William Reynolds Movies

In this melodrama, a devoted father begins feeling unappreciated at home and so embarks upon a clandestine friendship with a former employee. The children see them together and assume it's an affair. They beg him to end the relationship. Later the woman herself talks to the kids, assuring them that the friendship is platonic and chiding them gently on their thoughtless behavior towards their dad. In the end, the family reconciles and the woman goes on with her life. ~ Sandra Brennan, All Movie Guide

The Desert Fox is a superb filmed biography of German general Erwin Rommel, concentrating on the period between his retreat from North Africa and his government-decreed death. A brilliant tactician, Rommel earns the respect not only of his own men but of the enemy. Unfortunately, Adolph Hitler (Luther Adler), laboring under the delusion that he too is a military genius, demands more of Rommel than he's able to provide. Ordered to stand his ground in Africa to the last man, Rommel realizes that it's more intelligent in the long run to retreat; this incurs Hitler's wrath, but Rommel is a war hero, and as such is virtually "untouchable". Increasingly disgusted by Hitler's behavior, Rommel joins in a plot to assassinate the Fuhrer. The attempt fails, and Rommel's complicity is discovered. He is given a choice: either face a horrible death by torture, or commit suicide, thereby saving his family and his reputation. Rommel opts for the latter; the official story given to the press is that Rommel died heroically of his war wounds. Also appearing in The Desert Fox are Jessica Tandy as Rommel's wife and Leo G. Carroll as an insufferably aristocratic Von Ruhnstedt. The film caused a critical stir in 1951 by providing a tense ten-minute dramatic sequence before the opening credits--a technique that is all but de rigueur today. The Desert Fox was based on the book by Brigadier Desmond Young, who narrates the film and appears as himself in the early scenes. ~ Hal Erickson, All Movie Guide

Dear Brat was the second sequel to the 1947 comedy hit Dear Ruth (the first sequel, in case you're interested, was Dear Wife). Mona Freeman is back as Miriam Watkins, still minding everyone's business but her own. This time around, Miriam "adopts" a criminal (Lyle Bettger) who claims he wants to go straight. The crook's presence does not sit well with Miriam's politician father (Edward Arnold), nor does it appear that the "lost sheep" has any real intention of reforming. Thanks to Miriam's influence, however, the criminal ends up being as good as his word. ~ Hal Erickson, All Movie Guide

Francis Goes to West Point is the third entry in Universal's money-spinning series about a talking mule. Donald O'Connor once again stars as Peter Sterling, who with the garrulous Francis' helps prevent the destruction of an atomic energy plant. As a reward, Peter is given a scholarship to West Point, where he quickly distinguishes himself as the military academy's biggest foul-up. Peter's future as an officer and a gentleman is saved by the timely arrival of Francis, who functions as the West Point football team's mascot. This time around, O'Connor is allotted two lovely leading ladies, played by Lori Nelson and Alice Kelly. Two of the West Point cadets are played by future TV favorites David Janssen and James Best. And as always, Francis' Southern-fried voice is supplied by Chill Wills. ~ Hal Erickson, All Movie Guide

In this swashbuckling adventure-satire, Kashma Baba's famous father Ali, sends the reluctant youth to military school to prepare him for the troubles ahead. Meanwhile, an evil Caliph kidnaps and enslaves an Arabian princess as part of his plan to steal Ali Baba's fabulous treasure. He then sends his new "slave' to Kashma's home. The Caliph tells the Shah, to whom the princess is betrothed, that Kashma has stolen her and that he will get her back. While staying with Kashma, the princess finds herself falling in love. When Kashma learns of the plot he and his buddies pick up their swords and begin trying to save her and retrieve his father's stolen treasure. ~ Sandra Brennan, All Movie Guide

Carrie is based on Sister Carrie, a novel by Theodore Dreiser. Dreiser's clumsy, unwieldy prose is streamlined into a neat and precise screenplay by Ruth and Augustus Goetz. Jennifer Jones stars as Carrie, who leaves her go-nowhere small town for the wicked metropolis of Chicago. Here she becomes the mistress of brash traveling salesman Charles Drouet (Eddie Albert), then throws him over in favor of erudite restaurant manager George Hurstwood (Laurence Olivier). Obsessed by Carrie, George steals money from his boss to support her in the manner to which he thinks she is accustomed. Left broke and disgraced by the ensuing scandal, Carrie deserts George to become an actress. Years later, the conscience-stricken Carrie tries to regenerate George, who has fallen into bum-hood. If Laurence Olivier seems a surprising casting choice in Carrie, try to imagine what the film would have been like had Cary Grant, Paramount's first choice, accepted the role. ~ Hal Erickson, All Movie Guide

