Dick Richards Movies

Burt Reynolds stars as the bitter bodyguard and degenerate gambler Mex in this uneven action film. He wakes up hungover, vowing to rekindle his dream of leaving Las Vegas for good if he can just raise enough money. Mex divides his time working for the low-key millionaire Cyrus Kinnick (Peter MacNicol) at the casino and moonlighting as a paid enforcer. When Mex's pretty neighbor Holly (Karen Young) is attacked by a quartet of perverted thugs, Mex goes after gang leader Danny DeMarco (Neill Barry) and company. The feature was continually plagued by production problems, with three uncredited directors employed in addition to R.M. Richards. ~ Dan Pavlides, All Movie Guide

In this melodramatic story, a college professor and his family experience trauma and tears when the professor discovers that his one-time lover in France has recently died and left a son behind -- his son. When the young boy shows up on the doorstep because the shocked father can only do what is right and offer him a home, the professor (Martin Sheen), his wife (Blythe Danner), and their children -- as well as the boy -- face new issues in a crisis that threatens the once-cohesive family. Both Sheen and Danner carry their roles beyond the sappy limitations of the script, but neither can change an unsatisfactory ending meant only to bring out another handkerchief. ~ Eleanor Mannikka, All Movie Guide

While traveling across Arizona with his divorced mother and her new boyfriend, a precocious young boy stumbles onto a grisly murder scene, placing the three of them in mortal danger at the hands of a pair of good-ol'-boy twin psychopaths. It's hard to tell whether the producers of this film decided to "dress up" a standard slasher script with spooky desert vistas and quality actors (including cuddly little Peter Billingsley, who forever endeared himself to viewers of the perennial favorite A Christmas Story), or rather chose to inject gratuitous T&A and gore scenes into an otherwise more sophisticated Hitchcockian thriller to lure the Friday the 13th crowd. Whatever the motivation, the end result is a muddled mishmash of family drama and sleazy dead-teen mayhem that never found an audience. ~ Cavett Binion, All Movie Guide

Dick Richards directed this French Foreign Legion adventure that's at once parodies and pays tribute to the venerable Hollywood epics that preceded it. Gene Hackman stars as Major William Sherman Foster, a soldier who has been kicked out of West Point but has managed to obtain command of a group of Legionnaires after the end of World War I. His troops have been ordered to accompany an archeological expedition traveling to Morocco headed by Francois Marneau (Max von Sydow). Foster's motley band includes an on-the-lam cat burglar named Marco Segrain (Terence Hill), an ex-guardsman from the deposed Russian monarchy named Ivan (Jack O'Halloran), an adventure-seeking aristocrat named Fred Hastings (Paul Sherman), and an alluring beauty named Simone Picard (Catherine Deneuve). As the band makes their way to Morocco, they cross paths with the fervid and bloodthirsty Arab leader El Krim (Ian Holm), who vows to unite his people to expel foreigners from their land. ~ Paul Brenner, All Movie Guide

The "Gold Dust Twins" are two L.A. gals who kidnap a likable-loser type who's a driving instructor (Alan Arkin) and force him to take them from Los Angeles to New Orleans. On the way they run into action of all sorts, and by the time they get to the Bayou state, the three have bonded as buddies. ~ All Movie Guide

Christine (Jacqueline Bisset) is the young bank teller who is bored with her job and her husband. She leaves for Las Vegas where she scores a job as a chorus girl. The beautiful Christine does not have the talent to parlay the job into an upwardly mobile career. She marries an older man and becomes a "kept woman." Tommy Marcott (Jim Brown) is the greeter at a casino who poses for pictures with the guests and marries Christine. When Christine is invited to dinner by Roosevelt Dekker (Ramon Bieri), she is beaten up by her host. Tommy tracks down the construction magnate at a local golf course and beats him to a pulp. Danny (Corbett Monica) is the comic who gives Christine her first tour of Vegas and his bedroom. Christine hires a pilot to skywrite an obscenity that sums up her feelings about her experience. Joseph Cotten also appears in this drama of a naive young woman nearly swallowed up by the seamier side of the Las Vegas nightlife. ~ Dan Pavlides, All Movie Guide

In this lively adventure, a Broadway producer becomes a globe-trotter when he sets off to find the perfect star for his latest show. His quest takes him to Egypt, Europe, Asia and even the American Southwest, and it is only natural that he have many fun-filled adventures along the way. ~ Sandra Brennan, All Movie Guide

Having scored big-time box office with his first Biblical epic, The Ten Commandments (1923), Cecil B. DeMille hoped to top this success with his 1927 The King of Kings. Inasmuch as he was now dealing with the life of Christ, DeMille had to be careful to serve up equal amounts of showmanship and reverence. The first creative challenge: how to "introduce" Christ in a tasteful manner? The answer: as a blind child is cured through Jesus' intervention, DeMille cuts to the child's point-of-view, slowly fading in on the kindly countenance of H.B. Warner as the Son of Man. Still, DeMille remained DeMille, especially in his handling of the character of Mary Magdalene (Jacqueline Logan). No longer a tattered streetwalker, Mary Magdalene is now a glamorous courtesan, replete with legions of gorgeous slave girls (one of whom is "bubble dancer" Sally Rand) and dressed in revealing Hollywood-style gowns. In fact, the film opens on this character, as she ruminates over the defection of her favorite customer, Judas Iscariot (Joseph Schildkraut), who is spending far too much time with Jesus of Nazareth. Upon visiting Jesus herself, she immediately repents, casting off all her prior sins. Once again, the efficacy of the Cecil B. DeMille formula is proven: redemption has no dramatic value unless the film shows viewers why the sinner needs to be redeemed. Once he's gotten his box-office considerations out of the way, DeMille adheres faithfully to the particulars of Jesus' life, betrayal, trial, Crucifixion, and Resurrection. (Again, however, the director improves a bit upon his source material: the storm that follows the Crucifixion is of the same spectacular dimensions as the parting of the Red Sea in Ten Commandments, while the Resurrection is filmed in vibrant Technicolor). To back up the authenticity of his images, DeMille -- with an assist from scenarist Jeannie Macpherson -- utilizes Scriptural quotes in his subtitles. And to avoid any untoward publicity while filming, DeMille required all of his actors to sign legal documents preventing them from indulging in any sort of "sinful" activity; this meant that poor old H.B. Warner had to steer clear of alcoholic beverages for nearly a year, though he more than made up for lost time after his contract ran out. Prepared to mercilessly lambaste The King of Kings, DeMille's critics were disarmed by his reverent, tasteful approach to the subject. Years after the film's release, a specially prepared 60-minute version of the 18-reel King of Kings was making the rounds of religious groups, church basements, and Easter-weekend telecasts. The film was remade in 1961 by producer Samuel Bronston and director Nicholas Ray, with Jeffrey Hunter as Jesus. ~ Hal Erickson, All Movie Guide