Paul Carafotes Movies

Simone (Jimmy Smits) pulls in hoodlum Jimmy Liery (Christopher Meloni) when neighbors complain about gunfire. Jimmy is allowed to walk -- but he doesn't get far, and Diane (Kim Delaney) is upset at Liery's ultimate fate. Elsewhere, Martinez (Nicholas Turturro) takes a troublesome kid (Javier Núñez) under his wing; Sipowicz (Dennis Franz) blames Fancy (James McDaniel) when he is passed over for promotion; and an artist (Michael David Lally) reluctantly agrees to wear a wire in order to trap a group of murderous mobsters. New York Police Commissioner Howard Safir appears as himself. ~ Hal Erickson, All Movie Guide

When speaking of Laurel and Hardy's first feature film Pardon Us, Stan Laurel described it as "a three-story building on a one-story base"-in other words, a 2-reeler stretched and bloated into 6 reels. Much the same could be said of Blake Edwards's Blind Date, though one wonders if Stan Laurel could have even gotten two reels out of its wafer-thin premise. At the outset, yuppie Bruce Willis is warned not to let his blind date, southern belle Kim Basinger, drink anything stronger than lemonade. So what does Willis do the first chance he gets? That's right, kids; he plies poor Basinger with champagne. And then he wonders why his life rapidly goes to hell in a handbasket. In his first starring movie role, Bruce Willis manages to find all sorts of nuances in his one-note role, while Kim Basinger is very funny when she's blotto-at least, for the first five minutes or so. John Laroquette costars as a character straight out of a 1920s bedroom farce; he's also pretty good, even though his dialogue is numbingly unamusing. Blake Edwards is famous for his ability to make a lot out of a little...but there has to be a limit somewhere. ~ Hal Erickson, All Movie Guide

Cinematographer Michael Chapman directed this John Sayles adaptation of Jean M. Auel's best-selling ode to Cro-Magnon women. The story begins at the moment in pre-history when the last of the Neanderthal men were becoming extinct and the superior race of Cro-Magnons were starting to supersede them. Focusing on a tribe of wandering Neanderthals who adopt a young girl named, Ayla (played as an adult by Daryl Hannah). She grows tall, lithe, and smart. The Neanderthals quickly accept her into their tribe, but once a tribal member, Ayla begins to question the tribe's male chauvinistic presumptions. Unable to conceive of why only men are given weapons, she takes it upon herself to learn how to use a slingshot. She then questions the tribe's assumptions concerning sexual politics. She learns to count and becomes the assistant to the local medicine expert. As the seasons wear on, the tribe utilizes Ayla's knowledge for their own good while Ayla's continues to try the patience of the tribe with her unspeakable feminist demands. ~ Paul Brenner, All Movie Guide

High school athlete Tom Cruise would do anything to escape the dull provincialism of his home town. Cruise's bullying coach Craig T. Nelson cajoles Cruise into seeking an athletic scholarship to a major university. Inevitably, the boy begins to question his goals in life, and soon his soul is the object of a tug of war between Nelson and Cruise's girlfriend Lea Thompson. The first directorial effort for cinematographer Michael Chapman, All the Right Moves was photographed by Jan DeBont, who'd later direct such box-office bonanzas as Speed and Twister. ~ Hal Erickson, All Movie Guide

In this musical, plucky group of teenagers aspire to do their stuff on the Great White Way. ~ Sandra Brennan, All Movie Guide