Harold Robbins Movies

This undistinguished drama goes no further than clichéd views about women who gain success by bedding down those who have it. Pia Zadora stars as Jerilee, just out of high school and married to a prominent Hollywood screenwriter, with her own heart-felt aspirations to get her screenplays noticed by the right producers. Her marriage fails for many reasons and once on her own, she comes to the difficult decision that she really will go nowhere fast unless she uses her sexual charms to pave the way to recognition -- and so she does, with a bit of revenge thrown in at the end for good measure. ~ Eleanor Mannikka, All Movie Guide

Based on the novel by Harold Robbins, this is the story of Loren Hardeman, Sr., a Midwestern automobile manufacturer (Lord Olivier) who pins his future on The Betsy, a "wonder car" named after his daughter (Kathleen Beller). The Betsy is designed to last practically forever, which doesn't rest well with the "planned obscolence" mindset of the auto industry. Flashbacks cover his career from his 40s to the present, when he is in his 90s. Hardeman, Sr. has a weak-willed son, Hardeman, Jr., (Robert Duvall) who is forced into taking charge of the family business. ~ Hal Erickson, All Movie Guide

Based on Harold Robbins' bestseller, The Adventurers stars Yugoslav heartthrob Bekim Fehmiu as Porfirio Rubirosa clone Dax Xenos. Having suffered mightily as a child in a fictional South American country due to the political activities of his parents, Xenos grows up to become a sleazy, sexually manipulative playboy. He romances middle-aged widow Olivia de Havilland, then dumps her after he's run through her fortune. He then takes up with heiress Candice Bergen, who bears his child. When the kid is killed and Xenos turns his back on her, Bergen finds solace in lesbianism. All the while, Xenos is fomenting revolutions aimed at toppling the Trujillo-like despot (Alan Badel) responsible for the death of his father. The Adventurers received a lot of magazine coverage due to a poolside nude scene and the "guess who this is supposed to be?" nature of the cast of characters. But it failed to establish Bekim Fehmiu as an international star. ~ Hal Erickson, All Movie Guide

Henry Hathaway's film is based on a character from Harold Robbins' The Carpetbaggers, who, in turn, based it on cowboy actor Ken Maynard. Set in the West of the 1890s, the film opens with the torture and murder of the parents of Max Sand (Steve McQueen) by a trio of gunslingers seemingly motivated by their hostility toward the mixed nature of the marriage, since the wife is a Native American. Swearing revenge, the young cowhand enlists the help of itinerant gunsmith Jonas Cord Brian Keith, who teaches him how to shoot while counseling against revenge. Nonetheless, Sand doggedly scours one town after the other before finally running up against one of the murderers, Jesse Coe (Martin Landau). He finally kills Coe in a vicious knife fight, but is severely wounded himself and has to be nursed back to health by Neesa (Janet Margolin), a young Kiowa woman. He next heads for Louisiana where another of the murderous trio, Bill Bowdre (Arthur Kennedy), is serving a prison sentence in a remote swamp. In order to get close to the man, Sand stages a robbery, and is soon among the prison inmates. This was the only film on which McQueen worked with Landau, the only other person admitted to the Actor's Studio out of thousands of applicants in 1957. ~ Michael Costello, All Movie Guide

Edward Dmytryk brings Harold Robbins' trashy, dirt-dishing Hollywood best-seller to the screen with George Peppard starring as Jonas Cord, a rancidly-sketched portrait of Howard Hughes. In 1925, when his father dies of a stroke, Jonas inherits the Cord Chemical factory, a manufacturer of dynamite and other explosives. Jonas proceeds with several cut-throat transactions, making a settlement with his sexy stepmother Rina (Carroll Baker) and liquidating the stock owned by cowhand Nevada Smith (Alan Ladd, in his final American film role). With the help of Mac McAllister (Lew Ayres), his father's attorney, Jonas builds his father's company into a multi-million dollar business, expanding into plastics and aeronautics. Meanwhile, Rina has become a top fashion model and movie star and Nevada Smith has parlayed his laconic demeanor into a career as a popular silent film cowboy idol. Jonas then marries, then ignores, the well-meaning Monica Winthrop (Elizabeth Ashley), and ruins her father's company in the process. Then, with the advent of sound films, Jonas helps Nevada Smith through the sound film crisis by offering financial backing for a film to star both Nevada and his ex-mother-in-law Rina. Jonas decides to direct the film himself, hoping to seduce Rina. But Jonas's insensitive and egomaniacal behavior causes Monica to leave him. Jonas invests all his time in film production but the alcoholic Rina dies in a car accident. The owners of the film studio -- Bernard B. Norman (Martin Balsam) and Dan Pierce (Robert Cummings) -- want to sell the studio to Jonas but hide the fact that Rina, the studio's biggest star, has died. Jonas buys the studio and when he finds his biggest asset is gone, he goes on a drunken binge. But Jonas quickly meets call girl Jennie Denton (Martha Hyer), who he decides to turn into a superstar modeled upon Rina. Despite having made her a star, Jonas's vile treatment of Jennie repulses both her and his old friend Nevada Smith, and Smith decides it's time to beat some sense into Jonas's head. ~ Paul Brenner, All Movie Guide

Never Love a Stranger--especially if it's young hoodlum Frank Kane (John Drew Barrymore). When it is discovered that his natural parents were Jewish, Kane is removed from the Catholic orphanage that has been his only home. Seething with resentment, he vows to succeed at gangsterdom. He rises spectacularly to the top before his inevitable downfall-and has a high old time doing so. The basis for Never Love a Stranger was a Harold Robbins novel, which obviously drew upon actual people and events; it's quite entertaining to guess who the fictionalized characters are supposed to be. Of the stellar supporting cast, Robert Armstrong is a standout as a soft-spoken gunman. ~ Hal Erickson, All Movie Guide