Casey Robinson Movies

This sequel to the classic adventure, stars Sean Flynn, the son of the swashbuckling actor who played Captain Blood in the original. In this version, the son of the notorious pirate is raised by his mother. She wants him to be a doctor, but unfortunately, the lad has salt-water in his veins and adventure in his heart; he longs to sail the high seas of his father. Eventually the mother gives in, and young Blood joins a crew. There he finds himself falling in love with a pretty passenger. Trouble ensues when a wicked pirate attempts to forcibly board the ship. He soon discovers that the old villain was one of his father's worst enemies. Adventurous mayhem ensues. After the ocean-going outlaws are defeated, the good sailors race homeward to warn the people of an impending tidal wave. They succeed and end up hailed as heroes. The young Blood then decides that he has had enough of the sea-faring life and decides to become a humble doctor after all. The lovely female passenger remains by his side. ~ Sandra Brennan, All Movie Guide

Working the London beat, American reporter Raymond Houston (Barry Sullivan) is in danger of losing his job because of his chronic gambling. As a last-ditch effort to remain employed, Houston arranges to spend a night in a wax museum, then write an article about his nocturnal experiences in the museum's "Murderer's Den." As the evening drags on, Houston becomes more and more frightened, convinced that at least one of the waxwork murderers will come to life before the sun rises. This episode is based on a famous 1931 short story by eminent suspense writer A.M. Burrage (and appropriately enough, the "A" stands for "Alfred"). ~ Hal Erickson, All Movie Guide

When media mogul Amos Kyne (Robert Warwick) dies, his business, which includes a major newspaper, a television station, and a wire news service, is turned over to his sole heir, his foppish, ne'er do well son (Vincent Price). The younger Kyne has no knowledge of how to run the company his father built, preferring to spend his time spending the money that it generates, and he decides to let the heads of the three divisions -- newspaper editor John Day Griffith (Thomas Mitchell), wire service chief Mark Loving (George Sanders), and photo chief Harry Kritzer (James Craig) -- fight it out among themselves, winner-take-all. Each one has a key alley: Griffith, in Edward Mobley (Dana Andrews), a top reporter who is lately appearing on television as well; Loving, in resourceful but sluttish columnist Mildred Donner (Ida Lupino), who has her own way of digging up secrets; and Kritzer, who doesn't think he needs to dig up secrets because he's sitting on the biggest one of all, his "friendship" with Kyne's ex-model wife, Dorothy (Rhonda Fleming). Mobley becomes a focal point because the story-of-the-moment concerns the "Lipstick Killer," a serial murderer, burglar, and sex fiend who has been terrorizing the city -- break that case first and the job is won, and Mobley's specialty is crime reporting. The Lipstick Killer, a disturbed teenager named Robert Manners (John Drew Barrymore), continues to elude the police, and Loving's stumbling attempts to get information out first don't aid in the manhunt. Meanwhile, Mobley, using his own deductive powers and some basic psychology, manages to get under the killer's skin from afar on television and in print; however, unbeknownst to the reporter, the murderer is feeling more pressure to commit his crimes, and taking a very personal interest in targeting Mobley and his fiancée, Nancy Liggett (Sally Forrest). The two interwoven stories all get pulled together in a chase through the streets and into the city's subway tunnels, with Mobley, Nancy, Police Lieutenant Kaufman (Howard Duff), and the killer all crossing paths. ~ Bruce Eder, All Movie Guide

A young woman (Jean Simmons) manages a remote California sheep ranch with her father (Brian Aherne). A plane carrying a sheriff (Stephen McNally) and a man indicted for manslaughter (Rory Calhoun) crashes nearby. Both men are cared for by the girl, who doesn't know at first which is the cop and which is the criminal. She falls in love with the convicted man and believes protestations of innocence, but the vindictive sheriff tries to dissuade her of these feelings. Given several chances to finish each other off, both sheriff and convict relent. Under the influence of the girl, they agree to return to Utah together, where (it is implied) the criminal will be given a bias-free trial. ~ Hal Erickson, All Movie Guide

