Vittorio Caprioli Movies

In this Italian comedy set in the 16th-century, a prince and a princess marry. Trouble ensues when a rumor that they have not consummated their marriage is circulated. The prince's father is most concerned, as a virgin marriage means he will have no heirs. He insists that the marriage be annulled. He then requires his son to marry another, but his current wife's family will not agree to the annulment until the prince proves he is a capable lover. The prince refuses to cooperate until his father threatens to cut him off financially. The prince then is paired with a virgin, and eventually passes his test. ~ Sandra Brennan, All Movie Guide

In this explicitly violent espionage drama, spies and counterspies collide in Athens as they endeavor to lay claim to a vital piece of microfilm that contains info regarding the identity of several key agents. ~ Sandra Brennan, All Movie Guide

Director Alessandro Blasetti used an all-star Italian cast for this satirical comedy that pokes fun at the selfishness of humans and uses one character to link a series of comic vignettes. ~ Dan Pavlides, All Movie Guide

This film has two segments exploring relationships subjected to sudden trauma. In the first, "Violence," a young wife is gang-raped while her husband is forced to watch. Afterwards, neither one even acknowledges what happened. In "Love," a wife is hospitalized after attempting suicide, and her husband flirts innocently with a pretty young nurse. When the wife dies, the husband is consumed with guilt over his perceived unfaithfulness. ~ Steve Huey, All Movie Guide

This arty New Wave film marked the directorial debut of Jacques Rozier, and almost finished him commercially. A vacationing television technician (Jean-Claude Aimini) falls in love with two teenage girls (Yveline Cery and Stefania Sabatini) in the months preceding his induction into the military. The girls plot revenge when they discover his two-timing, but one of them has already fallen in love with him. Rozier did not make another film for over a decade following this one's crashing failure. ~ Robert Firsching, All Movie Guide

In this amusing comedy by director Vittorio Caprioli, comedienne Franca Valeri is Delia, a prostitute who has lived all her life in the city of Rome and is now thinking of looking for greener, prettier pastures. Her idea of an idyllic city is Paris where her brother lives and works at the moment. She finally gets herself together and heads out to the City of Light with high expectations. But once there, with the Eiffel Tower and Notre Dame and all the city's attractions in full view, she begins to see that there is a flip side to life in Paris. When she meets up with a compatriot, her desire to get back to Rome is all the greater. ~ Eleanor Mannikka, All Movie Guide

With a deft guiding hand, director Roberto Rossellini brings out the depths in this study of a man's transformation during the German occupation of Milan. Based on a novel by Indro Montanelli, the story is true. Colonel Mueller (Hannes Messemer) and his cohorts have decided to plant a spy in the Milan prison. They choose a petty thief from the streets who earns his living plying the black-market trade and assign him to the task. He is thrown in jail under the false identity of General della Rovere (Vittorio De Sica) in order to bring the Italian resistance fighters among the prisoners, out into the open. As the fake general slowly makes friends with these men, he becomes a leader of sorts, and this transformation gets him thinking in a different way about himself. This well-wrought drama was given the "Best Foreign Film" award in 1960 by the New York Film Critics, and it won the Golden Lion at the 1959 Venice Film Festival. ~ Eleanor Mannikka, All Movie Guide

When a Roman plumber witnesses a man's fatal heart attack, he wonders if he himself might suffer the same fate. Looking back on his life, he decides he has not really experienced all there is to living. He quits his job and makes plans to broaden his life experience before he runs out of time. He goes out on the town at night, visits museums, reads books and catches up on technological advancements. After awhile, he laments that he might be too old to have started down a new path in life. ~ Dan Pavlides, All Movie Guide

Carosello Napoletano was the first major Italian musical of the postwar era. The title, which translates to Neopolitan Carousel, refers to a family of street singers. The story covers a century or so in the lives of this family, with ample screen time given over to romance and heartbreak. Basically an "inventory musical", the film spotlights several well-known Neopolitan tunes, given sprightly performances by the cast. The uncredited voice of famed tenor Beniamino Gigli is heard from time to time for the benefit of his legions of fans. At 125 minutes, Carosello Napoletano tends to wear on the viewer at times, though lovers of popular Neopolitan music and dance will get their fill. ~ Hal Erickson, All Movie Guide

An all-star cast graces this Italian "omnibus" feature. The film consists of eight short stories, each based on nostalgic literary efforts. Linking the various stories is bookseller Aldo Fabrizi, who passes the time by reading the works dramatized herein. In "The Excelsior Ball," dancer Alba Arnova arouses the libido of several observers. In "Less Than a Day," a three-hour train delay wreaks havoc on the romance between Arnova and Andrea Checchi. In "Sardinian Drummer Boy," the title character (Enzo Cerusico) becomes an unexpected hero on the battlefield. In "Matter of Interest," two farmers (Arnoldo Foa and Folco Lulli) quarrel over a compost pile. In "The Idyll," two very young people (Maurizio Di Nardo and Geraldina Pariniello) fall in love. "Potpourri of Songs" delivers on its title through the musical versatility of Barbara Florian and Elio Pandolfi. "The Trial of Frine" finds accused murderess Gina Lollobrigida being defended by colorful lawyer Vittorio De Sica. And in "The Trap," an accusatory husband (Amedeo Nazzari) drives his far-from-innocent wife (Elis Cegani) into an act of extreme desperation. Also known as In Olden Days, Altri Tempi was distributed worldwide by RKO Radio. ~ Hal Erickson, All Movie Guide

Sophia Loren, complete with blackface and an Afro, came to international acclaim in this fairly literal version of the Giuseppe Verdi opera. Loren (with singing dubbed by Renata Tebaldi) portrays the title character, an Ethiopian slave owned by Amneris (Lois Maxwell), the daughter of the Egyptian king. Aida's romantic heart is her weakness, as she must choose between loyalty to her conquered race and romance with Radames (Luciano della Marra), an officer of the Egyptian army. Director Clemente Fracassi gets a bit carried away with epic splendor and the opulent color format, but fans of Loren and opera novices should find the film rewarding. Despite Loren's lauded performance, the role of Aida was originally intended for Gina Lollobrigida. ~ Robert Firsching, All Movie Guide