria owner Joey Boca in I Love You to Death. Joey is a smooth Italian lothario, modeled after Marcello Mastroianni, who cheerfully dons his plumbers overalls to repair his female tenants' plumbing in the rental apartments the family owns. Joey feels he is justified in bedding down countless numbers of women because of all the hours he puts in day after day at the pizzeria. Plus, as he tells one of his women friends, "I'm a man. I got a lotta hormones in my body." His wife Rosalie (Tracey Ullman) sweetly ignores her husband's philandering -- that is until she visits the public library and sees Joey fondling one of tenants in the book stacks. At first Rosalie considers suicide, but finally, egged on by her mother Nadja (Joan Plowright), she determines that Joey must be the one to face the music. But the people Rosalie hires to do Joey in are of the cut-rate variety and are unsuccessful. They then try to knock Joey off by feeding him barbiturate-laced spaghetti, but also to no avail. Rosalie then enlists pizzeria employee Deco Nod (River Phoenix), who has a crush on Rosalie, to do the job. But even then, they have no luck. As a last resort, they try to hire professionals. What they get instead are two drugged-out junkies -- Harlan (William Hurt) and Marlin (Keanu Reeves) -- who arrive at the home and blast at a slumbering figure in the bedroom. Then, while they report on their progress downstairs, Joey ambles into the living room, very much alive. ~ Paul Brenner, All Movie Guide

Bret (James Garner) is offered $6000 by the American authorities to bring back accused murderer Steve Corbett (Gerald Mohr), who has hightailed it to Mexico. Heading South of the Border, himself, Bret ends up in the wide-open town of Tampico, where Corbett now runs a tourist camp, the "Cantina Americana." The task at hand for our hero is to devise a strategy to lure Corbett back to the U.S.A. Somewhere along the line, the story evolves into a western variation of Casablanca--not surprisingly, since the Cantina Americana is actually the redressed set of "Rick's Café Americain" from that 1942 film classic. ~ Hal Erickson, All Movie Guide

The 1955 western Robbers' Roost was the second film version of the venerable Zane Grey yarn. George Montgomery stars as a taciturn outlaw who lands an honest job on the spread managed by physically disabled Bruce Bennett. When Bennett's sister Sylvia Findley is kidnapped by crooked Richard Boone and Peter Graves, Montgomery, seeing an opportunity to redeem himself, rides to her rescue. Fortunately for our hero, Boone and Graves are already at each other's throats, thereby weakening their resistance. Gorgeously photographed, Robbers' Roost suffers visually when seen in the faded color prints currently available to TV. ~ Hal Erickson, All Movie Guide

Ida "Don't mess with me" Lupino takes a job as a singer in Robert Alda's seedy Santa Monica nitery. Lupino ignores Alda's advances to cultivate a romance with pianist Bruce Bennett. Alda uses his connections with the Mob to break up the relationship--and also, hopefully, to break up Bennett into little pieces. Logic is not the film's strong suit, but it scores on atmosphere and tension. Man I Love served as the inspiration for Martin Scorcese's much-later New York, New York. ~ Hal Erickson, All Movie Guide

The career girl in this PRC musical is Joan (Frances Langford), a Kansas City gal with showbiz aspirations. She heads to New York, where she sets up residence in a theatrical boarding house straight out of Stage Door. A few setbacks later, Joan lands the lead in a Broadway musical revue, which despite its threadbare production values (a PRC trademark) bids fair to be the hit of the season. Endearingly old-fashioned, Career Girl puts over its clichés with energy and verve. Besides, any picture with wisecracking Iris Adrian in a large role can't be all bad. ~ Hal Erickson, All Movie Guide