Virginia Capers Movies

Popular African-American comedian Jo Jo Dancer is severely burned while free-basing cocaine. Producer/director/writer Richard Pryor insists that the movie is not autobiographical. While hovering between life and death, Dancer flashes back to his childhood, when he grew up in a brothel. Producer/director/writer Richard Pryor insists that the movie is not autobiographical. Dancer decides to become a comic, but has a great many difficulties rising to stardom until he begins making scatological comments about race relations. Producer/director/writer Richard Pryor insists that the movie is not autobiographical. As he rises to fame, Jo Jo has problems controlling his drug addiction and womanizing. Producer/director/writer Richard Pryor insists.....Well, you've caught on by now. If one were able to excise the excruciatingly boring "introspection" scene, Jo Jo Dancer, Your Life is Calling would stand as an excellent testimonial to Richard Pryor's cutting-edge comic brilliance. ~ Hal Erickson, All Movie Guide

Interwoven with scenes that are meant to grab attention by their stunning composition, this biographical look at Finland's violinist Arto Arsi is not so much a narration of his childhood and early years, as an attempt to artistically show what was happening inside his psyche during that time. Literally sold to a master teacher, Sergei Rippas (Tarmo Manni) by his mother when he was still a child, the violin prodigy was forcefully and strictly raised to practice, practice, and perfect his technique. Once an adult, Arsi finds a way to escape the rigors of a U.S. tour and drowns his overworked self in drink, or seeks out one-night stands, or otherwise lets off steam. The tightly-wound spring that has been coiled since he was forced into his grueling training and work sessions -- shown through symbolic images -- eventually snaps in a healthy way, freeing Arsi at last to continue on, simply for the love of music. ~ Eleanor Mannikka, All Movie Guide

In the conclusion of a two-part story, Jonathan (Michael Landon) assumes the earthly form of a physical therapist to help a promising young baseball player named Deke (Ken Olandt), who has been injured in a traffic accident, come to grips with the fact that he will never play pro ball -- and also prove to Deke that he is perfectly capable of participating in other forms of athletic competition. In this pursuit, Jonathan enlists the aid of Richard Halberstrom (played by Olympic gold-medal winner Bart Conner), the gymnast who was responsible for Deke's current plight. And in another development, Jonathan and his sidekick Mark (Victor French) endeavor to console Deke's father (Jim Haynie), who has been living vicariously through his son's athletic achievements. ~ All Movie Guide

In The Toy, director Richard Donner and screenwriter Carol Sobieski update the 1976 Pierre Richard farce Le Jouet as a vehicle for comedian Richard Pryor. Pryor stars as out-of-work journalist Jack Brown, who's hit with the sudden realization that his idle book writing won't pay a 10,000-dollar sum necessary to keep his house from going to auction. Desperate, he is improbably hired as a cleaning lady in the offices of rich businessman and newspaper magnate U.S. Bates (Jackie Gleason). Running afoul of Bates' quick temper, Jack gets the axe, but is later spotted goofing around in a Bates-owned toy store by Bates' bratty son, Eric (Scott Schwartz), who's spending his annual week together with his estranged father. Taking his father's offer that he may have "anything in the store" quite literally, the spoiled kid asks for Jack as his personal toy for the week. Initially unwilling to be treated as a possession, Jack soon agrees after Bates offers to pay him enough to climb out of debt. When Eric's idea of fun includes dumping buckets of booby-trapped oatmeal on Jack's head and riding down the stairs of his father's mansion with Jack riding shotgun in a miniature car, it tests both Jack's patience and his resolve. But Jack discovers that Bates is ignoring Eric, which strengthens the bond between them and prompts them to seek revenge on the big jerk. ~ Derek Armstrong, All Movie Guide

The authorities are placed on high alert when Lane Garrison (Blake Marison), advance man for a notorious assassin, is accidentally killed in an explosion a few days before a major political convention in Los Angeles. Among those monitoring the situation is medical examiner Quincy (Jack Klugman), who is dating reporter Kate Miles (Devon Ericson). It seems obvious to Kate that one of governmental officials scheduled to appear at the convention is slated for extermination--and the more Quincy listens to her theories, the more he begins to wonder just how much Kate really knows about what will happen next. Originally scheduled to air on March 4, 1981, this episode was filmed at LA's Ambassador Hotel, where Robert F. Kennedy was killed in 1968. ~ Hal Erickson, All Movie Guide

