Burt Reynolds Movies
Charming, handsome, and easy-going, lead actor and megastar
Burt Reynolds entered the world on February 11, 1936. He attended Florida State University on a football scholarship, and became an all-star Southern Conference halfback, but - faced with a knee injury and a debilitating car accident - switched gears from athletics to college drama. In 1955, he dropped out of college and traveled to New York, in search of stage work, but only turned up occasional bit parts on television, and for two years he had to support himself as a dishwasher and bouncer.
In 1957,
Reynolds's ship came in when he appeared in a New York City Center revival of Mister Roberts; shortly thereafter, he signed a television contract. He sustained regular roles in the series Riverboat, Gunsmoke, Hawk, and Dan August. Although he appeared in numerous films in the 1960s, he failed to make a significant impression. In the early '70s, his popularity began to increase, in part due to his witty appearances on daytime TV talk shows. His breakthrough film,
Deliverance (1972), established him as both a screen icon and formidable actor. That same year,
Reynolds became a major sex symbol when he posed as the first nude male centerfold in the April edition of Cosmopolitan. He went on to become the biggest box-office attraction in America for several years - the centerpiece of films such as
Hustle (1975),
Smokey and the Bandit (1977) (as well as its two sequels), The End (1978),
Starting Over (1979),
The Best Little Whorehouse in Texas (1982), and The Man Who Loved Women (1983). However, by the mid-'80s, his heyday ended, largely thanks to his propensity for making dumb-dumb bumper-smashing road comedies with guy pals such as Hal Needham (Stroker Ace, The Cannonball Run 2).
Reynolds's later cinematic efforts (such as the dismal Malone (1987)) failed to generate any box office sizzle, aside from a sweet and low-key turn as an aging career criminal in Bill Forsyth's Breaking In (1989). Taking this as a cue,
Reynolds transitioned to the small screen, and starred in the popular sitcom Evening Shade, for which he won an Emmy. He also directed several films, created the hit Win, Lose or Draw game show with friend Bert Convy, and established the Burt Reynolds Dinner Theater in Florida.
In the mid-'90s,
Reynolds ignited a comeback that began with his role as a drunken, right-wing congressman in Andrew Bergman's
Striptease (1996). Although the film itself suffered from critical pans and bombed out at the box office, the actor won raves for his performance, with many critics citing his comic interpretation of the role as one of the film's key strengths. His luck continued the following year, when
Paul Thomas Anderson cast him as porn director Jack Horner in his acclaimed
Boogie Nights.
Reynolds would go on to earn a Best Supporting Actor Oscar nomination, and between the twin triumphs of
Striptease and Nights, critics read the resurgence as the beginning of a second wind in the
Deliverance star's career, ala John Travolta's turnaround in 1994's Pulp Fiction.
But all was not completely well chez Burt. A nasty conflict marred his interaction with
Paul Thomas Anderson just prior to the release of
Boogie Nights. It began with
Reynolds's disastrous private screening of Nights; he purportedly loathed the picture so much that he phoned his agent after the screening and fired him. When the Anderson film hit cinemas and became a
success d'estime,
Reynolds rewrote his opinion of the film and agreed to follow Anderson on a tour endorsing the effort, but
Reynolds understandably grew peeved when Anderson refused to let him speak publicly.
Reynolds grew so infuriated, in fact, that he refused to play a role in Anderson's tertiary cinematic effort, 1999's Magnolia.
Reynolds's went on to appear in a big screen adatpation of The Dukes of Hazzard as Boss Hogg, and later returned to drama with a supporting performance in the musical drama Broken Bridges; a low-key tale of a fading country music star that served as a feature debut for real-life country music singer Toby Kieth. Over the coming years, Reynolds would also enjoy occasional appearances on shows like My Name is Earl and Burn Notice.
~ Nathan Southern, Rovi

