Peter Capell Movies

In a true story beginning in the year before the outbreak of WW II in France, Charlotte (Birgit Doll), a young woman sent to the safety of her grandfathers in the south of France by her Jewish family in Germany, starts to paint pictures that recall some of the terrors she has already known in Germany before leaving. The movie slips back and forth between the memories her paintings conjure up, and her life in France. At first, back in Germany, Charlotte was convinced that her own optimistic, romantic outlook would save her from all harm. But then that self-deception fades a little as her father, a doctor, is picked up by the Gestapo. Even though her father's release is finally secured by Charlotte's step-mother (an opera singer), the situation steadily deteriorates until her parents send her away in the hope that she will be better off in France. Once there, the harsh reality intrudes so much on her life that not even her paintings can afford her any solace. Her despair becomes stronger as the Nazi atrocities begin to multiply, affording her little real hope of survival. An epilogue to the movie tells the audience the fate of the real Charlotte, since the movie ends before that time. ~ Eleanor Mannikka, All Movie Guide

The plot of William Friedkin's suspense thriller originated with the same Georges Arnaud novel that inspired Henri-Georges Clouzot's French suspense classic The Wages of Fear (1953). Roy Scheider, Bruno Cremer, Francisco Rabal, and Amidou play four men who, for various reasons, cannot return to their own countries. They end up in a dismal South American town where an American oil company is seeking out courageous drivers willing to haul nitroglycerin over 200 miles of treacherous terrain. The four stateless men have nothing to lose -- and, besides, they'll be paid 10,000 dollars apiece, and be granted legal citizenship, if they survive. The suspense is almost unbearable at times, even outdistancing the tension level of The Wages of Fear in certain scenes. Sorcerer had all the earmarks of a moneymaker, but this picture bombed for a rather odd and silly reason: its glaringly inappropriate title. Fans of Friedkin's The Exorcist may have gone home disappointed that not one sorcerer ever rears its ugly head. ~ Hal Erickson, All Movie Guide

The ongoing plight of Russian Jewry serves as the backdrop for the Golan-Globus effort Escape to the Sun (Habricha el Hashemesh). Laurence Harvey is cast against type as Major Kirsanov, a nasty KGB officer who refuses to allow Soviet Jews Nina Kaplan (Josephine Chaplin, Charlie's daughter and Geraldine's sister) and Yasha Bazarov (Yuda Barkin) to emigrate to Israel. In desperation, Nina, Yasha and several others hijack a jetliner. Kirsanov foils the plan, but Nina and Yasha manage to escape--if you can call heading to the desolate Russian steppes an "escape." The actors are talented and the locations well chosen, but the script is a real let-down. ~ Hal Erickson, All Movie Guide

David McCallum stars in Hauser's Memory as scientist Hillel Mondoro. At the behest of the CIA, Mondoro willingly has himself injected with the brain fluid from a dying fellow scientist named Hauser. The purpose of this experiment is to preserve the missile secrets lodged in Hauser's memory banks. The result is a deadly liason between Mondoro and Hauser's pro-Nazi wife Anna (Lilli Palmer). Susan Strasberg costars as Mondoro's nonplussed wife Karen, while German film director Helmut Kautner alsos plays an important featured role. Made for television, Hauser's Memory premiered November 24, 1970. ~ Hal Erickson, All Movie Guide

Anneliese (Lisolellte Pulver) is the German consulate's daughter who is scheduled to marry rocket scientist Frank Green (Harald Leipnitz). Their ceremony is interrupted when Frank is called away to partake in a top secret mission at the request of NATO. Some humor is thrown in to lighten things up in this routine feature. ~ Dan Pavlides, All Movie Guide

