Smokey Robinson Movies

Smokey Robinson: Food for the Spirit documents the career of the remarkable singer, songwriter, and record maker. The film includes footage of Robinson delivering some of his most memorable songs and performing in a variety of styles including gospel. ~ Perry Seibert, Rovi

This TV drama, Lifetime's first original dramatic series, explores the relationship of white Mary Elizabeth O'Brian (Annie Potts) and black Rene Jackson (Lorraine Toussaint) who grew up together as good friends in segregated Alabama of the early '60s -- with Mae Middleton portraying Mary Elizabeth as a girl and Shari Dyon Perry in the role of the young Rene. After Mary Elizabeth became pregnant at 19 by her childhood sweetheart Collier Sims (Chris Mulkey), she and Rene drifted apart. With the death of Rene's civil-rights lawyer father, James (Courtney B. Vance), Mary Elizabeth attends the funeral, and their friendship begins anew, even though the two women followed divergent paths: Attorney Rene chose a career over a family, while Mary Elizabeth has several children from her beer-swilling hubby. Intercutting past and present, the series advances on a dual track, contrasting present-day progress with Alabama attitudes during the Civil Rights era. With music by Bob Hilliard, Burt Bacharach, the Temptations, and Smokey Robinson & the Miracles, the series premiered August 18, 1998 on Lifetime. ~ Bhob Stewart, Rovi

The history, development, and popularity of soul music is explored in this documentary, which features the lives and work of such legendary singers as Otis Redding, Marvin Gaye, James Brown, and Aretha Franklin. This is the fifth entry in Time-Life's ten-volume History of Rock 'n' Roll series. ~ Alice Duncan, Rovi

Three rebellious bickersome brothers reunite to drive their father's title car from their Detroit homes to Florida. The auto is to be a gift to celebrate their mother's birthday party. Along the way, their adventures are punctuated by pop tunes from 1963 that include "Louie, Louie," a song that inspires a hilarious debate as the three attempt to fathom the song's meaning. ~ Sandra Brennan, Rovi

Coming to America casts comedian Eddie Murphy as pampered African prince Akeem, who rebels against an arranged marriage and heads to America to find a new bride. Murphy's regal father (James Earl Jones) agrees to allow the prince 40 days to roam the U.S., sending the prince's faithful retainer Semmi (Arsenio Hall) along to make sure nothing untoward happens. To avoid fortune hunters, Prince Akeem conceals his true identity and gets a "Joe job" at a fast-food restaurant. Murphy and Hall play multiple roles, and there are innumerable celebrity cameos peppered throughout the proceedings -- including the Duke Brothers (Don Ameche and Ralph Bellamy) from Trading Places. Coming to America made further headlines when humorist Art Buchwald sued the film's producers for plagiarizing one of his works. Buchwald carried the case to trial, where he won a sizeable judgement against the film's producers. ~ Hal Erickson, Rovi

In Mannequin, a lame attempt to revive the style and panache of fantasy-tinged romantic comedies of the '30s and '40s, Andrew McCarthy stars as a department store window-dresser who discovers that one of his mannequins (Kim Cattrall) is actually a woman from ancient Egypt when she becomes animated one evening. She then inspires him to become the most expressive window-dresser the business has ever seen. Of course, there is intrigue involving a rival department store's attempt to drive the good guys out of business, and together the two store-crossed lovers must combat the forces of evil to save the day. There is no real mystery about what will happen in the course of the film; it all seems color-by-numbers. The only thing unique about Mannequin is its uniquely bad and illogical script, which has holes larger than the Grand Canyon. Mannequin was a surprise box-office hit, earning nearly 25 million dollars in just under a month of its release -- no small feat considering its miniscule budget and seeming lack of appeal to any particular demographic. It spawned an inferior sequel, Mannequin Two: On the Move, reaffirming the belief that anything is possible. In spite of being panned by critics across the board, it did manage to receive one accolade -- its theme, "Nothing's Gonna Stop Us Now," was nominated by the Academy for Best Song. ~ Jeremy Beday, Rovi

Though the anti-war sentiments of Hamburger Hill come through loud and clear, the film is squarely on the side of those courageous, much-maligned Americans who fought and died in Vietnam. Based on a true incident, the story takes place in 1969, as the 101st Airborne Division confronts the Vietcong in a bloody battle over Hill 937 (aka "Hamburger Hill") in the A Shau Valley. During the next ten days, both sides incur heavy losses, but the Cong refuse to surrender the hill. The ultimate American "victory" turns out to be a hollow one indeed. Scripted by Vietnam War vet Jim Carabatsos, Hamburger Hill not only underlines the futility of the war but also the pressures brought to bear upon the troops by an insensitive, often hostile media. By utilizing a cast of unknowns, director John Irvin deftly avoids the Hollywoodized slickness of such bigger-budgeted efforts as Apocalypse Now and The Deer Hunter. ~ Hal Erickson, Rovi

This comedy makes fun of teen comedies as it chronicles a Midwestern town's feverish preparations for a big weekend party. Much of the story centers around the mad scramble for both youngsters and adults to find appropriate dates. The story was penned by Saturday Night Live alumni Al Franken and Tom Davis. ~ Sandra Brennan, Rovi

A futuristic dystopia is the setting for this tale about good versus evil and a magical space-sphere out to reestablish a civilized society. An orphanage in a bleak and deserted landscape imprisons a large group of youngsters who have divided into good and bad groups. One day, while competing at roller-skate ball, the teams come across a bowling-ball-sized sphere named Bodhi (a Sanskrit word equivalent to "enlightened compassion"). Bodhi communicates with the good kids, but the bad ones cannot understand the sphere's electronic burbles. The nasty Darstar (Adrian Pasdar) steals Bodhi and heads out into the forbidden world beyond the orphanage. ~ Eleanor Mannikka, Rovi

Oliver Stone's breakthrough as a director, Platoon is a brutally realistic look at a young soldier's tour of duty in Vietnam. Chris Taylor (Charlie Sheen) is a college student who quits school to volunteer for the Army in the late '60s. He's shipped off to Vietnam, where he serves with a culturally diverse group of fellow soldiers under two men who lead the platoon: Sgt. Barnes (Tom Berenger), whose facial scars are a mirror of the violence and corruption of his soul, and Sgt. Elias (Willem Dafoe), who maintains a Zen-like calm in the jungle and fights with both personal and moral courage even though he no longer believes in the war. After a few weeks "in country," Taylor begins to see the naïveté of his views of the war, especially after a quick search for enemy troops devolves into a round of murder and rape. Unlike Hollywood's first wave of Vietnam movies (including The Deer Hunter, Apocalypse Now, and Coming Home), Platoon is a grunt's-eye view of the war, touching on moral issues but focusing on the men who fought the battles and suffered the wounds. In this sense, it resembles older war movies more than its Vietnam peers, as it mixes familiar elements of onscreen battle with small realistic details: bugs, jungle rot, exhaustion, C-rations, marijuana, and counting the days before you go home. This mix of traditional war movie elements with a contemporary sensibility won Platoon four Oscars including Best Picture and Best Director, and a reputation as one of the definitive modern war films. ~ Mark Deming, Rovi

This program brings together some of the great names in soul and R&B for a performance of some of the greatest songs ever to come out of that musical genre. Dionne Warwick, Smokey Robinson, and Billy Preston are among the stars in this musical aggregation. They give soulful renditions of all-time favorites, such as "Walk on By," and "The Tracks of My Tears." ~ Rose of Sharon Winter, Rovi