Nicolas Roeg Movies
London-born Nicolas Roeg served in the military as a projectionist, and entered the movie industry immediately after World War II as a gofer and apprentice editor. He joined MGM's British studios in 1950, and eventually became a cinematographer in 1959, working on a multitude of films of all types, from second unit work on Lawrence of Arabia (1962) to primary photography on the rock & roll exploitation films Just for Fun (1963), Every Day's a Holiday (1965), and The System (1966). He moved into the director's chair with Performance (1970), which he co-directed with Donald Cammell, and made a major impression with the low-keyed, eerily compelling drama Walkabout (1971). By the mid-'70s, Roeg was one of England's most respected filmmakers, responsible for the unsettling thriller Don't Look Now (1973), and the sci-fi drama The Man Who Fell to Earth (1976). With the possible exception Insignificance (1985) and the compellingly obscure Track 29 (1988) Roeg's output throughout the 1980s unfortunately failed to maintain the inspired creativity of his output in the previous decade.In 1990 Roeg showed promise for the new decade with what was perhaps his most successful film to date, the visually lavish family fantasy The Witches. A wonderfully creative take on acclaimed author Roald Dahl's beloved children's book, the film showcased Roeg's remarkable visual flair in a format suitable for the whole family. Unfortunately the film wasn't a true indicator for his output in the remainder of the decade. Despite the fact that his pace lagged somewhat after The Witches, 1994's Heart of Darkness did offer an interesting take on Joseph Conrad's novel, and those who suspected Full Body Massage was nothing more than made-for-cable softcore were actually treated to a thoughtful meditation on intimacy and human relations. In 2004 Roeg was set to make a return to the horror genre with the philosophical chiller Adina. Nicolas Roeg's son has gained fame in the film industry in his own right as the producer of such efforts as The Matchmaker (1997) and Spider (2002). ~ Bruce Eder, Rovi
Don't Look Now director Nicholas Roeg steps back behind the camera for the first time in fifteen years to weave this macabre tale of a young architect who finds her unborn child in danger after moving deep into the Irish countryside. Liffrey (Kelly Reilly) has had enough of the big city, and now she's looking to escape her overbearing boss (Donald Sutherland) by moving to the hills of Ireland with her American boyfriend Richard (Oscar Pearce) and restoring a crumbling cottage. The previous inhabitants of the cottage are the Tuckers, who have since taken up residence at a nearby farm. Mabs Tucker (Miranda Richardson) is mother to three ethereal daughters, though her desire to have a son is evident from the first moment she meets her new neighbors. Something about the Tuckers just doesn't seem right to Liffrey and her suspicious beau, and when Liffrey becomes pregnant the mood around their cottage becomes downright ominous. It seems that Mabs' mother Molly (Rita Tushingham) has been dabbling in magic in order to ensure herself a grandson, and soon it's revealed that eldest daughter Audrey (Leona Igoe) possesses some strange, otherworldly powers. As the word about Liffrey's pregnancy begins to spread, the Tucker women become convinced that the unborn child was actually intended for Mabs, and they are willing to do whatever it takes to claim the baby as their own. ~ Jason Buchanan, Rovi
- Starring:
- Donald Sutherland, Kelly Reilly, (more)
Amid the bloody tumult of Communist dictator Ceausescu in 1989 Romania, a hedonistic and morally sidetracked physician, Daniel Pavenic (Michael Gambon), attempts to hold his annual dinner for 12 of his closest friends. Only three such friends are willing to brave the dangerous war-torn streets to go to Pavenic's mansion, where they find themselves investigating the shocking, debauched relationship between their host and a once-beautiful house servant. The more the guests learn about the twisted relationship, the more they find themselves re-entangled in their own dark memories. The book upon which this drama is based, The Two Deaths of Senora Puccini, by Stephen Dobyns, was set in Chile. ~ Matthew Tobey, Rovi
- Starring:
- Michael Gambon, Sonia Braga, (more)
British director Nicolas Roeg, best known for his films Walkabout and The Man Who Fell To Earth, helmed this made-for-cable adaptation of the epic tale from The Old Testament's Book of Judges. Starring Eric Thal as the legendary strongman Samson, Samson and Delilah also stars Elizabeth Hurley as the temptress Delilah, who ultimately seduces Samson and cuts his hair, robbing him of his strength. Originally airing on the TNT cable network, the film also features Dennis Hopper and Sir Michael Gambon. ~ Matthew Tobey, Rovi
