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Burt Reynolds Movies

Charming, handsome, and easy-going, lead actor and megastar Burt Reynolds entered the world on February 11, 1936. He attended Florida State University on a football scholarship, and became an all-star Southern Conference halfback, but - faced with a knee injury and a debilitating car accident - switched gears from athletics to college drama. In 1955, he dropped out of college and traveled to New York, in search of stage work, but only turned up occasional bit parts on television, and for two years he had to support himself as a dishwasher and bouncer.

In 1957, Reynolds's ship came in when he appeared in a New York City Center revival of Mister Roberts; shortly thereafter, he signed a television contract. He sustained regular roles in the series Riverboat, Gunsmoke, Hawk, and Dan August. Although he appeared in numerous films in the 1960s, he failed to make a significant impression. In the early '70s, his popularity began to increase, in part due to his witty appearances on daytime TV talk shows. His breakthrough film, Deliverance (1972), established him as both a screen icon and formidable actor. That same year, Reynolds became a major sex symbol when he posed as the first nude male centerfold in the April edition of Cosmopolitan. He went on to become the biggest box-office attraction in America for several years - the centerpiece of films such as Hustle (1975), Smokey and the Bandit (1977) (as well as its two sequels), The End (1978), Starting Over (1979), The Best Little Whorehouse in Texas (1982), and The Man Who Loved Women (1983). However, by the mid-'80s, his heyday ended, largely thanks to his propensity for making dumb-dumb bumper-smashing road comedies with guy pals such as Hal Needham (Stroker Ace, The Cannonball Run 2). Reynolds's later cinematic efforts (such as the dismal Malone (1987)) failed to generate any box office sizzle, aside from a sweet and low-key turn as an aging career criminal in Bill Forsyth's Breaking In (1989). Taking this as a cue, Reynolds transitioned to the small screen, and starred in the popular sitcom Evening Shade, for which he won an Emmy. He also directed several films, created the hit Win, Lose or Draw game show with friend Bert Convy, and established the Burt Reynolds Dinner Theater in Florida.

In the mid-'90s, Reynolds ignited a comeback that began with his role as a drunken, right-wing congressman in Andrew Bergman's Striptease (1996). Although the film itself suffered from critical pans and bombed out at the box office, the actor won raves for his performance, with many critics citing his comic interpretation of the role as one of the film's key strengths. His luck continued the following year, when Paul Thomas Anderson cast him as porn director Jack Horner in his acclaimed Boogie Nights. Reynolds would go on to earn a Best Supporting Actor Oscar nomination, and between the twin triumphs of Striptease and Nights, critics read the resurgence as the beginning of a second wind in the Deliverance star's career, ala John Travolta's turnaround in 1994's Pulp Fiction.

But all was not completely well chez Burt. A nasty conflict marred his interaction with Paul Thomas Anderson just prior to the release of Boogie Nights. It began with Reynolds's disastrous private screening of Nights; he purportedly loathed the picture so much that he phoned his agent after the screening and fired him. When the Anderson film hit cinemas and became a success d'estime, Reynolds rewrote his opinion of the film and agreed to follow Anderson on a tour endorsing the effort, but Reynolds understandably grew peeved when Anderson refused to let him speak publicly. Reynolds grew so infuriated, in fact, that he refused to play a role in Anderson's tertiary cinematic effort, 1999's Magnolia.

Reynolds's went on to appear in a big screen adatpation of The Dukes of Hazzard as Boss Hogg, and later returned to drama with a supporting performance in the musical drama Broken Bridges; a low-key tale of a fading country music star that served as a feature debut for real-life country music singer Toby Kieth. Over the coming years, Reynolds would also enjoy occasional appearances on shows like My Name is Earl and Burn Notice.
~ Nathan Southern, Rovi
1980  
 
This 1980 episode of Saturday Night Live is hosted by Burt Reynolds and features musical guest Anne Murray. ~ Skyler Miller, Rovi

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Starring:
Burt ReynoldsAnne Murray, (more)
 
1971  
 
In this detective drama, super police sleuth Dan August looks into two cases involving female murderers. ~ Sandra Brennan, Rovi