- 1992
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A seven-part series that reviews and recreates the battles and sieges of the Civil War. Included are numerous artifacts and the words of participants. ~ Rovi
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- 1992
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Each episode of this series presents different battles of the war. Each uses reenactments, expert commentary, and readings by actors such as Burt Reynolds, Charlton Heston, and Richard Dreyfuss to bring the events of the war to vivid life. This episode of the series concentrates primarily on the events surrounding the fighting at Chancellorsville, where Stonewall Jackson was killed, and Gettysburg, probably the beginning of the end for the Confederacy. ~ Rob Ferrier, Rovi
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- 1992
-
- Add Smithsonian's Great Battles of the Civil War, Vol. 1 to Queue
Add Smithsonian's Great Battles of the Civil War, Vol. 1 to top of Queue
Each episode of this series examines different battles of this war. Each uses re-enactments, expert commentary, and readings by actors such as Burt Reynolds, Charlton Heston, and Richard Dreyfuss, to bring the events of the war to vivid life. This first episode covers the first months of the war. Battles covered include the bombardment of Fort Sumter, the First Battle of Bull Run, and Grant's dramatic capture of Fort Donelson. The program also covers the savage fighting that came to be known as Shiloh. ~ Rob Ferrier, Rovi
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- 1992
- R
- Add The Player to Queue
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Robert Altman takes a scalpel to Hollywood ethics in the 1990s (or the lack thereof) in his acidic satire The Player, adapted from Michael Tolkin's novel. (Tolkin also wrote the screenplay.) The film concerns a sleek and smooth Hollywood studio executive who starts receiving death threats from a disgruntled writer because he has committed the ultimate Hollywood sin -- he promised the writer he would call him back and he never did. This is particularly ironic because the studio executive, Griffin Mill (Tim Robbins), is considered "writer-friendly," spending his days listening to pitches from such noted screenwriters as Buck Henry, who is pushing "The Graduate, Part II" and Alan Rudolph, who is hawking a Bruce Willis action film described as "Ghost meets The Manchurian Candidate." But The Player finds Griffin's comfortable life style in danger of collapse. He is trying to find a way to unload his girlfriend (Cynthia Stevenson) whose independence and intelligence make her a poor candidate for a trophy wife. More importantly, it seems that Larry Levy (Peter Gallagher), a slippery executive from Twentieth Century Fox, is angling for his job. And then there are those nasty postcards and faxes from a screenwriter threatening to kill him. Altman cast over 65 stars in cameo roles as texture for his scabrous tale. ~ Paul Brenner, Rovi
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- Starring:
- Tim Robbins, Greta Scacchi, (more)

- 1991
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- 1991
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The last season for the Tampa Bay Bandits and the United States Football League was 1985. The team's owner John Bassett, one of the league founders, died of a brain tumor two months after the Bandit season ended. In this sports documentary, the inarticulate jocks manage to convey some sympathetic allegiance to their stricken owner and wonder out loud if they will ever play football again. There are some touching moments, but the football rhetoric will wear thin for those who are not die-hard fans of the sport. As usual, the fans are the ones who suffer when their beloved team folds or moves on. ~ Dan Pavlides, Rovi
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- 1990
- R
While working as a publicist, an average guy (Robby Benson) meets a girl (Karla DeVito, Robby's real-life wife), ends up marrying her and has a child (Lyric Benson, Robby's real daughter). Problems soon arise as the harried husband and father begins to crack under the pressure. ~ John Bush, Rovi
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- Starring:
- Robby Benson, Karla de Vito, (more)

- 1990
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- 1989
- R
- Add Breaking In to Queue
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In this comedy (which claims a strong pedigree -- it was written by John Sayles and directed by Bill Forsyth), Burt Reynolds plays Ernie, an aging career burglar who knows just about everything there is to know about breaking and entering. One night, Ernie has stealthily slipped into a home only to discover someone else is already there -- Mike (Casey Siemaszko), a guy in his early 20's who likes to sneak into other people's houses so he can raid their refrigerators and watch their televisions. Ernie is taken aback by Mike's recklessness, but is impressed by his skills; he's convinced the kids has the makings of a first-class thief, and offers to make him his protege. Mike agrees, and soon the two are working together, with Ernie trying to explain the importance of playing it as safe as possible while Casey follows every youthful impulse to make some fast money and throw it away just as quickly. Breaking In marked a change-of-pace role for Burt Reynolds, in which he acknowledged his age and played a character role instead of an action hero; the results garnered him some of the best notices of his career. ~ Mark Deming, Rovi
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- Starring:
- Burt Reynolds, Casey Siemaszko, (more)