- 1995
This anthology is comprised of three steamy vignettes from three different filmmakers. The first, Cinzia Torrini's "Sweeties," follows the desperation of a rotund, neglected housewife who goes to a psychic for help. The mystical woman gives the housewife a few special sweets with the warning that she should not eat too many. The candies are delicious though, and the greedy housewife gobbles them all and finds herself paying a terrible price. In the second, "Hotel Paradise," from Nicolas Roeg, a woman awakens on her wedding day chained to a bed with a stranger. He informs her that they just spent the wildest night of her life together. Unfortunately, she remembers nothing and arguments ensue as she dons her gown and prepares for her nuptials. The third story comes from Polish director Janusz Majewski. "Devilish Education" centers on the deflowering of a luscious Polish farm girl at the turn-of the-century by a handsome artist who hires her as his model and begins tutoring her in the art of lovemaking. ~ Sandra Brennan, Rovi
- 1995
- R
In this erotic drama, Nina (Mimi Rogers) is a successful gallery owner who lives alone in a luxurious house filled with exquisite works of art. Her career is demanding, and once a week she gets a massage at home to ease her tenseness. One week she is surprised when Fitch (Bryan Brown) arrives to substitute for her regular masseur. During the massage session, Nina and Fitch discuss their lives, and the film makes cinematic use of flashbacks and intercut footage to reveal their pasts and inner thoughts. Nina reminisces about her ex-husband, as well as about an artist who was a recent lover. Fitch's memories revolve around the love of his life, a Hopi woman who introduced him to the healing arts. Fitch turns out to be a man who both intrigues and irks Nina, and although she finds the massage physically relaxing, she is troubled when he confronts her with challenging questions. By the end of the film, more than Nina's physical tenseness has been released: she has opened up both psychologically and spiritually. ~ Rovi
- 1994
Previously the inspiration for Francis Ford Coppola's Apocalypse Now (1979), the dark novella Heart of Darkness by Joseph Conrad, a parable about greed-inspired colonialism, was adapted into this television movie by offbeat filmmaker Nicolas Roeg. Ambitious sailor Marlow (Tim Roth) is employed by a British trading company. His mission is a journey to a remote colony in the Belgian Congo, the source of the consortium's profitable supply of ivory, where he's to retrieve some stranded cargo. As he travels upriver visiting the trading stations which acquire the precious commodity through exploitative barter with natives, Marlow hears wild tales of Kurtz (John Malkovich), a hugely-successful company manager whose post is deep in the jungle. It seems that Kurtz is revered as a god by the locals, both worshipped and greatly feared. Reaching Kurtz's compound, however, Marlow finds that the man has become a fiend, committing blasphemous atrocities and driven mad by power and disease. Malkovich was nominated for a Screen Actors Guild Award and a Golden Globe for his performance as Kurtz. ~ Karl Williams, Rovi
- 1992
- R
Nicolas Roeg's Cold Heaven (based on a novel by Brian Moore) examines grief and loss and spiritual questions concerning belief and faith. Theresa Russell plays Maria, a woman in deep despair over the death of her husband Alex (Mark Harmon) in a boating accident. When Alex's body disappears from the morgue, she becomes convinced that he is still alive. Before her husband's death, she had been ready to abandon her marriage and start over again with another man, Daniel (James Russo). But Alex's death has made her guilty and has given her pause. Complicating matters is when Maria begins to see visions of Alex before her. Re-discovering her abandoned Catholicism, she begins to speak with a Carmelite nun (Talia Shire), Father Niles (Will Patton) and Monsignor Cassidy (Richard Bradford) about her Bernadette-like visions. ~ Paul Brenner, Rovi
- Starring:
- Theresa Russell, Mark Harmon, (more)
