Sara Risher Movies

When a fading country music superstar Bo Price (Toby Keith) returns to his hometown for the funeral of his younger brother, a reunion with his high-school sweetheart drags the pain of the past into the present day and soon promises to change his life forever. Bo and Angela (Kelly Preston) have both lost the ones they love in a tragic accident, and now the time has come to say goodbye. For every end there is a new beginning though, and when Bo reunites with Angela and meets the daughter he has never known, the life-changing encounter stirs feelings that Bo had long-since buried after achieving stratospheric success. ~ Jason Buchanan, Rovi

This romantic historical drama is based on the diaries of Agnes Von Kurowsky, who while serving as a nurse during World War I had a love affair with a young man who would later become one of the great literary figures of the 20th century, Ernest Hemingway. In 1918, 18-year-old Hemingway has volunteered to fight in the great war; while he goes into battle imagining it to be a lark, he soon discovers that the realities of warfare are far more grim, and during a shelling attack in Italy, his leg is severely wounded. Hemingway has taken a great deal of shrapnel, and the doctors at the field hospital decide that amputation would be the quickest and most effective way to deal with the injury. However, the idea of losing a leg horrifies Hemingway, and he pleads with Agnes (Sandra Bullock), the Austrian nurse looking after him, not to let the doctors cut off his limb. Moved by Hemingway's concern, Agnes convinces the doctors to pursue other treatments, and she looks after him during his long and difficult convalescence. Love and passion bloom between the young and naive soldier and the 26-year-old nurse, but while he's eager for her to return home with him as he follows his muse as a writer, she regards him not as the love of her life but as a passing fling and thinks that he's too young to marry. Agnes eventually sends Hemingway a "Dear John" letter; later Hemingway would use her as the basis for several characters in his novels and short stories, not always flatteringly. In Love and War was directed by Richard Attenborough, previously an Academy Award winner for Gandhi. ~ Mark Deming, Rovi

In Blink, a woman regaining her eyesight after a double cornea transplant operation glimpses the killer of her upstairs neighbor and then must fight for her life as the killer stalks her. Emma Brody (Madeline Stowe), a musician in an Irish folk-rock band was blinded as a result of childhood abuse by her mother. Her doctor, Ryan Pierce (Peter Friedman) performs an operation to restore her vision, but soon Emma is suffering from retroactive hallucinations in which she sees things that have happened hours, or even days, before. As she was the only witness to the murder, her credibility soon comes into question, but she is believed by Detective Hallstrom (Aidan Quinn) who has been tracking what he believes to be a serial killer. Hallstrom also believes that Emma may hold the key to the murderer's motives. ~ Linda Rasmussen, Rovi

Also known as Surf Warriors, this film is a low-budget, offbeat comedy aimed at the teen audience. Two young surfer dudes from southern California, Johnny (Ernie Reyes, Jr.) and Adam (Nicolas Cowen), have their lives changed when they discover that they are heirs to the crown of Patu San, an obscure South Pacific island nation. The country's throne has been taken over by an incompetent, evil warlord, Colonel Chi (Leslie Nielsen). As the two surfer heroes travel to Patu San to regain the throne, Colonel Chi sends mercenaries to stop them. Johnny and Adam find that they have been given magical powers to help them in their quest -- one of them becomes instantly skilled at kung fu, and the other has psychic powers. Rap music artist Tone Loc plays one of Colonel Chi's henchmen, Lieutenant Spence. Martial arts sequences dominate the fighting scenes, which evoke the Teenage Mutant Ninja Turtles craze of the era. ~ Michael Betzold, Rovi

A teenager in the '50s moves to a new neighborhood and has to deal with all the problems that come with it in this lighthearted feature--complete with a rock 'n' roll soundtrack. ~ Kristie Hassen, Rovi

In the fifth installment in the Nightmare on Elm Street series, Alice (Lisa Wilcox) begins the film with the notion that she is safe after she vanquished the evil Freddy Krueger (Robert Englund) by learning how to battle the dreamworld psychopath within her own unconscious mind. But somehow Freddy has survived, and Alice discovers that he's found a place where Alice can't protect herself when he taps into the dreams of her unborn child. Freddy is soon leaving a trail of destruction while the child is still in the womb, and he will become even more deadly when the child comes to term. Memorable moments include Freddy's attack on a comic book artist and his Hellish experiences when "the bastard son of a hundred maniacs" is locked in an insane asylum with a nun. A Nightmare on Elm Street 5: The Dream Child was followed by Freddy's Dead: The Final Nightmare, though Mr. Krueger popped up again in Wes Craven's New Nighmare. ~ Mark Deming, Rovi

