Luciano Ricceri Movies

The insidious emergence of state-sanctioned anti-Semitism in Fascist Italy sets the stage for this historical drama. In 1938, Umberto (Diego Abatantuono) is a tailor who is beginning to lose business to Leone (Sergio Castellito), a haberdasher whose shop is next door to Umberto's. Leone offers stock much like Umberto's and at lower prices, which has brought plenty of customers into his store, causing Umberto no small amount of annoyance. Umberto's ire is hardly soothed by the fact that his teenage son Paolo (Elio Germano) is dating Leone's daughter, Susanna (Gioia Spaziani), or that the two men's younger sons, Pietruccio (Walter Dragonetti) and Lele (Simone Ascani), are best friends. The rivalry between the two shopkeepers eventually leads to a heated public argument, in which Umberto refers to Leone's Jewish faith in a derogatory manner. A policeman overhears this, and Leone, who had previously been quiet about his Jewish heritage, soon finds himself having to deal with the sanctions being levied against Jewish citizens. As Umberto sees his neighbor slowly stripped of his property, his rights, and his dignity, his anger turns to sympathy and to a wish that he could do something to help a man not so different from himself. Concorrenza Sleale was directed by Ettore Scola, who previously examined Italy during Mussolini's rule in Una Giornata Speciale. ~ Mark Deming, All Movie Guide

This $5 million Italian comedy is based on a novella by Nicolo Ammaniti (from his 1996 collection Mud). With a structure reminiscent of Robert Altman, interweaving events transpire in 12 hours on New Year's Eve as the film explores the lives of dwellers in a suburban Rome apartment complex: Just before her dinner guests are due, a hostess learns her lover has been sleeping with her best friend; a gigolo hired for the night is surprised by soccer players from his hometown; thieves interrupt the S&M session of a dominatrix and a lawyer; a family prepares for a fireworks display; the building's doorkeeper entertains the maintenance staff while her son sniffs glue; and a woman attempting suicide wanders the halls. ~ Bhob Stewart, All Movie Guide

Elements of the original Italian fairy tale, Pinocchio can still be found in this modern and loose adaptation which was filmed in Texas, Louisiana, and Tuscany. In a mythical, unnamed country, Brando is a tough old banking magnate who discovers upon his despised brother suicide that he has a son. Excited about the prospect of an heir. The son, known as "Pinocchio," works as an orderly at a nursing home. He was raised in this place, and though not intelligent, Pinocchio is a hard worker. Brando, excited at finally having an heir, removes his son from the home and takes him into his fast-paced, luxury filled world. Upon meeting the other aging bankers in Brando's world, Pinocchio has trouble adjusting. The company psychiatrist examines Pinocchio and determines that he will probably never adapt. This prompts Pinocchio to run away. While in flight, he meets hard-bitten, streetwise Lucy, who saw a murder and now is a suspect. They run together and encounter a variety of shady characters that parallel those in the original story. ~ Sandra Brennan, All Movie Guide

A young Italian Communist couple come to grips with the fall of Italy's Communist Party and find themselves drifting apart in this Italian-French drama. As the Berlin Wall collapsed in the late '80s, so did the Italian Communist Party. In it's stead has come the more left-wing party the PDS. Since adolescence, Mario and Maria Boschi have been good communist party members. Now that the party is gone, they find themselves drifting apart; especially when Mario eagerly joins the new party while Maria remains a steadfast Communist. Maria soon finds herself drawn to Sicilian Communist Mario Della Rocca. He too is married, but when Maria's mate goes to a conference, she and the new Mario begin a romance. The experience of falling in and out of love makes Maria physically ill. She recuperates at her brother's house and subsequently makes love to the Sicilian. The months fly by. The three are all living alone as they reconcile their many problems. ~ Sandra Brennan, All Movie Guide

In an innovative collaboration, the maker of this movie got the cooperation of the mainstream director (Ettore Scola) to shoot this film on the set for the film Captain Fracassa's Journey. While the latter film is being made, the characters in this film are all attempting to break into show biz, or are coping with their lowly status in it. One character is a would-be screenwriter who is attempting to corner the producer of the film in order to give him his first script -- which may or may not have been commissioned. Two extras have a lot of fun playing bloodied-up corpses in the main movie. Another character is a young mother, hoping to get an acting part. ~ Clarke Fountain, All Movie Guide

Marcello (Marcello Mastroiano) has worked hard all his life to achieve a certain standing and success as a lawyer in Rome. He is pleased to be able to offer the fruits of his success to his son Michele (Massimo Troisi), and is perplexed and distressed that his unambitious son has no interest in any of these things. Michele is serving a term in the Italian military in the port town of Civitavecchia, and Marcello is visiting him there. Here he meets Michele's salty girlfriend Loredana (Anne Parillaud). The father and son share some meals and explore their differences. Though at first it appears that these two men will not be able to tolerate one another, they eventually decide to live and let live. ~ Clarke Fountain, All Movie Guide

