Yves Robert Movies

Sex, avant-garde art, and Communist ideology are at the heart of this compelling historical drama. The film opens just as the Soviet Empire crumbles in 1989. As Louise (Brigitte Catillon) mourns the death of her lover, she discovers the journal of Alfred Katz (Gregoire Colin), an earnest Jewish radical and erstwhile poet who disappeared in 1938. With the aid of a history professor, Louise unravels what happened to Katz. In the feverish climate of pre-WWII Paris, Katz reveals himself as both a fervent Trotskyite and an unabashed romantic. At a party thrown by the noted surrealist Andre Breton, he meets Mila (Anouk Grinberg), a beautiful part-time model, part-time whore. As soon as he falls for her, he learns of her other lover Felix (Xavier Beauvois), a fervent Stalinist. Bored with politics, Mila eventually marries Katz. Soon betrayal and politics catch up with the poet. ~ Jonathan Crow, Rovi

In 1917, the French army used a brutal technique in its attempt to prevent mutinies by its increasingly disaffected soldiers. After lining a unit up on parade, one randomly chosen soldier would be required to step forward and he would be shot, as an example to the others that refusal to fight would not be tolerated. He would go down on the record books as having been a traitor to his country. The general known as "the butcher of Hurlus" was particularly enthusiastic in his use of this technique. This film is an adaptation of Jean Amila's novel Le Boucher des Hurlus. The story, set in the aftermath of the war, concerns Michel (Stanislas Crevillen), a young man orphaned in this manner. He lives with his mother until she collapses under the wave of vituperation from the women in her community, who consider her murdered husband to have been a traitor. When he is sent to an orphanage, he discovers that many of the children in it are there for the same reason he is. Michel decides to escape his captivity and kill the general who ordered his father's death. He and the other children like him are able to get away from the orphanage, in the course of their journeys, they tour the grim battlefields of the recent war. Together, they return to Paris, determined to exact their revenge. ~ Clarke Fountain, Rovi

In this comedy, veterinarian Henri Sauveur (Jean Rochefort) maintains his dignity and calm in the face of an incredible number of irritating or even genuinely upsetting encounters with inveterate pains-in-the-neck. He suffers from the rudeness (and worse) of Parisian drivers, his relatives, and friends and clients. All the same, he manages to convey an admirable appearance of insouciance and a devil-may-care attitude. That is, until he meets the redoubtable Louise Sherry (Miou-Miou). He is so smitten with her charms that his artfully maintained defenses crumble pitifully, and he is reduced to confiding his troubles to a bemused but sympathetic female chimpanzee. This fast-paced comedy features some of France's best-loved actors and comedians, including Claude Brasseur, Jean Yanne, and Jacques Villeret) in walk-on performances. ~ Clarke Fountain, Rovi

This 1990 French film presents idyllic episodes from the childhood of novelist and filmmaker Marcel Pagnol (1895-1974). Together, the episodes present a portrait of an ordinary family with an extraordinary ability to love. Set in Provencal in the late 19th and early 20th centuries, the film first introduces members of the family, including Marcel (Julien Ciamaca). When he is still a preschooler, his father Joseph, a teacher, takes him to classes to watch over him. Marcel, however, learns along with the other children and starts to read out loud in class. Astonished, Joseph (Philippe Caubère) writes a sentence on the blackboard and asks, "What does that say?" Marcel, reading the words, says, "The father is proud of his little boy." This little scene establishes the tone and meaning of the film. Flashing ahead seven years, the camera then follows the Pagnols after they leave Marseilles for a summer vacation in the Provencal countryside, there to bask in the simplicity of rural life. From then on, it is not what happens to the family that engages audiences; it is how it happens -- with a quiet exuberance and joie de vivre. Besides Marcel and his father, the vacationers include his mother, Augustine (Nathalie Roussel), a beautiful and kindly homemaker; Marcel's little brother Paul (Victorien Delamare); and his Uncle Jules (Didier Pain) and Aunt Rose (Thérèse Liotard). After they arrive at their cottage, 11-year-old Marcel wastes no time wading into the greenery in search of adventure. What he finds is another adventuresome boy, Lili de Bellons (Joris Molinas), a native of the region. They become friends and fellow explorers, capturing cicadas, climbing rocks, and even invading an eagle's cave. Sometimes they just have fun shouting to hear an echo boomeranging back. At meal times -- often outdoors -- fresh fruit and good-natured repartee satisfy appetites. For spectator sport, the diners listen to the occasional religious arguments between Uncle Jules, a God-fearing Catholic, and Joseph, a God-doubting agnostic. Augustine and Aunt Rose avoid the polemics, for they have more important matters on their minds: keeping house, watching children, and planning the next day's menu. And then the film takes a turn toward real drama. Uncle Jules, full of tales about his prowess as a hunter, persuades Joseph, full of ignorance about guns and hunting, to go on a bird hunt. Woe is Papa, Marcel thinks. When the day of the great hunt arrives, Marcel secretly follows Joseph and Uncle Jules into the woods, setting the stage for the film's climactic moment. ~ Mike Cummings, Rovi

