Matthew Robbins Movies

Scary Movie screenwriters Jason Friedberg and Aaron Seltzer join forces to parody the "biggest" movies ever to hit the silver screen in this comedy that gives such popular box-office hits as Pirates of the Caribbean and Chronicles of Narnia: The Lion, The Witch, and the Wardrobe the same treatment that Scary Movie gave to the slasher subgenre. A virtual smorgasbord of spoof, Epic Movie tells the tale of four fully grown orphans: one the victim of snakes that attacked her plane, another raised by a kindly Louvre curator, the third a Mexican "libre" wrestling refuge, and the last an average mutant from an "X"-community. When the curious quartet visits a sprawling chocolate factory, they stumble across a magical wardrobe which transports them to the enchanted land of Gnarnia. It seems that the wondrous fantasy land has recently fallen under the spell of the evil White Bitch (Jennifer Coolidge), and in order to bring peace back to Gnarnia these four bumbling mortals will have to join forces with a charismatic pirate, a painfully sincere group of aspiring wizards, and one particularly libidinous lion. ~ Jason Buchanan, All Movie Guide

While one would imagine that the average New Yorker would be used to dealing with bugs after years of apartment dwelling, a scientific experiment gone wrong results in an insect that even Raid can't handle in this sci-fi/horror thriller. In Manhattan, cockroaches are spreading a deadly disease that is claiming hundreds of the city's children, so entomologist Susan Tyler (Mira Sorvino) uses genetic engineering techniques to create what she and her colleague (and husband) Peter Mann (Jeremy Northam) call the Judas Breed, a large insect that will feed on the disease carrying roaches. Since the Judas bugs have been designed so that they can't breed, the mutated species should die out in a matter of a few years. However, Susan, Peter, and their staff severely underestimated the cockroach's ability to adapt to its conditions. The Judas Breed has indeed found a way to reproduce itself, but more importantly, the insect has grown remarkably large (sometimes reaching six feet in length), has developed a taste for meat, and can mimic the appearance and behavior of other creatures with uncanny accuracy -- including humans. Susan and Peter have learned that huge swarms of the Judas Breed are living beneath the city in the subway system, and with the help of Leonard (Charles S. Dutton), a transit system employee who knows the labyrinth of subway tunnels like the back of his hand, they search out the humanoid insects before they can take over the city. Mimic also features Giancarlo Giannini, Josh Brolin, and F. Murray Abraham. ~ Mark Deming, All Movie Guide

Evil land developers, those most ubiquitous of 1980s movie villains, are the chief antagonists in the made-for-TV Mothers, Daughters and Lovers. Helen Shaver plays a truckstop/motel owner in the rural Northwest. She manages her business with the help of her two budding teenaged daughters--one studious (Perrey Reeves), one a rebel (Marcianne Warman). All three ladies ward off unwanted lotharios, entreat the attentions of those whom they care about, and band together to stop a new real estate development from eliminating their place of business. Mothers, Daughters and Lovers was written by Willard Huyck and Gloria Katz, the team responsible for American Graffiti (73). ~ Hal Erickson, All Movie Guide

With their father dead and their mother busy trying to land a steady beau, pretty teen Billy Jean Davy (Helen Slater) and her younger brother, Binx (Christian Slater), spend their time riding Binx's moped and dreaming of life in Vermont -- several climate zones away from the humid, omnipresent heat of their Texas town. One day, on their way from their trailer park home to a swimming hole, the Davy kids run afoul of rich boy Hubie Pyatt (Barry Tubb) and his cronies, who steal -- and later trash -- the scooter Binx bought with his father's paltry life insurance benefits. Demanding payment from Hubie and his merchant dad (Richard Bradford) for the damage that's been inflicted on both the bike and her brother's face, Billie Jean narrowly escapes being raped by the elder Pyatt. In the ensuing scuffle, Binx accidentally shoots Mr. Pyatt, sending himself, Billie Jean, and their friends, Ophelia (Martha Gehman) and Putter (Yeardley Smith), on the lam. When the "Billie Jean Gang" becomes a media sensation, Pyatt capitalizes on their notoriety by selling T-shirts and bric-a-brac, while policeman Ringwald (Peter Coyote), who feels guilty for having refused to help Billie Jean, tries to bring the kids in without anyone getting hurt. However, when the gang mock-kidnaps rich amateur filmmaker Lloyd (Keith Gordon), unaware that he's the district attorney's son, the situation spins out of control. Soon, Lloyd's videotape of the suddenly crop-topped, Joan of Arc-emulating, eminently telegenic Billie Jean elevates a local headline into a national sensation, and even Lloyd's attraction to Billie Jean can't protect her from the media lightning rod she's become. The Legend of Billie Jean marks the screen debut of Christian Slater, who is no relation to co-star Helen Slater. Actor Gordon, who made his debut as a screenwriter with Mark Romanek's Static the year Billie Jean came out, would go on to direct a number of critically acclaimed films. ~ Brian J. Dillard, All Movie Guide