Ernest Hemingway could never come to terms with Hollywood's preoccupation with The Happy Ending: he accepted the money for the screen rights to his short story The Snows of Kilimanjaro, but he could never bring himself to watch it. Gregory Peck plays a character based, in decidedly unflattering fashion, on Hemingway crony F. Scott Fitzgerald. While hunting in the African mountains in the company of his faithful lady friend Susan Hayward, Peck is seriously wounded; in fact, it doesn't look as though he'll survive the night. In the few hours he has left, Peck reflects upon what he considers a wasted life. Having aspired to be the Great American Novelist, Peck has only turned out money-making drivel. The only time that he truly felt as though he'd made a contribution to the world was when he fought on the Loyalist side in Spain (this element isn't in the short story, but is drawn from Hemingway's own experiences). As for his lost romance with his late wife Ava Gardner, Peck still cannot figure out what went wrong. The Hemingway original ended with the Peck character dying from his wounds; producer Darryl F. Zanuck wouldn't hear of this, preferring that Peck survive with the resolve to write something of lasting value. The Technicolor location photography of Leon Shamroy and the rumbling musical score of Bernard Herrmann are the main attractions of The Snows of Kilimanjaro. ~ Hal Erickson, All Movie Guide

Two Flags West is set in the waning days of the Civil War. Colonel Clay Tucker (Joseph Cotten) is one of several Confederate prisoners who agree to fight alongside Union soldiers against the Indians in New Mexico. Tucker's Union commander Kenniston (Jeff Chandler) despises all "Johnny Rebs," holding them responsible for the death of his brother. Kenniston has other problems too; he is deeply in love with his sister-in-law Elena (Linda Darnell), but refuses to express his devotion out of loyalty to his dead sibling. He also hates Indians with a passion, and has endangered the safety of his fort by brutally killing a chief's son. There seems to be only one way for Kenniston to purge the demons within him, and he finds that way during a climactic Indian attack. ~ Hal Erickson, All Movie Guide

So often wasted in passive roles, Evelyn Keyes is virtually the whole show in The Mating of Millie. Keyes is cast as pretty businesswoman Millie McGonigle, who hopes to fill a gap in her life by adopting orphan boy Tommy Bassett (Jimmy Hunt, future star of 1953's Invaders from Mars). But this is 1948: self-supporting though she may be, Millie must have a husband to qualify as an adoptive parent. With the help of her neighbor Doug Andrews (Glenn Ford), Millie tries to trap an acceptable hubby. Guess who Millie falls in love with in the last reel. Just guess. Columbia mounted an elaborate and expensive promotional campaign for The Mating of Millie, resulting in excellent returns at the box office. ~ Hal Erickson, All Movie Guide

Marise Aubert (Greer Garson) has begun seeing a psychiatrist to treat her overwhelming guilt. It seems that Marise was married to Paul (Robert Mitchum), who was sent overseas in World War II. She loved Paul deeply and remained faithful to him. She then receives tragic news that Paul died in action, and months later is visited by Jean Renaud (Richard Hart), one of Paul's friends from the Army. Jean tells Marise that he and Paul were captured by enemy troops, and Paul died in the midst of a heroic attempt to escape. Marise senses that Jean is as lonely and heartbroken as she is, and she allows him to stay at her house. They fall in love, but the situation becomes complicated when a letter arrives from Paul. Jean hides it from Marise, hoping that she will not discover that her husband is still alive. He tries to convince her to sell her home and move away from her troubling memories, but before the sale can go through, Paul appears at the doorstep. While Paul can forgive Marise for betraying him, she is unable to forgive herself. Desire Me was released without a director's credit; the bulk of the principal photography was supervised by George Cukor, but by all accounts it was a troubled shoot, and eventually Mervyn LeRoy] and Jack Conway both worked to finish the picture. Garson nearly drowned while filming one scene, and Mitchum claimed that Cukor put Garson through 125 takes of another scene before she could say the word "No" to his satisfaction. ~ Mark Deming, All Movie Guide