The demise of the Cold War rendered this flat and obsolete spy thriller, written and directed by Nicholas Meyer, mute upon its release in 1991. Gene Hackman plays Sam Boyd, a retired CIA agent, now making ends meet by engaging in industrial espionage. But Sam is recalled to duty and ordered to deliver a captured Russian spy, Pyiotr Grushenko (Mikhail Baryshnikov), to East Berlin for a prisoner exchange. Along with Pyiotr, Sam is also transporting $2 million in Columbian drug money to East Berlin. But due to a series of set-ups, Sam and Pyiotr finds themselves working together to keep from getting killed. Sam tries to get help from the CIA, but it turns out that the CIA (along with the KGB) wants them both dead. ~ Paul Brenner, Rovi
- Starring:
- Gene Hackman, Mikhail Baryshnikov, (more)
In Nicolas Roeg's adaptation of Roald Dahl's novel The Witches, a young boy is vacationing at the seaside with his grandmother when he discovers that the hotel he is staying at is hosting a convention of witches. Eavesdropping on the witches, he learns that the Grand High Witch (Anjelica Huston) has devised a plan to turn all of the children in England into mice. With creature-effects by Jim Henson's Creature Shop, The Witches was the last film Henson worked on before passing away in 1990. ~ Matthew Tobey, Rovi
- Starring:
- Anjelica Huston, Mai Zetterling, (more)
In this stylized adaptation of her 1988 off-Broadway show, singer/actress/comedian Sandra Bernhard explores celebrity, stereotypes, and her own childhood in a series of monologues and musical numbers. Although much of the material comes straight from the original stage show, Bernhard and co-writer John Boskovich updated many of her pop-cultural musings and added several new production numbers. They also turned a one-woman show into something of a mockumentary, staging interviews with Bernhard's fictional manager (Lu Leonard) and adding several additional characters. Most of the action is staged in a theater full of well-heeled African American patrons who slowly leave in disgust at Bernhard's performance, which includes her deadpan fantasies about an imagined gentile childhood, a dalliance with Warren Beatty, and a trip to Studio 54. Originally given a limited release by New Line Cinema in 1990, Without You I'm Nothing was quickly pulled from theaters when the company that produced it went bankrupt. Eventually, however, it made its was to home video and DVD. ~ Brian J. Dillard, Rovi
- Starring:
- Sandra Bernhard, Steve Antin, (more)
Previously filmed in 1962 with Geraldine Page and Paul Newman in the leads, Tennessee Williams' Sweet Bird of Youth was restaged for television in 1989 by Nicolas Roeg. Elizabeth Taylor stars as Alexandre Del Lago, a fading, alcoholic, drug-dependent movie star. Mark Harmon co-stars as Chance Wayne, a shiftless would-be actor who romances Alexandre in hopes of getting a few producer's doors opened for him in Hollywood. Assuming that it'll be a simple task to unload Alexandre when he's through with her, Chance has not reckoned with the star's smothering ego. Chance must also contend with Tom Finley (Rip Torn), the fire-breathing political boss who is the father of Chance's hometown sweetheart (Cheryl Paris). The TV remake of Sweet Bird of Youth was first broadcast October 1, 1989. ~ Hal Erickson, Rovi
- Starring:
- Elizabeth Taylor, Mark Harmon, (more)
A dissatisfied woman encounters a mysterious stranger who may be her long-lost son in this peculiar, darkly comic drama. Theresa Russell plays the deeply disappointed Linda Henry, who feels stifled by a strained marriage to Dr. Henry Henry (Christopher Lloyd), who pays more attention to his model railroads than to his wife. Desperate for diversion, she is captivated when Martin (Gary Oldman) arrives, claiming to be the child she gave up for adoption after a teenage pregnancy. She immediately bonds with this stranger, but numerous signs indicate that he may not be what he seems. Strange behavior follows from everyone involved, with some of the film's most bizarre sequences concerning Dr. Henry's toy train fetish. The complex, often ambiguous script is by noted British writer Dennis Potter, who also wrote Pennies from Heaven and The Singing Detective, and Nicolas Roeg provided his predictably stylized, enigmatic direction. Despite several interesting moments, Track 29 is far from either Potter's or Roeg's best work, and most critics found it a bizarre, ineffective muddle. ~ Judd Blaise, Rovi
- Starring:
- Theresa Russell, Gary Oldman, (more)
An international collection of well-known directors contributed to this compilation film, each fashioning a short film inspired by an aria from a famous opera. The approaches vary broadly, from the playful abstraction of Jean-Luc Godard's segment, which illustrates Armide with exercising body-builders, to the more literal approach of Franc Roddam, who transports Tristan und Isolde's story to modern-day Las Vegas. A particular stand-out is Julian Temple's take on Rigoletto, which recasts Verdi as the accompaniment to a contemporary Southern California sex farce. ~ Judd Blaise, Rovi