Le Crime D'Antoine stars Tom Novembre as a sensitive composer. Novembre's world comes crashing down upon him when his new bride (Catherine Wilkening) suddenly dies. Years pass: still mooning over his lost love, Novembre answers a personal advertisement. The woman who placed the ad is the living image of his late wife. The composer's ecstasy is tempered by his new companion's bizarre behavior. Hmmm....could first-time director Marc Riviere have seen Vertigo at sometime or other? ~ Hal Erickson, Rovi

"Billy ze Kick" is the nickname of a character in a bedtime story, told by a French police inspector to his little daughter. For the purposes of the plot (it can't possibly be in the interests of proper child psychology), Billy is a make-believe serial killer! Shortly afterwards, three young girls turn up murdered. The unknown killer leaves behind a cryptic note, signed--you guessed it-"Billy ze Kick". Next time, the Inspector should stick to Curious George or the Poky Little Puppy. ~ Hal Erickson, Rovi

Gene Wilder's remake of this 1976 French comedy is a Hollywood version of what happens when Theodore (Wilder), an ordinary ad agency executive, is captivated by a gorgeous woman (Kelly Le Brock). The woman just happens to be standing on a grate when her skirt blows up over her waist (a scene first made famous by Marilyn Monroe in The Seven-Year Itch), and one glimpse is enough to change Theodore's whole life. Although he is married, he is willing to risk his happy relationship with his wife for a romp in the hay with the beautiful stranger. Unfortunately, even when he tracks down the object of his lust he is woefully inept at sneaking out on his wife to consummate his desire. Three of his male office mates help him as much as they can, but Ms. Milner (Gilda Radner) is really incensed when she finds out that the object of Theodore's attention is not herself. Stevie Wonder's score included his hit song "I Just Called to Say I Love You", which received an Oscar nomination. ~ Eleanor Mannikka, Rovi

In this charming, semi-autobiographical look at his politicized past, director Gerard Mordillat focuses on the ironic, the wistful, and the sometimes ludicrous events that spin off from the Communist/anarchist upbringing of his main character, Maurice Decques (François Cluzet). Maurice's tendency to swing over to the bourgeosie in his adult career as a caterer to social gatherings of varying stature is also reflected in the woman he marries - a Czech whose family chose Paris over Moscow "because the USSR has concentration camps" as she told her shocked Communist father-in-law. When Maurice is caught in the 1968 student demonstrations in Paris, the officer who hauls him off is soon recognized as an old childhood buddy, and instead of heading to jail, the policeman/friend takes Maurice home. As the police van drives out of view, the two buddies are seen as young kids, sitting on the hood of a car and dreaming about the future. These flashbacks to his childhood occur throughout the film, with Maurice sometimes walking into and out of the scenes, as though there were no gap in time at all. ~ Eleanor Mannikka, Rovi

Anne (Jane Birkin) is a seriously disturbed young woman who is driven to leave her husband for awhile and go home to her parents in the countryside. Once there, she comes up against many of the primal causes of her own imbalanced mind. Her father is in an indecisive relationship with both his wife (Natasha Parry) and his mistress (Eva Rensi), and does not seem a pillar of stability himself. When Anne confronts her father, their relationship degenerates, leaving little promise for the future. Viewers should take note that the film deals with social taboos, such as incest. ~ Eleanor Mannikka, Rovi

This is a quiet drama about the struggles of a former drug addict and dealer, Bruno Calgagni (Patrick Dewaere), as he is released from prison in the U.S. and arrives back home in France. His unhappy father blames this disgraceful prison stint for the death of Bruno's mother. No one wants to hire an ex-con, and a romantic liaison with another, very delicately balanced former addict only adds to the burden Bruno is carrying. Mauvais Fils skillfully limns Bruno's daily fight to keep his head above water. ~ Eleanor Mannikka, Rovi

Twenty-year old misfit François earns his living by gathering boxes and bottles to resell to local shopkeepers. He lives with his grossly insensitive mother and stepfather. Mado is a gawky 11-year old, who is neglected by her family because of the oddness of the way she expresses her affection. For reasons which never become clear, François kidnaps Mado, and takes her to live with him in the attic of his parents' home. Instead of feeling fear, Mado enters into the spirit of the abduction, and they joust with one another, increasingly finding love and comfort in their relationship. When the police come upon them, however, they put an entirely different interpretation on their behavior. This drama is based on a true story. ~ Clarke Fountain, Rovi

When this French romantic comedy was released in English-speaking countries, its French title was changed to Pardon Mon Affaire. The four buddies in this picture help one another out, especially when it concerns affairs of the heart. Etienne (Jean Rochefort) is happily married, but when he sees a young woman's dress blown up over her head, the image will not leave him. Even after his philandering buddy Bouly (Victor Lanoux) returns home one day to find that his wife has left him, taking all of their belongings and their child with her, he cannot stop thinking about the girl in the red dress. ~ Clarke Fountain, Rovi