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1971  
 
Dan August: The Jealousy Factor relates two stories of two dead men, whose murders are passed off as crimes of random violence. In both instances, detective August (Burt Reynolds) deduces that jealousy rather than happenstance may have been at the bottom of the crime. The most suspicious case is the death of a wealthy man allegedly killed by a burglar, with Janice Rule guest-starring as a markedly nonmournful widow. Offered as a "TV movie" in the late 1970s, The Jealousy Factor was actually comprised of two separate episodes from the 1971-72 TV series Dan August. ~ Hal Erickson, Rovi

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1971  
 
In this episode of the murder mystery series, a police detective must cope after he learns that his friend is a murderer. A student also discovers that his fencing teacher is involved in a killing. ~ Sandra Brennan, Rovi

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1971  
 
When Burt Reynolds metamorphosed into the biggest star in Hollywood, many of his earlier efforts were sent back into distribution. The Relative Solution is one of several jerry-built "feature films", comprised of episodes from Reynolds' 1970 TV series Dan August. Our boy Burt, of course, stars as Santa Luisa (California) police detective Dan August, while Norman Fell, Ned Romero, Richard Anderson and Ena Hartman costar as Dan's professional cohorts. The two 60-minute episodes included in The Relative Solution are "Dead Witness to a Killing", originally telecast January 28, 1971, and "Days of Rage", which was first shown March 25, 1971. Martin Sheen and Monte Markham guest in "Dead Witness", in which an eyewitness to a murder committed by an ambitious assistant DA is killed by a sniper. Diana Hyland is seen in "Days of Rage", wherein a group of revolutionaries is victimized by a mysterious murderer. ~ Hal Erickson, Rovi

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1971  
 
The Killing Affairs is comprised of two one-hour episodes from the 1970 TV series Dan August. Burt Reynolds stars as August, a detective on the San Luisa (California) police force. The two episodes included herein deal with politics, scandal and murder . The better of the two is "The Manufactured Man", featuring guest stars Mickey Rooney and Billy Dee Williams. The Killing Affairs was one of several ersatz Dan August feature films released to TV in the late 1970s to capitalize on the enormous popularity of Burt Reynolds. ~ Hal Erickson, Rovi

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1970  
 
Though usually listed as a feature film, Murder My Friend is actually a pastiche of two 60-minute episodes of the 1970 TV series Dan August. Burt Reynolds stars as August, a detective on the Santa Luisa (California) police force. Though not originally intended to be shown in tandem, the two episodes included in this package are thematically linked: Both concern a volatile romance that places Dan August and his friends in jeopardy. "Bullet for a Hero" is the better of the two installments. In this one, a Medal of Honor winner is murdered; the prime suspect is the man's widow (Meg Foster), who is incensed by the fact that her husband had taken up with a Vietnamese girl. ~ Hal Erickson, Rovi

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1970  
 
L.G. Floran (Burt Reynolds) is released from prison after serving six years for manslaughter -- convicted of killing his own brother in a drunk driving incident in which he always denied being involved. He returns to his home, in the California wine country, hoping to put his life back together, but that won't be easy -- in the interim, his mother has died, but his hostile stepfather Keller Floran (Mevlyn Douglas) won't let him get anywhere near any inheritance he might have coming, or the home he grew up in. And the local law, led by police chief Wade Hamilton (Martin Balsam), is mostly arrayed against him, especially when Hamilton realizes that his married daughter Barbara (Suzanne Pleshette) is still attracted to L.G. Most of the town is convinced that L.G. got off too easy for killing his brother, and wouldn't mind someone evening the score -- add to that the presence of a bored (and randy) 17-year-old Holly Farnell (Jill Bennett), who is attracted to L.G.'s rebel, outcast persona; and Rudy LeRoy (Larry Storch), a nightclub owner whose testimony helped convict L.G. (and who has his thugs beat him up), and the stage is set for an explosive mix of violence and retribution that will touch almost everyone in L.G.'s hometown. ~ Bruce Eder, Rovi

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1970  
 
In this crime drama, a detective must find the poisoned bottle of whiskey that killed an alcoholic. He then begins looking for the man that raped and murdered a woman. ~ Sandra Brennan, Rovi

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1968  
 
When the skeleton of a shooting victim is unearthed by the Feds, Mafia functionary John Duqesne (a pre-superstardom Burt Reynolds) begins to tremble. He's currently trying to beat one murder rap,and now he's faced with charges for another killing ten years earlier. Further worrying Duquesne is the fact that the Mob has ordered the extermination of the one witness who could seal his doom--his ex-wife Irene (Diana Muldaur). ~ Hal Erickson, Rovi