Robert Goulet plays David March, an American traitor living in Germany during World War II. Allowed to travel freely within the Nazi hierarchy, March is privy to secrets that would spell his doom were he on "our" side. What the Nazis don't know (but we do) is that March is on our side: he's a secret agent, posing as a turncoat in order to relay Nazi war plans to the allies. His main goal is to destroy a secret weapons factory, but he still has time to romance German scientist Jo Ann Pflug and French chanteuse Christine Carrere. I Deal in Danger was comprised of three half-hour episode of the 1966 TV series Blue Light; the seamwork shows at times, but the film runs a lot more smoothly than most such pastiches. ~ Hal Erickson, All Movie Guide

In his last starring film (it was supposed to be his last film, but Ragtime came along in 1981), James Cagney plays Coca-Cola executive C.R. MacNamara. Assigned to manage Coke's West Berlin office, MacNamara dreams of being transferred to London, and to do this he must curry favor with his Atlanta-based boss, Hazeltine (Howard St. John). Thus, MacNamara agrees to look after Hazeltine's dizzy, impulsive daughter, Scarlett (Pamela Tiffin), during her visit to Germany. Weeks pass, and on the eve of Hazeltine's visit to West Berlin, Scarlett announces that she's gotten married. Even worse, her husband is a hygienically challenged East Berlin Communist named Otto Piffl (Horst Buchholz). The crafty MacNamara arranges for Piffl to be arrested by the East Berlin police and to have the marriage annulled, only to discover that Scarlett is pregnant. In rapid-fire "one, two, three" fashion, MacNamara must arrange for Piffl to be released by the Communists and successfully pass off the scrungy, doggedly anti-capitalist Piffl as an acceptable husband for Scarlett. MacNamara must accomplish this in less than 12 hours, all the while trying to mollify his wife (Arlene Francis), who has learned of his affair with busty secretary Ingeborg (Lilo Pulver).

Seldom pausing for breath, Billy Wilder's film is a crackling, mile-a-minute farce, taking satiric scattershots at Coca-Cola, the Cold War (the film is set in the months just before the erection of the Berlin Wall), Russian red tape, Communist and capitalist hypocrisy, Southern bigotry, the German "war guilt," rock music, and even Cagney's own movie image. Not all the gags are in the best of taste, and most of the one-liners have dated rather badly, but Cagney's mesmerizing performance holds the whole affair together. Billy Wilder and I.A.L. Diamond adapted their screenplay from an obscure play by Ferenc Molnár. Watch for Red Buttons in an unbilled cameo as a military policeman, and listen for the voice of Sig Rumann, emanating from the mouth of actor Hubert Von Meyerinck (the Count von Droste-Schattenburg). ~ Hal Erickson, All Movie Guide

Greedy family members engage in bitter infighting over the ownership of a circus. It all begins as a ruthless, corrupt father gets in trouble with the law leaving all but his youngest sons to begin a vicious battle over the business. This is the third variation of Jerome Weidman' novel I'll Never Go There Any More. The other two are Broken Lance, a western version, and House of Strangers, set in the big city. ~ Sandra Brennan, All Movie Guide

For some reason, European filmmakers are irresistibly attracted to the notion of sex and betrayal under the big top. The Austrian/German Hippodrome stars Gerhard Riedmann as a circus tiger trainer, hopelessly in love with ballerina Margit Nunme. The girl plays up to Riedmann so that she can join his act. The trainer is transferred to another circus, so Margit takes up with sharpshooter Willy Birgel. When Riedmann returns, the jealous Birgel drugs his tigers, then kills himself when he's found out. ~ Hal Erickson, All Movie Guide

The career of rocket scientist Wernher von Braun (Curt Jurgens) is the focus of this film. Supposedly bullied by the Nazis into working for the Third Reich, the end of the war leaves the rocket man with a decision to take his talents to either Russia or the United States. He chooses the U. S., but controversy follows the gifted scientist wherever he goes. Some resent his collaborations with the Nazis, while others in the government are more than willing to turn their heads in deference to his genius. ~ Dan Pavlides, All Movie Guide