- Starring:
- Theresa Russell, Nicola Swain, (more)
- 1986
- R
Nicolas Roeg directed this dreamy erotic adventure film based on two Australian non-fiction best-sellers -- Lucy Irvine's Castaway and Gerald Kingsland's The Islander. Both best-sellers concern former clerk and waitress Lucy Irvine's response to an advertisement placed by writer Gerald Kingsland in a magazine seeking "a wife for a year on a tropical island." Irvine responded to the ad and, after learning that she would have to pay for the trip to the island of Tuin (between New Guinea and Australia), the not-very-happy couple took off to Tuin for a thirteen-month stay, after which Irvine returned to England alone. The film stars Oliver Reed as Gerald Kingsland and Amanda Donohue as Lucy Irvine. On the island, Gerald and Lucy romp around au natural and try not to get in each other's way. But then Gerald suffers a foot infection and Lucy, in spite of having seafood for every meal, begins to drastically lose weight. Gerald also gets crabby because Lucy withholds sexual pleasure from her new husband. After a year of bliss, Lucy decides to return to the British rat race, while Gerald tries to stick it out in his new island cultural environment. ~ Paul Brenner, Rovi
- Starring:
- Oliver Reed, Amanda Donohoe, (more)
Using four famous but unnamed individuals to symbolize a notorious era in American politics, as well as to explore the nature of despair, director Nicolas Roeg has created an intriguing drama. Based on a play by Terry Johnson, the story begins with the blond Theresa Russell as a sex-goddess actress working on a scene over a subway grate, with her skirts billowing out in the updraft. A famous Professor from Princeton with white hair opens his door to the actress, who takes out a few props and goes through her rendition of the theory of relativity. Between her theatrical mode of speech and his world of mathematics, there is a certain entente. Enter the ballplayer who is her husband (Gary Busey), in love but without a clue as to the actress' inner sadness. Throw in the senator from Wisconsin (Tony Curtis) before whose sub-committee on Unamerican Activities the Professor has to appear, and the undercurrent of a societal witch-hunt that ruined many careers in Hollywood, in academics, in sports, and in politics is churned into the story. ~ Eleanor Mannikka, Rovi
- Starring:
- Gary Busey, Tony Curtis, (more)
A reclusive, unhappy gold magnate finds his isolated tropical paradise threatened by the intrusion of organized criminals in director Nicolas Roeg's convoluted, arty drama. Gene Hackman stars as Jack McCann, a one-time gold prospector who his parlayed the discovery of a rich deposit in the Canadian wilderness into an immense fortune. Instead of satisfaction, McCann's wealth leads to depression and paranoia, and he moves to a remote island and withdraws from the world. The bulk of the film centers on what has become of McCann some thirty years later, as he attempts to deal with a troubled daughter (Theresa Russell) and the attentions of the Mafia, who want to build a new casino on his tropical home. As the pressures increase, his efforts to protect his property and maintain his family become increasingly desperate, culminating in an extended public trial. Even stranger and more stylized than most of Roeg's work, the disjointed Eureka will seem incomprehensible and painfully pretentious to those with little patience for his indirect narratives and purposefully exaggerated approach. Devoted fans, however, will find further proof of the director's impressive visual sense, especially during the film's earlier sequences. ~ Judd Blaise, Rovi
- Starring:
- Gene Hackman, Theresa Russell, (more)
Psychiatrist Alex (Art Garfunkel) becomes sexually obsessed with Milena (Theresa Russell), a woman whom he meets at a party. The pair become involved in an intense and mutually destructive love affair. The drama unfolds in a series of flashbacks, as Alex tells his story to police Inspector Netusil (Harvey Keitel) who is investigating Milena's apparent suicide attempt. Alex's obsession grows, but Milena stays slightly out of reach. Originally rated X, but somewhat toned down to accommodate an R rating, Bad Timing: A Sensual Obsession is an interesting exploration of the nature of sexual passion and jealousy. ~ Linda Rasmussen, Rovi
- Starring:
- Art Garfunkel, Theresa Russell, (more)