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1968  
 
A female film editor falls in love with a handsome man while shooting the film Blue in Mexico in this off-beat romance that was never released theatrically. On video, the film is titled Iron Cowboy. ~ Sandra Brennan, Rovi

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1967  
 
This bloody spaghetti western (filmed entirely in Spain) tells the tale of how an Indian (Burt Reynolds), whose entire tribe was slain by Anglo outlaws, gets gruesome revenge upon them. ~ Sandra Brennan, Rovi

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Starring:
Burt ReynoldsNicoletta Machiavelli, (more)
 
1965  
 
Burt Reynolds appears in this episode as Red Hand, a rebellious young Apache chief who has jumped the reservation with his family. Jason McCord (Chuck Connors) hopes to avert an all-out war with the Indians by negotiating the peaceful surrender of Red Hand, but his efforts may be thwarted by the bloodlust of Apache-hating Major Lynch (Noah Beery Jr. in a rare villainous role). "Now Join the Human Race" was later cobbled together with scenes from the multipart Branded episodes "Fill No Glass for Me" and "Call to Glory" to form the direct-to-video "feature film" Blade Rider: Revenge of the Indian Nations. ~ Hal Erickson, Rovi

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1965  
 
Burt Reynolds is cast as psychotic criminal Mike Murtaugh, who with his partner Frankie Metro (James Farentino) hijacks a USMC weapons truck, killing a marine in the process. The FBI launches a nationwide search in hopes of stopping Murtaugh before he can either utilize the stolen weapons or sell them to an enemy power. A bulldozer is brought into play in the action-filled climax of this episode, in which Inspector Erskine (Efrem Zimbalist Jr.) seriously considers resigning from the FBI in favor of a more lucrative civilian job. ~ Hal Erickson, Rovi

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1965  
 
Set during the Vietnam war before U.S. involvement, this political drama tells the gripping story of an American operative who is sent to Saigon to protect the U.S. ambassador from an unknown assassin's bullet. ~ Sandra Brennan, Rovi

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1963  
 
Former streetcar conductor Julius Moomer (Jack Weston) aspires to be a highly paid TV writer, but he is handicapped by a severe talent deficiency. Julius' fortunes take a sudden upswing when, practicing a bit of black magic in his tiny apartment, he conjures up the ghost of William Shakespeare (John Williams). Unfortunately, not even Shakespeare's brilliance is any match for the formidability of bullheaded TV sponsors and network censors. A young Burt Reynolds steals the show as Brandoesque actor Rocky Rhodes, while star Jack Weston's wife Marge Redmond appears in a supporting role. Written by Rod Serling, "The Bard" was the last of the hour-long Twilight Zone episodes to be telecast; it first aired May 23, 1963. ~ Hal Erickson, Rovi

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Starring:
Jack WestonJohn Williams, (more)
 
1962  
 
The decision to expand Gunsmoke from 30 to 60 minutes during its seventh season may have made sense insofar as offering more in-depth storytelling and providing a larger forum for potential sponsors, but it didn't do much for the series' ratings. After riding high as America's top-rated series for four consecutive years, Gunsmoke dropped to third place during Season Seven, then plummeted to tenth place in Season Eight. In all fairness, however, this may have had less to do with the series' quality than its stiff NBC competition, Saturday Night at the Movies, as well as an overall flagging of audience interest in TV westerns (in 1960, nine westerns were listed among the Top Thirty programs; that number had dropped to five by 1962). That said, the series' eighth season still boasted the top-flight production and story values that had won the hearts and minds of viewers way back when Gunsmoke started in 1955. And if anything, stars James Arness (Matt Dillon), Amanda Blake (Miss Kitty), Milburn Stone (Doc) and Dennis Weaver (Chester) were delivering better and more realistic performances than ever. In fact, Dennis Weaver had decided that he had gotten all out of his Gunsmoke role than he would ever get, and had opted to leave the series, in hopes of landing a starring vehicle of his own. Although Chester was not entirely absent from the eighth season, he was nowhere to be found for the most part, obliging the writers to offer up a brace of potential replacments for the popular supporting character. The episode "Quint Asper Comes Home" introduces a young Burt Reynolds as the title character, a half-breed who has returned to Dodge to bury his murdered white father and to escort his Comanche mother back to her tribe. Although rampant prejudice and bigotry has turned Quint against the white race, he changes his mind by episode's end and set up a blacksmith shop in Dodge. In later episodes, Quint will assist his friend Matt Dillon in tracking down various miscreants, never officially deputized by always on call if he's needed. Burt Reynolds will remain with Gunsmoke on a recurring basis throughout the next three seasons. And in "Us Haggens", Ken Curtis, a popular singing cowboy and John Ford regular, is introduced in the role of Festus Haggen, a scraggly hillbilly who hails from a family of scoundrels, thieves and murderers--but who, adhering to his own peculiar set of values and brand of loyalty, casts his lot with lawman Matt Dillon and agrees to "go straight" in Dodge. It would, however, be several years before Festus would matriculate to full deputy--and full costar--status. At any rate, it wasn't possible during Season Three, due to the frequent reappearances of Dennis Weaver. Of the season's 38 episodes, the most intriguing is "I Call Him Wonder", which was clearly designed as the pilot for a spinoff series headlining guest star Ron Hayes. ~ Hal Erickson, Rovi