Set in a remote Pennsylvania coal-mining town, this off-beat comedy follows the friendship between an old hippie woman and a depressive teenage punk rocker who feels like a pariah. The fun begins when the two conspire to kidnap the boy's crazy father in hopes of getting a hold of the family fortune. ~ Sandra Brennan, Rovi

The best of the Elm Street sequels, this creepy, surreal fantasy features terrific effects, a fine young cast, and an air of grim fatalism that sets it apart from its giggly successors. Patricia Arquette stars as Kristen, whose nightmare leads to a slashed wrist which looks suspiciously like a suicide attempt. She is placed in a hospital psychiatric ward with a group of six other troubled teens who all dream about the same horribly burned man (Robert Englund) trying to kill them. Perhaps the most unusual thing about this picture, however, is the unexpected depth of sadness running through it. There are some achingly sweet moments in this otherwise frightening film which, though not disruptive, are impossible to analyze. The first and most bizarre of these is Heather Langenkamp's entrance, which inexplicably causes most viewers to get misty-eyed, and there are several similar scenes throughout the film. One answer can be found in the sensitive direction of Chuck Russell, who emphasizes the tragedy and utter hopelessness in these kids' lives and manages to wring some unexpectedly perceptive turns from his cast. This is a film in which a great deal of care was obviously lavished on individual scenes (the sets are outstanding) and performances. The results are well worth repeated viewings, and prove that sequels don't necessarily have to be inferior films. ~ Robert Firsching, Rovi

Any film with a cast that runs the age-and-experience gamut from Ione Skye to Maureen O'Sullivan is certainly worth at least one look. Stranded casts Ione as a lonely 17-year-old, living in a remote farmhouse with her grandmother, O'Sullivan. Late one evening, five space aliens crash-land near the farm. Holding Skye and O'Sullivan prisoner, the extraterrestrials run afoul of the law when one of them impulsively kills Ione's boyfriend, who happens to be the son of local hothead and rabblerouser Michael Greene. Despite the aliens' laser weaponry, sheriff Joe Morton intends to treat the incident as a standard hostage crisis, but Greene wants to storm the farmhouse, with no consideration of Skye and O'Sullivan's safety. In true "Stockholm syndrome" fashion, the hostages befriend the more likeable aliens--one of whom is played by Flea, bass player for the Red Hot Chili Peppers. A curious blend of several genres, Stranded has true cult-classic potential, should any distributor want to give it a second chance on the midnight-movie circuit. ~ Hal Erickson, Rovi

Critters, an amusing horror comedy directed byStephen Herek, is the story of a family menaced by eight basketball sized creatures from outer space who arrive at their Kansas farm in search of food. Helen Brown (Dee Wallace Stone) and Brad (Scott Grimes), owners of the farm find themselves held hostage as the creatures roll, jump and bounce around during the night. They are pursued by a pair of inept, intergalactic bounty hunters, Charlie (Don Keith Opper) and Johnny (Terrence Mann) who can shape-shift at will and are packing weapons capable of taking care of any creature they encounter. The special effects of this humorous thriller are extremely good and the creatures themselves have distinct and separate personalities. ~ Linda Rasmussen, Rovi

A decade of wisecracking sequels have not diminished the power of this striking horror film from the director of Scream. Teenagers in a small town are dropping like flies, apparently in the grip of mass hysteria causing their suicides. A cop's daughter (Heather Langenkamp) traces the cause to child molester Fred Krueger (Robert Englund), who was burned alive by angry parents many years before. Krueger has now come back in the dreams of his killers' children, claiming their lives as his revenge. The teenaged leads are sympathetic and intelligent, unlike the dumb victims presented in most films of the period, and they are ably backed up by veterans like John Saxon and Ronee Blakley. Director Wes Craven creates moments of real dread by examining the line between nightmares and reality, as well as the "sins of the parents" theme, and although the film is quite gory, it never resorts to cheap bloodletting for its effect. A unique and disturbing experience, this film is highly recommended for horror buffs. ~ Robert Firsching, Rovi

This is a very enjoyable tongue-in-cheek horror film about some homicidal maniacs who break out of an asylum and terrorize a psychiatrist's family on a dark and stormy night. Martin Landau and Jack Palance are particularly funny, but there are some genuine scares as well. One scene, in which a frightened woman is menaced on her bed by a maniac thrusting a butcher-knife up through the mattress, is a clever send-up that will nevertheless linger in the memory. The coda, in which the crazy Palance has a bizarre encounter with a spaced-out punk chick in a nightclub, is a real gem. Recommended. ~ Robert Firsching, Rovi