Francis Capra Movies

A young man struggles to grow up with principles as his family begins to self-destruct around him in this coming of age drama. Cole McKay (Michael Angarano) is a boy in his middle-teens growing up in an Irish-Catholic family in Boston. While Cole has dreams of playing major league baseball some day, his parents Desmond (Brendan Gleeson) and Margaret (Melissa Leo) are blind to his ambitions, and his older brother Terry (Tom Guiry) is a petty criminal who is unwittingly drawing Cole into his orbit. While Margaret is obsessed with projecting an image that the McKay family are happy and God-fearing folk, Desmond has been sinking deeper into depression ever since he lost his job, and his marriage is slowly but surely falling apart. The family's pride takes a body blow when Cole's teenage sister Kathleen (Emily Van Camp) discovers she's pregnant, but Cole decides it's time he took on some adult responsibilities, and gets himself a part-time job at a restaurant. Black Irish was the first directorial effort for screenwriter Brad Gann. ~ Mark Deming, Rovi

A one-time freelance hitman who was just attempting to turn his life around is forced to keep his heart pumping when his vengeful former employers inject him with a lethal poison that will permanently stop his ticker if his pulse sinks beneath an active rate in a non-stop urban action extravaganza starring Jason Statham and Amy Smart. Chev Chelios (Statham) was one of the most skilled assassins in the West Coast crime syndicate. When he hung up his guns in the middle of a job to run off with his new girlfriend Eve (Smart), however, the man who was once the hunter now becomes the hunted. Awakened from his slumber by a telephone call informing him of his precarious situation, Chelios soon discovers that the only way to save Eve from certain death at the hands of his nemesis is to stay two steps ahead of his killers, keep his heart-rate high enough to stay alive, and blast through the streets of Los Angeles in search of an antidote. ~ Jason Buchanan, Rovi

Season one of Veronica Mars finds both the title character (Kristen Bell) and her ex-sheriff father, Keith (Enrico Colantoni), regarded as lepers in the affluent community of Neptune -- and it's all because Keith made public his suspicion that Jake Kane (Kyle Secor), the town's richest man, killed his own daughter (and Veronica's best friend), Lilly (Amanda Seyfried). Hoping to find Lilly's murderer and redeem her father's reputation, 17-year-old Veronica assists Keith in his efforts to run a private detective agency -- and while in school, she tirelessly crusades for justice as a reporter for the student newspaper. Early in the season, Veronica finds herself with two loyal allies when she protects nerdy new kid Wallace (Percy Daggs III) from school bully Weevil (Francis Capra) -- and then, in the spirit of "fair and balanced" dispersion of justice, she clears Weevil from an unfounded charge of theft. Meanwhile, several of Veronica's fellow Neptunians display bizarre behavior suggesting that they know more about Lilly's death than they're willing to admit, notably Lilly's seriously disturbed brother, Duncan (Teddy Dunn), and his wealthy, arrogant best friend, Logan Echolls (Jason Dohring). Also, Veronica finds time to delve into the mystery of her mother, Lianne (Corinne Bohrer), who for apparently no reason had abandoned her family a year earlier. And all the while, Veronica does the "Nancy Drew" bit, 21st century style, using her acute detecting skills to restore shattered reputations, expose the dangers of cult worship, and gather vital clues pertinent to kidnappings, switched-at-birth cases, instances of alleged sexual harassment, and illegal fight clubs. The season ends with the episode "Leave It to Beaver," in which Veronica at long last has the opportunity to solve Lilly's murder -- but in so doing she may betray the trust of one near and dear to her. ~ Hal Erickson, Rovi

This comic children's fantasy from director Michael Ritchie stars Mara Wilson as eight-year-old New Yorker Anabel, who wishes that her father Oliver (Robert Pastorelli), a hansom cab driver in Central Park, would see his dream come true. In a thinly veiled jab at the overblown stage productions of Andrew Lloyd Weber, Oliver aspires to be cast in the lead role in a new big-budget musical based on A Tale of Two Cities. Anabel's wish is received by Murray (Martin Short), the very first male fairy godmother, a bumbler who predictably botches the spell fulfilling Anabel's wish, turning Oliver into a statue instead. In order to reverse the mistake, Murray needs help from his union, the North American Fairy Godmothers Association (NAFGA), which is holding a convention in Manhattan. Enter Claudia (Kathleen Turner), a scheming former fairy godmother turned witch, who steals the attendees' magic wands, intending to use their magic in a bid for power. A Simple Wish (1997) was one of four films representing the initial slate of The Bubble Factory, a movie production house assembled by the theater world's Sheinberg family. Their other films were The Pest (1997), McHale's Navy (1997), and For Richer or Poorer (1997). ~ Karl Williams, Rovi

Two unlikely friends -- a boy and a killer whale -- are reunited under potentially dangerous circumstances in this sequel to the successful family adventure Free Willy. Jesse (Jason James Richter) has finally found stability and contentment with his foster parents Glen and Annie Greenwood (Michael Madsen and Jayne Atkinson), but he is confronted with a new emotional challenge when his birth mother (a drug addict who abandoned him when he was young) dies, and his troubled half brother Elvis (Francis Capra) comes to live with the Greenwoods. Jesse also deals with new feelings when he develops a serious crush on Nadine (Mary Kate Schellhardt), the goddaughter of Randolph (August Schellenberg), an animal trainer at the theme park where Jesse helps out. But a much bigger problem is on the horizon when the safety of Willy, the killer whale he befriended and helped return to the wild, is threatened. An oil spill spoils the ocean environment where Willy and his family now live, and an unscrupulous owner of an oceanarium, Wilcox (M. Emmet Walsh), attempts to capture Willie and put him back into captivity as a performing attraction. While Free Willy featured Keiko, a trained whale who (ironically) was living in captivity when the film was shot, Free Willy 2: The Adventure Home instead utilized mechanical models and digital animation to bring "Willy" to life. ~ Mark Deming, Rovi