Charles R. Rogers Movies

This noir mystery thriller was produced by Mary Pickford and her husband Buddy Rogers, and directed by Douglas Sirk. Claudette Colbert stars as Alison Courtland, a wealthy New York socialite who awakens on a Boston-bound train with no memory of how she got there. A kindly older woman, Mrs. Tomlinson (Queenie Smith) helps Alison call her husband Richard (Don Ameche), who informs her that she disappeared after threatening his life. While traveling back to New York, Alison meets Bruce Elcott (Robert Cummings), who is immediately smitten with her. Upon her return, Richard urges Alison to consult a psychiatrist, Charles Vernay (George Coulouris), but the man's bizarre, abusive manner nearly drives Alison mad. Alison's condition, Vernay, and even the helpful Mrs. Tomlinson are all part of an elaborate scheme on the part of Richard and his mistress, Daphne (Hazel Brooks) to get drive Alison to suicide and collect her fortune. A concerned Bruce visits Vernay, who is really a photographer, and begins piecing the scheme together. ~ Karl Williams, Rovi

In this comedy, Paul Muni plays a recently murdered gangster who finds himself roasting in Hell. Muni can't believe that he's in for All Eternity and keeps trying to "bust out," which brings him to the attention of the Head Man (Claude Rains), who calls himself Nick. Nick strikes a bargain with Muni: There's a troublesome honest judge on Earth who's been shipping too many souls to Hell; if Muni will take over the judge's body and begin performing bad deeds, Nick will set him free. Muni readily agrees, eager to settle the score with the ex-partner (Hardie Albright) who bumped him off. Once he "becomes" the judge, however, Muni discovers that he is utterly incapable of performing any misdeeds--and when he falls in love with the judge's fiancee (Anne Baxter), Muni becomes determined to wriggle out of his agreement. Angel on My Shoulder is based on a story by Harry Segall, whose previous play Heaven Can Wait was filmed as Here Comes Mr. Jordan, also with Claude Rains. ~ Hal Erickson, Rovi

In her second starring film, teenaged singing sensation Jane Powell plays Cheryl Williams, a 15-year-old music student who is led to believe that her older sister Josephine (Constance Moore) is a big Broadway star. In truth, Josephine is a stripper in a tawdry burleycue house, but fortunately Cheryl (apparently) never reads any out-of-town newspapers and thus is in a state of blissful ignorance. The fun begins when Cheryl arrives in New York, figures out the truth, and tries to marry Josephine off to big-time Broadway producer Arthur Hale (Ralph Bellamy). As a result, both Josephine and Cheryl are starring in Hale's latest production. Yes, it's a Deanna Durbin picture without Deanna, right down to newly arranged versions of old operetta favorites. Delightfully Dangerous is currently available from several video companies thanks to its "public domain" status. ~ Hal Erickson, Rovi

For the benefit of those who came in late, the John Robert Powers modelling agency was at one time the most famous and powerful enterprise of its kind in New York City. Acknowledging this prominence is the 1942 musical comedy The Powers Girl, with Anne Shirley and Carole Landis starring as sisters Ellen and Kay Evans, who aspire to become high-profile models. Photographer Jimmy Hendricks (George Murphy) takes a fancy to the girls, making a top model out of Kay (Landis) -- but falling deeply and truly in love with Ellen (Shirley). At base, the film is an excuse to show off as many lovely, undraped "Powers Girls" as possible (including future Republic serial heroine Linda Stirling) and to showcase such musical talent as Dennis Day and Benny Goodman's Orchestra. And from time to time, John Robert Powers himself shows up in the person of Alan Mowbray. The Powers Girl was released in Great Britain as Hello Beautiful. ~ Hal Erickson, Rovi

In this romantic comedy, a blue-blooded girl falls in love with a wealthy rake who wants to settle down and marry her. Unfortunately, the young woman's guardian and personal stockbroker refuses to sanction the match. This enrages the girl who decides to prove that she doesn't need a guardian by getting a job on Wall Street. Time passes and mayhem ensues until the lass realizes that she has fallen in love with her guardian. Her playboy lover, with great charm, defers to the new lover and leaves them to their happiness. ~ Sandra Brennan, Rovi

The Carter Family finds itself in serious financial difficulty when its patriarch, druggist Doc Carter (Frank Craven), is all but forced out of business by a neighboring chain store. Doc isn't worried so much for himself and his wife Emma (Fay Bainter) as he is for his five children, played by Scotty Beckett, Bennie Bartlett, Donald Brenon, Mary Thomas and Gloria Carter (who real name is the same as her "reel" name). But there may be a way out: wealthy Bill and Gloria Hastings (Edmund Lowe, Genevieve Tobin), longtime friends of the Carters, have offered to adopt the couple's polio-stricken son Dickie (Beckett) for a substantial fee. Doc and Emma refuse this offer, but their somewhat more practical children offer themselves up for adoption rather than separate little Dickie from his parents. The ultimately happy denoument suggests that Paramount Pictures hoped to develop a "Carter Family" series, though no such project developed. ~ Hal Erickson, Rovi