Ingrid Bergman and Gary Cooper paired off again after For Whom the Bell Tolls (1943) with this overwrought melodrama based on the romance novel by Edna Ferber. Bergman plays Clio Dulaine, a beautiful half-Creole woman whose return to 1875 New Orleans from Paris creates a stir. Born out of wedlock, Clio's mother was a local woman who became pregnant by a wealthy, married landowner. Scandalized, his wife and family set about humiliating Clio's mother and even paid for Clio's voyage to France in an effort to get rid of the girl. Now Clio returns with a dwarf, Cupidon (Jerry Austin), and a maid, Angelique (Florence Robson) in her entourage. At the docks, Clio meets a handsome gambler from Texas, Colonel Clint Maroon (Cooper) and is smitten. To Clio's delight, their blossoming romance inspires calumny, but Maroon soon realizes that Clio is a gold digger. He departs for Saratoga Springs, where he is working on a venture involving the railroad. Clio follows him there, bent on marrying either Clint or his business partner, Bart Van Steed (John Warburton). Saratoga Trunk (1945) was exhibited to servicemen overseas in WWII for two years before it was released to the general public. ~ Karl Williams, All Movie Guide

Like Song of Russia and Mission to Moscow before it, Days of Glory is a paean to the courage and resourcefulness of the Soviet Union during WW2 (this was long before the Russians became the stock villains in Hollywood films!) Producer Casey Robinson took a gamble with the project, casting the leading roles with movie newcomers. Heading the cast is Broadway actor Gregory Peck as Vladimir, the leader of a band of Soviet guerilla fighters. Tamara Toumanova, former premier ballerina of the Ballet Russe de Monte Carlo, costars as Nina, whose love for Vladimir is surpassed by her love for Mother Russia (Toumanova was at the time the wife of producer Robinson). The actors speak in long, lyrical monologues about freedom, sacrifice and the indomitability of the human spirit: fascinating at first, the excess verbiage begins to wear on the viewer after three or four reels. In traditional underground-movie fashion, hero and heroine are obliged to give up their own lives for the sake of their countrymen, in a reasonably spectacular climactic battle sequence. Budgeted at nearly a million dollars, Days of Glory lost heavily at the box-office, though critics and audiences alike were in agreement that Gregory Peck had some potential as a screen presence. ~ Hal Erickson, All Movie Guide

The splashy, star-studded This is the Army is based on the Irving Berlin Broadway musical of the same name, which in turn was a reworking of Berlin's WW1 "barracks musical" Yip Yip Yaphank. In both instances, the cast was largely comprised of genuine servicemen, many of them either recently returned from fighting or on the verge of heading off to war. The Hollywood-imposed storyline concerns Jerry Jones (George Murphy), a member of the original 1918 Yip Yip Yaphank cast. His showbiz career curtailed by a leg injury, Jerry becomes a producer during the postwar era. When the US enters WW2, Jerry gathers together several other cast members from the 1918 Berlin musical to help him stage a new all-serviceman show, titled (what else?) This is the Army. The show-within-a-show framework is able to accommodate a romantic subplot, involving Jerry's son Johnny (Ronald Reagan, later a political comrade-in-arms of George Murphy) and Eileen Dibble (Joan Leslie), the daughter of Yip Yip Yaphank alumnus Eddie Dibble (Charles Butterworth). Some of the best moments in This is the Army are from the Broadway production itself, though the lengthy Alfred Lunt-Lynn Fontanne imitation and incessant "gay" jokes may have been too smart for the room in 1943. Guest stars include boxer Joe Louis, Kate Smith (singing "God Bless America", naturally) and Irving Berlin himself, who steals the show with his plaintive rendition of "Oh, How I Hate to Get Up in the Morning". All profits for the stage and film version of This is the Army went to the Army Emergency Relief Fund, which also controlled the rights to the film. Long withheld from TV distribution, the film finally hit the small screen when it lapsed into Public Domain in the mid-1970s. ~ Hal Erickson, All Movie Guide

In this upbeat drama, a lovely European heiress is disturbed to discover from her lawyer that her father made his fortune by cheating his own partner. This precipitates her hasty return to the US where she meets the partner's granddaughter. The heiress then moves into the girl's boarding house and gives her a million dollars. Unfortunately, her newfound wealth causes the girl, untold trouble as her lover, a proud musician, refuses to marry a woman with more money than he. The girl solves the problem by donating her fortune to charity. ~ Sandra Brennan, All Movie Guide