Season eight of the ABC Afterschool Special series gets under way with this powerful dramatization of an all-too-common dilemma. For the past six years, teenager Alexandria "Alex" Benton (Melissa Sue Anderson) has lived happily with her foster family, who hopes to adopt her. Suddenly and unexpecedly, Alex comes face to face with her natural mother. Forced to choose between the family that has loved and cared for her and a woman she doesn't even remember, Alex's confusion quickly degenerates into anger and resentment. The Emmy-winning Which Mother Is Mine is also available in a 30-minute VHS version titled My Other Mother. ~ All Movie Guide

While doing volunteer work at Willowdale, a sanitarium which houses convicted criminals who have been deemed mentally incapable of serving prison time, Quincy (Jack Klugman) hears rumors that some of the inmates are being forced to participate in illegal boxing matches. After the mother of a recently deceased inmate comes forward insisting that her son's "accidental" death was anything but, Quincy is all the more determined to find out what's really going on--and not surprisingly, imperils his own life in the process. This is one of a handful of fourth-season Quincy M.E. episode deemed worthy of three prime-time NBC telecasts. ~ Hal Erickson, All Movie Guide

Five on the Black Hand Side was released at a time when most black-oriented films were bloody action fests. In contrast, this low-budget effort, coproduced by actors Brock Peters and Michael Tolan, eschews exploitation for humanity and domestic drama. Leonard Jackson plays a barber who is also the domineering head of a middle-class African American family. Jackson is forced to rethink his values when his previously docile wife (Clarice Taylor) joins their three children in rebelling against her husband's retrogressive behavior. ~ Hal Erickson, All Movie Guide

Diana Ross plays the magnificent, tragic song stylist Billie Holiday, who while writhing in a strait jacket in a prison cell, awaiting sentencing on drug charges, reflects on her turbulent life. Raped in her youth by a drunk (Adolph Caesar), then compelled to work as a domestic in a Harlem whorehouse, Holliday is encouraged to try for a singing career by the bordello's pianist (Richard Pryor). She rises as high as it is possible to go in the white-dominated show business world of the 1930s, but can't handle the pressure and turns to narcotics. The film takes several liberties with the 44-year existence of "Lady Day." Among the Billie Holiday standards performed by Ross are "My Man," "I Cried for You," "Lover Man," "Them There Eyes," and the title song. ~ Hal Erickson, All Movie Guide

This Western action/comedy is told in the same tongue-in-cheek manner as its predecessor, Support Your Local Sheriff. Goldie (Marie Windsor), a madam, is a formidable woman, and Latigo Smith (James Garner) knows perfectly well that his disreputable ways will be trimmed considerably should she succeed in marrying him. Instead, he escapes from her and winds up in the town of Purgatory. The town's inhabitants have been expecting the arrival of Swifty Morgan (Chuck Connors), the famous gunfighter. All things being equal, Latigo is happy to be mistaken for Morgan's sidekick, while Jug May (Jack Elam) impersonates Morgan himself. ~ Clarke Fountain, All Movie Guide

When his grandson (played by real-life son Ethan Wayne) is kidnapped by scurrilous baddie Richard Boone, Big Jake (John Wayne) sets out to deliver the $1 million ransom. On the off-chance that there'll be gunplay, Jake brings along his sons Patrick Wayne and Chris Mitchum. Maureen O'Hara plays Jake's estranged wife and Bruce Cabot provides comedy relief as a scraggly Indian Scout. ~ Hal Erickson, All Movie Guide

In this romance, an ex-Marine begins looking for a fellow Vietnam vet in hopes of making it as musicians in New York. He does not realize it, but he is driving in stolen cars. After being chased by the police, he ditches the cars and hitchhikes the New York. By the time he arrives, his pal has already left. At the friend's former apartment, the Marine gets romantic with a hippie chick and begins singing in the Village where he finds audiences unreceptive. He then boards a bus where he meets a young woman on her way to marry a Marine who ends up refusing to marry her. Soon she and the musical Marine are traveling companions. They are accompanied by a trick chicken, and a midget. Just as he finally finds his friend, the girl states that she is pregnant and the honorable fellow offers to marry her, but she will not. Then her old fiancé appears and a fight ensues. She ends up going with him. When the singer finally gets his big chance, he sees the girl watching him and realizes they are in love. ~ Sandra Brennan, All Movie Guide

The movie opens as two outlaws are just being rescued from being hung as thieves by an old friend. They go their separate ways, but keep running into each other across the country on their way to California as they alternately are on the good and bad side of the law. Their rescuer becomes the infamous "Black Bandit," the nemesis of the Wells Fargo line, they work for the line and have to protect it. They decide to rob the line.... ad infinitum. Good working relationship between the actors makes this a much more comfortable movie than it might have been with the hackneyed plot line. ~ Tana Hobart, All Movie Guide