1953's The Mississippi Gambler was the third Universal Studios film to bear this title--though with a different plot each time. Tyrone Power plays an all-around adventurer who cuts quite a swath through antebellum New Orleans. In between scenes of gambling, fist-fighting and swordplay, Power woos Piper Laurie, who chooses to marry wealthy Ron Randell; in turn, Power is wooed by Julie Adams, whose ardor is not reciprocated. The climax finds Power in a card table showdown with Ms. Laurie's ill-tempered brother John Baer. Mississippi Gambler is consistently good to look at, even when the storyline threatens to snap under the pressure. ~ Hal Erickson, All Movie Guide

Six GIs stationed in Asia secretly photograph the arcane rituals of a group of cobra worshippers. At the climax of the ceremony, the cult members turn themselves into snakes. The high priestess catches the soldiers spying and throws a curse upon them. This off-beat horror film follows what happens to the men after that. Soon after they return to the US, the vengeful priestess follows them and people begin to die from snake venom poisoning, adding credence to the strange tale told by a surviving GI to the police, who become less skeptical as more evidence is unearthed. More trouble follows when the serpentine goddess falls for the ex-soldier's roomie. ~ Sandra Brennan, All Movie Guide

Based on the novel by Kenneth M. Dodson, Away All Boats stars Jeff Chandler as a tough Navy captain who takes charge of a group of raw, undisciplined sailors during World War 2. To keep his men from getting on each other's nerves, Chandler makes himself the target of their excess hatred by assuming the pose of a rigid martinet who cares nothing about his crew's wellbeing. He finds an ally in lieutenant George Nader, who catches on to Chandler's "act" and helps him maintain discipline. The crew survives numerous Japanese air and sea attacks with flying colors. ~ Hal Erickson, All Movie Guide

Generous portions of The Secret Land, the 1948 documentary on the Byrd Antarctic Expedition, were worked into the action of The Land Unknown. Jock Mahoney and William Reynolds play Hal and Jack, leaders of an expedition to the South Pole. Along for the ride is girl reporter Maggie (Shawn Smith), over whose affections Hal and Jack constantly battle. Making a forced landing in the Antarctic, our intrepid explorers find that they've descended well below sea level. Before long, they are attacked by prehistoric beasts which have been preserved in this heretofore uncharted region. When not fending off Tyrannosauri and Pterodactyls, Hal, Jack, Maggie and copter pilot Steve (Phil Harvey) try to steer clear of an unwieldly carnivorous plant. Further complicating things is the presence of a long-lost, slightly demented scientist (Henry Brandon) who craves companionship...specifically the female companionship of Maggie. Its reasonably convincing special effects notwithstanding, The Land Unknown is much ado about nothing. ~ Hal Erickson, All Movie Guide

No sooner has he arrived in the town of Hollow Rock than Bret (James Garner) loses his money in a crooked poker game. Unfortunately, Bret can't go to the sheriff for help, since the sheriff was in on the swindle. But Bret is determined to get his money back, and he intends to use an upcoming Fourth of July horse race--and a stopwatch--to achieve his goal. This episode was originally slated to air on December 14, 1958. ~ Hal Erickson, All Movie Guide

In San Francisco, Bart (Jack Kelly) suspects that one of the town's leading citizens, Van Buren Kingsley, is a swindler. Before long, Kingsley shows his hand by arranging for Bart to get beaten up and shanghaied. In typical Maverick fashion, Bart tries to turn the tables on the duplicitous Kingsley by setting up a sting operation involving a cache of valuable diamonds. Watch for veteran character actor Sig Ruman, aka "Concentration Camp Ehrhardt" in the Jack Benny film To Be or Not to Be, in a supporting role. ~ Hal Erickson, All Movie Guide

This is the celebrated Maverick spoof of Jack Webb's Dragnet, complete with deadpan narration by protagonist Bret Maverick (James Garner). Travelling by stagecoach to the town of Apocalypse, Bret is in the middle of a blackjack game with a tinhorn gambler (John Vivyan) when the coach is held up an effusively friendly masked bandit, who wears distinctively colorful bandana. Subsequently endeavoring to recover his stolen money, Bret follows the trail of clues to a whiskey-loving cowpoke named Johnny Rain (William Reynolds), who honestly can't remember if he has been robbing stagecoaches while drunk. Dance hall gal Millie Reid (Dolores Donlon) is a key player in the "Just the facts, ma'am" intrigue. ~ Hal Erickson, All Movie Guide