- 1989
- G
- Add All Dogs Go to Heaven to Queue
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One of the most expensive of Don Bluth's animated cartoon features, All Dogs Go to Heaven was also among the most successful. Set in late-'30s New Orleans, the story centers upon a roguish German shepherd named Charlie B. Barkin (voice of Burt Reynolds), who is killed early in the proceedings by his business partner, Carface (voice of Vic Tayback). Charlie travels to Heaven, and is promptly warned that if he heads back to Earth, he can never return; he does decide to go back to Earth, however, to exact revenge on Carface, who has kidnapped Anne-Marie, a little orphan girl who can talk to Animals.
The film also includes the vocal skills of Dom DeLuise, Charles Nelson Reilly, Vic Tayback, Melba Moore, Loni Anderson, and a host of others. All Dogs Go to Heaven was the first production of the Dublin-based Sullivan Bluth Studios. ~ Hal Erickson, Rovi
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- Starring:
- Burt Reynolds, Judith Barsi, (more)

- 1989
- R
- Add Physical Evidence to Queue
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Though this police and courtroom drama did not do well at the box-office, some reviewers thought that the lead performances by Burt Reynolds and Theresa Russell were first-rate. Joe Paris (Reynolds) is a policeman suspended from active duty. He awakens from an alcoholic binge to discover that he is being charged for a murder he has no memory of. Jenny Hudson (Russell) is his court-appointed defense lawyer, a young feminist eager to prove herself in the courtroom. After some initial difficulties, the two cooperate to unravel the tangled circumstances behind the murder. Michael Crichton directed but did not collaborate on the story or screenplay. ~ Clarke Fountain, Rovi
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- Starring:
- Burt Reynolds, Theresa Russell, (more)

- 1988
- R
- Add Rent-A-Cop to Queue
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Tony Church (Burt Reynolds) is a Chicago detective who loses his job when he is blamed for the deaths of his fellow officers gunned down in a botched drug bust. He becomes a bodyguard to hooker Della Roberts (Liza Minnelli), the lone witness who can identify the killer (James Remar). Bernie Casey is Church's ill-fated partner Lamar, and Dionne Warwick appears briefly as the head of a call-girl ring in this unremarkable feature. ~ Dan Pavlides, Rovi
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- Starring:
- Burt Reynolds, Liza Minnelli, (more)

- 1988
- PG
The 1920s-era play The Front Page was about a Chicago reporter who wants to retire and get married but is tricked by his editor into doing one last story -- which proves to be complicated. It was made into a classic film in 1931 and inspired the 1940 hit movie His Girl Friday, in which the reporter was changed into a woman. Billy Wilder also remade the original film in 1974. Switching Channels is a 1988 remake of His Girl Friday, with Kathleen Turner in the starring role, which has now morphed into that of a cable television network news anchor, Christy Colleran. She wants to marry a rich and handsome sporting goods manufacturer, Blaine Bingham (Christopher Reeve) and move out of town. But her ex-husband, John L. Sullivan IV (Burt Reynolds), who is also her producer and boss, gives her one final assignment to try to keep her around. Her reporting leads her into an investigation of a jail escape that follows a botched-up execution. Writer Jonathan Reynolds updated the original material. ~ Michael Betzold, Rovi
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- Starring:
- Kathleen Turner, Burt Reynolds, (more)

- 1987
- R
Malone (Burt Reynolds) has been a "wet" operative for the CIA for many years, serving his country by performing assassinations. He is tired of his job and wants to get out of "the company" (as it is called) and live a normal life. He is looking along the Pacific Northwest for a place to settle down when his much-cherished classic Mustang breaks down outside the town of Comstock. He manages to get to a small gas station and is treated like family by a Vietnam veteran, who is the station's owner, and his daughter. They are suffering from the nefarious activities of a local bigwig (Cliff Robertson) to take over all the land in the city in a hare-brained development scheme. He soon runs afoul of the town sheriff, who is basically an employee of the developer, but eventually wins his respect. Meanwhile, the CIA is none too pleased to hear of Malone's intended retirement and send a succession of hit-men after him to ensure that he divulges none of their dirty secrets. Malone destroys the first two killers at some cost to his own well-being. The next assassin turns out to be a woman who is susceptible to his charms. Meanwhile, he has a thorough-going local scoundrel to put out of business. ~ Clarke Fountain, Rovi
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- Starring:
- Burt Reynolds, Cliff Robertson, (more)