Based on a novel by Walter Tevis, The Man Who Fell to Earth achieved cult film status for David Bowie's performance as Thomas Jerome Newton, aka "Mr. Sussex," and the imagery of director Nicholas Roeg, a former cinematographer. In this deeply allegorical science-fiction drama, Newton is an alien from a planet that is dying for lack of water, and he has been sent to earth to find a way to ship some of the earth's plentiful supply to his home planet. He arrives with a human-looking disguise, his knowledge of unusual technologies, his despair, and little else. Using his knowledge, he takes out patents on "his" inventions, aided by patent lawyer Oliver Farnsworth (Buck Henry). He skillfully parlays the money from these inventions and becomes a financial/industrial tycoon. These inventions, and others like them, along with his political and financial power, should make possible the transfer of water to his planet. But instead of pressing forward with plans to save his home planet, he becomes enamored of Earth's low-down ways and of his strange, passive relationship with his elevator-operator girlfriend, Mary Lou (Candy Clark). Meanwhile, his phenomenal rise from anonymity to power, and his eccentric behavior, spark the government's interest. Chemistry professor Nathan Bryce (Rip Torn) also comes calling, fascinated by the alien's history. As gin and despair slowly cripple him, he becomes consumed by memories of life on his doomed planet. The longer (140 minutes) and sexier British version of this film was toned down for its American release. Roeg, whose work has received polarized responses, also directed such distinctively stylized movies as Walkabout (1971) and Don't Look Now (1973). ~ Clarke Fountain, Rovi
- Starring:
- David Bowie, Candy Clark, (more)
A married couple is haunted by a series of mysterious occurrences after the death of their young daughter in this enigmatic chiller. Based on a story by Daphne du Maurier, whose works inspired Alfred Hitchcock's Rebecca and The Birds, the film centers on Laura and John Baxter (Donald Sutherland and Julie Christie), who have recently relocated to Venice so that John can oversee the architectural restoration of an old church. Both hope that the change of environment will allow them to forget the recent tragic demise of their child, but they instead find themselves surrounded by reminders of death, as the city attempts to deal with a series of unexplained murders. The eeriness intensifies when they encounter a blind psychic and her eccentric sister, who promise to contact her daughter's spirit. Laura embraces the idea, but John remains skeptical until he experiences his own visions: fleeting glimpses of someone in a red coat similar to one that belonged to his daughter. ~ Judd Blaise, Rovi
- Starring:
- Julie Christie, Donald Sutherland, (more)
The contrast between modern, urban civilization and life in the natural world lies at the heart of Nicolas Roeg's visually dazzling drama Walkabout. In broad outline, the plot might resemble a standard fish-out-of-water tale: two city children become stranded in the Australian outback, and struggle to find their way back to civilization with the help of a friendly aborigine boy. But Roeg and screenwriter Edward Bond are concerned with far more than the average wilderness drama, as a shocking act of violence near the story's beginning makes clear. This is particularly true in regards to the relationship between the white children and the aborigine boy, who ultimately develops a troubled romantic attraction towards the older sister. Obviously intended as a statement on the exploitation of the natural world and native cultures by European civilization, the film nevertheless maintains an evocative vagueness that usually -- but not always -- favors poetry over didacticism. Most importantly, the film's justifiably acclaimed cinematography is likely to sway even those who find fault with the film's narrative and message. The shift between the sterile city images and the truly stunning, beautifully composed Australian landscapes provide the film's single best argument, making the film a vivid and convincing experience. ~ Judd Blaise, Rovi
- Starring:
- Jenny Agutter, Lucien John, (more)