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Starring:
James ArnessAmanda Blake, (more)
 
1962  
 
After he is seen literally throwing his money away, eccentric businessman Gus Dalgran (Otto Kruger) is locked up in a mental instution. Dalgran's far from loyal employees decide to use his absence as an opportunty to double-cross him, whereupon he escapes--and then things really get out of hand! Can it be that Dalgran was merely feigning insanity to cover up the murder of his duplicitous nephew Kenneth (Don Dubbins)? And what clues will Perry Mason find while visiting the military base which also figures into the story? Featured in the cast is a young Burt Reynolds, as well as soap-opera veteran John Larkin, who had previously starred in the radio version of Perry Mason. ~ Hal Erickson, Rovi

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1961  
 
Based on Jenny Angel, a novel by Elise Oaks Barber, Angel Baby is a gloves-off study of the faith-healing racket. The title character, played by Salome Jens, is a mute whose speech is ostensibly restored by Bible-thumper George Hamilton. Angel Baby is then exploited on the evangelical circuit by crooked promoter Burt Reynolds (in his feature film debut). She becomes disillusioned, but her faith is restored when she apparently heals a crippled child. Any opportunity to see stage actress Salome Jens in one of her rare movie roles is always to be treasured; in this instance, Ms. Jens is backed up by an equally stellar supporting cast, including Mercedes McCambridge, Joan Blondell, and Henry Jones. ~ Hal Erickson, Rovi

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Starring:
George HamiltonMercedes McCambridge, (more)
 
1961  
 
In December of 1944, while the Battle of the Bulge rages in the Ardennes, the American 7th Army settles in to what most of its officers and men figure to be a routine and peaceful occupation of the Vosges-Alsace area. The region is mountainous and treacherous, and there are still German forces nearby, but everyone from division intelligence on down figures those forces to have been stripped to support the Ardennes offensive -- everyone except Col. Mark Devlin (Howard Keel), who keeps reminding everyone that the Germans would never leave their forces stretched that thin so near their own border; but his warnings fall on deaf ears. Meanwhile, at the front lines, an infantry platoon finds a woman wounded in the snow. Alexandra Bastegar (Tina Louise) is an Alsatian and speaks all the local languages and dialects, which is more than the American interpreters can do, and she's only too happy to help the people who rescued her -- except that she was shot as a cover and is working on behalf of the Germans. Can Devlin find the proof he needs of a German offensive-in-the-making before Alexandra completes her mission? ~ Bruce Eder, Rovi

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Starring:
Howard KeelTina Louise, (more)
 
1960  
 
Burt Reynolds appears in this episode as truck driver Bill Davis, who with his brother Andy is piloting a huge tanker through the desert. When the road is blocked by a stalled car, Bill and Andy climb out of their truck to offer assistance. The disabled auto turns out to be owned by a pair of kidnappers (Murray Hamilton, Robert Karnes) who are escaping with their female victim (Venetia Stevenson). Getting the drop on the Davis brothers, the kidnappers steal their tanker, leaving Bill, Andy and the girl to roast under the desert sun. Fortunately, good is rewarded and evil punished by episode's end -- with the fate of the villains proving most ironic in light of the "cargo" being hauled by the Davis boys. ~ Hal Erickson, Rovi

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