Karel Reisz Movies
Czech-born Karel Reisz was 12 when his father, a Jewish lawyer, felt it expedient to bundle his son to England before Hitler entrenched himself in the Sudetenland. Sadly, Reisz ended up the only member of his family to survive the Holocaust. Educated at the Quaker's Leighton Park School, Reisz served with the RAF, then became a chemistry student at Cambridge. After two years as a teacher in the London school system, Reisz began writing film criticism for such specialized magazines as Sight and Sound. With fellow future director Lindsay Anderson, Reisz founded the influential film periodical Sequence. After the publication of his book The Technique of Film Editing (a remarkably incisive effort, considering that he'd never set foot on a movie soundstage), Reisz was a firmly established leader of Britain's Free Cinema movement; he got a chance to put his theories in practice when he and Tony Richardson co-directed the influential "night life" documentary Momma Don't Allow (1955). He turned to non-documentary filmmaking with his first solo feature, Saturday Night and Sunday Morning (1960), essentially an outgrowth of the disenfranchised-youth theme he'd previously explored in Momma Don't Allow. Most of his later films were celebrations of eccentric individualism, such as Morgan! (1966), Isadora (1968), and The Gambler (1974). In 1981, Reisz, together with scenarist Harold Pinter, met and mastered the challenge of translating John Fowles' complex novel The French Lieutenant's Woman to the screen. Twice married, Karel Reisz's second wife was actress Betsy Blair, best known for her portrayal of the "dog" heroine in Marty (1955). ~ Hal Erickson, All Movie Guide
Private investigator Tom O'Toole (Nick Nolte) is reluctant to take on a case offered to him by cryptically offbeat Angela Crispini (Debra Winger), but he lets himself be seduced by her. Angela believes that Felix Daniels (Frank Military) was wrongly convicted of murdering his uncle. As O'Toole learns more about the crime, he becomes convinced that Felix was framed by corrupt local officials, including States Attorney, and old rival, Charlie Haggerty (Frank Converse). O'Toole also falls in love with Angela, who increasingly appears to be a psychologically disturbed woman who may have been involved with several of the principals. When Angela admits that she doesn't always know when she is telling the truth, she speaks to O'Toole's predicament and the film's theme: the dangers of relying on an unreliable narrator. ~ Steve Press, All Movie Guide
- Starring:
- Debra Winger, Nick Nolte, (more)
Patsy Cline was one of the first great female stars of country music, and her best-known hits (such as "Sweet Dreams" and "Walking After Midnight") not only broadened the audience for country but brought a new sophistication to the Nashville sound. Cline was at the peak of her popularity when she died in a plane crash in 1963, and Sweet Dreams is a biopic which examines her life and career, with a particular focus on her troubled relationship with her second husband, Charlie Dick. Cline (played by Jessica Lange) is unhappily married and playing small-time gigs in West Virginia when she meets Dick (Ed Harris), whose charm and aggressive self-confidence catch her attention. In time, Cline leaves her husband to marry Dick, and she gives up music to focus on raising their children. But after Dick goes into the Army, Cline begins singing again, and after joining forces with manager Randy Hughes (David Clennon), Cline becomes a rising star on the country music scene. However, Cline's success fuels her self-confidence, much to Dick's annoyance, and he becomes increasingly abusive (both physically and emotionally) as she attempts to assert her independence. Rather than attempt to re-create Patsy Cline's vocals, Jessica Lange instead opted to lip-synch with Cline's original recordings. ~ Mark Deming, All Movie Guide
- Starring:
- Jessica Lange, Ed Harris, (more)
