Jacques Rivette Movies

 

Jacques Rivette's epic-scale meditation on art, politics and relationships is an eight-part, 740 minute drama that begins as an examination of two Parisian theater companies. Lili (Michele Moretti) is a member of an experimental troupe preparing a radical new interpretation of Aeschylus's Seven Against Thebes, while Thomas (Michel Lonsdale) is in charge of a state-funded group who are rehearsing another work by the same ancient Greek playwright, Prometheus Unbound. Drifting in and out of the orbit of these two groups are Sarah (Bernadette Lafont), an author and longtime friend of Thomas; Colin (Jean-Pierre Léaud), a deaf street musician; Frederique (Juliet Berto), a sexy confidence woman, and the bohemian owner of a knick-knack shop who often changes her name (Bulle Ogier), among many others. Colin tries to search out the meaning of a strange note handed to him by a mysterious stranger, while Frederique becomes party to a similar message. As it happens, both learn of the possible existence of a secret society of thirteen powerful individuals who are the true rulers of Paris, but neither is sure if the group exists in history or the present day, and they have very different notions of what to do with this information. Jacques Rivette originally screened Out 1 as a work in progress (titled Out 1: Noli Me Tangere) at a pair of screenings in Paris in the fall of 1971; it was originally conceived as a project for television, but became a theatrical film after it was rejected by French broadcasters. While a four-hour version, Out 1: Spectre, began making the rounds of film festivals in 1974, the film didn't appear in its full twelve-hours-plus version until 1989, when a new cut of Out 1 appeared at the Rotterdam Film Festival. The final cut of Out 1 appeared with English subtitles in London in 2006, and has subsequently been screened in Vancouver, New York City and Chicago. ~ Mark Deming, Rovi

A romantic comedy from acclaimed French director Jacques Rivette (La Belle Noiseuse), this film centers on three men and three women whose lives converge during the run of a play in Paris. The star of the play, Camille (Jeanne Balibar), is returning to Paris after leaving her stuffy boyfriend Pierre (Jacques Bonaffe) and residing in Italy. Her Italian theater company has brought her to France, where the show is run by her lover, director, and co-star Ugo (Sergio Castellitto). Ugo is concerned with the show's poor attendance, but also busy searching for a long-lost play by an Italian playwright. While on his quest, he discovers the beautiful young Do (Helene De Fougerolles), a student who offers to help him. Do's mother has a library that may contain the lost play, and Ugo runs into her possessive half-sibling Arthur (Bruno Todeschini), a shady man pursuing an affair with Pierre's wife Sonia (Mariane Basler), who also has a questionable past. After a brooding dinner at Pierre and Sonia's home, tensions mount in everybody's relationships and their romantic journeys are similarly tested. A lighter work from the usually dramatic filmmaker Rivette, the film was made by the director at the amazing age of 73.
~ Jason Clark, Rovi

Three modern Parisian women form the basis of this epic musical comedy from famed director Jacques Rivette. The story is set in summer and follows the predestined path of each woman. Louise has just awoken from a five year coma and has been released from the hospital. She moves to a hotel where she learns from talking to her father on the phone that her late aunt has bequeathed her a large chateau in Paris. Ninon works as a courier. She has recently run away from her creepy boyfriend, a criminal, and though she is trying to go straight, she can't help but rob the company cashbox and use the money to go out dancing. The third woman, Ida, is a librarian in a decorative-arts reading room. As a child, she was adopted and now wants to find her real parents. Her only clue to finding her mother is an old song that she vaguely remembers. ~ Sandra Brennan, Rovi

Jacques Rivette directed this richly detailed six-hour drama based on the story of Joan of Arc. In Part one, "Les Batailles," Jeanne the Maid (Sandrine Bonnaire) leaves her childhood home in Domremy after hearing what she is sure was the voice of God. She believes that she can help lead France to victory on the battlefield, and she persuades Charles, dauphin of France (Andre Marcon) to allow her to guide his troops. Part two, "Les Prisons," concerns the sad aftermath of Jeanne's defeat at Orleans. Jeanne is sent to prison, where in two separate trials she is tried for heresy and impersonating a man, with both her life and the sanctity of her mortal body at stake. A four-hour version, with each of the two parts trimmed down to two hours, is also available. ~ Mark Deming, Rovi

In this fascinating and unconventional examination of the creative process, an artist near the end of his career finds new inspiration in a young model. Edouard Frenhofer (Michel Piccoli) is a famous and well-respected artist who lives in a comfortable estate in the French countryside. At the age of 60, Frenhofer considers his career as a painter to be over; he says he no longer feels any inspiration to create, and his last attempt at a major work, a nude study of his wife Liz (Jane Birkin) called "La Belle Noiseuse" (The Beautiful Nuisance), has sat unfinished for ten years. Just as Frenhofer has lost his enthusiasm for his art, he has also lost his passion for Liz; their relationship is polite and friendly, but without enthusiasm. When Frenhofer tells Nicolas (David Bursztein), his young protégé, that he no longer feels the desire to paint, Nicolas suggests that he needs a more inspiring subject, and he offers his girlfriend Marianne (Emmanuelle Béart) as a model. Frenhofer is taken with Marianne's beauty, and, with Liz's cool approval, he and Marianne spend several arduous sessions together, exchanging ideas and opinions as Frenhofer methodically attempts to create a final masterpiece. While La Belle Noiseuse runs 240 minutes, director Jacques Rivette also prepared an alternate version, La Belle Noiseuse -- Divertimento, which runs 120 minutes, features a different framing sequence, and incorporates takes unused in the original cut. ~ Mark Deming, Rovi

Jacques Rivette's version of Emily Bronte's novel might as well be called "Withering Heights" since only segments of the full plot are used, and the setting has been changed to France in the 1930s. The vengeful Heathcliff is now the vengeful Roch (Lucas Belvaux), and Cathy is the more Francophone Catherine (Fabienne Babe). Along with these changes, director Rivette distances both the personal turmoil that leads the spurned Heathcliff to seek revenge, and the despair that drives Cathy to an early death. This treatment tends to transform most protagonists into one-dimensional models, and even transforms the heroine into a easily obnoxious persona. ~ Eleanor Mannikka, Rovi

In this thriller, a UNESCO translator stumbles across a group which is hiding and supporting Nazis and facilitating their travel around the world. She had been given an assignment to study the work of a writer who recently had died, and the conspiracy is revealed in materials he left behind. She comes upon a young man who is going through the writer's papers, and she immediately assumes he must be one of the conspirators. However, he soon convinces her of his innocence in that regard, and the two together begin a search for the ringleader. ~ Clarke Fountain, Rovi

This film chronicles the strange battle among a pair of beings from the sphere of the sun or moon, who take the form of women and fight over a young man in bars, hotels, and mystical power-spots. ~ Clarke Fountain, Rovi