A family history is recalled by the venerable patriarch Carlo (Vittorio Gassman) as he prepares to celebrate his 80th birthday. Young Carlo (Andrea Massimo) marries Beatrice (Stefania Sandrelli) in 1926 but later has an illicit affair with her bohemian artist sister Adriana (Fanny Ardant). Fascism, World War II, and the raising of children and grandchildren mark the passing of a lifetime. Old Carlo lives with his grandson where his recollections are interrupted by the gentle nagging of his beloved Beatrice. This feature received an Oscar nomination in 1987 for "Best Foreign Film." ~ Dan Pavlides, All Movie Guide

In 1938 Berlin, Gudrun Landgrebe, wife of Nazi functionary Kevin McNally, begins taking art lessons. She makes the acquaintance of another student, Japanese ambassador's daughter Mio Takaki. Soon afterwards, the two women begin a passionate lesbian affair. This leads to a chain reaction of disaster and tragedy, culminating with the inevitable intervention of the Gestapo. Despite the film's galloping sexual passions, The Berlin Affair is an exercise in aloofness, keeping the characters at arm's length-surprising, considering that the director was Liliana Cavani, auteur of the erotic classic The Night Porter (1974). The film was based on The Buddhist Cross, a novel by Junichiro Tanizaki. ~ Hal Erickson, All Movie Guide

A unique look at the history of 20th century France as illustrated in popular culture, Le Bal is set in a Parisian dance hall and features no narrative, no dialogue, and no continuous characters. The film moves from one dance number to the next, as the music reflects the political and cultural tenor of the times, from the Popular Front of 1936 to the German Occupation of World War II, on to the breezy openness of the post-war era and the open rebellion and turmoil of May 1968, and finally closing in the early 1980s. A troupe of dancers portrays all the film's characters, with make-up and costume changes (as well as appropriate period music) indicating the different time periods. Directed by Ettore Scola, Le Bal was based on a stage production that was a great success in Europe. ~ Mark Deming, All Movie Guide

Thirteen months and ten million dollars were lavished upon this ten-hour, four-part TV miniseries about legendary globetrotter Marco Polo. Newcomer Ken Marshall played the title character, a 14th century Venetian explorer who, among other accomplishments, firmly established the "silk route" between Europe and the Orient, introducing such precious commodities as spaghetti and fireworks to the Occidental world. In addition to featuring the usual polyglot of major British and American stars in cameo roles (including Denholm Elliott, Anne Bancroft, John Gielgud, Leonard Nimoy, and Burt Lancaster), the production represented the first Western production to be filmed on location in China since WWII -- not to mention the first English-language appearance of celebrated Chinese stage and film actor Ying Ruocheng, superbly cast as the mighty Kublai Khan. An American-Italian-Austrian-French-British co-production, Marco Polo received its first U.S. showing when it was telecast by NBC from May 16 through 19, 1982. A "condensed" version, running approximately 270 minutes, was later made available in Europe and South America. ~ Hal Erickson, All Movie Guide

Perhaps a little over-ambitious for the casual audience unfamiliar with the Italian world of entertainment and politics, La Terrazza involves a total of eight main protagonists and how they have changed or are changing. All eight are sitting on a terrace talking, while flashbacks and flashforwards fill in their past, present, and future relationships. Enrico (Jean-Louis Tritignant) is a burnt-out screenwriter, Amedeo (Ugo Tognazzi) is a self-made producer, Mario (Vittorio Gassman) is a communist member of parliament who is having an affair with the married Giovanna (Stefania Sandrelli) and is otherwise having a hard time trying to tow the tough, virtuous line the party demands. Giovanna, as well as the other women on the terrace, have all the spirit of people looking forward to the future while the men have been there and found it wanting. ~ Eleanor Mannikka, All Movie Guide

This Italian black comedy is comprised of nine short stories all related to the theme that most men are selfish cads. At the 1978 Oscars, the film was nominated for Best Foreign film. ~ Sandra Brennan, All Movie Guide

The film is set during the late 1930s: the occasion is the first meeting between Mussolini and Hitler. Left alone in her tenement home when her fascist husband runs off to attend the historic event, Sophia Loren strikes up a friendship with her homosexual neighbor Mastroianni. As the day segues into night, Loreon and Mastroianni develop a very special relationship that will radically alter both of their outlooks on life. Beyond the "sensational" aspect of virile Marcello Mastoianni playing a gay character, A Special Day garnered a great deal of American attention when the stars promoted the film on the very first installment of PBS's Dick Cavett Show (that's the one in which Mastroianni might have said the F-word). ~ Hal Erickson, All Movie Guide