John Fowles' original novel The French Lieutenant's Woman was distinguished by a literary technique that involved telling a story of Victorian sexual and social oppression within the bounds of a 1970s viewpoint. How does one convey this time-frame dichotomy on film? The decision made by director Karel Reisz and Harold Pinter was to frame Fowles' basic plot within a "modern" context of their own making. While we watch as Sarah (Meryl Streep), a 19th-century Englishwoman ruined by an affair with a French lieutenant, enters into another disastrous relationship with principled young Charles (Jeremy Irons), we are constantly made aware that what we're seeing is only a film. This is done by surrounding the story with a modern narrative, focusing on a movie production company which is on location--filming The French Lieutenant's Woman. Meryl Streep doubles in the role of Sara and the American actress who plays her, while Jeremy Irons essays the dual role of Charles and the handsome Briton playing Charles. Likewise, everyone else in the cast is seen as "themselves" and as their French Lieutenant's Woman characters. Not surprisingly, the "real" Streep and Irons enter into an affair which closely parallels their characters' relationship. The commercial TV version of French Lieutenant's Woman eliminates 30 minutes' worth of "extraneous" scenes. ~ Hal Erickson, All Movie Guide
- Starring:
- Meryl Streep, Jeremy Irons, (more)
Thoroughly disillusioned by the Vietnam War, John, a journalist (Michael Moriarty), turns to heroin smuggling. Acting as John's go-between is the equally burnt-out Ray (Nick Nolte), who delivers the narcotics stateside to the journalist's wife, Marge (Tuesday Weld). Soon, however, Ray and Marge are on the lam, chased down by the minions of crooked narcotics agent Antheil (Anthony Zerbe). Who'll Stop the Rain? was based on Robert Stone's award-winning novel Dog Soldiers. ~ Hal Erickson, All Movie Guide
- Starring:
- Nick Nolte, Tuesday Weld, (more)
James Toback made his screenwriting debut with this taut drama, loosely adapted from the story by Dostoevsky. Axel Freed (James Caan) is an intelligent and well-respected professor of literature at a noted New York university, who uses great writing as a springboard for examining moral and philosophical issues in his class. But when he's not in front of the chalkboard, Axel has a serious problem -- he's hopelessly addicted to gambling. Axel will bet on almost anything, and while he lives for the heady rush of winning, it doesn't happen all that often, and Axel's latest losing streak has put him in debt to his bookies to the tune of $44,000, more than a college professor could hope to pay in 1974. Even after tapping his mother (Jacqueline Brookes), his grandfather (Morris Carnovsky), and his girlfriend (Lauren Hutton) for cash, Axel still owes thousands to his bookie Hips (Paul Sorvino), who is quickly losing his patience with Axel, especially when he learns after he finally scored a major winning streak, rather than paying off his bills he used the money to keep gambling ... and lost it all, leading to visits from an increasingly threatening series of underworld "collectors." The Gambler also features supporting performances from Burt Young, James Woods, and M. Emmett Walsh. ~ Mark Deming, All Movie Guide
- Starring:
- James Caan, Paul Sorvino, (more)
- 1968
Vanessa Redgrave stars in this film biography of the free-spirited modern interpretive dancer Isadora Duncan. Trained in classical dance, Duncan shattered the traditional conformities in her art and her personal life. The film begins at the end of her life as she recalls the past while dictating her memoirs to her male secretary. Her uninhibited sexuality and insistence on personal freedom and expression shocked more conservative and narrow-minded patrons and audiences. She brought in elements of classic Greek dance during the height of the jazz age and had children in and out of wedlock. Married to sewing-machine heir Paris Singer (Jason Robards) and the Russian poet Sergei Essenin (Ivan Tchenko), her life was a rollercoaster ride of success and tragic failures. Two of her children drowned when her chauffeur left the car unattended and the vehicle plunged into a river. Duncan lived by her own rules, often shunned by the very people who had so passionately embraced her pioneering efforts in dance, women's liberation and free thinking. Redgrave was nominated for an Oscar for her performance. ~ Dan Pavlides, All Movie Guide
- Starring:
- Vanessa Redgrave, John Fraser, (more)