- 1987
- R
- Add Heat to Queue
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Burt Reynolds stars as the bitter bodyguard and degenerate gambler Mex in this uneven action film. He wakes up hungover, vowing to rekindle his dream of leaving Las Vegas for good if he can just raise enough money. Mex divides his time working for the low-key millionaire Cyrus Kinnick (Peter MacNicol) at the casino and moonlighting as a paid enforcer. When Mex's pretty neighbor Holly (Karen Young) is attacked by a quartet of perverted thugs, Mex goes after gang leader Danny DeMarco (Neill Barry) and company. The feature was continually plagued by production problems, with three uncredited directors employed in addition to R.M. Richards. ~ Dan Pavlides, Rovi
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- Starring:
- Burt Reynolds, Karen Young, (more)

- 1986
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- 1986
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- 1985
- R
Burt Reynolds directed and starred in this actioner from an Elmore Leonard novel about an ex-con living dangerously close to the drug traffickers in Miami. When Stick (Reynolds) arrives in Miami just out of prison, an old buddy of his is murdered, sending Stick on a wild and complex journey to track down the killers. Along the way, he meets the attractive Kyle (Candice Bergen), has to deal with Chucky (Charles Durning in a blond wig and loud tourist shirts), a mob go-fer, and the albino Moke (Dar Robinson). In order to better zap his enemies, Stick gets a job as chauffeur to rich Palm Beach underworld figure Barry (George Segal) -- and the plot coils and twists from there until the bad guys get their due. ~ Eleanor Mannikka, Rovi
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- Starring:
- Burt Reynolds, Candice Bergen, (more)

- 1985
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- 1985
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This Western comedy is set in the early 1900's and features the inept duo of Ben (Roy Clark) and Booger (Mel Tillis). The two men visit a bank seeking a loan but carry a shotgun with them. Understandably, this gives the wrong impression to the bank staff and before they know it, they are being chased all over creation by the sheriff (Burl Ives) and an army captain (Glen Campbell). Several songs are interspersed with the chase scenes, and Burt Reynolds makes a cameo appearance as an ace poker player who cleans out Ben and Booger. ~ Eleanor Mannikka, Rovi
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- Starring:
- Mel Tillis, Burl Ives, (more)

- 1984
- PG
- Add Cannonball Run II to Queue
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(Burt Reynolds) as J.J. McClure takes off across the country again in this rickety sequel to Cannonball Run. A sheik has offered $1,000,000 to the first driver to reach a destination in Connecticut from Redondo Beach, California, inspiring J.J. and others to go for the gold. With cameos from more name performers than any dozen films together, (Frank Sinatra and the rat pack, Telly Savalas, Susan Anton, Shirley MacLaine, Jackie Chan, Sid Caesar, Marilu Henner, Catherine Bach, etc., etc., etc.), the movie becomes a pastiche and is executed as though no rehearsals were required, or ever happened. A disparate group of people racing to get a lot of money was first successfully exploited in It's a Mad, Mad, Mad, Mad World, a much better film, and with just as many cameos, in fact. ~ Eleanor Mannikka, Rovi
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- Starring:
- Burt Reynolds, Dom DeLuise, (more)

- 1984
- PG
- Add City Heat to Queue
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This standard, tongue-in-cheek, gangsters and good guys saga is carried on the star power and screen presence of Clint Eastwood as Lt. Speer, a taciturn, tough, play-it-by-the-book cop, and on Burt Reynolds as Mike Murphy, Speer's old friend in the force, now turned private eye but still a captivating rogue at heart. With a sub-text of playing their well-known screen personas off each other, Eastwood and Reynolds provide more than a surface interpretation of the characters that made them famous. After Murphy's partner is murdered, he focuses on pitting one mob boss against another in an attempt to have both mobsters kill each other. In the meantime, Lt. Speer -- who has never approved of Murphy's private detective business -- does not really know if Murphy is for or against the two top gangsters. Set in the era of speakeasies and Prohibition, an added layer of "film noir" can be discerned under the complex plot, verbal repartée, and episodes of toned-down violence (a kind of parody in themselves). Although this may not be the best film either star has made, it is still interesting to see them together on screen. ~ Eleanor Mannikka, Rovi
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- Starring:
- Clint Eastwood, Burt Reynolds, (more)