Even in an era of cinematic experimentation, Performance stands out as a visually daring major-studio film that deals with questions of sanity and identity rarely touched on in mainstream filmmaking. The elements of Performance certainly looked attractive to studio executives at Warner Bros. -- a gangster on the lam hides out in the home of a reclusive rock star -- especially since that musician was being played by Mick Jagger of the Rolling Stones. But co-directors Nicolas Roeg (who also photographed) and Donald Cammell (who wrote the screenplay) had much more in mind than a walk on the wild side of swinging London. Chas (James Fox) is a sadistic thug who gains our sympathies only because men even crueler than he are out to kill him. After Chas arrives at the mansion occupied by Turner (Jagger) and his female companions Pherber (Anita Pallenberg) and Lucy (Michele Breton), what looks like a decadent idyll fueled by drugs and group sex turns into a series of mind games in which Turner challenges Chas' sexual preference and core identity. Even the film's one musical number, "Memo From Turner," is a William Burroughs-like monologue in which Turner fantasizes taking over Chas' role as a mobster, spewing insults to his colleagues. The film's cult status has been fueled by subsequent films of its co-directors (for Roeg, Walkabout, The Man Who Fell to Earth, and Don't Look Now; for Cammell, White of the Eye), which explored similar themes employing the same kind of jagged editing and striking visuals. ~ Tom Wiener, Rovi
- Starring:
- James Fox, Mick Jagger, (more)
Petulia is Richard Lester's ode to the Swinging Sixties: a time of psychedelic instability when neither those who were square, nor those who were hip, really had it right. George C. Scott is Archie Bollen, a divorced San Francisco doctor in the midst of "discovering himself." Julie Christie is Petulia Danner, a peculiar young beauty recently married into an established family. Archie's sterile apartment and detached, bemused manner exemplify his inability to emote. Petulia's forward nature and desperate tenderness betray her fear of her sullen, abusive, pretty-boy husband (Richard Chamberlain). The physician and the newlywed embark on a schizophrenic love affair amid Pepsi references, automated motels, roller derbies, and a cameo by Big Brother and the Holding Company -- but they never achieve the daring to truly change their lives. ~ Aubry Anne D'Arminio, Rovi
- Starring:
- Julie Christie, George C. Scott, (more)
Retired after years of international espionage, Agent 007 is lured back into action to battle the evil spy organization SMERSH in this notoriously incoherent parody of the James Bond films. David Niven portrays the aging Bond, who atypically rejects the advances of a variety of women, and agrees to battle SMERSH's hold on the lavish Casino Royale only after organization head M is murdered. Also mixed up in the affair are several other secret agents, all named James Bond, played by everyone from Peter Sellers and Woody Allen to a chimpanzee. Despite a star-studded cast, a large production budget, and a hit score by Burt Bacharach, the film was universally panned as a muddled, overlong failure, with the occasional amusing sequence lost in the unintelligible surroundings. The participation of several screenwriters and five different directors, including John Huston, only adds to the confusion. ~ Judd Blaise, Rovi
- Starring:
- Peter Sellers, Ursula Andress, (more)
This 1967 version of Thomas Hardy's novel should have done better at the box office than it did, given the star power of Julie Christie and the visual and aural fidelity to its source material. Julie Christie plays Bathsheba Everdene, a country heiress who is loved by three different men: Terence Stamp, Peter Finch and Alan Bates. Convinced that she is the intellectual superior of all three, Bathesheba loses many early opportunities for lasting happiness. Finally shedding herself of her haughty attitude, Bathsheba unconditionally accepts the love of Bates. The euphoric exuberance of Nicolas Roeg's photography is matched by the direction of John Schlesinger and the screenplay by Frederick Raphael. Only the nittiest of nitpickers would complain that some of the medium shots don't match the closeups (watch Terence Stamp's clown makeup in one scene). ~ Hal Erickson, Rovi
- Starring:
- Julie Christie, Terence Stamp, (more)
- 1966
- PG
The System is a "Swinging London" comedy with an unsettling undercurrent of bitterness and cynicism. Oliver Reed plays a girlie-magazine photographer, the self-appointed leader of a group of handsome but unscrupulous bachelors who hang out in a British seaside resort. Their avowed goal is to seduce and abandon as many wealthy young girls as possible. One of the group, jealous of Reed's success, uses their "system" to hoist the leader on his own petard. Michael Winner solidified his reputation as a "mod" director in The System--and also displayed his utter contempt for the pretty young people he depicts. The film was released to the US under the more bankable title The Girl Getters. ~ Hal Erickson, Rovi
- Starring:
- Oliver Reed, Jane Merrow, (more)
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