A classic 1960's cult film in the British "angry young man" tradition, the hero of this film from Czech director Karel Reisz is more lunatic than agitator. Morgan Delt (David Warner) is an artist from a working class background, married to Leonie (Vanessa Redgrave), a woman far above him in social standing. Given to a rich fantasy life to begin with, Morgan goes off the mental deep end when Leonie informs him that she's asking for a divorce and taking up with art dealer Robert Stephens (Charles Napier), a man more befitting her class. Thoroughly gone around the bend, Morgan enacts a series of bizarre gags and stunts in a campaign to win Leonie back, including putting a skeleton in her bed and crashing her wedding dressed as a gorilla. His antics eventually get Morgan arrested and committed to an asylum, where he embraces his mother's ardent communist beliefs. Redgrave was Oscar nominated for Best Actress for her role, her feature film debut. ~ Karl Williams, All Movie Guide
- Starring:
- Vanessa Redgrave, David Warner, (more)
- 1964
Albert Finney stars in this second film version of Emlyn Williams thriller about an innocent looking but psychopathic killer named Danny. Danny is a Welsh hotel bellboy who commits an axe murder near the home of Mrs. Bramson (Mona Washbourne), a well-to-do widow. Danny disposes of the body in a nearby lake and charms Mrs. Bramson and her maid Dora (Sheila Hancock) into allowing him to stay with them. At Mrs. Bramson's home, Danny plays psychological games with Mrs. Bramson while seducing her daughter Olivia (Susan Hampshire). Meanwhile, alone in his room, Danny engages in strange rituals with the severed heads of his victims, which he keeps in a black hatbox. But the police have uncovered the axe and the headless corpse from the lake, and the authorities begin closing in on Danny, whose psychopathic tendencies are beginning to manifest themselves at Mrs. Bramson's home. ~ Paul Brenner, All Movie Guide
- Starring:
- Albert Finney, Susan Hampshire, (more)
Adapted by David Storey from his own novel, This Sporting Life stars Richard Harris as Frank, an athletic coal miner who aspires to the greener pastures of professional rugby. Soon establishing himself as one of the most brutal and arrogant players in the business, Frank begins to amass a fortune. He also falls in love with his landlady, Mrs. Hammond (Rachel Roberts), who initially resists his advances. When she finally gives in, their relationship hinges on sex alone, as Frank practically begs Mrs. Hammond to give of herself emotionally and she remains incapable. At the wedding ceremony for one of Frank's teammates, Mrs. Hammond unexpectedly lashes out at her swaggering lover. They split up, but Frank, who until now has equated happiness with wealth, is unable to get over the permanent loss. In the end, with nothing else left, all of Frank's self-worth becomes contingent on his rugby performances, though Frank and the other players are exploited to such a degree that this also proves disastrous. Widely regarded as one of the finest British feature films ever produced, the gritty and bleak This Sporting Life not only marked former documentary filmmaker Lindsay Anderson's first feature, but became one of the harbingers of the "Angry Young Man" school of filmmaking. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Harris, Rachel Roberts, (more)
- 1961
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"All I want is a good time. The rest is propaganda." That's the philosophy of archetypal British "angry young man" Arthur Seaton (Albert Finney). A middle-class working stiff in a dead-end job, Arthur's principal goal in life is to survive the work week, then spend the weekend raising as much hell and drinking as much beer and other liquor as possible. Since pleasure is all that Arthur lives for, he thinks nothing of starting up an affair with the wife (Rachel Roberts) of one of his co-workers (Bryan Pringle). His efforts to secure her an abortion when he gets her pregnant stem not out of concern for her but out of his own selfishness: why should he be tied down with a squalling brat? Despite his carousing and his ongoing desire to escape the dull routine of his weekday existence, Arthur is doomed to perpetuate that routine via his marriage to a complacent "nice" girl (Shirley Ann Field) from his own neighborhood. ~ Hal Erickson, All Movie Guide
- Starring:
- Albert Finney, Shirley Ann Field, (more)
