Maggie Renzi Movies

Celebrated writer and director John Sayles uses America's occupation of the Philippines at the dawn of the 20th century as an analogy for several more recent political and military blunders in this period drama. It's 1900, and Rafael (Joel Torre) is the leader of a village in the Philippine countryside. Rafael is well respected by the locals for his sense of decency and fair play, and as the United States military takes control of the islands, Lt. Compton (Garret Dillahunt) is eager to work with him in an effort to win over the people. However, since Rafael and Compton don't share a common language, they must use Padre Hidalgo (Yul Vázquez), a local preacher who doesn't trust the American colonizers, as an interpreter, while Compton's commander, Col. Hardacre (Chris Cooper), is openly contemptuous of the Filipinos. Meanwhile, as Rafael tries to maintain a fragile peace for his people, his brother Simon (Ronnie Lazaro) has organized a band of rebels determined to protect their homeland and drive the Americans out, and Rafael finds his loyalties sorely tested. Amigo received its world premiere at the 2010 Toronto International Film Festival. ~ Mark Deming, Rovi

The passing of a Mexican Jew whose appetite for life was stronger than his spiritual discipline makes for a difficult set of funeral arrangements in this comedy from filmmaker Alejandro Springall. Moishe (Sergio Klainer) was a happy-go-lucky guy living in Mexico City's Jewish quarter until the day he died -- appropriately enough while dancing at a party for a local Hebrew theater troupe. While Moishe was a man with plenty of friends, most of the folks he left behind to arrange his funeral don't have much good to say for him. Moishe's daughter, Esther (Raquel Pankowsky), has long been bitter about the fact that he cheated on her mother, and with a Gentile to boot. His son, Ricardo (David Ostrosky), didn't much care for his dad, and at the moment is more concerned about the unexpected pregnancy of his short-term girlfriend. Moishe's grandson, Nicolas (Emilio Savinni), was forced to flee Mexico after being convicted on drug charges; having returned home, he's become a reactionary Orthodox Jew with nothing good to say about Moishe's lifestyle. The local rabbi (Lenny Zundel) has his own ideas about how to conduct the funeral and mourning period, which don't agree with Moishe's view of the world. And Galia (Sharon Zundel) is too busy dealing with her new passion for her cousin Nicholas to focus on her grandfather's passing. Morirse Esta en Hebreo (aka My Mexican Shivah received its North American premiere at the 2006 New York Jewish Film Festival. ~ Mark Deming, Rovi

Writer and director John Sayles returns with another multi-layered look at an American community, subtly exploring how race, class, economics, and both national and regional history come together to shape people's lives. Plantation Island is a community on the coast of Florida; the island was once a notorious hotbed of segregationists, with most of the African-American population centered in the neighborhood of Lincoln Beach, while Delrona Beach is primarily home to white residents. Marly Temple (Edie Falco) is the sixth generation of her family to live in Delrona Beach, where she helps run a motel and cafe owned by her elderly and ill-tempered father (Ralph Waite) and drama instructor mother (Jane Alexander). Marly's former husband, Steve (Richard Edson), is a scruffy ne'er do well who's a sucker for get-rich-quick scams, while her current boyfriend, Scotty (Marc Blucas), is struggling to make something of himself as a golf pro. Meanwhile, Desiree Perry (Angela Bassett) is an actress who is returning to Lincoln Beach for the first time since she was a teenager, hoping to introduce her new husband, Reggie (James McDaniel), to her mother, Eunice Stokes (Mary Alice). Desiree was the center of a minor local scandal when she became pregnant as a teenager and moved away. Eunice has never quite forgiven her, while Flash (Tom Wright), Desiree's high school boyfriend and the man responsible, hasn't seen her since. Eunice is looking after Terrell (Alex Lewis), a troubled youth recently found guilty of arson, and Desiree and Reggie soon find themselves bonding with the misguided youth. In time, Delrona Beach and Lincoln Beach are brought together by a common concern; Greg (Perry Lang) and Lester (Miguel Ferrer) are representatives from a nearby resort community looking to expand, with Plantation Island looking like their most likely target. As homeowners debate whether to sell or stay put, local government officials and the town's business community argue the merits and faults of the resort's expansion into Plantation Island. Meanwhile, Marly becomes romantically involved with Jack (Timothy Hutton), a landscape architect affiliated with the developers who seems to believe his work is doing more harm than good. Sunshine State also features Mary Steenburgen, Alan King, and Bill Cobbs. ~ Mark Deming, Rovi

Writer/director John Sayles once again takes his audience to a place they may never have been before (this time both psychologically and geographically). Joe Gastineau (David Strathairn) lives in Juneau, Alaska, where his life has been stuck in neutral for about 25 years. When he was young, Joe was involved in an accident on a fishing boat that led to the death of two crewmembers, and he's never recovered from the blow. When Joe meets Donna De Angelo (Mary Elizabeth Mastrantonio), however, he starts to come out of his shell. Donna is a lounge singer who goes from job to job, wherever she can get work. Her life has been built around being able to pick herself up when she falls and learning to be comfortable wherever she lands -- a gift that her teenage daughter, Noelle (Vanessa Martinez), does not share. Donna and Joe become attracted to each other, and her example leads Joe to take a job on a boat again. However, just as Joe's life is starting to get back on track, his ne'er-do-well half-brother Bobby (Casey Siemaszko) arrives to ask Joe a favor. One disaster leads to another, and Joe soon finds himself stranded on an island with Donna and Noelle, trying to hide from a group of men out to kill him. Shot on location in Alaska by award-winning cinematographer Haskell Wexler, Limbo also features a soundtrack with a new song by Bruce Springsteen, "Lift Me Up"; Sayles directed three Springsteen music videos in the 1980s. ~ Mark Deming, Rovi

