Don Reynolds Movies

A woman who has come to a strange land is torn between the life she knows and the new life around her in this epic-scale historical drama. In 1854, New Zealand's indigenous Maori tribes were engaged in an ongoing battle to drive away European settlers eager to establish colonies in the nation's wilderness, which the Maori saw as a threat to their way of life. However, some outsiders had made a home in New Zealand with the cooperation of the Maori, and an Irish settlement had been established, with Francis (Stephen Rea), the colony's doctor, bringing his daughter Sarah (Samantha Morton) with him to this new land. Sarah becomes acquainted with the son of one of the Maori leaders, and in time their friendship grows into something deeper. When Sarah discovers she's pregnant with the chief's son's child, the father has been called off to fight against the Europeans, and by the time her son is born, his father is dead. Sarah raises her child, whom she simply calls "Boy," but when Boy reaches the age of six, he's abducted by his father's family, who believes he should grow up among the Maori. Fearing further reprisals, Francis returns to Ireland, but Sarah stays behind to care for the sick and look for her son. Years later, while in search of Boy, Sarah encounters Wiremu (Cliff Curtis), a Maori warrior whose father Te Kai Po (Temuera Morrison) is ill. When Wiremu learns that Sarah is well versed in medicine, he makes an offer -- if she will treat Te Kai Po and return him to health, he will find Boy. Sarah is able to cure Te Kai Po's ailment, and Wiremu returns the now-teenaged Boy (David Rawiri Pene) to his mother. Boy is not eager to leave behind the Maori people who have become his family, and he and Sarah stay with Te Kai Po's tribe for a while, but in time she is drawn back to the Irish colony, where she finds herself torn between Doyle (Kiefer Sutherland), the soldier who loves her and wishes to protect her, and Wiremu, who she has grown to love. ~ Mark Deming, Rovi

Adapted from a series of novels by science fiction icon Philip Jose Farmer, the made-for-cable Riverworld is set on a distant planet where famous historical characters are reincarnated in a young, attractive,and healthy form. After his death in a space accident, Earth astronaut Hale (Brad Johnson) is reborn on Riverworld, where, much to his amazement, he rubs shoulders with dozens of past celebrities, from Mark Twain to the Emperor Nero. Hale is told that anyone who has ever lived on Earth at any time in history is qualified to start life anew on Riverworld -- even if that person is a space alien who just happened to be Earthbound at the time of his demise. But before he can jump to the conclusion that Riverworld is the intergalactic version of Heaven, Hale quickly learns that all is not well in this faraway land. Greed, mistrust, and tribal warfare are the principal "industries" in Riverworld, with many of Earth's past villains (Nero, in particular) hoping to exploit their new lives in order to resume their wicked ways. Moreover, the residents are constantly monitored by a tribe of sinister, hooded figures who occasionally intervene in the action whenever they feel that things are getting out of control -- their control. Organizing a rebellion, Hale leads several other reincarnated souls on an arduous journey along the river that girdles the planet, hoping to learn the secret of Riverworld and convert its hellish aspects into something resembling paradise. Riverworld made its Sci-Fi Channel debut March 22, 2003. ~ Hal Erickson, Rovi

A Canadian-Australian co-production, the 20-episode adventure series Gold was set in New Zealand during that country's "gold rush" in the 1860s. The central character was Johnny Rogan (Yannick Bisson), an 18-year-old Canadian who accompanied his older brother to the Land Down Under in hopes of striking it rich. After his brother's death, Johnny pitched camp in the town of Dunstan, entering into a partnership with rogueish prospector Henry Garrick (Andy Anderson) and finding time to squire the local pubkeeper's daughter, Lily Owens (Lucy Bayler). Originally shown on Canadian TV through the auspices of Alliance Atlantis, Gold was later released to video in "feature film" form, with selected half-hour episodes stitched together and rechristened with such titles as Gold: A Fistful of Gold, Gold: The Merchants of Venus, and Gold: The World's a Play. ~ Hal Erickson, Rovi

