R.J. Robertson Movies

A loose sequel of the 1987 Munchies film, this movie turns the tables by offering the travails of a good Munchie (voice by Dom DeLuise). Found in an abandoned mine by a young boy (Jaime McEnnan), the creature offers to make all of his dreams come true, including help with bullies and bad grades. ~ John Bush, All Movie Guide

After two unsuccessful attempts to turn the House horror franchise into a collection of unrelated haunted-house stories (even ditching the House moniker prior to distribution of the third film, The Horror Show), the producers opted for a direct sequel (more or less) to the first film in the series. William Katt returns briefly for the role of Roger Cobb, the former beleaguered owner of a nightmarish fixer-upper filled to the brim with obnoxious demons. His part here amounts to little more than a cameo -- early in the film, Roger is killed in a nasty auto accident during a vacation with his new wife Kelly (Kerri Treas) and their 12-year-old daughter Laurel (Melissa Clayton). Kelly and Laurel -- who is now confined to a wheelchair -- try to begin their lives again at the family's summer house. Once there, Kelly is visited by visions of horrific events (including Roger's death) which become more frequent until she is forced to seek the aid of a shaman, who helps her to interpret them. The visions include a replay of the events which led to Roger's death, indicating the crash was no accident -- and revealing the identity of the party responsible. This installment marks a slightly more effective return to the comedy-horror formula that made House a surprise hit. Basically a distaff retread of that film, House IV benefits from its strong female heroine and more emotional involvement for the leads amid the barrage of slimy effects and over-the-top humor. ~ Cavett Binion, All Movie Guide

In Transylvania Twist, producer Roger Corman and director Jim Wynorski make Mel Brooks movies look like Noël Coward drawing-room comedies. The film begins with nubile innocent Patty (Monique Gabrielle) being chasing through the woods by the Greatest Horror Hits of the 1980s --with Jason, Freddy Krueger, and Leatherface all vying for a piece of her. Robert Vaughn has the hammiest role as a vampire named Lord Byron Orlock. His ravishing niece Marissa (Teri Copley), an American singing star, arrives at Lord Byron's castle in Transylvania after the death of her father. Accompanying her is Dexter Ward (Rick Altman), her wise-cracking Donald O'Connor-inspired sidekick. What happens next involves a frantic search for a mysterious book that will raise "the evil one" from the dead. The flimsy plot serves as a handy clothesline on to which to hang self-referential parodies of the horror film genre, with time out for some clever editing of an appearance by long-dead Boris Karloff. ~ Paul Brenner, All Movie Guide

Angie Dickinson returns as a sexy Depression-era mother who joins forces with her equally attractive daughters for a crime spree through the South as they seek to avenge the death of her husband. ~ Mark Deming, All Movie Guide

Fans of outrageously bad drive-in fare from New World Pictures will find much to love in this bargain-bin science fiction weirdness -- one of several Alien rip-offs foisted on defenseless audiences by Roger Corman's legendary B-movie factory. The plot -- which, of course, is irrelevant to the action -- involves a food-research team on a distant planet, whose latest genetic product decides it would rather eat than be eaten...and boy, is it hungry. Then enters our hero, an undefined government specialist (Jesse Vint) whose dreams in hypersleep find their way into almost every scene in the film -- his apparent powers of precognition, however, are never mentioned. Vint responds to the team's distress signal and shows up with his robot pal to blast the slime-beast to smithereens -- and, of course, to engage in a little intergalactic nookie with the team's female personnel. Meanwhile, the constantly mutating monster chews its way through virtually the entire cast before one cancer-ridden scientist devises a highly original (and extremely disgusting) solution. The ever-thrifty Corman recycled sets and scenes from Battle Beyond the Stars and Galaxy of Terror to pad out this weekend wonder, making up for its threadbare production values (which include plenty of cheap scares, nudity, and graphic gore). ~ Cavett Binion, All Movie Guide