Joe Rinaldi Movies

At the invitation of Walt Disney himself, erudite cartoon genius Professor Ludwig Von Drake takes over the hosting chores in this episode. Using clips from earlier Disney animated shorts for illustration purposes, Prof. Von Drake explains mankind's need to hunt, all the while conducting his own "hunt" for his missing glasses. Seen herein for the first time is Von Drake's loyal assistant and general factotum, Herman the Bootle Beetle. Although "The Hunting Instinct" was never rebroadcast on Walt Disney's Wondeful World of Color, the episode was later released theatrically overseas, and extensively excerpted in the 1982 Disney's Wonderful World installment "Man's Hunting Instinct." ~ Hal Erickson, Rovi

Disney produced this lavish animated fairy tale, the most expensive cartoon ever made up to its release with a budget of $6 million. When the young princess Aurora is cursed at birth by the evil fairy Maleficent, the baby is kidnapped by a trio of good fairies who raise the girl themselves, hoping to avoid the spell's fulfillment. Nevertheless, at the age of 16, the beautiful Aurora falls into a deep sleep that can only be awakened by a kiss from her betrothed, Prince Phillip. Knowing that Phillip intends to save Aurora, Maleficent takes him prisoner. When the good fairies launch a rescue attempt, Maleficent transforms herself into a spectacular fire-breathing dragon, forcing Phillip to defeat her in mortal combat. Sleeping Beauty (1959) was Oscar nominated for its musical score, which featured adaptations of Tchaikovsky compositions. ~ Karl Williams, Rovi

Lady and the Tramp represented two "firsts" for Disney: It was the studio's first Cinemascope animated feature, and it was their first full-length cartoon based on an original story rather than an established "classic". Lady is the pampered female dog belonging to Jim Dear and Darling. When her human masters bring a baby into the house, Lady feels she's being eased out; and when Darling's insufferable Aunt Sarah introduces her nasty twin Siamese cats into the fold, Lady is certain that she's no longer welcome. The cats wreak all manner of havoc, for which Lady is blamed. After the poor dog is fitted with a muzzle, Lady escapes from the house, only to run across the path of the Tramp, a raffish male dog from the "wrong" side of town. The Tramp helps Lady remove her muzzle, then takes her out on a night on the town, culminating in a romantic spaghetti dinner, courtesy of a pair of dog-loving Italian waiters. After their idyllic evening together, Lady decides that it's her duty to protect Darling's baby from those duplicitous Siamese felines. On her way home, Lady is captured and thrown in the dog pound. Here she learns from a loose-living mutt named Peg that The Tramp is a canine rake. Disillusioned, Lady is more than happy to be returned to her humans, even though it means that she'll be chained up at the insistence of Aunt Sarah. Tramp comes into Lady's yard to apologize, but she wants no part of him. Suddenly, a huge, vicious rat breaks into the house, threatening the baby. Lady breaks loose, and together with Tramp, runs into the house to protect the infant. When the dust settles, it appears to Aunt Sarah that Tramp has tried to attack the child. That's when Lady's faithful friends Jock the bloodhound and Trusty the scottie swing into action, rescuing Tramp from the dogcatcher. Once Jim Dear and Darling are convinced that Tramp is a hero, he is invited to stay...and come next Christmas, there's a whole flock of little Ladies and Tramps gathered around the family. Beyond the usual excellent animation and visual effects, the principal selling card of Lady and the Tramp is its music. Many of the songs were performed and co-written by Peggy Lee, who years after the film's 1955 theatrical issue, successfully sued Disney for her fair share of residuals from the videocassette release. ~ Hal Erickson, Rovi

This Disney feature-length cartoon combines the most entertaining elements of Lewis Carroll's Alice in Wonderland and Through the Looking Glass. Chasing after the White Rabbit, who runs into view singing "I'm Late! I'm Late!," Alice falls down the rabbit hole into the topsy-turvy alternate world of Wonderland. She grows and shrinks after following the instructions of a haughty caterpillar, attends a "Very Merry Unbirthday" party in the garden of the Mad Hatter and the March Hare, stands in awe as the Cheshire Cat spouts philosophy, listens in rapt attention as Tweedledum and Tweedledee relate the story of the Walrus and the Carpenter (a sequence usually cut when Alice is shown on TV), and closes out her day with a hectic croquet game at the home of the Red Queen. The music and production design of Alice in Wonderland is marvelous, but the film is too much of a good thing, much too frantic to do full honor to the whimsical Carroll original, and far too episodic to hang together as a unified feature film. One tactical error is having Alice weep at mid-point, declaring her wish to go home: This is Alice in Wonderland, Walt, not Wizard of Oz! Its storytelling shortcomings aside, Alice in Wonderland is superior family entertainment (never mind the efforts in the 1970s to palm off the picture as a psychedelic "head" film). ~ Hal Erickson, Rovi

Ichabod and Mr. Toad is a two-part Walt Disney cartoon feature based on a pair of well known stories. The first half of the film is an adaptation of Washington Irving's The Legend of Sleepy Hollow, all about gawky 17th century schoolteacher Ichabod Crane and his love for the beautiful Katrina. The girl's vengeful ex-beau Brom Bones decides to scare Ichabod out of Sleepy Hollow by filling the impressionable teacher's brain with stories about the ghostly Headless Horseman--who of course makes an appearance that very night! The second half of Ichabod and Mr. Toad is based on the "Toad of Toad Hall" stories from Kenneth Grahame's The Wind and the Willows. The aristocratic but childish Mr. Toad loves motorcars, but his affection leads him to a jail term when he is accused of stealing an automobile. It's up to Toad's faithful friends to break Toad out of jail and expose the real crooks. One of Disney's better "omnibus" cartoon features, Ichabod and Mr. Toad is enhanced by the narrative skills of Bing Crosby in the Ichabod segment and Basil Rathbone in the Mr. Toad sequence. ~ Hal Erickson, Rovi

The shortest of Disney's major animated features Dumbo involves a baby elephant with unusually large ears. Ostracized from the rest of the circus animals, poor Dumbo is even separated from his mother, who is chained up in a separate cage after trying to defend her child. Only brash-but-lovable Timothy Mouse offers the hand of friendship to Dumbo, encouraging the pouty pachyderm to exploit his "different" qualities for fame and fortune. After trepidatiously indulging in a vat of booze, Dumbo awakens in a tall tree. Goaded by a group of jive-talking crows, Dumbo discovers that his outsized ears have given him the ability to fly. The musical score by Frank Churchill and Oliver Wallace won Oscars for them both. ~ Hal Erickson, Rovi