Kenneth Rive Movies

Hugo is mad as heck, and he's not going to take it any more! Hugo is the dummy used by the Great Vorelli, a ventriloquist and hypnotist who wows London with his amazing act. Hugo can walk as well as talk, and he does other interesting things. Neglecting his statuesque mistress Magda, Vorelli pursues a pretty volunteer from the audience named Marianne; he know she is a wealthy heiress, and is after her money as well as her charms. Following a charity concert at Marianne's country estate, he mesmerizes the girl, who then falls into a baffling coma. When (in one of the movie's best sequences) a jealous Magda challenges the hypnotist over his attentions to the younger woman, Vorelli lulls her into submission, then gets rid of her, using Hugo to ensure his own alibi. Marianne's journalist boyfriend Mark investigates the mysterious murder and discovers another killing in Vorelli's past with interesting connections to the present. This underrated British horror story could be the best filmed variation on the "dummy with a soul" theme inaugurated by a brief sequence in Alberto Cavalcanti's classic 1945 anthology Dead of Night and continuing more recently with Magic (1978.) Fine photography by Gerald Gibbs, convincing performances by Bryant Halliday, Sandra Dorne and Yvonne Romain and flawless animation and editing of Hugo's scenes provide a galvanizing elaboration of the original, somewhat skeletal, concept. A rental video is hard to find, but available. ~ Michael P. Rogers, Rovi

Director Sidney J. Furie was betwixt and between his Canadian TV work and his theatrical-film prominence vis-a-vis Ipcress File (65) when he helmed the British social melodrama The Boys. The title characters are four youths, all implicated in the murder of a night watchman. Robert Morley plays the defense attorney who tries to convince the jury to render a charitable verdict. His basic argument is that the government expects a death sentence in cases involving robbery, but is more lenient towards crimes of passion. Prosecuting attorney Richard Todd is unmoved; his job is to prove that the boys aren't the innocent victims of society they're made out to be. The Boys benefits from Furie's dextrous use of flashbacks during the testimony scenes. ~ Hal Erickson, Rovi

Princess Marie Christine (Kaethe Von Nagy) doesn't want to marry the man picked out for her by her parents. Likewise, aristocrat Lt. Von Conradi (Willy Fritsch) balks at the notion of an arranged marriage. Now the scenes shifts to a costume ball: Princess Marie pretends to be a humble manicurist, while the Lieutenant poses as a delicatessen clerk. They fall in love -- and after this, nothing quite turns out as expected. Co-scripted by no less than Billy Wilder, Ihre Hoheit Befielhlt (Her Majesty Commands) was remade as the 1933 Janet Gaynor musical Adorable. ~ Hal Erickson, Rovi