A special-effects laden medieval fantasy adventure, Dragonslayer centers on the attempts of a young sorcerer's apprentice to defeat a vicious dragon and save a lovely young maiden. Peter MacNicol stars as the young Galen, an aspiring magician under the tutelage of the aging Ulrich (Ralph Richardson). A nearby village turns to the pair for help when their leader begins proffering sacrifices of young virgins to satisfy a vicious dragon. The two immediately set out for battle, becoming even more determined when a courageous princess offers to sacrifice herself to the creature. Unfortunately, Ulrich's failing abilities force Galen into the center of the conflict, where the uncertain young boy must prove himself under fire. The suitably mythic if somewhat predictable story is told straightforwardly, culminating in a spectacular battle against the beast, featuring Academy Award-nominated visual effects. Despite its visual flair and relatively positive reviews, the film received mediocre response at the box office, as some criticized the film's violence as too intense for its intended younger audiences. ~ Judd Blaise, All Movie Guide

Star Gregory Peck went into MacArthur disliking the title character that he was slated to play, but emerged from the experience with a deeper understanding and respect for this complex historical figure. The film is framed in flashback, with an octogenarian General
Douglas MacArthur (Peck) making his final address before his alma mater of West Point. We flash back to the fall of Corregidor in 1942, with MacArthur promising "I shall return" to the beleaguered (and eventually imprisoned) American and Filipino troops. The story follows MacArthur's subsequent victories in the South Pacific, occasionally pausing to show us the General's omnipresent sense of "showmanship" (e.g. his wading ashore on the beaches of the Philippines for the benefit of the newsreel cameras). The greater part of the film involves MacArthur's attempts to restore dignity to the defeated postwar Japan, and to keep the Russian Communists from overtaking the orient as they had Eastern Europe. MacArthur is eventually fired from his post by President Truman after the general defies orders during the Korean conflict. MacArthur was intended as Universal's "answer" to 20th Century-Fox's enormously successful Patton (1970), but box-office returns were disappointing. ~ Hal Erickson, All Movie Guide

Based on the novel by William Brasher, The Bingo Long Traveling All-Stars and Motor Kings is set in the segregated south of 1939. African-American baseball pitcher Bingo Long (Billy Dee Williams), tired of being jerked around by the less-than-ethical managers of the Negro League teams, forms his own barnstorming ball club. His partner in this endeavor is black catcher Leon Carter (James Earl Jones). Though boycotted by powerful Negro League manager Sallison Porter (Ted Ross), the Bingo Long Traveling All-Stars and Motor Kings flourish, gaining a loyal fandom with every new game and cutting into the League's profits. Finally, Porter offers Long a deal: if the Motor Kings can win one big game with the Negro All-Stars, Long's team will be allowed to join the League. Also appearing in Bingo Long is Richard Pryor as a ballplayer who tries to break through the big-league color line by pretending to be everything from a Hispanic to a Native American named "Chief Tokohama"; if Pryor seems to disappear for long periods during the film, it's because his role was written to accommodate his many nightclub appearances. The producers originally wanted young Steven Spielberg to direct, but -- inspired by the success of Jaws -- he turned this down in favor of doing Close Encounters of the Third Kind. ~ Hal Erickson, All Movie Guide