Three Chinese miners head to New Zealand during the late 19th-century at the end of the island's gold rush in this drama. The trio is determined to find their wealth and eventually they do strike it rich. They believe their problems are finally over, but with their newfound riches come a whole new set of problems. ~ Sandra Brennan, Rovi

Although the ride is bumpy in places, there's an exciting journey offered by John Laing's fast-paced thriller. Three orphans have been best friends since their they were children; now they have decided to end their poverty-stricken existence by murdering an American drug courier in Auckland and then flying to Geneva to withdraw $5 million from his Swiss bank account. Richer but on very dangerous ground, the trio of thieves find themselves on the lead drug dealer's most wanted list. To make matters a bit more complex, one of the grown-up orphans falls in love with the ex-wife of the drug ring's head honcho. ~ Eleanor Mannikka, Rovi

New Zealand educator Sylvia Ashton-Warner (played by Eleanor David) is the subject of this informative and slightly uneven biography, based on the events in Ashton-Warner's adult life. During the 1930s Ashton-Warner moves to a remote village with her husband who has been appointed to be the headmaster in the school there. She tries to teach the Maori children but is having absolutely no luck at all -- that is especially discouraging considering that she is also fighting off culture shock and the effects of a recent emotional breakdown. Driven to find some solace in music, painting, and sculpting, she one day realizes she can use these types of creative activities as teaching tools -- and begins to develop an innovative way to reach her students. She is surprisingly successful, a fact which does not interest the all-male administrators at the school who insist she teach using traditional methods. The stand-off is severe enough that the men burn the manuscript for a new primer Ashton-Warner wrote, insisting later that this was an accident. No one seems to have come out a winner in Sylvia Ashton-Warner's battle with the provincial educators, least of all the students. ~ Eleanor Mannikka, Rovi

In this slow-paced (until the end), low-budget thriller with an excellent cast, Rosemary (Annie Whittle) is a normal mother involved in cross-country racing, who decides to leave her husband and two older children for six months to live in a remote section of the New Zealand coast, photographing and writing about penguins. Her family visits her on the weekends, and Francis, one of her friends, comes by fairly often as well. The problem is that Rosemary's two neighbors do not really want her around, and soon her beach shack is vandalized. When blood is smeared on her family photos, Rosemary has no doubt that someone is seriously out to do her harm unless she leaves -- but her work is not yet finished. Rosemary's isolation in the shack and her ominous neighbors build up to an exciting finale. ~ Eleanor Mannikka, Rovi

When their father dies at a sports event, a two young siblings attempt to bring his corpse back to his ranch in order to collect inheritance money in this dark comedy. ~ Kristie Hassen, Rovi

This gothic hillbilly horror thriller was produced in New Zealand and centers around a small rural town, circa 1953, where unusual events lead a teenager to cross paths with a serial killer. Ned (Jonathan Smith) and his pal Les (Daniel McLaren) are a pair of teens in trouble with local bullies after they steal some prize chickens. Their troubles are compounded by the arrival of a carnival, employing the sinister Salter (John Carradine), an evil magician and sideshow hypnotist. The presence of Salter seems to bring out the worst in the local citizenry, inspiring nascent lust and perversion to surface in disturbing ways, much of which is centered on Ned's nubile sister Prudence (Tracy Mann). When a girl is slain in the woods, the trial leads to Salter, who is not only guilty of the crime, but of many more. The Scarecrow (1982), based on the novel of the same name by Ronald Hugh Morrieson, was shown at the Cannes Film Festival. The film was the feature debut of co-writer and director Sam Pillsbury, who went on to direct numerous television movies and series episodes in the U.S. ~ Karl Williams, Rovi

This innocuous New Zealand-filmed "road" movie is buoyed by engaging performances and superb cinematography. The protagonists are young friends Gerry (Kelly Johnson) and Shirl (Claire Oberman) and their much-older travelling companion John (Tony Barry). The trio steals a car and hits the road. With the law on their trail, our heroes (and heroine) still manage to experience a steady flow of picaresque adventures. The huge supporting cast seems to be comprised of friends and relatives of the cast and crew, all of whom seem to be enjoying themselves. Luckily, their enthusiasm is contagious. ~ Hal Erickson, Rovi