In this wartime drama, a young woman nearly comes unhinged when her husband, a Navy pilot, is transferred to Pearl Harbor on their wedding day. She goes with him. Once in Hawaii she is surprised to see her ex-boyfriend sailing about in an expensive yacht. Her husband becomes totally engrossed in his work and begins neglecting her so it seems natural that she would go for a little sail with her ex-flame. When her husband learns about her philandering, he gets jealous and ends up crashing his plane in the harbor. As a result, he is court-martialed. His wife, sorry for her actions, defends him, gets him acquitted and never strays again. Marital bliss ensues. ~ Sandra Brennan, Rovi

The girl is teenaged singing sensation Deanna Durbin; the one hundred men are out-of-work musicians. Still in her "little miss fix-it" stage, Durbin connives to help the musicians crack the big time. The person Durbin is most concerned with is her father (Adolphe Menjou) the 100th and most underemployed of the bunch. The men organize their own orchestra; all they need is a prestigious leader. Enter legendary conductor Leopold Stokowski, who after several refusals to listen to Durbin's entreaties is captivated when he hears the sounds of Liszt's 2nd Hungarian Rhapsody, as played by 100 shabby instrumentalists camped out on the stairway of his house. This film literally saved Universal Studios from receivership in 1937, assuring Ms. Durbin a movie career until she was too rich to care. ~ Hal Erickson, Rovi

In this comedy, an sheltered heiress bets her father that she can make it in New York city on only $150 per week. She does this to prove to her father that she will be able to live a scaled down existence with her fiancé, who is not wealthy. Her father agrees to the bet, and she goes to the Big Apple where she does very well indeed. Unfortunately, trouble ensues when she meets another impoverished fellow, another resident in the boarding house she is in, and falls in love. ~ Sandra Brennan, Rovi

Gloria Stuart's trouble only begins when she inherits a newspaper in this routine, but at times, quite hilarious comedy from Universal. Overhearing a chauvinistic remark from senior editor Hank Gilman (Edmund Lowe), Joan Langford decides to begin her newspaper business career from the bottom and incognito. Gilman, however, quickly discovers the ruse and sends the girl out on the most arduous assignments he can find. After threatening to quit, the heroine unwittingly gets herself involved with a gang of blackmailers but Hank is watching over her and together they bring the gang to justice. ~ Hans J. Wollstein, Rovi

The excellent box-office returns for the previous Laurel & Hardy comic operas The Devil's Brother and Babes in Toyland encouraged Hal Roach to cast the team in still another operatic adaptation, a self-styled "comedy version" of William Balfe's The Bohemian Girl. Stan Laurel and Oliver Hardy play members of a gypsy tribe wandering through middle Europe sometime in the early 19th century. As if he hasn't got enough trouble trying to train dimwitted Stan to be a "first-class pickpocket," Ollie is also saddled with a faithless wife (Mae Busch), who is in love with dashing gypsy robber captain Devil's Hoof (Antonio Moreno). While trying to break into the palace of gypsy-hating Count Arnheim (William P. Carleton), Devil's Hoof is captured and flogged. In retaliation, Ollie's wife kidnaps Arnheim's little daughter Arline (Darla Hood of "Our Gang" fame) and leaves the child in Ollie's care, explaining that the baby is his ("I didn't want to tell her who her father was until she was old enough to stand the shock!") Twelve years later, Arline (now played by Jacqueline Wells) has grown into a beautiful young woman who's forgotten all about her aristocratic childhood, except whenever she dreams "she dwelt in marbl'd halls" (from the song of the same name). By coincidence, Arline one day finds herself wandering around the grounds of her ancestral home. She is captured by the Captain of the Guards (James Finlayson) and sentenced to be flogged, whereupon her foster-daddy Ollie and her drink-besotted Uncle Stanley race to her rescue. There's a happy ending for Arline, but not for Stan and Ollie, who wind up the picture with one of their famous "physical distortion" gags. A troubled production, The Bohemian Girl had to be extensively reshot and re-edited after previews because of the sudden (and still unsolved) death of co-star Thelma Todd, who was originally cast as the Gypsy Queen. It was decided out of respect for Todd to retain only one of her musical numbers and to refilm the rest of her scenes with other actors; as a result, Bohemian Girl is one of the patchiest and most uneven of the Laurel & Hardy features. Fortunately, Stan and Ollie's scenes are well up to par, especially the classic bit wherein Stan inadvertently becomes progressively drunker as he tries to bottle a cask of bubbling wine. ~ Hal Erickson, Rovi

Flying Hostess stars Judith Allen as the title character, rookie airline stewardess Helen Brooks. William Gargan co-stars as Hal Cunningham, the tough-but-likeable man in charge of the stewardess training program. Helen proves she's stayed awake during classes when a pilot is knocked out by a criminal during a TWA passenger flight. With Cunningham guiding her in via radio, plucky Helen takes over the controls herself, guiding the plane to safety. Featured in an unsympathetic minor role is Addison Randall, who later achieved stardom as cowboy hero Jack Randall. ~ Hal Erickson, Rovi