Reminiscent of a fine novel in depth and complexity, writer-director John Sayles' acclaimed drama uses the investigation of a 25-year-old murder as the framework for a detailed exploration of life in a Texas border town. The nominal center of the film is Sheriff Sam Deeds (the superb, subtle Chris Cooper), the chief law officer of the town of Frontera. The low-key Sam is also the son of the late Buddy Deeds (played in flashbacks by Matthew McConaughey), who also served as town sheriff and still maintains a legendary status for ousting the vicious, corrupt Charlie Wade (a memorably vicious Kris Kristofferson). The discovery of Wade's decades-old skeleton, however, calls this legend into question, and forces Sam to begin an investigation. During this search for the truth, Sam must come to terms with his own troubled emotions about his father and his still-lingering romantic feelings for Pilar (Elizabeth Peña), a Hispanic woman that Buddy had prevented him from seeing as a young man. Lone Star's scope encompasses not only this story but the whole town, addressing Pilar's difficulties as a schoolteacher, the conflict between incoming immigrants and border patrol officers, and the troubles faced by the African-American commander of the local military base. Sayles expertly moves between past and present, weaving his stories together to illustrate, as in his earlier City of Hope (1991), how the seemingly disparate parts of a community are in fact intimately interconnected. Raising issues of race, politics, and identity, Lone Star nevertheless focuses most of its attention on its complex, believable characters, well-performed by an excellent ensemble cast. One of the most financially successful of Sayles' low-key movies, Lone Star received glowing notices and an Academy Award nomination for Best Original Screenplay. ~ Judd Blaise, Rovi

With his trademark emphasis on character development and dialogue, writer/director John Sayles tells the story of May-Alice Culhane (Mary McDonnell), a New York soap opera actress left paralyzed by a car accident. As the film opens, she lies in a hospital bed, confused and scared, watching her own show on TV and shrieking, "That was supposed to be my closeup!" With no other options, she returns to her family's old and empty Southern home, where she drinks hard, offends every caregiver, and wallows in self-pity. Her outlook begins to changes with the arrival of Chantelle (Alfre Woodard), a nurse with her own life problems. The two gradually find a heartfelt connection with one another, and, as a result, their lives subtly change. McDonnell's work in Passion Fish earned her an Oscar nomination as Best Actress. ~ Norm Schrager, Rovi

Writer/director John Sayles' dramatization of the most infamous episode in professional sports -- the fix of the 1919 World Series -- is considered by many to be among his best films and arguably the best baseball movie ever made. This adaptation of Eliot Asinof's definitive study of the scandal shows how athletes of another era were a different breed from the well-paid stars of later years. The Chicago White Sox owner, Charlie Comiskey (Clifton James), is portrayed as a skinflint with little inclination to reward his team for their spectacular season. When a gambling syndicate led by Arnold Rothstein (Michael Lerner) gets wind of the players' discontent, it offers a select group of stars -- including pitcher Eddie Cicotte (Sayles regular David Strathairn), infielder Buck Weaver (John Cusack), and outfielder "Shoeless" Joe Jackson (D.B. Sweeney) -- more money to play badly than they would have earned to try to win the Series against the Cincinnati Reds. Sayles cast the story with actors who look and perform like real jocks, and added a colorful supporting cast that includes Studs Terkel as reporter Hugh Fullerton and Sayles himself as Ring Lardner. ~ Tom Wiener, Rovi

Based on a play by Kevin Wade, this comedy stars Brooke Adams as a television producer who demands commitment from her free-spirited lover (Ben Masters). ~ Jason Ankeny, Rovi

Director Jonathan Demme made one of his more conventional movies with Swing Shift, an examination of life on the American home front during WWII. Goldie Hawn, who also served as the film's producer, stars as Kay, a woman who takes a job on the line at a plant producing war planes after her husband goes off to fight in Europe. One of her coworkers is her best friend Hazel, played by Christine Lahti, whose performance earned an Oscar nomination and a New York Film Critics award. Kay falls in love with another coworker, Lucky (Kurt Russell), who couldn't enlist because of a weak heart. Kay's husband Jack (Ed Harris) comes home on leave and finds out that his wife has betrayed him. Lucky then decides to pursue Hazel, driving a wedge between the two best friends. ~ Michael Betzold, Rovi

College friends reunite for a New England summer weekend in this low-budget first feature by accomplished independent filmmaker John Sayles. A predecessor of the well-paced, character-driven films in Sayles' future, Secaucus Seven also looks ahead to the 1980s ensemble movies that it inspired, most notably Lawrence Kasdan's The Big Chill, which arrived in theaters three years later. As each friend arrives at the house (or travels to the house), characterizations build, dialogue expands, and the house (and film) are full of people getting reacquainted and re-examining themselves and each other. Sayles builds the plot by testing the characters' connections: Will these former radicals accept the uptight boyfriend of the well-loved politico? What happens when a couple splits up? How does the educated set treat the local blue-collars? Many critics cited Secaucus Seven in their decade-end list of the best films of the 1980s. ~ Norm Schrager, Rovi