Chris Robinson Movies

Talented action film director William Witney shows the depth of his skills in turning this one-week-in-production wonder into a passable, entertaining, one-hour western. The focus of attention is a trial in a town with no respect for the law, where the federal judge (Hugh Marlowe) valiantly tries to buck the current and carry on according to normal standards. At issue is the murder of the brother of a prominent, despotic land baron. The accused is an impoverished Mexican (John Alonso) who is not going to get acquitted unless the real murderer can be found. ~ Eleanor Mannikka, Rovi

Director Monte Hellman (who would later direct a young Jack Nicholson on two low-budget westerns) earned his low-budget wings on Filmgroup's bizarre fusion of hostage/crime thriller and big-rubber-monster flick -- a quirky juxtaposition employed to similar effect 35 years later in From Dusk Till Dawn. The story begins with a team of gold thieves hiding out in a ski resort cabin after a heist, taking two people hostage as they prepare to smuggle their loot across the Canadian border -- unaware of the giant, icky-looking spider-monster lurking in a nearby cave, which preys on anyone unlucky enough to stumble near its lair. The film's woodland exteriors add a richness lacking in the typical dusty desert settings of this film's genre contemporaries. The cobwebby monster is played by Chris Robinson, later the star of General Hospital. ~ Cavett Binion, Rovi

The November 22, 1963, assassination of U.S. President John F. Kennedy shocked the nation and the world. The brisk investigation of that murder conducted under the guidance of Supreme Court Justice Earl Warren distressed many observers, even though subsequent careful investigations have been unable to find much fault with the conclusions his commission drew, the central one of which was that the assassin, Lee Harvey Oswald, acted alone. Instead of satisfying the public, one result of the Warren Commission Report was that an unimaginable number of plausible conspiracy theories were bruited about, and these have supported a sizeable publishing mini-industry ever since. In making this movie, director Oliver Stone had his pick of supposed or real investigative flaws to draw from and has constructed what some reviewers felt was one of the most compelling (and controversial) political detective thrillers ever to emerge from American cinema. Long before filming was completed, Stone was fending off heated accusations of artistic and historical irresponsibility, and these only intensified after the film was released. In the story, New Orleans District Attorney Jim Garrison (Kevin Costner) is convinced that there are some big flaws in the investigation of Oswald (Gary Oldman), and he sets out to recreate the events leading up to the assassination. Along the way, he stumbles across evidence that a great many people had reason to want to see the president killed, and he is convinced that some of them worked in concert to frame Oswald as the killer. Among the suspects are Lyndon Baines Johnson (the next president), the CIA, J. Edgar Hoover, and the Mafia. Over the course of gathering what he believes to be evidence of a conspiracy, Garrison unveils some of the grittier aspects of New Orleans society, focusing on the shady activities of local businessman Clay Shaw (Tommy Lee Jones). Garrison's investigations culminate in his conducting a show trial that he knows he will lose and which he is sure will ruin his career in order to get his evidence into the public record where it can't be buried again. This movie won two of the many Academy Awards for which it was nominated: one for Best Photography (Robert Richardson) and the other for Editing (Joe Hutshing). ~ Clarke Fountain, Rovi

In this exploitation adventure, four female inmates bust out and head for the Everglades, where they face untold dangers. ~ Sandra Brennan, Rovi

Film editor Bill Brame directed this violent biker film featuring an intense performance by Bruce Dern as Keeg, the sadistic leader of a vicious gang of cyclists. When Keeg's girlfriend Lea (Melody Patterson) poses nude for an artist named Romko (Chris Robinson), the hooligan goes on a drunken rampage and rips up Romko's sketches, beating the artist severely. Later, Romko retaliates with some beatings of his own, leading to a grisly scene of revenge in which the artist's hands are slowly crushed in a metal vise. Brame's quickly paced film also includes the requisite drugged orgies and a gang-rape. Genre veterans Gary Littlejohn, Scott Brady, and Steve Brodie also appear in this brutal exploitation entry, which is fairly well-cast save for co-executive producer Casey Kasem's notion that he could be believable as Bruce Dern's brother. Trivia buffs should note that Kasem appeared in Brame's Free Grass the same year, and that his production partner for this film was California Lt. Gov. Mike Curb, who went on to lead the musical Mike Curb Congregation. ~ Robert Firsching, Rovi

Savannah Smiles is a sweet little film that proved a surprising hit on the Saturday matinee circuit. Mark Miller and Donovan Scott play a pair of good-natured escaped convicts who cross the path of precocious runaway Bridgette Andersen. When Andersen explains that she's hit the road because her wealthy parents neglect her, Miller and Scott decide to hold the kid for a huge ransom. You and I both know that the crooks will turn soft before the end, and return Andersen to her folks without a dollar changing hands, but even predicting the film's outcome cannot diminish its charm. Star Mark Miller, who also scripted Savannah Smiles, is the father of actress Penelope Ann Miller. ~ Hal Erickson, Rovi

A Seminole Indian and Vietnam veteran suffering from post-traumatic stress syndrome uses his cold-blooded companions to seek vengeance against the people who killed his father in this horrific frightener from director William Grefe. Tim Ochopee (Chris Robinson) has been deeply scarred by his battlefield experiences. Upon finishing his tour of duty and returning to his home in the Everglades, all Tim wants is to live peacefully in the wilderness with his pet snake "Stanley." Upon discovering that his father has been killed under suspicious circumstances, however, Tim finds Stanley a mate and begins breeding the pair. Before long, Tim has a shack full of hungry snakes just waiting for a decent meal. That meal comes when Tim decides to sick his slithering friends in slimy snakeskin manufacturer Richard Thompkins (Alex Rocco). Infuriated that Tim would refuse his offer to purchase the snakes and transform them into tacky apparel, Thompkins hires a psychotic hitman (Paul Avery) to put the snake-loving vet in the ground. But Thompkins and his volatile gun for hire have underestimated the unusual bond that Tim shares with his snakes. Now, as Tim and his serpents come out to play, the poison begins to flow and the screaming starts. ~ Jason Buchanan, Rovi

The Hawaiians is the sequel to 1969's Hawaii; both films were adapted from the same sprawling novel by James A. Michener. Charlton Heston is top-billed as a sailor who returns to his Hawaiian homestead, only to learn that his grandfather's fortune has been bestowed upon his hated cousin Alec McCowan. As a reprisal, Heston sets up his own pineapple plantation in competition with his cousin. Heston's son John Phillip Law falls in love with the daughter (Virginia Ann Lee) of a Chinese farmer (Mako). The issue of miscegenation rears its ugly head, but by the end of this very long film Heston's family is united by marriage to the Chinese clan. The British title of The Hawaiians was Master of the Islands. ~ Hal Erickson, Rovi